portfolio

P O R T F 0 L I OM a r i a n a P a i s a n a

Persona l Data

Name Mar iana Pa isana

Date o f b i r th 17.02.86

Nac iona l i t y Por tuguesa

Adress Travessa do Pat roc n io, 8, 2Dt

1350-233 L isboa

Te lemve l 916344431

emai l mar ianapa isana@gmai l .com

Fluent in Por tuguese and Eng l ish

Average knowledge o f I ta l in and Span ish

Computer sk i l l s : Autocad, Arch icad, Photoshop, I l l us-

t ra tor, Indes ign

C u r r i c u l u m

2000 Photography courseARCO, L isboa

2001-2004 H ighschoo l a r ts spec ia l i za t ionEsco la Secundr ia Pedro Nunes

2003,2004 Par t ic ipat ion on Ar t H is tor y juven i le se-minars

2004,2005 Drawing courseSoc iedade Nac iona l de Be las Ar tes, L isboa

2004-2009 Degree in a rch i tecture Faculdade de arquitectura, Universidade Tcnica de Lisboa

2006, 2007 Colaboration with the PMC architects atelierLisboa

2007 Study trip to Chicago (Mies Van der Rohe) 2007 Ital ian CourseInstituto ital iano de Cutura, Lisboa

2007-2008 Erasmus in RomaFacolt di architettura Valle Giulia, Universit La Sapienza

2008 IV Architecture SeminarUniversidade Autnoma de Lisboa

2009 Study trip to France (Le Corbusier)

2009 International seminar Tempo na arquitecturaFaculdade de arquitectura de vora

2009 Archicad courseArqcoop, Lisboa

P r o j e c t s

H o u s i n g , L i s b o n 9

H o t e l , R o m e 2 7

U r b a n p r o j e c t , L i s b o n 4 3

C u l t u r a l c e n t e r , L i s b o n 5 5

I n d e x

H o u s i n gL i s b o n , A j u d a

10

The bu i ld ings proposed were in tended to create pu-

b l ic spaces and routes that connected i ts l im i ts . Th is

l im i ts a re ver y d i f fe rent f rom each other, one s t reet w i th

houses, a schoo l , a workers v i l l age and a more recent

hous ing area. The proposed bu i ld ings create a un i ty,

composed by d is t inct bu i ld ings that respond d i f fe rent l y

to the sur round ings. The pub l ic spaces are def ined not

on ly by these bu i ld ings but a lso by the leve l var ia t ions.

H o u s i n g L i s b o n

The square is def ined by a bu i ld ing, i t doesn t open to

the s t reet , there fore create ing a c loser re la t ion w i th

the schoo l and the other p la t fo rm. The bu i ld ing that

de f ines the square is composed by severa l dup lex

apar tments connected by a ga l le r y that sur rounds the

square. The same s i tuat ion happens w i th the ser v ice

areas. The shops are on the ground leve l , the same

as the square and the s t reet .

2 0 0 7

11

L o c a t i o nantigo campo das Sals ias

P h o t o s ant igo campo das Sals iasEsco la Marqus de Pombal

projects - housing

12

Implantat ionm o d e l

projects - housing

13

projects - housing

Implantationm o d e l

14

M o d e l

projects - housing

15

M o d e l

projects - housing

Technical drawings

17

housing - 3 floor

19

housing - 2 floor

21

housing - 1 floor

23

housing - floor 0

H o t e lR o m e

28

The sur round ings o f the hote l a re character i zed by

two d i f fe rent rea l i t ies. One is a res ident ia l ne ighbou-

rhood that faces the Aure l ian Wal l and i ts garden. The

other is connected to one o f the most impor tant road

and ra i lway ex i ts o f Rome, V ia Marco Po lo and Rome

Ost iense s ta t ion.

Respond ing to both the hote l s tands in the jo in ing

po in t o f these two s i tuat ions. The bu i ld ing r ises in

he ight to create a re fe rence po in t .

