luana lima

objectiveResume

projects KombiSpace

The living square multifamily housing project

competitionsPublic park kisosko

Brooklyn container market

art directorCrack

Tribobó CityPeer Gynt

Hugo movie

set decoratorThe New Garden

draftsmanSVA studio set project

art director

competitions

projects

objective

set decorator

draftsman

index

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24 year-old | New York | (917) 741 3166luanalimaf@gmail.com | twitter: @luanalimaf | facebook.com/luanalimaf | architizer.com/en_us/people/profile/luana_lima

LANGUAGES

Portuguese - native languageEnglish - advancedSpanish - advancedFrench - basic

EDUCATION

2011 - Pontifícia Universidade Católica do Rio de Janeiro - PUC-Rio | Graduate School of Archi-tecture and Urban Planning | Rio de Janeiro, RJ, Brazil.

2012 - School Of Visual Arts | Production De-sign Course | New York, NY, USA.

COMPUTER PROGRAM

Proficiency | Autocad, Adobe Illustrator, InDe-sign, Photoshop, SketchUp, Podium, Microsoft Office.

Knowledge| Revit, 3dMax, Corel Draw, Vray, Rhino.

COMPETITION’S AWARDS

International Students CompetitionUrban services kiosk for public park usersHonorable Mention

SET DESIGN EXPERIENCES

2006 - 2010Four years of free classes in theater, set design and stage lighting theater in the course “teatro O TABLADO” .

november / december 2008Art director, costume assistant and stage design in the play “Tribobó city” | text by Maria Clara Machado | João Brandão as director.

2009 / april 2010Art assistant, costume and and stage design in the play “Peer Gynt - the emperor himself.” | text by Henrik Ibsen | Guida Vianna as director.

march - july 2009Assistant to the professors Ana Paula Pontes and Andres Passaro | Residential Space StudioPUC-Rio

april 2012Set decorator at “The New Garden” short movie | text by Ivan Kotevski | Ivan Kotevski as direc-tor.

april 2012 Draftsman for the project of SVA set.

PROFESSIONAL EXPERIENCES

february 2010 - april 2011Osborne e Costa construtora Rio de Janeiro

march 2009 - february 2010Mitchell Tremsky Architecture & DesignRio de Janeiro / New York

november 2008 - march 2009Lugh projetosSão Paulo

april 2008 - october 2008AJA construtoraRio de Janeiro

EXHIBITIONS

november 2009Urban services kiosk for public park users8th Architecture Biennale, São Paulo

WORKSHOPS

march 2010Urban voids - Revitalization in the area of Maracanã | with ÉNSA-V (École Nationale supérieure d’architecture de Versailles) and FAU UFRJ.

LUANA LIMALUANA LIMA

projectsprojectsKombiSpace | revitalization project | puc-rio 2008

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The project consists in revitalizing a IXX century house, colonial style in Botafogo neighbohood, where it would serve as the area for the program “KombiDesign” created by the Designers Manuela Abtibol and Cecília Papi. KombiDesign is a program of a Kombi vehicle that drives around the city of Rio de Janeiro with a cointainer attached exposing, selling and promoting the work and materials of young Stylists and Design students. The project of revitalization of the house would be used as the physical space for this program and for parking this men-tioned Kombi vehicle.; It would really be a hybrid space that would accommodate various events such as Expositions, Fashion Shows, Par-ties, Selling (like a temporary store), Space for Production (sewing area and manufacturing); but always keeping the concept of urban itinerant KombiDesign. The project itself would make reconsideration about the influence of the urban itinerancy and contextualizing it in Botafogo. It would be a place where it would unite several different schools integrating them for the total reach of the public. The KombiSpace project passes the idea of the contemporaneous styles that can live inside a building of the past century, with a strong architectural value; making a perfect interaction and a new relationship of the past with the modern. Even being the house a not too generous space, it has a from floor to ceiling highet very high, that allow us to make an intervention using different distributions of levels, bringing integration to the space and creating a perfect circuit. This type of intervention would bring a good interaction of the program: the prodution area, the selling area, bars, clients etc.. everything open and integrated; and this union would ex-tend to the outside corner of the house, where other containers would make a different outside space and the KombiDesign would also extend the same concept to the streets of the different neighborhoods where the KOMBI would pass

KombiSpace | revitalization project | puc-rio 2008

puc-rio, revitalization project studio, 2008with Rafael Chavezprofessors: Ernani Freire and João Calafati

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KombiSpace | revitalization project | puc-rio 2008

section BB

plan levels section AA

Scheme of the internal lev-els, structured by metal rods mounted in steel beams. A new system was implement-ed in the structure of the old house, allowing a new move-ment in space.

