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    PortfolioArchitect ir. D.D. Lembekker //June 2010

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    Picture front: still from movie underLINEdirected by Grady Gerbracht and Claudia Vieir,

    Brooklyn Arts Council International Film Festival,NY2008

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    Contents of the PortfolioCurriculum Vitae //5

    Vision behind my architecture //7

    Architect at na-ma architecture //9

    Researchlab Jaarbeursterrein Utrecht / Amsterdam & Utrecht, The Netherlands //13

    Competition Arquitectum 2009: Le Rouge Voil - New Moulin Rouge Dance School / Paris, France //25

    Graduation Project Border Conditions NY: ExCiTe Hunterspoint / New York, USA //29

    International Binale Rotterdam 2007 : Indesem: The Legacy 2007 / Rotterdam, The Netherlands //43

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    Architect Ir. Dion Danyanto LembekkerAddress J.P. Sweelinckstraat 41 1443 MB Purmerend

    Date of Birth 10th of February 1983Nationality DutchOfficial title Msc Architect Ir SBA regnr. 1.090715.003Email [email protected]

    Architecture relavant experience

    6/2010 - 6/2010 Projectmanager Dag van Architectuur Utrecht RWZI, BNA, freelance - Managing a project for creating visions for development of the site.

    4/2010 - 4/2010 Prepare visualisations for project A house in Luanda, ACA09, professional - Making renders with Rhino for housing and urban project in Angola .

    3/2010 - present Architect, na-ma architecture, professional - Working on several projects like research for the possibilities of temporal use of the urban space. A

    research which is tested on the Amsterdam area. Another project of the design study of the Olympic Stadiumin Amsterdam for the World Championship Football and the Olympic games. And a project about a urban

    strategy for the historical city of Rome.

    10/2009 - 2/2010 Researcher/architect at Research Lab, Atelier Rijksbouwmeester + VROM, professional- We have been working on a designstrategy for developing the Jaarbeurs area in Utrecht and managing the

    complicated situation of the project. Furtermore we created scenarios how it can be developed.

    9/2009 - 10/2009 Competition Groenbeton 2009, ACA09, professional,published - The aim of the project is innovating the material concrete. We developed a method to replace concrete

    steel by making use of left overs of cloths.

    6/2009 - 8/2009 Competition Arquitectum 2009 Paris, ACA09, professional- Danceschool Le moulin Rouge. The concept was about a route which shows the development of the

    Moulin Rouge from the past till now, which figurly embodied the present situation of a danceschool.

    6/2007 - 9/2007 Internship, Venhoeven CS, Amsterdam, semi-professional

    - National sportswimmingpool in Ypenburg / Ypenburg, Nederland- Sportcentre Katwijk/ Katwijk, Nederland

    I have been working on working details, technical drawings and design.

    9/2003 - 2/2004 Internship, HM Architekten, Amsterdam, semi-professional- Renovation of studenthousing at the Prinsengracht / Amsterdam, Nederland.

    I have been working on the design phase till building phase.

    Non-architectural relavant experience

    1/2010 - present Host at Holland Casino, Amsterdam

    - As a host of the casino I am responsible for the hospitality for the guest and have to observe gamblingaddiction.

    6/2005 - 6/2006 Salesman Fashion, Peek&Cloppenburg, Amsterdam

    - Salesman and tailor at the boutique department6/2002 - present Steward, Amsterdam Arena, Amsterdam

    - As a steward I am responsible for the hospitality for the guest during events7/2004 - 3/2005 Waiter, Restaurant Maison Petit Provence, Purmerend - Working as a waiter at a french orientated restaurant

    Curriculum Vitae

    Education

    9/2006 - 2/2007 Exchange study in Valnci, UPV, Spain - Project Community House Malva Rosa / Valnci, Spain

    - Villa #2 / Cueta, Spain

    - Villa #1 / no site

    9/2004 - 6/2009 Master in Architecture, Urbanism and Building Sciences, TUDelft, The Netherlands- Graduation Project Border Conditions NY: ExCiTe Hunterspoint / New York, USA

    - Project Museum IJburg / Amsterdam, The Netherlands

    9/2000 - 6/2004 Bachelor Building Technology, HvA Amsterdam, The Netherlands

    - Graduation Project Bijlmermeer / Amsterdam, The Netherlands9/2003 - 2/2004 Exchange study in Aberdeen,Robert Gordon University, Scotland

