port loh... · 2020-05-15 · kory bieg, marla smith | fall 2019 & fall 2017 assisted on...

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6'-8"

4'-7"

4'-8"

33'-8"

8'-11"

3'-2"

2'-6"

2'-6"

12'-1"

5'-2"

5'

6'-11"

7'-1"

3'-11"

11'-5"

18'-8"

5'-11"

7'-11"

36'-7"

35'

42'-2"

11'

10'-3"

12'-5"

17'-2"

12'-7"

12'-11"

14'-1"

7'-1"

17'-3"

11'-4"

108°

135°

149°

168°

57°

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112°

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102°

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155°

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149°

174°

119°

9'

6'-10"

8'-2"

9'-7"

23'-8"

18'-3"

3'-6"

1'-9"

10"

14'-3"

7'-7"

7'-4"

11'-2"

18'-7"

42'-1"

2'-2"

11'-6"

3'-4"

10'-11"

9'-8"

10'-1"

6'-7"

7'-2"

6'-5"

6'-2"

8'-2"

7'-5"

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PRODUCED BY AN AUTODESK STUDENT VERSION

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Selected Work

6'-8"

4'-7"

4'-8"

33'-8"

8'-11"

3'-2"

2'-6"

2'-6"

12'-1"

5'-2"

5'

6'-11"

7'-1"

3'-11"

11'-5"

18'-8"

5'-11"

7'-11"

36'-7"

35'

42'-2"

11'

10'-3"

12'-5"

17'-2"

12'-7"

12'-11"

14'-1"

7'-1"

17'-3"

11'-4"

108°

135°

149°

168°

57°

22°

112°

112°

102°

118°

155°

154°

149°

174°

119°

9'

6'-10"

8'-2"

9'-7"

23'-8"

18'-3"

3'-6"

1'-9"

10"

14'-3"

7'-7"

7'-4"

11'-2"

18'-7"

42'-1"

2'-2"

11'-6"

3'-4"

10'-11"

9'-8"

10'-1"

6'-7"

7'-2"

6'-5"

6'-2"8'-2"

7'-5"

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67°

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44°36°

142°

151°

153°

180°

164°

177°

171°102°

78°3°

103°

173°

90°

178°

59°

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62°90°

94°

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6'-8"4'-7"

4'-8"

33'-8"

8'-11"

3'-2"

2'-6"

2'-6"

12'-1"

5'-2"

5'

6'-11"

7'-1"

3'-11"

11'-5"

18'-8"

5'-11"

7'-11"

36'-7"

35'

42'-2"

11'

10'-3"

12'-5"

17'-2"

12'-7"

12'-11"

14'-1"

7'-1"

17'-3"

11'-4"

108°

135°

149°

168°

57°

22°

112°

112°

102°

118°

155°

154°

149°

174°

119°

9'6'-10"

8'-2"

9'-7"

23'-8"

18'-3"

3'-6"

1'-9"

10"

14'-3"

7'-7"

7'-4"

11'-2"

18'-7"

42'-1"

2'-2"

11'-6"

3'-4"

10'-11"

9'-8"

10'-1"

6'-7"

7'-2"

6'-5"

6'-2"

8'-2"

7'-5"

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67°

106°164

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86°

116°

156°

87°

153°

44°

36°

142°

151°

153°

180°

164°

177°

171°102

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78°

3°

103°

173°

90°

178°

59°

90°

62°90°

94°

55°

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port folio

C O N T A C T 2406 Arbor CtIrving, Texas 75060

[email protected]

E D U C A T I O N

University of Texas at AustinMaster of ArchitectureDecember 2019GPA: 3.925

University of Texas at ArlingtonBachelor of Science in ArchitectureSumma Cum LaudeMay 2015GPA: 3.97

