portfolio crzv 2015
TRANSCRIPT
CARLOS ZEBALLOS. PORTFOLIO.
ABOUT ME I am an architect and urban designer with great interest in landscape. My passion for understanding the relation of landscape and architecture in different cultures has led me to visit more than 60 countries in 5 continents. Over the years I have documented, discussed and written extensively about these ideas, and have applied them in personal or collective urban and architectural design projects in several countries.
CONTACT
309, 808 Sangster Place. New Westminster. Email: [email protected]
EDUCATIONAL BACKGROUND
Post Ph.D. Research Institute for Humanity and Nature (RINH), Kyoto, Japan.
NEOMAP project. Senior Researcher, head of the GIS and Database workgroup (from April 2006 to March 2012) Ph.D. Kyoto University, Faculty of Engineering. Department of Urban Environmental Planning. Kyoto, Japan (March 2007) Master of Science National University of Lanus, Buenos Aires, Argentina agreement with Latin American Forum of Environmental Sciences (FLACAM). La Plata, Argentina. Master in Sustainable Development, 2002
Master of Science National University of Saint Agustín, Arequipa, Peru agreement with International Institute for Geo Information Science and Earth Observation, ITC, Enschede, Netherlands, and Institute For Housing And Urban Development Studies HIS, Rotterdam, Netherlands. Master in Urban Environmental Planning, 2002
Architect National University of Saint Agustín, Faculty of Architecture. Arequipa, Peru, 1996 Bachelor National University of Saint Agustín, Faculty of Architecture. Arequipa, Peru, 1993
COMPUTER SKILLS
Urban Design Proficient in the use of Geographic Information Systems and Space Syntax for cartography and urban analysis., including zoning, visibility, land use, risk areas, DEM, buffer analysis, etc. Software: Arc GIS, ILWIS, QGIS, DepthMap. Training: Spatial Analyst, ESRI, Redland, CA, USA. 2008 GIS and its application in disaster management. Open Online Academy, NY, USA. 2014
Architectural Drafting and Rendering I have been a certified Autodesk instructor for 7 years. 4 years ago I moved from CAD to BIM in order to have an integrated management of the project information. I combine the virtual building development with 3D modelling, to obtain better visual results Software: AutoCAD, Sketch Up, ArchiCAD, Revit, 3DS Max, Lumion.
Graphic Design I use graphic editing for improving the results of architectural rendering and for creating conceptual images, for lectures, publications, etc. Software: Adobe Photoshop, Adobe Indesign, Microsoft Office.
LANGUAGES
English: Advanced professional fluency. Spanish: Native fluency Italian: Advanced fluency French: High Intermediate fluency Russian: Intermediate fluency Japanese: Intermediate fluency Portuguese: Intermediate fluency
INTERFASES
“The concept of INTERFACE is based upon recognizing the critical point of intersection between different systems,
where the major exchange of matter, energy and
information is most likely to be located…”
Rubén Pesci.
La ciudad de la Urbanidad.
A catalyst is an urban element that is shaped by the city and then, in turn, shapes its context. Its purpose is the incremental,
continuous regeneration of the urban fabric.
The important point is that the catalyst is not a single end
product but an element that impels and guides subsequent
development.
Wayne Attoe and Donn Logan
Catalysts in the Design of Cities
Waterfront Masterplan, Vladivostok, Russia.
The method of interfaces focuses in the identification of the most representative and synergistic aspects of and auban, landscape or architectural problem in order to propose more specific and efficient solutions. Furthermore, this systemic approach requires a set of tools in order to understand the diverse nature of the site and its multiple bonds with the city and focuses on the interrelations of the problem and its context. In processes like urban landscape design or renewal, the method of intefaces intends to achieve a a positive, controlled and catalytic effect in the surrunding areas. The following are some examples in diffetent scales in which I applied the method of intefaces. .
PROFESSIONAL EXPERIENCE
AS ARCHITECT / URBAN DESIGNER
MIRADOR
RECREAC. PASIVA
RECREAC. ACTIVA
HOSPEDAJE
MUSEO
MONUMENTO TURISTICO
RECORRIDO
Chili River Masterplan, Arequipa, Peru.
Master plan of Vladivostok Waterfront
Water is a protagonist in Vladivostok's landscape, however, very few public spaces allow public to the waterfront.
This master plan was designed as a tool to revitalize the city’s downtown and its relation with the waterfront, creating or remodeling public spaces to promote social activities. The aim was to create a practical proposal with an academic and methodological framework. Firstly, we analyzed the evolution of the city’s relation with the sea and identifies its morphology, spatial configuration, and expressions of mental landscape. This stage was conducted along with the students of Far Eastern Federal University in Russia. Secondly, using GIS techniques, I identified the major interfaces and proposed them as catalyzers for improving the surrounding areas. Finally, I proposed a model for the renovation of Vladivostok’s waterfront areas, by means of an integrated network of public spaces that would substantially increase the offer of public areas and improve the relation between the city and the sea from a social, economic and environmental perspective.
