portfolio crzv 2015

55
CARLOS ZEBALLOS. PORTFOLIO .

Upload: carlos-zeballos

Post on 13-Aug-2015

33 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Portfolio CRZV 2015

CARLOS ZEBALLOS. PORTFOLIO.

Page 2: Portfolio CRZV 2015

ABOUT ME I am an architect and urban designer with great interest in landscape. My passion for understanding the relation of landscape and architecture in different cultures has led me to visit more than 60 countries in 5 continents. Over the years I have documented, discussed and written extensively about these ideas, and have applied them in personal or collective urban and architectural design projects in several countries.

CONTACT

309, 808 Sangster Place. New Westminster. Email: [email protected]

EDUCATIONAL BACKGROUND

Post Ph.D. Research Institute for Humanity and Nature (RINH), Kyoto, Japan.

NEOMAP project. Senior Researcher, head of the GIS and Database workgroup (from April 2006 to March 2012) Ph.D. Kyoto University, Faculty of Engineering. Department of Urban Environmental Planning. Kyoto, Japan (March 2007) Master of Science National University of Lanus, Buenos Aires, Argentina agreement with Latin American Forum of Environmental Sciences (FLACAM). La Plata, Argentina. Master in Sustainable Development, 2002

Master of Science National University of Saint Agustín, Arequipa, Peru agreement with International Institute for Geo Information Science and Earth Observation, ITC, Enschede, Netherlands, and Institute For Housing And Urban Development Studies HIS, Rotterdam, Netherlands. Master in Urban Environmental Planning, 2002

Architect National University of Saint Agustín, Faculty of Architecture. Arequipa, Peru, 1996 Bachelor National University of Saint Agustín, Faculty of Architecture. Arequipa, Peru, 1993

Page 3: Portfolio CRZV 2015

COMPUTER SKILLS

Urban Design Proficient in the use of Geographic Information Systems and Space Syntax for cartography and urban analysis., including zoning, visibility, land use, risk areas, DEM, buffer analysis, etc. Software: Arc GIS, ILWIS, QGIS, DepthMap. Training: Spatial Analyst, ESRI, Redland, CA, USA. 2008 GIS and its application in disaster management. Open Online Academy, NY, USA. 2014

Architectural Drafting and Rendering I have been a certified Autodesk instructor for 7 years. 4 years ago I moved from CAD to BIM in order to have an integrated management of the project information. I combine the virtual building development with 3D modelling, to obtain better visual results Software: AutoCAD, Sketch Up, ArchiCAD, Revit, 3DS Max, Lumion.

Graphic Design I use graphic editing for improving the results of architectural rendering and for creating conceptual images, for lectures, publications, etc. Software: Adobe Photoshop, Adobe Indesign, Microsoft Office.

LANGUAGES

English: Advanced professional fluency. Spanish: Native fluency Italian: Advanced fluency French: High Intermediate fluency Russian: Intermediate fluency Japanese: Intermediate fluency Portuguese: Intermediate fluency

Page 4: Portfolio CRZV 2015

INTERFASES

“The concept of INTERFACE is based upon recognizing the critical point of intersection between different systems,

where the major exchange of matter, energy and

information is most likely to be located…”

Rubén Pesci.

La ciudad de la Urbanidad.

A catalyst is an urban element that is shaped by the city and then, in turn, shapes its context. Its purpose is the incremental,

continuous regeneration of the urban fabric.

The important point is that the catalyst is not a single end

product but an element that impels and guides subsequent

development.

Wayne Attoe and Donn Logan

Catalysts in the Design of Cities

Waterfront Masterplan, Vladivostok, Russia.

Page 5: Portfolio CRZV 2015

The method of interfaces focuses in the identification of the most representative and synergistic aspects of and auban, landscape or architectural problem in order to propose more specific and efficient solutions. Furthermore, this systemic approach requires a set of tools in order to understand the diverse nature of the site and its multiple bonds with the city and focuses on the interrelations of the problem and its context. In processes like urban landscape design or renewal, the method of intefaces intends to achieve a a positive, controlled and catalytic effect in the surrunding areas. The following are some examples in diffetent scales in which I applied the method of intefaces. .

PROFESSIONAL EXPERIENCE

AS ARCHITECT / URBAN DESIGNER

MIRADOR

RECREAC. PASIVA

RECREAC. ACTIVA

HOSPEDAJE

MUSEO

MONUMENTO TURISTICO

RECORRIDO

Chili River Masterplan, Arequipa, Peru.