Green Building Certification Institute ( GBCI)LEED Green Associate2015-2017

H O N O R S A N D A W A R D S

AIA Fort Worth Student Design Competition | Merit | 2019Robert Leon White Memorial Fund | 2019-2020UTSoA Design Excellence Award Winner | Fall 2017 & Fall 2019Two Sides of the Border Exhibition at Yale University |2018AIA Fort Worth Student Design Honor Award | January 2018Mebane Travel Scholarhip | Spring 2018 & Fall 2019Yvette Adkinson Memorial Scholarship | Fall 2016UTSoA Dean Ambassador | Spring 2017- CurrentISSUE Publication | Fall 2016, Spring 2017, Fall 2018,41st Ken Roberts Architecture Delineation Competition Finalist| 2016UTA Faculty Commendation Award | Spring 2015HKS Inc. Design Fellowship XI 2014 Winner | Fall 2014Tau Sigma Delta Architecture Honor | 2012-currentUTA Academic Achievement Scholarship | 2012-2015

P R O F E S S I O N A L S K I L L S

Au t o d e s k R e v i tAu t o d e s k Au t o c a dAu t o d e s k 3 D s M a xA d o b e P h o t o s h o pA d o b e I l l u s t r a t o rA d o b e P r e m i e rA d o b e I n d e s i g nA d o b e L i g h t r o o m

L A N G U A G E S

E n g l i s h , C h i n e s e M a n d a r i n , M a l a y

P R O F E S S I O N A L E X P E R I E N C E

SnøhettaProfessional Residency | July 2018- July 2019

Design Intern of the New York City Office. Assist on project design encompassing masterplanning, concept de-sign, schematic design and visualization. Primary project consist of a large scale cultural and landscape project in Honolulu,Hawaii,Austin, Texas and Decorah, Iowa.

Spaces and Places Design CollaborativeContract Worker | 2016-2018Responsible for conceptual design, digital visualization, construction drawings and construction administration.

Architecture DemarestDesign Intern | 2015- 2016Member of the Dallas Office. Responsible for Schematic design, digital visualization, construction drawings and gen-erating marketing strategies with marketing department

T E A C H I N G

University of Texas at Austin Graduate Teaching Assistant Visual Communication IIIKory Bieg, Marla Smith | Fall 2019 & Fall 2017Assisted on teaching course covering digital modeling and fabrication using Rhino 3D, Grasshopper and Revit with an emphasis on design communication.

Graduate Teaching Assistant Construction IVMatt Fajkus | Spring 2018 Instruct weekly lab session, generate and grade homeworks, projects and exams of approximately 25 students.

University of Texas at ArlingtonStructure IV TutorDr. Madan Mehta | Spring 2015Instructed weekly tutor session, generated and graded assignments and exams of approximately 30 students.

R E F E R E N C E S

Matt McMahonDirector, Architect, Landscape [email protected]

Takeshi TornierProject Manager Senior Designer, [email protected]

Vincent L. Snyder Professor of [email protected]

R h i n o c e r o s 3 D G r a s s h o p p e rL u m i o nS k e t c h u pVr a yH a n d D r a w i n gM o d e l M a k i n g

MONASTERY OF REFUGE | 2017

HANNA SPRING SPA | 2017

HORIZON SHIFT | 2017

PROJECT SELECTIONRESUME

BIOME TUNDRA | 2015

BLANTON MUSEUM OF ART | 2019

CENTRO DE LUTO Y MEMORIA | 2018

ACADEMIA DELLE SCIENZE | 2014

NEAL S. BLAISDELL CENTER | 2018

RHIZOPHORIA | 2014

VESTERHEIM | 2019

QUITO WATER SPECULATION | 2019

INTERLACE | 2017

p. 4 p.5

Decorah, Iowa

Duration : 6 months( December 2018- July 2019)

Design Office: Snøhetta

Team Members:(Michelle Delk, Matt McMahon, Takeshi Tornier,

Yuan Zhuang, Amanda Coen, Catherine Shih)

VESTERHEIM

Vesterheim is the national Norwegian-Amer-ican museum and heritage center. Founded in 1877, the institution boasts its extensive archive on Nor-wegian-American immigrant, its open air divi-sion comprises a significant collection of historical structures and its folk art school. Situating on the historical main street within a limestone bluff-lined valley carved by the Upper Iowa River, unobstructed view to the leafy and rocky vistas to the bluffs. Each year in the summer, locals and tourists gather at Vesterheim to celebrate the annual Nordic Fest to commemorate the traditional customs and culture of Scandinavian countries. The year of 2025 marks the bicentennial of the first Norwegian immi-grants generation’s arrival in North America. As the historical milestone approaches, Vesterheim calls for a masterplan to envision a wholistic, welcoming cam-pus. The vision of the masterplan pays homage to the Norwegian-American heritage but also celebrates con-tribution and diversity brought by the immigrants to the country .