    - Studenthousing project / Dundee, Scotland

    Awards

    2007 First Prize International Binale Rotterdam:

    Indesem: The Legacy 2007/ TU Delft, The Netherlands

    Publication Nederland wordt anders magazine #1, februari 2010Groen Beton 2009, november 2009Arquitectumwebsite, http://www.arquitectum.com, september2009

    Public lecture, Architectencafe Utrecht, 22 februari 2010

    Public lecture, Dag van de Architectuur in Utrecht http://www.dvda.myplaces.nl/index.php3?h=17647&s=5544, 2 juni 2010

    Skills CAD: AutoCAD, Arkey, Rhincoceros, SketchupGraphics: Adobe Photoshop, Illustrator, Indesign, V-ray, ArtlantisProductivity: Microsoft Word, Excel, Powerpoint etc.

    Media: Macromedia Dreamweaver

    Languages Dutch, English, Spanish and German

    Interests Travelling, photography, art and music

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    na ma

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    na-ma architecture

    Amsterdam, The Netherlands 2010

    na-mana-ma

    na-ma

    na-ma

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    ite

    Examples on site forCityvision for Rome

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    ProjectResearch Olympic Stadium

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    NElabResearchlab Jaarbeursterrein Utrecht

    Amsterdam & Utrecht, The Netherlands 2009

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    1. INTEGRATIE

    2. DICHTHEID

    3. PUBLIEKE RUIMTE

    THEMAS

    U

    U

    U

    U

    ACRO

    ATION

    GRENS

    BEURS

    EILAND

    INTEGRATIE

    PARKEREN

    ANALYSE KARAKTER SCENARIOS TACTIEK

    AUTARKIE

    SUPERBLOK

    FAIRTRADE

    PARK

    U

    INTEGRATIE

    SCHEIDEN

    CONCENTREREN

    CAMOUFLEREN

    PROFILEREN

    FUNCTIEOPZICHZELF

    FUNCTIE-GERELATEERD

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    UP

    U U

    U U U//15

    Scenario ParkingAll of the parking possibilities of the centre of Utrecht willbe places in this area. Area, mobility, parking and livingwill be work together as partners.

    Scenario AutarkieIn this scenario the small community or thehistorical immunity will be the model for this area.Peaceful and small living combined with the bigJaarbeurs.

    Scenario Total IntegrationThis scenario will develop not from theinside (site itself) but from the outside.First we will develop the borders, upgradeit and eventually develop the Jaarbeurs-terrein.

    Scenario SuperblockIn this scenario we investigate the possibilities of the maxof living, public space and mass within one area.

    Scenario I love fairtradeCommercial is here the key. The key ofdeveloping the area, the key of gaining moneyand eventually the key to degentrificate the area.Back to the social possibilities of

    commercial thinking.

    Scenario Central ParkPark as an gap within the urban tissue. With thisscenario we investigate the possibilities of an urbanpark for Utrecht.

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    programma

    stad

    korrel

    opwaarderen omgeving

    C+

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    lasagne-model

    grachten-model

    90

    wonen

    commercieel

    parkeren

    wo

    ne

    n

    co

    mm

    ercie

    el

    pa

    rke

    ren

    onder

    boven

    voor achter

    gesloten bouwblok

    programma

    500 %

    100 %

    p

    c

    c

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    kerk Jaarbeurs+

    casinoschool

    AaBb

    + + +hotelretail

    bios

    megabioscoop

    grondgebonden brugwoningappartement

    ++

    + + +

    STAD IN DE STAD

    +

    +

    =

    dakwoning

    SUPERBLOK

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    MOBILITEITNETWERKEN STEDELIJK WOONE

    A12

    stad

    >>

    MIXEN

    SPREIDEN

    +

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    WONEN IN PARK CONTINUITEIT MAAIVELD - PARK ALS DRAGER

    plan

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    Competition Arquitectum 2009: Le Rouge Voil - New Moulin Rouge Dance School

    Paris, France 2009

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    Moulin Rouge Cabaret

    82, Boulevard Clichy

    Paris

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    // Impression interior / ramp of the museum

    // Functional section / section of the interaction of the danceschool with the museum // Scheme / scheme of the circulation of the ramp

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    Project ExCiTe Ferryterminal HunterspointHunterspoint New York, NY, 2007 - 2009

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    This project for Studio Border Conditions is fo-cused on the area of New York. The research

    started with a fascination you want to researchabout. Mine was the underground scene inNew York. But instead of taking the contex of

    the underground scene in the art scene or mu-sic scene I took this literally by goingunderground, to the New York Subwaystations.