1. Mapping of interfases. 2. Axial map using Space Syntax analysis 3. The 3 axes (recreational, civic and
monumental) that structure the proposal and the accessibility points
3.
2. 1.
The proposed spatial model structures a network of key projects and interventions that aim to have a positive impact in their surroundings. It also takes into account the recent urban renovations as well as the city’s historical heritage. Moreover, the plan promotes their interconnectivity through specialized axes or corridors in order to create a continuity between the downtown, the Golden Horn and the Amur Bay.
•Waterfront Metropolitan Park. A large semi abandoned polluted area, where parking lots, industrial dumps, deposits, debris and garbage coexist, a new 20 hectares metropolitan park is proposed. It would house both recreational as well as cultural activities. Landscaping of the park would favour local flora. Spatially, this park will be have a connection with the historical Pokrovskiy Park, locade 400 meters west, by means of the extension of the Krasnogo Znameni Prospect and a succession of plazas and boulevards that would promote spatial fluidity between these two metropolitan green areas. •Integration of industry. While in a short term it will not be possible to eradicate the energy plant located in the waterfront, it is possible to carry out a program in order to gradually reduce its emissions and pollution. Its façade as well as its open areas can be beautified to become an attractive landmark in the urban landscape. Additionally, by means of a process of land reclamation, a public promenade will be created in front of the industry, including attractions such as a fishing pier and cafés or restaurants.
•Waterfront public green areas: A system of green areas is proposed by the development of three tasks: the improvement of existing parks, the creation of new public spaces and the articulation of these by means of corridors or pedestrian areas. The character and function of each area will depend on its surrounding activities, reinforcing the character of the axis upon which it is located.
A new plaza is proposed as a roof of an existing railroad
Renewal of historical Svetlanskaya Street as a semi-pedestrian way
Vertical accesibility in a proposed renewal of the waterfront
TINGO AND SACHACA, URBAN-ARCHITECTURAL RENOVATION
Tingo is a located 4 km south of Arequipa, Peru, next to the Chili River, Due to its many springs and milder weather, it became a traditional place for water
recreation and local cousine.
Facing Tingo, on the other bank, stands the Sachaca Palace, a 18th century mansion which dominates the
riverscape.
In the lower part, La Parada is an informal market that visually and physically contaminates the environment.
CARLOS ZEBALLOS, JOSE A. OVIEDO
Two views of the Tingo groove, in the 1930s
The proposal has 3 approaches:
•METROPOLITAN LEVEL: to provide Arequipa of a park specialized in watersports. •URBAN LEVEL: an urban renovation that would link both basins of the river –Tingo and Sachaca- enhancing their traditional character and at the same time creating a multipurpose landscaped waterfront park. •ARCHITECTURAL LEVEL: To propose a number of buildings that will reinforce the sporting, recreational and touristic role of the area. These include: -An Olympic swimming pool and facilities. - A Diving pool. - A Multipurpose Sports Hall. - Bungallows and services. -A panoramic Restaurant -A discoteque -A hotel
Sachaca Palace and La Parada informal market
Tingo pond
CURRENT STATUS
RADIAL ORGANIZATION OF THE RESIDENCES
GOYENECHE PALACE: VISUAL LANDMARK
SPONTANEUS AND PRECARIOUS CONSTRUCTION
HOUSES LOCATION CONDITIONED BY TOPOGRAPHY
URBAN LAYOUT ARE ARRANGED BY: - REPUBLICAN PATTERN (ORTHOGONAL) - TOPOGRAPHY AND WATER COURSES
OPEN SPACES
BUILT AREAS URBAN IMAGE
SATELLITE PHOTO
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This proposal for the Ahmdo Costal Park in Incheon, South Korea, was developed around a rock formation in the coast. Since Incheon City is considered as a “gate” to Korea, due to its International Airport and the Port, the Ahmdo Coastal Park was conceptualized as a welcoming landmark, particularly visible from the bridges, which link the city and the air terminal. The park symbolizes the combination of nature and manmade structures, as well as stressing the historical connection of the city and water, while resembling a ship floating on the water.
Carlos Zeballos, Manuel Fujii and Sandra Carrasco.
Medical Association Recreational Club, Arequipa, Peru
Administration Building.
Rodriguez Villa, Arequipa, Peru
This house is perched on top of a cliff , overlooking spectacular views
of the Chilina Valley In Arequipa; Peru. The layout of the house maximize the vistas an solar
insulation, taking advantage of the topography.