Exterior perspective of the museum from Water Street.

p. 6 p.7

Site Improvement - Glades

G1 CafeG2 Working GalleryG3 Interpretive GalleriesG4 Great Lawn / AmphitheaterG5 MillG6 Midtown Property

Main Built Structure

V1 VesterheimV2 New ExpansionV3 Westby-Torgerson Education CenterV4 Painter-Bernatz MillV5 Bethania ChurchV6 Amdahl Building

Open Air Division Structures

01 Tasa Drying Shed02 Haugen House03 Egge-Koren House04 Validres House05 School House06 Stabbur

07 Norsvin Mill08 Wickney House09 Wickney House (R)10 Outhouse11 Stovewood House12 Mikkelson-Skree Blacksmith Shop

V2 V3

G2

G4

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G3

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V4

G5

V7

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G3

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G6

V1

G101

2. Highlight the character of civic building

from commercial buildings

3.Creating a cohesive campus network

4.Make space, protect and open up

5.Focus views and gathering

1.Expand Open Air Division

to Water Street

p. 8 p.9

Key

1 Administration Office2 Museum Admission3 Flexible Gathering Space4 Temporary Exhibition5 Cafe Kitchen6 Blacksmith Shop7 Museum Giftshop8 Shipping and Uncrating9 Loading Dock10 Woodshop

Ground Floor Plan

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Key

1 Administration Office2 Exhibition3 Living Archive4 Folk Art Library5 Folk Art Classroom

Second Floor Plan

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Interior Perspective of the Exhibition Space

Interior Perspective of the Lobby

p. 10 p.11

Existing Water Street Elevation

Existing North Elevation

Proposed Water Street Elevation

Proposed Water Street Elevation

Exterior Perspective of Open Air Division

A bold forest with glades where the many programmed destinations of the museum un-folds is proposed to tell the stories of the his-torical institution and the Norwegian Ameri-can settlement of the upper midwest. It gives space for outdoor large scale folk art inter-ventions. Others tie people to the town and civic life of Decorah, creating flexible gather-ing spaces for a variety of events. The main building expansion is one of these glades, its shape and ground floor defining the main en-trance and public spaces of Vesterheim.

p. 12 p.13

Key

1 Administration Office2 Mechanical Space and Storage3 Flexible Gathering Space4 Exhibition

5 Living Archive6 Cafe7 Temporary Exhibition8 Blacksmith Shop

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Mill Street Vesterheim Hotel Building

Museum Expansion

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Cary Building Westby-Torgeson Building Mechanic Street

9 Folk Art Space10 Museum Gift Shop11 Folk Art Classrooms

p. 14 p.15

Key

1 Administration Office2 Mechanical Space and Storage3 Rooftop Terrace

4 Exhibition5 Living Archive6 Cafe

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Water Street Museum Expansion

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Open Air Division Bauder-Landsgard Building

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7 Temporary Exhibition8 Amphitheater

3

p. 16 p.17

Exterior Perspective of the Open Air Division

p. 18 p.19

Bound to the landIts edifice is an oasis in the terrainAn anchor in the sea of sand.

The Monastery Beckons to the vulnerableEmbraces the lostShelters the forgottenIt is a sanctuary in the desertOpen to the borderless sky.

