1

Brandon ShieldsSophomore Portfolio

2015 Portfolio ReviewVirginia Commonwealth UniversitySchool of the ArtsDepartment of Graphic Design

2 This page is intentionally left blank.

3

Design Form & CommunicationJas StefanskiFall 2014

4

Design Form & Communication Project 12000 Photos

Forms in space are total dictators18 in. x 24 in. bond paper

Brandon Shields Forms in space are total dictators

5

Design Form & Communication Project 12000 Photos

Forms in space are total dictators18 in. x 24 in. bond paper

6

Design Form & Communication Project 2Video Response

Silent Video1 minute video

7

Design Form & Communication Project 2Video Response

Circular Space18 in. x 24 in. bond paper

8

Design Form & Communication Project 3Zine-Posters

Hashtag8.5 in. x 11 in. transparent vellum

9

Design Form & Communication Project 3Zine-Posters

Hashtag8.5 in. x 11 in. transparent vellum

10 This page is intentionally left blank.

11

Design Form & Communication Project 4Independent Project

Visual Braille11 in. x 8.5 in. paper

12 This page is intentionally left blank.

13

Imaging ISarah BaughFall 2014

14

Imaging I Project 1Neighborhood Installation

Pinwall8.5 in. x 11 in. paper

15

Imaging I Project 1Neighborhood Installation

Pinwall8.5 in. x 11 in. paper

16

Imaging ISarah Baugh

Project 210x10x100

No Title7 in. x 9 in. colored paper

17

Imaging ISarah Baugh

Project 210x10x100

No Title7 in. x 9 in. colored paper

18

Imaging I Project 3Accordian Book

Reliable7 in. x 10 in. matte paper

19

Imaging I Project 3Accordian Book

Reliable7 in. x 10 in. matte paper

20 This page is intentionally left blank.

21

Imaging I Project 4Space and Time

Easier Said Than Done24 in. x 18 in. matte paper

22 This page is intentionally left blank.

23

Imaging I Project 5Tarot Card Final

The Emperor18 in. x 24 in. satin paper

24 “What an army!”

They were in the Twilight Strip!

7 — “Okay, okay. No need to go into that.” Haroun noticed that old General Kitab himself, mounted on a winged mechanical horse very like Bolo’s, was flitting from Barge-Bird to Barge-Bird to keep in touch with the various discussions; and such was the freedom evidently allowed to the Pages and other citizens of Gup, that the old General seemed perfectly happy to listen to these tirades of insults and insubordination without batting an eyelid. In fact, it looked to Haroun as if the General was on many occasions actually provoking such disputes, and then joining in with enthusiastic glee, sometimes taking one side, and at other times Gust for fun) expressing the opposite point of view.

The sounds of heated quarrelling came across the water from the Barge-Birds: “I say it’s a Wild Goose Chase to go after Batcheat!” — “Yes, and what’s more, she looks like a Wild Goose, too.” — “How dare you, sirrah? That’s our beloved Princess you’re talking about; our estimable Prince Bolo’s intended and beauteous bride!” —

“No,” said Haroun flatly. “We shall not begin.” Rashid was beside himself with delight. “Well, well, well, young Haroun Khalifa,” he chortled, “you certainly did make some blinking funny friends.”

And so the Guppee armada proceeded on its merry way, with all its members busily dissecting General Kitab’s most secret battle-plans (which, of course, he cheerfully revealed to anyone who cared to ask). These plans were itemized, scrutinized, rationalized, analysed, mulled over, chewed over, made much of, made little of, and even,

after interminable wranglings, agreed. And when Rashid Khalifa, who was beginning to be as dubious as Haroun about the value of so much’ loose talk, ventured to question its wisdom, then Iff and Butt and Mali and Goopy and Bagha fell to arguing about this question, too, with as much energy and passion as before.

Only Prince Bolo remained aloof Prince Bolo rode his flying mechanical steed through the sky at the head of the Guppee forces, saying nothing, looking neither to left nor right, his eyes fixed

on the far horizon. For him there was no argument; Batcheat came first; the issue was beyond dispute.