    In these areas happens streetperformancesdone by artists who are expressing their art to

    the public. Art expressions like dance, music orjust entertainment performances. Theseperformances are based on temporary time,unexpected and suprise and done on locations

    which are not really made to perform. But justbecause of these elements of suprise of theseperformances they are creating a

    transformation of space they are happening.

    My research is focussing on the architectural

    and sociological elements of these perfor-mances mainly what this transformation is andthe effect on the area and on the people.For this project this research will be done by

    making mappings to be nally the base and

    inspiration for the development of a building.

    // Mapping / map of all subway connections with their stations in

    Manhattan, Long Island and Brooklyn

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    Times square

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    After analyzing differentperformances I decided tostudy one performance in de-

    tail. So I decided to study theperformance of a guitar playerwith a violin player.

    I have been looking at thetrajectories of the audienceduring the performance andhow they went and added the

    factor time. By inserting thisfactor the route/trajectory ofthe audience became a path

    based on time where increas-

    ing and decreasing of speedwas present. This increasingand decreasing of speed do I

    notate as rhythm.

    // Guitar and violin performance situated on a platform at the Time Square Subway station

    Times squareh 1114 day 1

    Mapp

    ing

    proce

    sterminal space

    / / Trajectories and positions on platform

    of people during performance

    // Domains of circulation versus

    domains of improvisation

    // 3d mass model of the

    trajectories of people

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    The rhythm of this performance I got by making an mapping (analyze) of the audiencesbehavior during this performance.

    I notated their location, their trajectories and dierences between where they started andwhere they end, all during a certain period of 46 frames of 0.5 seconds. With this informationI made a diagram of this information which ended up in a structure of rhythms during time.

    This structure naly showed the basic structure for the design. This structure is notated asrhythm in time (transitions, increasing of speed, decreasing of speed) The structure which Ifinally got is a structure of peoples behavior disturbed by the performance and a structure ofpeoples behavior without anydisturbing by the performance.

    After doing this I finally got a structure which shows the transformation of the space bythe performance. Which I used for the design of the building. For developing the reasearch

    procudure towards had I chosen to use the structure for a function which expressed theriged structure of traveling and a function which contains the elements being the opposit ofit.I ended up in the function of a ferryterminal which contains spaces for art.

    EXHIBTION VERSUSTERMINAL /// ExCiT NY/ / diagram / Peoples behavior disturbed by performance versus behavior which is not disturbed by performance

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    isolatedspaces = transit stimulatedspacesawarenessspaces= connection with outside

    RHYTHM #2_transit/ place(gaps/closed)

    owsof indiv(expo)RHYTHM #1_ connectivity

    owsof collective (terminal)

    RHYTHM #3_ individual/collective (functions)

    entrance

    entrance

    terminal/parking

    entrance

    entrance

    entrance

    entrance

    terminal/parking

    terminal/

    parking

    DIAGRAM OF RHYTHMS of the per formanceThe next step to continue with the diagrams I deformed the structure of the normal sequential develop-ment of a transition by the improvisation. The deformation is done on a grid system of the frames versus

    distance towards the performance. This grid represents this sequential development of the performance.With this deformation or deconstruction of the sequential development I gained three parameters.These parameters are three rhythms which are coming out of the interaction (the transformation of the

    space during the performance).For the final step I took these three rhythms and merged them into one diagram which shows an abstractinterpretation of the transformation by the performance. I called this interpretation the diagram of rhythmsof the performance.

    parameter #1:Rhythm of connectivity

    parameter #2:Rhythm of the character of the transition

    Parameter #3:Rhythm of the impact on the transition

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    The location for the building will be situated at

    the riverside of Long Island, Hunterspoint.

    The area of Hunterspoint is nowadays adeserted and desolated area where almost no

    development is. The area used to be a high

    industrial area where small but high industrialfactories where operating. During time the

    area became more abandoned and need nowaeconomical injection of new investments togrow and develop.

    The mapping for the project is based on transition-

    al flows gained from the research about thetransitional versus improvised. To cope with this Iwill make a ferry terminal. The building will contain

    these transitional flows and is able to connect withthe areas condition.