+ AIA Fort Worth Student Design Honor Award 2017

+ Design Excellence Award | Fall 2017

Fall 2017 | Intergrative Studio

Studio Instructor : Vince Snyder

Collaborator : Claire Townley

Located less than 70 miles east of the US-Mexico bor-der, the Monastery of Refuge is a Trappist monastery run by fifty clergies in West Texas. Given the proximity of the site to the border with Mexico, as well as the current political tension, the project seeks to provide shelter not only for the clergies but also for those seeking physical and emotional refuge. Inspired by the sky in the vast pastoral landscape, the Monastery of Refuge ex-plores breaking the boundary of the land and opening up to the border-less sky. The project is arranged in the landscape in respect to the existing topography of the site as well as the solar patterns of West Texas. Its overall configuration consists of two bar build-ings sitting on the east-west axis and two towers - one presents on the ground and one hidden below. The north wing compris-es the public zones of the moanstery including the workspaces, dining area, library, and classrooms. The south wing comprises the private living spaces for the clergies and guests. The 160-foot tall tower at the west end serves as both an observation deck and a cooling tower, while the underground tower houses the ambulatory and chapel. The placement of these two towers is curated to create a solar phenomenon during Winter Solstice; when the above ground tower casts its shadow into the shaft of the inverted tower, it marks and annual celebratory experience and indicates the coming birth of Christ.

MONASTERY OF REFUGE

p. 20 p.21

Siting analysis showing the project site is located in West Texas, 360,93 miles east of Austin, 65.22 miles west of the closest US-Mexico Border.

Topographical analysis and siting element showing the site condition.

p. 22 p.23

Site massing studies Site model showing the monastery precinct from the north side.

Site model showing the monastery precinct from the south-east corner

p. 24 p.25

First Floor Plan

Key

1 Ambulatory2 Library3 Working studio4 Balneary5 Refectory6 Food preparation7 Observation deck8 Guest quarter9 Elderly quarter10 Medical clinic

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7 8 8 8 910

0’ 8’ 16’ 32’

Underground Plan

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Key

1 Chapel2 Calefactory3 Forecourt4 Classroom5 Plant room6 Funeral chapel7 Rain water collection8 Barn

0’ 8’ 16’ 32’

p. 26 p.27

North-South Site Section Perspective.

East-West Building Section

Compound Area South Building Kitchen GardenNorth BuildingUnderground Chapel

Chapel Ambulatory Calefactory Offering Wall Mechanical Room Nun’s Cell Guest room Meditating Room Farming Equipment StorageKitchen Garden

p. 28 p.29

Detail Plan of Underground ChapelDetail Plan of Underground Chapel

p. 30 p.31

p. 32 p.33

View of monastery precinct from the garden area between the buildings.

p. 34 p.35

Exterior Perspective of the Courtyard

Austin, Texas

Duration : 2 Months( October 2018 - November 2018)

Design Office: Snøhetta

Team Members:Marc- Andre Plasse, Paul Dummond,

Donesh Ferdowsi, Matt McMahon. Yuan Zhuan

BLANTON MUSEUM OF ART

The Blanton Museum of Art is located in Austin, at the southern edge of the University of Texas campus, along Martin Luther King Jr. Blvd. It makes the junction between the end of the newly renovated Speedway Pedestrian Mall and the beginning of the fu-ture Congress Pedestrian Mall. It forms an important gateway to the U.T. campus while acting as a main point of passage for students on their way to downtown Austin. Being at the center of two main pedestrian axes, the Blanton wants to become Austin’s natural Patio: a social space to meet with friends and art. The existing site condition poses several chal-lenges: the lack of representation and visibility, the lack of a prominent entry point and an undefined vehicular and pedestrian circulation system. In order to elevate the status of the museum and create a unique experi-ence for the Austin’s art and culture patrons, the team implemented several design strategies to the existing architecture and landscape to transform the site. The design results the proposal of a redesign of the muse-ums’ entries that is inspired by the geometries of arch presented by the existing buildings and the Elsworth Kelly’s Austin Pavilion. A landscape design consists of a series of shading structures named ‘ The Petals’, patches of hard and soft scapes shaped like pebbles, all dispersed throughout a meandering path around the site that takes the visitor to experience different desti-nations of the site.

p. 36 p.37

The Patio

The Serpentine

The Pebbles

The Petals

Key

1. Austin by Ellsworth Kelly2. Smith Building3. Museum Shop4. Cafe5. Existing Plaza6. Michiner Building7. Museum Lobby8. Loading Zone9. College of Education10. Jester West Residence Hall11. Brazos Garage12. MLK Boulevard13. Speedway14. Brazos Street