“How is it,” Haroun wondered, “that Bolo can be so certain, when every other Guppee in this armada seems to take for ever to make up his mind about anything?”

It was Mali, the floating Gardener, striding along beside him, walking on the water, who replied in flowery voice through fleshy “lilac lips.”

“It is Love,” Mali said. “It is all for Love. Which is a wonderful and dashing matter. But which can also be a very foolish thing.”

The light failed slowly, then more quickly.

“Beauteous? Have you forgotten that voice, that nose, those teeth … ?”

declaimed Butt the Hoopoe, “if you then say they must not utilize same? And is not the Power of Speech the greatest Power of all? Then surely it must be exercised to the full?”

“It’s certainly getting a lot of exercise today,” Haroun replied. “I don’t believe you Guppees could keep a secret to save your lives.”

“We could tell secrets to save our lives, however,” Iff replied. “I, for example, know a large many secrets of great juiciness and interest.”

“I, also,” Butt the Hoopoe said without moving its beak. “Shall we begin?”

Haroun mused. “If any soldiers behaved like this on Earth, they’d be court-martialled quick as thinking.”

“But but but what is the point of giving persons Freedom of Speech,”

INTO THE TWILIGHT

STRIP

HAROUN AND THE SEA OF STORIESSALMAN RUSHDIE

This page is intentionally left blank.

25“What an army!”

They were in the Twilight Strip!

7 — “Okay, okay. No need to go into that.” Haroun noticed that old General Kitab himself, mounted on a winged mechanical horse very like Bolo’s, was flitting from Barge-Bird to Barge-Bird to keep in touch with the various discussions; and such was the freedom evidently allowed to the Pages and other citizens of Gup, that the old General seemed perfectly happy to listen to these tirades of insults and insubordination without batting an eyelid. In fact, it looked to Haroun as if the General was on many occasions actually provoking such disputes, and then joining in with enthusiastic glee, sometimes taking one side, and at other times Gust for fun) expressing the opposite point of view.

The sounds of heated quarrelling came across the water from the Barge-Birds: “I say it’s a Wild Goose Chase to go after Batcheat!” — “Yes, and what’s more, she looks like a Wild Goose, too.” — “How dare you, sirrah? That’s our beloved Princess you’re talking about; our estimable Prince Bolo’s intended and beauteous bride!” —

“No,” said Haroun flatly. “We shall not begin.” Rashid was beside himself with delight. “Well, well, well, young Haroun Khalifa,” he chortled, “you certainly did make some blinking funny friends.”

And so the Guppee armada proceeded on its merry way, with all its members busily dissecting General Kitab’s most secret battle-plans (which, of course, he cheerfully revealed to anyone who cared to ask). These plans were itemized, scrutinized, rationalized, analysed, mulled over, chewed over, made much of, made little of, and even,

after interminable wranglings, agreed. And when Rashid Khalifa, who was beginning to be as dubious as Haroun about the value of so much’ loose talk, ventured to question its wisdom, then Iff and Butt and Mali and Goopy and Bagha fell to arguing about this question, too, with as much energy and passion as before.

Only Prince Bolo remained aloof Prince Bolo rode his flying mechanical steed through the sky at the head of the Guppee forces, saying nothing, looking neither to left nor right, his eyes fixed

on the far horizon. For him there was no argument; Batcheat came first; the issue was beyond dispute.

“How is it,” Haroun wondered, “that Bolo can be so certain, when every other Guppee in this armada seems to take for ever to make up his mind about anything?”

It was Mali, the floating Gardener, striding along beside him, walking on the water, who replied in flowery voice through fleshy “lilac lips.”

“It is Love,” Mali said. “It is all for Love. Which is a wonderful and dashing matter. But which can also be a very foolish thing.”

The light failed slowly, then more quickly.

“Beauteous? Have you forgotten that voice, that nose, those teeth … ?”

declaimed Butt the Hoopoe, “if you then say they must not utilize same? And is not the Power of Speech the greatest Power of all? Then surely it must be exercised to the full?”