H o t e lR o m e

To the s t reet s ide the hote l presents i tse l f on ly as a

set o f ramps and p la t fo rms.

The hote l is composed by a bu i ld ing fo r the pub l ic a re-

as, that re la tes the two leve ls , and a h igher bu i ld ing

where the rooms are located. Th is las t bu i ld ing r ise

by p i lo t is a l lows the passage to a p la t fo rm or square

that over looks V ia Marco Po lo and a l l the new area o f

Rome.

2 0 0 8

29

pro jec t s - ho te l

L o c a t i o nR o m a O s t i e n s e

P h o t o s M u r a l h a A u r e l i a n a

V i a M a r c o P o l o

30


Implantat ionm o d e l

31

P r o g r a m

v e r t i c a l c i r c u l a t i o n

r o o m s

e n t r y

s e r v i c e e n t r a n c e

r e s t a u r a n t

a u d i t o r i u m


Technical drawings1 : 7 5 0

33

h o t e l - f l o o r 2

35


37


39

h o t e l - s e c t i o n s

Urban projectLisboa

Campolide - Monsanto

44

The pro ject a rea is l im i ted by ver y d i f fe rent s i tuat ions,

the s t reet or Campol ide, an o ld path o f the c i ty, the

Av. Jos Ma lhoa, a new bus iness center , the Av.

Ca louste Gu lbenk ian, a road that connects impor tant

a reas o f the c i ty, and The A lcantara va l ley wh ich has

the ra i l roads and nor th-south connect ion f reeway in-

f ras t ructures. The area s ident i t y is g iven by i ts phys ic

and symbol ic l im i ts .

In th is a rea, the va l ley has a great impor tance because

i t i s the e lement that l inks severa l a reas o f L isbon and

makes the t rans i t ion to Monsanto. The va l ley is cha-

racter ised by some e lements that cut across i t , such

as Duar te Pacheco v iaduct and The guas L iv res

aqueduct . The p lan o f facades o f Av. Jos Ma lhoa is

a lso an impor tant e lement o f the c i ty image.

U r b a n p r o j e c tC a m p o l i d e - M o n s a n t o

I t was necessar y to sew the var ious c i ty par ts toge-

ther grant ing the i r cont inuance. There fore, a system

of pathways was s tud ied to ar t icu la te d i f fe rent pub l ic

spaces that were po in ts o f re fe rence in the urban pro-

ject . Through a geomet r ic and h ie ra rch ica l system, the

s t reets re la te to the pre-ex is t ing bu i ld ings in d i f fe rent

ways. Keep ing the s t reets as the ma in area o f c i rcu-

la t ion, the pro ject a lso revea ls an a l te rnat i ve system of

pedest r ian paths (c ross ing the in te r io r o f the b locks) .

The cont rast o f leve ls is reso lved by p la t fo rms that

a re not iceab le on the l im i t w i th the va l ley.

2 0 0 8

45

L o c a t i o nC a m p o l i d eM o n s a n t o

P h o t o s V a l e d e A l c n t a r a

projects - urban project

46

M o d e l


47

Relation with pre-existing

m o d e l


48


49


51

projects - section

CCCLisboa

Campolide - Monsanto

56

The cu l tu ra l center is located at the c i ty border, be fore

the va l ley. There fore is the t rans i t ion po in t between

Campol ide and Monsanto.

Accord ing to Van Eyck, the t rans i t iona l spaces are l im i -

na l moments between oppos i te s i tuat ions, the oppos i -

te po les don t annu l each other, ins tead they conf ront

each other in a non-h ie ra rch ica l re la t ionsh ip, mutua l l y

enr ich ing because they a re recogn ised as oppos i tes.

The CCC pub l ic spaces are ar t icu la ted by e lements

that cor respond to the d i f fe rent log ics o f the c i ty : a

long bu i ld ing that pro longates the s t reet , a h igh- r ise

bu i ld ing s igna l l ing a crossroad and a p la t fo rm that

cont inues the p lane over look ing the garden and a l lo-

w ing to cross over to Monsanto by foot .