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Site Elevation from MLK Boulevard

View from MLK Boulevard

Building Arch

Austin’s Arch

Petal Arch

p. 40 p.41

Site Section through the Patio

Perspective of the Smith EntrancePerspective of the Michener Entrance

Site Section through the Museums

p. 42 p.43

Site Elevation from MLK Blvd.

p. 44 p.45

Exterior Perspective from Austin by Ellsworth Kelly

p. 46 p.47

Interior perspective of water treatment facility

Spring 2018 | Advance Studio

Studio Instructors: David Heymann, Hope Hasbrouck

Collaborator: Molly Gasparre ( Landscape )

CHURCH OF THE HOLY WATER

In 50 years as the city of Quito loses majority of the surface water sources due to climate change and the government is incapable to provide solution for the water crisis, the Catholic Archdiocese of Quito takes the responsibilities to clean the wa-ter from Machangara river for potable use. This project propose using the existing church network in the city of Quito as distri-bution system for the city’s new potable water treatment plant located at the Itchimbia Hill. In the new water treatment center, utilitarian spaces are transformed into monumental spaces by bringing the water treatment tanks together under a massive, concave roof to create theatrical spatial proportion. Descending 48 feet below ground level, sits a church used by the public for religious service and to index water level. Basalt stone sourced from the regional volcanoes form gabion walls that clad the wa-ter treatment tanks to control the light and reflection of the met-al water tanks. It is designed as one circumnagivates the church and walk on the suspended ambulatory walk, it would feel like as if one is walking through a night sky of stars. As the event takes place, a utilitarian space is transcended into a religious institu-tion. The landscape at the hill examines the use of water as utilitarian and transcendent. Water basins at east and west ends of the site serve functional roles but also recall the local typology of the páramo - an ecosystem in the Andean highlands with high water storage capacity. At the southern end, a public or-chard and private sustenance crops address the bounty of nature for utilitarian purposes while the northern edge reflects nature’s bounty through the biodiversity of the native montane forest ecosystem. Moments of transcendence are created by open and enclosed spaces as well as juxtaposition of ecologies.

+ AIA Fort Worth Student Design Merit Award 2019

+ Design Excellence Award | Fall 2019

+ Featured in Superarchitects.world

p. 48 p.49

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Rain Catchment

Ambulatory Walk

Settling and Sludge Storage

Settling Tank

Coagulation tank

Coagulation tank

Flocculation Tank

Flocculation Tank

+ Lime & Sodium Bicarbon-

+ Lime & Sodium Bicarbon-

+ Ozone

+ Ozone

+ Carbon Dioxide

Filtering Tank

+ Chlorine

+ Chlorine

+ Fluoride

+ Fluoride + Fluoride

Screening tanks

Screening tanks

48' x 144'x 420' H W L

3.14 x 602 x 60'π R2 H

3.14 x 602 x 60'π R2 H

3.14 x 1002 x 48'π R2 H

3.14 x 602 x 60'π R2 H

3.14 x 302 x 60'π R2 H

3.14 x 302 x 60'π R2 H

3.14 x 302 x 60'π R2 H

3.14 x 302 x 60'π R2 H

60' x 140' x 140'H W L

60' x 140' x 140'H W L

Machangara River water intake

Potable Water to the city

Public Park

Productive Landscape

Cistern

Administration Towers

1 x 1 x 1 x 1 x 2 x 2 x

1 x2 x 2 x 1 x 1 x+ Carbon Dioxide Filtering Tank

Potable Water Treatment Plant

Raw River Water Potable Water

Existing Catholic Church Network in Quito

Proposed water treatment and distribution system using church network in Quito Operational Diagran of the Potable Water Treatment Plant

p. 50 p.51

Public and Private Site Circulation Site Access Water Circulation

Key

1 Potable Water Basin2 Basalt Stone Field3 Entry4 Church of the Holy Water

5 Montane Forest6 Paramo Grassland7 Secondary Sedimentation Basin8 Primary Sedimentation Basin

9 Convent Permaculture10 Orchard11 Meadow Clearing12 Service Road

p. 52 p.53

Ground Floor Plan+0’

Water Treatment Plant Plan-12’

Church Plan-60’

Water Treatment Facility Church Infill

Church in a Water Treatment Plant

In the new water treatment center, utilitarian spaces are transformed into monumental spaces by bringing the water treatment tanks together un-der a massive, concave roof to create theatrical spatial proportion. Descending 48 feet below ground level, sits a church used by the public for religious service and to index water level.