“It’s certainly getting a lot of exercise today,” Haroun replied. “I don’t believe you Guppees could keep a secret to save your lives.”

“We could tell secrets to save our lives, however,” Iff replied. “I, for example, know a large many secrets of great juiciness and interest.”

“I, also,” Butt the Hoopoe said without moving its beak. “Shall we begin?”

Haroun mused. “If any soldiers behaved like this on Earth, they’d be court-martialled quick as thinking.”

“But but but what is the point of giving persons Freedom of Speech,”

INTO THE TWILIGHT

STRIP

HAROUN AND THE SEA OF STORIESSALMAN RUSHDIE

David ShieldsFall 2014

Typography I

26

Typography I Project 1Ligatures

Representational Ligature18 in. x 24 in. bond paper

27

Typography I Project 1Ligatures

Fictional Ligature18 in. x 24 in. bond paper

28

Typography I Project 2Slogan

Proven on Instagram18 in. x 24 in. bond paper

Proven onInstagram

29

Typography I Project 2Slogan

Proven on Instagram18 in. x 24 in. bond paper

PROVEN ONInstagram

30

Typography I Project 3Running Text

Into the Twilight Strip8 in. x 10 in. book

31

Design Form & Communication Project 3Running Text

Into the Twilight StripHTML

32

Typography I Project 4Contrast in the Grid

The Pritzker Architecture Prize8 in. x 8 in. paper

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture. It is often referred to as the Nobel Prize of architecture.

2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

The prize carries a grant of $100,000.

Philip Johnson was the first Laureate in 1979.

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.

2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture. Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.

2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture. Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.

2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture.

Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.

2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture. Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture. It is often referred to as the Nobel Prize of architecture. Philip Johnson was the first Laureate in 1979. The prize carries a grant of $100,000.

2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.

2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture.

Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.

2014 recipient: Shigeru BanAwards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture.

Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

33

Typography Project 4Contrast in the Grid

The Pritzker Architecture Prize8 in. x 8 in. paper

The Hyatt Foundation established this award in 1979 to honor annually

a living architect who consistently and significantly contributed to

humanity and the built environment through the art of architecture.

2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture.

Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.

2014 recipient: Shigeru Ban

June 13, 2014Awards Ceremony

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture.

Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture. Awards Ceremony June 13, 2014. Philip Johnson was the first Laureate in 1979. It is often referred to as the Nobel Prize of architecture.

2014 recipient: Shigeru Ban

Rijksmuseum in AmsterdamThe Pritzker Architecture Prize

The prize carries a grant of $100,000

The Hyatt Foundation established this award in 1979

to honor annually a living architect who consistently

and significantly contributed to humanity and the built

environment through the art of architecture. 2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture.

Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture.

2014 recipient: Shigeru Ban

Awards Ceremony June 13, 2014 Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture.

Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

The Hyatt Foundation established this award in 1979 to honor annually a living architect who consistently and significantly contributed to humanity and the built environment through the art of architecture. Awards Ceremony June 13, 2014. Philip Johnson was the first Laureate in 1979. It is often referred to as the Nobel Prize of architecture.

2014 recipient: Shigeru Ban

Rijksmuseum

in Amsterdam

The Pritzker Architecture Prize

The prize carries a grant of $100,000

The Hyatt Foundation

established this award in

1979 to honor annually

a living architect who

consistently and significantly

contributed to humanity and

the built environment through

the art of architecture.

2014 recipient: Shigeru Ban

Awards Ceremony

June 13, 2014

Rijksmuseum in Amsterdam

The Pritzker Architecture Prize

It is often referred to as the Nobel Prize of architecture.

Philip Johnson was the first Laureate in 1979.

The prize carries a grant of $100,000.

34 This page is intentionally left blank.

35

Typography I Project 5Haroun and the Sea Stories

Chapter 718 in. x 24 in. bond paper

“What an army!”

They were in the Twilight Strip!