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projectsprojectsThe Living Square | multifamily housing project | puc-rio 2008

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The Living Square | housing | puc-rio 2009

puc-rio, residencial project studio, 2009with Francesco Bosh and Gabriel Maudprofessors: Manuel Fiashi and Marcelo Bezerra

The project would be at first a master plan for a block in the center of the city of Rio de Janeiro. The master plan was made by a group, and in another part of the work we separeted and made our own design for each buildings. We took as reference the project for the competition “New neighborhood”, by Christian de Portzamparc. The new block would integrate with the logic of randomness, irregularity and dyna-mism of volumetric of the city skyline. The entire block /court would not be static in time; it would allow the users to make developments and changes which is natural to urban history.

The projected building would stand at the area of two blocks of the master plan. One block with a building on stilts and the other one lower; forming therefore a corner. The mentioned project would seek to follow the form of the building itself, which would be full of cutouts and openings that would allow a greater relationship to the street and urban life. So the plan would follow the angle of the street and the units would increase gradually making the building a living space for different groups of people. It would start with a minimum unit of 20m ², then the unit of the corner with the same loft style but with more space and following to a final 2 rooms and a 3 / 4. All with porches from one side to the other, making up the same front all over the building.

On the block on stilts would be configured duplex units. Between the structural walls and the two central pillars, units with two floors could have from 0 to 4 rooms, depending on the disposition of the mezza-nine openings. The other block would be done in a way in which the hybridity of plant configuration would bring the interaction between different groups of people.

master ground plan

1 Anchor store2 Stores3 Laundries4 General waste room5 Gas meters6 Staff Apartments7 Concierge8 Bike rack9 Infrastructure

At the side a representative scheme of the configuration of the master plan. Upon a general plan of the block, identicatin g the several comercial spaces and the en-trances of each building.Below, is a panoramic picture showing the court and the urban surroundings of it in the center of Rio de Janeiro.

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3rd and 5th floor

ground plan 1st and 2nd floor

4th and 6th floor

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The Living Square | housing | puc-rio 2009

store store

store store

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store store store store

bikes

entrence

At the side a representative scheme of the configuration of the master plan. What is in orange are the building detailed bellow. Down, the first perspective is a view of the central area of the block. The second perspective is a view from a high point, which shows the terrace garden which can be used by residents.

competitionscompetitionsUrban Services Kiosk for public park users | international architecture bienal of São Paulo

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Urban Services Kiosk for public park users

8th architecture biannual, são paulo, 2009with amanda landeiro, camila legey and mariana villas-bôasoriented by carla juaçabahonorable mention

Supporting the idea that sustainability is directly connected to environmentally less aggressive solutions, our group searched within the nature a cycle to be reinterpreted by the object of the project – the kiosk. It is an idea that brings out the concept of unity where all systems communicate aiming at a single performance.

The rainwater collection, storage, use and reutilization of the water are carried out in a circular manner, representing a cycle to be captured and explored by the visitor.

The ease structural erection with arcs up to 3 meters long, linked to the lightness of the galvanized steel and the vegetation screens with several climbing plant species, offer a climatic comfort protection intending the creation of an intermediate situation between interior and exterior.

The necessary electric power required for the kiosk operation is generated by north oriented photovoltaic solar panels with capacity up to 2,600 kWh.

The contact with water in the kiosk is located at the center of the circumference, where the new/used treated water can be fed by a tap valve and stored with the rainwater collected from the roof, restarting the reutilization cycle.

The proposed setting is more comprehensive than the sum of its individual systems and the result is a sustainable proposal that can be adapted everywhere, always taking the visitor in contact with the water that can be experienced in an unique way.

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Urban Services Kiosk for public park users

8th architecture biannual, são paulo, 2009with amanda landeiro, camila legey and mariana villas-bôasoriented by carla juaçabahonorable mention

competitionscompetitionsDekalb market | Brooklyn

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DEKALB Market | Brooklyn - New York | 2011

with Marcelo Souzahttp://dekalbmarket.com

This project was made for a competition to create a new market using shipping containers. Dekalb Market, would be housed in an area of an old parking lot where all these containers together would bring creativ-ity for the Brooklyn’s products and where it would also happen events and performances.

Our idea was to keep the original structure of the container as much as we could; only making changes so that it could be used by different vendors of different products.

Taking the front of the store as a reference, the concept was to modify the container with the movement, making several cuts in one of their faces that could pivot and expand what is sold inside the container to the market. These cut pieces could be used as seating bench, to eat, for exhibitors etc...