1 Screening Tank2 Coagulation Tank3 Altar4 Flocculation Tank5 Settling Tank6 Church

7 Treatment Tank ( Lime and Sodium Bicarbonate)8 Treatment Tank (Ozone Addition)9 Treatment Tank (Carbon Dioxide Addition)

10 Filtering Tank (Carbon, gravel, sand, anthracite coal)11 Treatment Tank (Chlorine Addition)12 Baptismal Font13 Cistern

p. 54 p.55

Site Section PerspectveKey

1 Labyrinth2 Water Work Area3 Baptismal Font

4 Water Tank ( + Sodium Bicarbonate)5 Water Tank6 Altar

7 Ambulatory Walkway8 Screening Tanks9 Rain Water Catchment Roof

Section Perspective of the Church

p. 56 p.57

Site Model and Concept Sketch for ChurchSite Model

p. 58 p.59

Interior Perspective of the Church

Pierce through the earthPerch on the hillErect a Holy grail of lifeA reflection of heaven on earth

The Temple of WaterSanctuary to the worshipperHome for the God’s marinesSpreading the word of God byDropletSprinkleFlowPourQuenching the land of the thirst

p. 60 p.61

Spirit Collage of the Day of the Death in Mexico Original work by Frida Kahlo, Diego Rivera, Jose Guadalupe Posada,

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Spring 2018 | Advance Studio

Studio Instructor : Juan Miro

Critic : Tatiana Bilbao

CENTRO DE LUTO Y MEMORIA

“Our cult of death is a cult of life,” as Octavio Paz nar-rates the special relationship with the culture of death in Mexi-co that fascinates the rest of the world. Every year, the locals of Monterrey Mexico gathered at Panteon El Carmen to celebrate the Day of the Dead. The Day of the Dead is a Mexican holiday, a day for family to gather and remember the deceased family members and friends. Family set up altars at their home or at the cemeteries with by memorabilia, sweets, flowers and candles to honor the ancestors. The rituals used to celebrate the day vary and colorful. Yet, all carry the same message, celebrating the Day of the Dead is a true celebration of life. The studio sites at the city center of Monterrey, Mexi-co. A masterplan to envision the future of the street of Modesto Arreola Pte. anchored by Panteon El Carmen on the west and Alameda Park on the east is proposed. Though the Alameda and the Panteon were once frequently visited by locals and tourists, the site has suffered from deterioration in recent years due to the depopulation of the city centre. To ensure a meaningful and authentic development of the site, the masterplan take inspiration from the the unique cul-ture of death in Mexico and the emblematic Day of the Dead. The goal of the masterplan is to revive the cemetery and the park as vibrant public space and connect the 2 public space by intervent-ing along Modesto Arreola Pte. One of the destination, El Cen-tro de Luto y Remembranza is a proposed as memorial center located at a city block east of Panteon El Carmen. The memorial center essentially functions as a funeral center, an extension of the cemetery and an urban room for mourning, remembrance and celebration of the Day of the Dead.

1 An Afternoon at the Alameda by Diego Rivera, 19472 La Calavera Catrina by Jose Guadalupe Posada, 1910 3 Ni Aqui te Olvidare by Posada, 19104 Gran Baile de Calaveras by Posada, 18905 Celebration of the Day of the Dead in Modern Days

+ Selected for Two Side of the Border Exhibition at Yale University

+ Selected for ISSUE:015 Publication

p. 62 p.63

4.Create a nodes and destinations along the street

3.Rezone the area to activate the district

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9 Educational Facilities10 Hotel + Commercial11 School Extention + Library12 Educational Facilities