7 — “Okay, okay. No need to go into that.” Haroun noticed that old General Kitab himself, mounted on a winged mechanical horse very like Bolo’s, was flitting from Barge-Bird to Barge-Bird to keep in touch with the various discussions; and such was the freedom evidently allowed to the Pages and other citizens of Gup, that the old General seemed perfectly happy to listen to these tirades of insults and insubordination without batting an eyelid. In fact, it looked to Haroun as if the General was on many occasions actually provoking such disputes, and then joining in with enthusiastic glee, sometimes taking one side, and at other times Gust for fun) expressing the opposite point of view.

The sounds of heated quarrelling came across the water from the Barge-Birds: “I say it’s a Wild Goose Chase to go after Batcheat!” — “Yes, and what’s more, she looks like a Wild Goose, too.” — “How dare you, sirrah? That’s our beloved Princess you’re talking about; our estimable Prince Bolo’s intended and beauteous bride!” —

“No,” said Haroun flatly. “We shall not begin.” Rashid was beside himself with delight. “Well, well, well, young Haroun Khalifa,” he chortled, “you certainly did make some blinking funny friends.”

And so the Guppee armada proceeded on its merry way, with all its members busily dissecting General Kitab’s most secret battle-plans (which, of course, he cheerfully revealed to anyone who cared to ask). These plans were itemized, scrutinized, rationalized, analysed, mulled over, chewed over, made much of, made little of, and even,

after interminable wranglings, agreed. And when Rashid Khalifa, who was beginning to be as dubious as Haroun about the value of so much’ loose talk, ventured to question its wisdom, then Iff and Butt and Mali and Goopy and Bagha fell to arguing about this question, too, with as much energy and passion as before.

Only Prince Bolo remained aloof Prince Bolo rode his flying mechanical steed through the sky at the head of the Guppee forces, saying nothing, looking neither to left nor right, his eyes fixed

on the far horizon. For him there was no argument; Batcheat came first; the issue was beyond dispute.

“How is it,” Haroun wondered, “that Bolo can be so certain, when every other Guppee in this armada seems to take for ever to make up his mind about anything?”

It was Mali, the floating Gardener, striding along beside him, walking on the water, who replied in flowery voice through fleshy “lilac lips.”

“It is Love,” Mali said. “It is all for Love. Which is a wonderful and dashing matter. But which can also be a very foolish thing.”

The light failed slowly, then more quickly.

“Beauteous? Have you forgotten that voice, that nose, those teeth … ?”

declaimed Butt the Hoopoe, “if you then say they must not utilize same? And is not the Power of Speech the greatest Power of all? Then surely it must be exercised to the full?”

“It’s certainly getting a lot of exercise today,” Haroun replied. “I don’t believe you Guppees could keep a secret to save your lives.”

“We could tell secrets to save our lives, however,” Iff replied. “I, for example, know a large many secrets of great juiciness and interest.”

“I, also,” Butt the Hoopoe said without moving its beak. “Shall we begin?”

Haroun mused. “If any soldiers behaved like this on Earth, they’d be court-martialled quick as thinking.”

“But but but what is the point of giving persons Freedom of Speech,”

INTO THE TWILIGHT

STRIP

HAROUN AND THE SEA OF STORIESSALMAN RUSHDIE

36

Drown in sweat

This page is intentionally left blank.