    The areas condition contains five interesting placesto connect with the terminal and Manhattan.One place is the trainstation (1) which is endingin this area. The other is the leisure area of sport

    facilities with park (2). The third interesting placeis upcoming economic centre (3). The fourth place

    is the Long Island highway (4) which is going hereunder the river. And the last place is huge desertedspace of nothing but sand, grass and mud (5).

    These five places will be connected by the terminal

    with Manhattan to have a good intensiveconnection. A connection which can attractinvestments, visitors and tourists to this area.

    / / Photo / Areal picture of Hunterspoint

    // Render / Areal image of the site

    Present sitation of the site Future sitat ion of the site

    12

    3

    4

    Transformation of the area

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    isolatedspaces = transit stimulatedspacesawarenessspaces= connection with outside

    RHYTH #2_ transit/ place(gaps/closed)

    owsof indiv(expo)RHYTH #1_ connectivity

    owsof collective (terminal)

    RHYTH # 3_ individual/collective (functions)

    entrance

    entrance

    terminal/parking

    entrance

    entrance

    entrance

    entrance

    terminal/parking

    terminal/parking

    I F H T H f th rf rm nc

    ferryplatform

    lobby

    restaurant

    expo

    entrance

    expo

    bustaxiplatform

    parking space

    expo

    entrance

    entrance

    entrance

    entrance

    entrance

    entrance

    entrance

    entrance

    entrance

    knot#9

    knot#8

    knot#7

    knot#5

    knot#6

    knot#3

    knot#4

    knot#1

    knot#2

    1. diagram ofrhythm of theperformance

    2. diagram of knots

    3. diagram of knotsaplied to site

    5. section model oftubes model

    4. physical modelfrom diagramto tube

    6. deconstructedtube model

    7. folded stripmodel

    9. revised foldedstrips model

    8. revised foldedstrips model

    10. nish revisedfolded stripsmodel

    The development from the structure towards the nal design of the terminal wasbased on certain steps. I made a diagram of the dierent rhythms of the structureand made him 3d. I implemented functions and tried to create a landscape /cityscape which provide the possibilities to use the terminal as it should be, (rigid /

    fast / no identity) by giving opportunities to improvise with art exhibitions (improvi-sition / delayed / identity based) on the terminal structure.

    The building is made of concrete which made the smoothness for the terminaldisturbed by the exhibitionspaces.

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    // Drawing / horizontal section of main floor

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    rooight

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    seca_1

    seca_2

    seca_3

    seca_5

    seca_4

    fragment

    l r r IE

    l : L l _

    r E i r ir r i i - i L kk r, l

    panorama

    deck

    exhibition

    space

    exhibition

    space

    exhibition

    corridor

    exhibition

    space

    exhibition

    space

    exhibition

    space

    art storages oce

    facilities oce

    Passage

    exhibition

    space

    panorama

    deck

    exhibition

    space

    rooight rooight

    rooight

    rooight

    rooight

    rooight

    void

    void

    void

    void

    void

    void

    void

    toilets

    // Drawing / horizontal section of first floor

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    // Section / short vertical section

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    r ir E i r i

    r r i i - i L kk r, l

    // Drawing / short and long vertical section

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    / / Construction / detail of the window

    View from above

    View from the front

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    / / Render / impression of the exhibitionspaces - transit zone

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    International Bienale Rotterdam 2007 : Indesem: The LegacyDelft, The Netherlands, 2007

    Indese

    The Le

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    billboard #1

    billboard #2

    billboard on loation

    billboard on loation

    Indesem 2007 was focused on the issue ofthe future. Mainly on what architects fromnowadays will leave behind for the next

    generation.

    To give answer to this question several

    students from all over the world wereinvited to embody this question and try togive an aswer.The results of this question would be pre-

    sented on a collection of billboards duringthe First International Bienale of Rotterdam.

    The assignment was divided in severallocations in Rotterdam. We had to make animage/ view for this location how this viewwould be over sixty years on that specific

    location. The group with the best visionwould be published on the billboards.

    Our group won finally two locations basedon the vision how we can deal withreligion and the rise of the level of the riverMaas.

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    COLOFON

    Purmerend, June 2010

    ARCHITECTEN COLLECTIEF ACA09

    architect ir. Dion D. Lembekkert_06 141 84 [email protected]

    o make an image/ view for this location how this viewwould be over sixty years on that specific location. The