13 Hotel + Commercial14 Multifamily Housing15 Multifamily Housing16 Parque Alameda Mariano Escobedo

0 50 100 200

1. Reforest the cemetery and Alameda Park to beautify the

public space

2.Plant street trees and repave the street to increase walk-

ability between the cemetery and the park

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1 Panteon El Carmen2 Memorial and Funeral Center3 Mexican Museum of Culture4 Live-Work Complex

5 Multifamily Residential + Office + Commercial6 Food and Beverage7 Multifamily Residential8 Neighborhood Marketplace

Master Plan of Modesto Arreola Ote.

p. 64 p.65

Key1 Columbarium2 Reception3 Funeral Chapel Quarter4 Open Air Chapel5 Cafeteria6 Funeral Parlor7 Administration8 Sunken Plaza

1

2 3

3

333 4

567

8

Ground Floor Plan

0 16 32 64

1 2 9

44

8

4

54

67

0 25 50 100

Key

1 Panteon El Carmen2 Columbarium3 Reception4 Funeral Chapel Quarter5 Open Air Chapel6 Cafeteria7 Funeral Parlor8 Administration9 Sunken Garden

p. 66 p.67

Exterior Perspective from Modesto Arreola Ote.

Perspective at Sunken Plaza

Section A - A’

Section B - B’

Section D-D’

Section C -C’

p. 68 p.69

Exterior Perspective from Modesto Arreola Ote.

‘‘The word death is not pronounced in New York, in Paris, in London, because it burns the lips. The Mexican, in contrast, is familiar with death, jokes about it, caresses it, sleeps with it, celebrates it; it is one of his favorite toys and his most steadfast love.’’ – Octavio Paz, The Labyrinth of Solitude.

p. 70 p.71

+ Finalist - Professional Category

41st Ken Roberts Architectural Delineation Competition

Independent Project | Architecture Fiction

Jurors:Michel Rojkind

Steve Olsen

BIOME

Sea ice and the midnight sun, flaming aurora and endless winter nights, here in the Russian Tundra rises a new ark - The Biome. Nobody knows who cre-ated it, how big it is and what it is made of. It stretch-es miles over the landscape gathering and sheltering lives in the region. Here, the Viking farmers, patriotic explorers, hers of caribous, packs of polar bears and flocks of loons seek refuge. Here, plants grow and en-mesh the skeletal space.

Biome is a fictional landscape located in the exhausted oil mine at the center of the Russian Tun-dra - the last point of urbanization of Russian North. The fictional landscape is a launching pad to explore the cross-fertilization of architecture, landscape, and biodiversity. Its form respond as a defence to the geopolitical threat posed by the rapid urbanization and the environmental issues it has caused to the region.

p. 72 p.73

“Memory’s images, once they are fixed in words, are erased,” Polo said. “Perhaps I am afraid of losing Venice all at once, if I speak of it, or perhaps, speaking of other cities, I have already lost it, little by little.”

- Italo Calvino, Invisible Cities

Spring 2014 | Undergraduate Design Studio

Instructor: Steve Quevedo

Critics:Bill Boswell, Elena Cánovas, Tod Hamilton

ACADEMIA DELLE SCIENZE

The Academia Delle Scienze is a science and history museum located at one of the busiest urban piazza in Venice, Campo Sant ’Angelo. Inspired by the city’s intimate connection to the water and the significance of facade works framing the urban room of the city, Academia Delle Scienze explores the opportunity to engage the visitors in learning the water trans-portation and significant architecture ensembles of Venice. Marrying into Palazzo Duodo and Palazzo Gritti at the south-east side of the plaza, the project completes the linear facade of Campo Sant’ Angelo. Dated buildings behind Palazzo Duodo are cleared to allow for better daylight penetration at the ground level. An area of the land is excavated to channel water to the site. The project comprises of the main bar building and an au-ditorium addition. The piano nobile of the structure consists of visitor lobby, galleries, cafe, and gift shop. The second floor includes workshop studio, exhibition space, and an outdoor terrace. The top level comprises of workspace and workers’ dormitorium. Two permanent galleries are on the two ends of the bar building. The Gallery of Water hosts the ship works and historical sculptures of the city. Pond of water floats gondolas and displays the magnificent Venetian ship-works. The Gallery of Earth features the fragments of Venetian facade walls. The facade of Palazzo Gritti is preserved as an exhibit of the gallery. The design of Academia Delle Scienze is reminiscent of a collage of the city’s fragments. As one wander around the site, one gets to learn about the history and science of the city through the architecture of Academia Delle Scienze.