37

Drown in sweat

Design Methods & ProcessLauren ThorsonSpring 2015

38

Design Methods & Processes Project 1Digital Utopia

Seismic World11 in. x 17 in. digital illustration

SilentStress

Restrain

Release

39

Design Methods & Processes Project 1Physical Utopia

Lost souls need guidance8.5 in. x 11 in. cutouts

40

Design Methods & Processes Project 2Speculative Space Installation

Towers3D mapping projection on foamboards

41

Design Methods & Processes Project 2Speculative Space Installation

Towers3D mapping projection on foamboards

42

Design Methods & Processes Project 2Speculative Space Publication

United Typographic Territories Map34 in. x 22 in. bond paper

43

Design Methods & Processes Project 2Speculative Space Publication

United Typographic Territories Map34 in. x 22 in. bond paper

44

Design Methods & Processes Project 4Scroll

Quote by Lao Tze17 in. x 68 in. bond paper

45

Design Methods & Processes Project 4Scroll

Quote by Lao Tze17 in. x 68 in. bond paper

46

47

Design Methods & Processes Project 4Flag

Blue Cohort Flag3 ft. x 5 ft. silky faille

48

Design Methods & ProcessesLauren Thorson

Project 5Make A Day Publication

Rebound33.1 in. x 46.8 in. bond paper

49

Design Methods & ProcessesLauren Thorson

Project 5Make A Day Publication

Connection33.1 in. x 46.8 in. bond paper

50

AGGRESSIVEThis page is intentionally left blank.

51

AGGRESSIVE

Stephanie ClarkSpring 2015

Imaging II

52

Imaging II Project 1Mundane Objects

Aggressive 118 in. x 24 in. matte paper

AGGRESSIVE

53

Design Form & Communication Project 1Mundane Objects

Aggressive 218 in. x 24 in. matte paper

aggressive

54 This page is intentionally left blank.

55

Imaging II Project 1Mundane Objects

Aggressive 318 in. x 24 in. matte paper

56

Imaging II Project 2Vinyl Cover

Tetsuo & Youth12 in. Gatefold, 11.5 in. x 11.5 in. sheet

57

Imaging II Project 2Vinyl Cover

Tetsuo & Youth12 in. Gatefold, 11.5 in. x 11.5 in. sheet

120

2015

0

1. SUM

MER

2. MU

RAL

3. BLUR M

Y HAN

DS (FEAT. GU

Y SEBASTIAN)

4. DOTS & LIN

ES5. FALL

RECO

RD 1 / SIDE 1

RECO

RD 1 / SIDE 2

RECO

RD 2 / SIDE 1

RECO

RD 2 / SIDE 2

6. PRISON

ER 1&2 (FEAT. AYESHA JAC

O)

7. BODY O

F WO

RK (FEAT. TROI & TERR

ACE M

ARTIN)

8. LITTLE DEATH (FEAT. N

IKKI JEAN)

9. NO

SCR

ATCH

ES (FEAT. NIKKI JEAN

)

10. WIN

TER11. C

HO

PPER (FEAT. BILLY BLUE, BU

K OF

PSYCH

ODR

AMA, TRO

UBLE, TR

AE THA TRU

TH, FAM

LAY & G

LASSES MALO

NE)

12. DELIVER13. M

ADON

NA (AN

D OTH

ER MO

THERS IN

THE H

OO

D) [FEAT. N

IKKI JEAN]

14. ADOR

ATION

OF TH

E MAG

I (FEAT. CRYSTAL

“ROVEL” TO

RRES)15. TH

EY.RESURREC

T.OVER.N

EW. (FEAT. AB-SO

UL

& TROI)

16. SPRING

1. SUMMER / 1:26

2. MURAL / 8:48Wasalu Jaco, S. Johnson, Kyle Davison, D. Hampton,Alain Milon (Writers)The Buchanans (Producer)“Chanson d’Un Jour d’Hiver” performed by Alain Milon& Cortex (Sample credits)

3. BLUR MY HANDS (FEAT. GUY SEBASTIAN) / 5:27Jaco, Larry Griffin Jr., Mark London (Writers)S1, M-Phazes (Producers)

4. DOTS & LINES / 6:32Jaco, Simon Morel (Writers)Lupe Fiasco, DJ Simonsayz, JackLNDN (Producers)Nikki Jean (Background vocals)

5. FALL / 1:13

6. PRISONER 1&2 (FEAT. AYESHA JACO) / 8:36Jaco, Maurice Thomas (Writers)MoeZ’art (Producer)Nikki Jean (Background vocals)

7. BODY OF WORK (FEAT. TROI & TERRACE MARTIN) / 5:53Jaco, L. Griffin Jr., J. Griffin (Writers)S1, Vohn Beatz (Producers)Marisol (Background vocals)

8. LITTLE DEATH (FEAT. NIKKI JEAN) / 4:29Jaco, Nicholle Leary, L. Griffin Jr., J. Griffin (Writers)S1, Vohn Beatz (Producers)