On the other front, to continue with the etinerancy, a translucent panel would be installed on the structure of the corrugated container, where there would be holes for installing shelves or hooks in order to extend for products exhibition, and the space between the panel and the struc-ture there would be installed lamps and the electrical infrastructure.

Reference:Storefront for Art and ArchitectureNew York

art directorart directorTheather plays: Crack! | Tibobó City | Peer Gynt

Presented twice: First time in “O Tablado” theater in 2007 (Rio de Janei-ro), and in 2008 where it participated of the “Festival of Theatre of Rio de Janeiro” at the Princesa Isabel theater (Rio de Janeiro)We decided to work with plastic bottles to make cubes alike, and they could have different use in each scene. These cubes would not weigh, be-ing therefore easy to handle and carry to compose de scenes and would be transparent, easy to work in different environments. We adapted the materiality of the project according to the need of mobility, versatility and fluidity of this theatrical production that in a way it has a TV-style for having short scenes and different scenarios. And also, to take advantage of such an interesting and unusual material to work as plastic bottles.

Play: “Crack” | Text: Ricardo Rofstetter | Directed: Lionel Fisher | Assitant: Júlia Stokler | Light: Rodrigo Belay | Scenography: Luana Lima.

Play: “Tribobó City” | Text: Maria Clara Machado | Directed: João Brandão | Assistant: Zé Helou | Light: Rodrigo Belay | Scenography: Luana Lima.

Presented twice at the “O Tablado” Theater in 2008 (RJ). It is a children’s play, a parody of the American old West mixed with jokes of the suburbs of Rio de Janeiro. The play takes place in one only scenario, a cabaret that also serves as a hostel. Keeping the back of the theater with the exist-ing brick, everything else was done in wood and bright colors to give it a childish style to the cabaret.

Play “Peer Gynt” was presented in July and August of 2010 at The “O Tablado” Theatre | Text: Henrik Ibsen | Directed by GuidaVianna | Assistant of direction and soundtracking: Matheus Souza | light by Rodrigo Belay | Scenography by Luana Lima.

It is a classic text of Ibsen, full of folklore, forest creatures, mystical char-acters, which gives us much more freedom in creating the scenario. We chose to work more with the costumes (as shown in the sketches) and with the light, leaving the stage design as a part of the actors’ props, as the cubes used in many scenes as shown in the pictures. In another scene we see a tree simulated by umbrellas and camouflage fabric that combined with the light and the smoke gave the appearance of the forest that the

Norwegian author describes.To pass all the sensations of the text through the scenario, we had to link the stage designing with the light, costumes, hybrid objects and mordern music (in the soundtrack there were bands like The Strokes, Beirut and Re-gina Spector; mixed with the original soundtrack by Edvard Grieg); so that the text could go smooth, dynamic not becoming boring and at the same time it could bring a modern touch to the classic text.

art directorart directorSVA Production design course | Study for HUGO movie set

Production Design Class of 2012 | School of Visual Arts - NYC | Tutor: Simona Migliotti | Project: Set for “The Invention Of Hugo Cabret” | SVA, New York - april 2012

some drawings:

some research:

camera TRA

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materials:

some 3d of the set

set decoratorset decoratorShort movie “The new garden” by the director Ivan Kotevski.

Short movie “The new garden” by the director Ivan Kotevski | Production designer: Simona Migliotti | Work as set decorator | Shoot New York , and Virginia - april 2012

dressing the set with candles, old furniture, fabrics; to make the cabin look old and abandoned.

the set getting ready to be dressed

The movie being shoot and Luana Lima and SImona Migliotti working in the set helping special effects.

draftsmandraftsmanSet for Shool of visual arts (in process)

Work as Draftsman for the School of Visual Arts set | Set in SVA studio, New York | 2012 - work still in progress.

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PLANSCALE: 3''/16''

Plan of the studio Section AA | Store front plan and facede

20'-6"

Existing Wall

EL VERSO MARKET

ELVERSO MARKET EL

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Work as Draftsman for the School of Visual Arts set | Set in SVA studio, New York | 2012 - work still in progress.

Section BB | Pie shop front view

Section DD | and stand detail

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SECTION DD | VIEWS | SCALE: 1''/4''

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SECTION BB | PIE SHOP PLAN AND VIEWSCALE: 3''/16''

Work as Draftsman for the School of Visual Arts set | Set in SVA studio, New York | 2012 - work still in progress.

Section CC | plan and elevation

8"3'-1 1/2"

3'-5 1/2"17'-2"9'-5"3'-1 1/2"6'-3 1/2"

LOAN OFFICE97

SECTION DD | THOWNHOUSE PLAN AND VIEWSCALE: 1''/4''

luana lima