LEVEL 1 LEVEL 2
SECTION
•Far Eastern Federal University, FEFU, Vladivostok, Russia. Head of Laboratory of Urban and Landscape Design. 2012- 2014 •Research Institute for Humanity and Nature (RINH), Kyoto, Japan. Post Ph.D. Senior Researcher. 2006-2012 •San Agustin National University, Associate Professor in the Faculty of Architecture. Arequipa, Peru 2000- 2002 Computer Graphics, AutoCAD and Archicad courses, History of art. •Santa Maria Catholic University, Arequipa, Peru. Associate Professor in the Professional Program of Architecture April ’02- December ’02. Design I., History of Art.
As Editor •ATLAS OF HISTORICAL LANDSCAPE. JAPAN AND EASTASIAN INLAND SEAS. Neomap Project. Research Institute for Humanity and Nature, Kyoto, Japan. Editor in Chief, production of maps, 3D images, artistic paintings, photographs and texts. •ENVIRONMENTAL ATLAS OF AREQUIPA, PERU. Agreement U.N.S.A. - PEGUP. Editor in Chief, production of maps, graphs, photographs and texts. 2000. •Blog My Architectural Moleskine. Editor. 2007 - present http://architecturalmoleskine.blogspot.com/ • .
PROFESSIONAL EXPERIENCE AS PROFESSOR/RESEARCHER
SELECTED ACADEMIC PUBLICATIONS
•Zeballos, C; Mostovoi, S.. “AN INTEGRATED PROPOSAL FOR THE RENOVATION OF THE WATERFRONT OF VLADIVOSTOK, RUSSIA. “ In Town, City and Urbanization in a Globalizing World: a Theoretical and Practical Pespective. Kliment Ohridski University, Sofia, Bulgaria, in press •Zeballos, C.; Uchiyama, J.; Lindström, K.; Borré, C. “GIS APPROACH TO HISTORICAL LANDSCAPE CHANGES: THE CASE OF MODERNISATION AT LAKE BIWA IN CENTRAL JAPAN”. In: Roca, Z. Claval, P. and Agnew, J. (eds.): “LANDSCAPES, IDENTITIES AND DEVELOPMENT : EUROPE AND BEYOND”. Ashgate Publishing, 2011. •Uchiyama, J.; Lindström, K.; Zeballos, C.; Borré, C.; Nakamura, O.; Matsumori, T. (2010). “USING GIS FOR LARGE-SPAN HISTORICAL RESEARCH COMPARING PREHISTORIC AND MODERN LANDSCAPES: A CASE FROM EAST ASIA”. In: “ABSTRACTS: PECSRL. THE PERMANENT EUROPEAN CONFERENCE FOR THE STUDY OF THE RURAL LANDSCAPE, 24TH SESSION, LIVING IN THE LANDSCAPES: KNOWLEDGE, PRACTICE, IMAGINATION”; Riga& Liepaja, Latvia; August 23-27, 2010. (Toim.) Bunkše, Edmunds; Sture, Inese. Riga: Univeristy of Latvia, 2010, pp. 132 - 133. •Zeballos Carlos, Demura Yoshifumi, Kawasaki Masashi and Higuchi Tadahiko. THE PROCESS OF URBAN CATALYSIS.THE EVOLUTION OF THE URBAN SPATIAL SYSTEM IN AREQUIPA FROM 1868 TO 1920. Journal for Architecture of Infrastructure and Environment (2), 13-22. June 2007 •Zeballos Carlos, Demura Yoshifumi, Kawasaki Masashi and Higuchi Tadahiko. STREET TYPOLOGIES AROUND THE CHILI RIVER IN AREQUIPA FROM 1900 TO 1940. Journal of Architecture and Planning (618), pp. 73-79, 2007-08-30. •Zeballos, C.; Pesci, R.; Zucchetti, A.; Alegre, M.; Bejar, J. and others. PLAN DE GESTION AMBIENTAL DE LA CUENCA METROPOLITANA DEL RIO CHILI, AREQUIPA. Proy. ProChili, Municipalidad de Arequipa. Solvima Graf, 2002.
DIALOGUES: LANDSCAPES FROM THE WORLD / Пейзажи Мира - Vladivostok, Russia, Oct. 2013
PHOTO EXHIBITIONS
EXPO SHANGHAI 2010: MIRADAS INTENSIVAS/INTENSIVE GAZES / 強烈な視線. - Kyoto, Japan. Nov-Dec 2010 - Arequipa, Peru. Dec. 2010 and Jul.-Aug. 2012. - Chiclayo, Peru. May 2011 - Lima, Peru. Jul. Aug. 2011
PHOTO EXHIBITIONS