The program was d iv ided between the two bu i ld ings.

The more broaden ing pub l ic programmes and spaces

such as exh ib i t ions, recept ion areas or the foyer to the

aud i to r ium are located on the long bu i ld ing that de f ines

the s t reet .

C e n t e r o f C o n t e m p o r a r y a r c h i t e c t u r e sC a m p o l i d e - M o n s a n t o

The spaces dest inated to a more spec i f ic pub l ic such

as the workshops, the l ib ra r y, a mu l t ipurpose ha l l o r

the admin is t ra t ion are located on the h igh- r ise bu i l -

d ing. To re la te the two there s a br idge and passage

on the garden leve l that re la tes to the aud i to r ium un-

leve l l ing.

The ca fe ter ia , the restaurant , the ent r ies and the lob-

b ies are leve led w i th the square or the garden. The

var ious spaces are def ined by the d i f fe rences in leve ls ,

he ig th or l igh t . The c i rcu la t ion areas do the t ras ic ion

between in te r io r and ex ter io r and f i l te r the l ight fo r the

other a reas, these spaces were a lso s ized to be used

as exh ib i t ion or ex tens ion o f the ad jacent spaces.

The s t ructure he lps to organ ize the spaces. i t a l lo-

ws them to be f lex ib le and f lu id a r rang ing them at the

same t ime in a regu la r met r ic .

2 0 0 9

57

Implantationm o d e l

P h o t oV a l e d e A l c n t a r a

p ro jec t s - CCC

58

M o d e l

pro jec t s - CCC

59

a d m i n i s t r a t i o n

l i b r a r y

w o r k s h o p s

m u l t i p r o p o s e r o o m

c a f e t a r i ae n t r y

r e s t a u r a n t

e x h i b i t i o n a r e a

e n t r y

d i s t r i b u t i o n a r e a

a u d i t o r i u m

e d u c a t i o n a l s e r v i c e

p a r k i n g

e n t r y

P r o g r a mm o d e l

p ro jec t s - CCC

60

I n t e r i o rm o d e l

p ro jec t s - CCC

61

S t r u c t u r em o d e l

p ro jec t s - CCC

63

C C C - f l o o r 2

65

C C C - f l o o r 1

67

C C C - f l o o r 0

69

C C C - s e c t i o n

70

projectos - corte longitudinal

71


73


T r a v e ld r a w i n g s

78

R o m eP a n t h e o n

t rave l d raw ings

79

R o m eC h i o s t r o d e B r a m a n t e

t rave l d raw ings

80

R o m eC a m p i d o g l i o

t rave l d raw ings

81

R o m eS t a . M a r i a d e l l a P a c e

t rave l d raw ings

82

R o m eS t a M a r i a d e l P o p o l o

t rave l d raw ings

83

R o m eS t a . M a r i a i n Tr a s t e v e r e

t rave l d raw ings

84

V i l a Ad r i a na

t rave l d raw ings

85

V i c e n z aTe a t r o O l i m p c o

t rave l d raw ings

86

V e n e z aS a n G i o r g i o M a g g i o r e

t rave l d raw ings

87

C a p r iC a s a M a l a p a r t e

t rave l d raw ings

88

T a o r m i n aTe a t r o

t rave l d raw ings

89

M a r s e l h aU n i t d h a b i t a t i o n

t rave l d raw ings

90

R o n c h a m pC h a p e l l e N o t r e - D a m e - d u - H a u t

t rave l d raw ings

91

R o n c h a m pC h a p e l l e N o t r e - D a m e - d u - H a u t

t rave l d raw ings

C u r r i c u l u m 3

P r o j e c t s 5

T r a v e l d r a w i n g s 7 7

I n d e x

portfolio

Documents

i t ies

t i o nantigo campo

i za t ionesco

s i tuat ion

i s b o nthe square

t doesn t

h o t e lr o

t ion w i th