+ Nominated for Super Review 2014

+ Work displayed in UT Arlington Summer Exhibition 2014

p. 74 p.75

Shade plaza with trees

Preserve Historical Facades

Space for Outdoor Museum

New Museum

Complete Plaza Elevation

New Auditorium

Site and Massing Strategy Site Elements and Observation

p. 76 p.77

Key

1 Museum entry 2 Lobby 3 Permanent wall display 4 Gallery of the water 5 Gallery of the sculptures 6 Cafeteria 7 Garden of the ruins 8 Gift shop 9 Plaza

12

3

4

5

6

7

8

9

Key

1 Gallery of wall 2 Gallery of machines 3 Workshop 4 Observation deck 5 Auditorium

Sculpture exhibit

Gondola dock

1

23 4

5

Second Floor Plan

Detail Gallery of Water Plan

01 2 4 6 10 14

p. 78 p.79

photoshop modify facade

Building Elevation

Building Section

p. 80 p.81

Gallery of Earth and Building ModelGallery of Water and Building Model

p. 82 p.83Exterior View of the Museum

p. 84 p.85

Aerial Rendering of the Site

+ For more project information : www.imagineblaisdell.com

Honolulu, Hawaii

Duration : 3 months ( July 2018 - September 2018)

Design Office: Snohetta

Team Members:Michelle Delk, Aaron Dorf, Takeshi Tornier,

Joy Wang, Filip Milanovic, Dimitri Karapolous, Joyce Hanlon, Kate Larsen,

Kevin Cunningham, Amandan Coen

NEAL S. BLAISDELL CENTER

Springing from the ai’na, the source that has sustained generations, Blaisdell Center is Honolulu’s iconic gathering place perpetuating community, enter-tainment, and culture and reflecting the resilience of the people of the island home.

The design of the masterplan of Blaisdell Center carries the goal of curating a diverse collec-tion of programming that engages all communities, integrating the center with the surrounding com-munity and activate and shape spaces that create memorable experiences. With 3 existing buildings on site, the masterplan design addresses the goals by focusing on 3 cultural concepts - Ho’okahe Wai ( activate water ) , Ho’opili Kanaka ( gather communi-ty), and Ho’olaule’a Hawai’i ( celebrate culture) .

The masterplan proposes renovation of the existing concert hall and arena, a new performance and exhibition hall, 2 parking structure, a sport pavilion, all unified by a cohesive landscape design that is inspired by the unique culture and lush ecosystem of Hawaii.

p. 86 p.87

3

4

5

Site Plan

1

2

5

Key

1 Concert Hall2 Performance / Exhibition Hall3 Arena4 Sports Pavilion5 Parking Garage

p. 88 p.89

Inspiration Photos of the Building Edge Condition and Seating Design

Site Perspective of the Queue Area at the Terrace

1. Renovate Concert Hall and Arena 4. Cover the service with terrace

2. New Performance and Exhibition Hall 5. New parking garage

3. Shared Service 6. Activate the street front

p. 90 p.91

Terrace Paving Study

Site Perspective of the Terrace

Zone Water

Alternative Transportation Lighting

Hardscape Softscape

p. 92 p.93

Planting Zone Lo’i TerraceCoconut GroveBioswaleSidewalk

Landscape Section taken through Lo‘i Terraces,

p. 94 p.95

Lo’i TerraceLo’i TerraceLifted Terrace

Back of House

BioswaleCoconut Grove

Landscape Section taken through Lo‘i Terraces,

p. 96 p.97

Exterior Perspective towards Ward Avenue from the Lo’i Terrace

p. 98 p.99

OTHER WORK

p. 100

[email protected]

mabel loh

6'-8"

4'-7"

4'-8"

33'-8"

8'-11"3'-

2"

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2'-6"

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PRODUCED BY A

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6'-8"

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