9. NO SCRATCHES (FEAT. NIKKI JEAN) / 4:22Jaco, Leary, Morel, Robert Kelly (Writers)DJ Simonsayz (Producer)“You Remind Me of Something” performed by R. Kelly (Sample credits)

10. WINTER / 1:31

11. CHOPPER (FEAT. BILLY BLUE, BUK OF PSYCHODRAMA, TROUBLE, TRAE THA TRUTH, FAM LAY & GLASSES MALONE) / 9:32Jaco, Daucoury Natche, Adam Feeny, Pedritho Dorsonne, Jeffery Robinson, Mariel Orr, Frazier Thompson, Nathaniel Johnson, Charles Penniman (Writers)DJ Dahi (Producer)

12. DELIVER / 3:52Jaco, Tyrone Griffin, M. Thomas, P. Jones (Writers)MoeZ’art, Marcus Stephens (Producers)PJ, Ty Dolla $ign (Background vocals)

13. MADONNA (AND OTHER MOTHERS IN THE HOOD) [FEAT. NIKKI JEAN] / 4:43Jaco, Natche, Leary (Writers)DJ Dahi (Producer)

14. ADORATION OF THE MAGI (FEAT. CRYSTAL “ROVEL” TORRES) / 5:06Jaco, Natche (Writers)DJ Dahi (Producer)

15. THEY.RESURRECT.OVER.NEW. (FEAT. AB-SOUL & TROI) / 5:38Jaco, Natche, Herbert Stevens, M. Tucker (Writers)DJ Dahi, Blood Diamonds (Producers)

16. SPRING / 1:35

TETSUO & YOUTH LUPE FIASCO

CREDITS TO THE ATLANTIC RECORDING CORPORATION, A

WARNER MUSIC GROUP COMPANY.

RECORD 1

/

SIDE

1

1.

SUM

MER

2.

MURAL 3. BLUR MY

HANDS

(FEAT. GUY

SEBASTIAN)

4. DOTS

&

LINES 5. FALL RECORD 1 /

SIDE 2

6. PR

ISO

NER

1&2

(FEA

T.

AYES

HA

JACO

) 7.

BODY OF WORK (FEAT. TROI & TERRACE MARTIN) 8. LITTLE

DEATH (FEAT.

NIKKI

JEAN) 9.

NO SCRATCHES (FEAT. NIKKI JEAN)

RECORD 2 / SIDE 110. W

INTE

R 11. C

HOPP

ER (F

EAT.

BIL

LY B

LUE,

BUK

OF

PSYC

HODRAMA, TROUBLE, TRAE THA TRUTH, FAM LAY & GLASSES MALONE) 12. DELIVER 13. MAD

ON

NA (AN

D OTHER M

OTHERS IN THE HOOD) [FEAT. NIKKI JEAN] RECORD 2

/

SIDE

2 14

. AD

OR

ATIO

N O

F TH

E MAGI

(FEAT. CRYSTAL “ROVEL” TORRES)

15.

THEY.RESURRECT.OVER

.NEW

. (FEAT.

AB-SOUL

& TROI)

16. SPRING

58 This page is intentionally left blank.

59

Imaging II Project 3Psychogeographic Map

Barriers18 in. x 24 in.

BEWARE THERE IS A DOG

PLEASE DON’T CROSS

REROUTE YOUR VEHICLE

60 This page is intentionally left blank.

61

Daniel SinclairSpring 2015

Typography II

62

63

Typography II Project 1Typographer Fusion

Accept New Forms, Develop Loud Tensions24 in. x 36 in. matte paper

64

Typography II Project 2Newspaper Publication

via20.47 in. x 14.76 in. newspaper

65

Typography II Project 2Newspaper Publication

via20.47 in. x 14.76 in. newspaper

66

Typography II Project 3Type in Context

400 Stuart Circle Plaque18 in. x 33 in. matte on foamboard

67

Typography II Project 3Type in Context

400 Stuart Circle Plaque18 in. x 33 in. matte on foamboard

68