Page 6: Portfolio CRZV 2015

Master plan of Vladivostok Waterfront

Water is a protagonist in Vladivostok's landscape, however, very few public spaces allow public to the waterfront.

This master plan was designed as a tool to revitalize the city’s downtown and its relation with the waterfront, creating or remodeling public spaces to promote social activities. The aim was to create a practical proposal with an academic and methodological framework. Firstly, we analyzed the evolution of the city’s relation with the sea and identifies its morphology, spatial configuration, and expressions of mental landscape. This stage was conducted along with the students of Far Eastern Federal University in Russia. Secondly, using GIS techniques, I identified the major interfaces and proposed them as catalyzers for improving the surrounding areas. Finally, I proposed a model for the renovation of Vladivostok’s waterfront areas, by means of an integrated network of public spaces that would substantially increase the offer of public areas and improve the relation between the city and the sea from a social, economic and environmental perspective.

Page 7: Portfolio CRZV 2015

1. Mapping of interfases. 2. Axial map using Space Syntax analysis 3. The 3 axes (recreational, civic and

monumental) that structure the proposal and the accessibility points

3.

2. 1.

Page 8: Portfolio CRZV 2015

The proposed spatial model structures a network of key projects and interventions that aim to have a positive impact in their surroundings. It also takes into account the recent urban renovations as well as the city’s historical heritage. Moreover, the plan promotes their interconnectivity through specialized axes or corridors in order to create a continuity between the downtown, the Golden Horn and the Amur Bay.

Page 9: Portfolio CRZV 2015

•Waterfront Metropolitan Park. A large semi abandoned polluted area, where parking lots, industrial dumps, deposits, debris and garbage coexist, a new 20 hectares metropolitan park is proposed. It would house both recreational as well as cultural activities. Landscaping of the park would favour local flora. Spatially, this park will be have a connection with the historical Pokrovskiy Park, locade 400 meters west, by means of the extension of the Krasnogo Znameni Prospect and a succession of plazas and boulevards that would promote spatial fluidity between these two metropolitan green areas. •Integration of industry. While in a short term it will not be possible to eradicate the energy plant located in the waterfront, it is possible to carry out a program in order to gradually reduce its emissions and pollution. Its façade as well as its open areas can be beautified to become an attractive landmark in the urban landscape. Additionally, by means of a process of land reclamation, a public promenade will be created in front of the industry, including attractions such as a fishing pier and cafés or restaurants.

Page 10: Portfolio CRZV 2015

•Waterfront public green areas: A system of green areas is proposed by the development of three tasks: the improvement of existing parks, the creation of new public spaces and the articulation of these by means of corridors or pedestrian areas. The character and function of each area will depend on its surrounding activities, reinforcing the character of the axis upon which it is located.

Page 11: Portfolio CRZV 2015

A new plaza is proposed as a roof of an existing railroad

Renewal of historical Svetlanskaya Street as a semi-pedestrian way

Page 12: Portfolio CRZV 2015
Page 13: Portfolio CRZV 2015

Vertical accesibility in a proposed renewal of the waterfront

Page 14: Portfolio CRZV 2015

TINGO AND SACHACA, URBAN-ARCHITECTURAL RENOVATION

Tingo is a located 4 km south of Arequipa, Peru, next to the Chili River, Due to its many springs and milder weather, it became a traditional place for water

recreation and local cousine.

Facing Tingo, on the other bank, stands the Sachaca Palace, a 18th century mansion which dominates the

riverscape.

In the lower part, La Parada is an informal market that visually and physically contaminates the environment.

CARLOS ZEBALLOS, JOSE A. OVIEDO

Two views of the Tingo groove, in the 1930s

Page 15: Portfolio CRZV 2015

The proposal has 3 approaches:

•METROPOLITAN LEVEL: to provide Arequipa of a park specialized in watersports. •URBAN LEVEL: an urban renovation that would link both basins of the river –Tingo and Sachaca- enhancing their traditional character and at the same time creating a multipurpose landscaped waterfront park. •ARCHITECTURAL LEVEL: To propose a number of buildings that will reinforce the sporting, recreational and touristic role of the area. These include: -An Olympic swimming pool and facilities. - A Diving pool. - A Multipurpose Sports Hall. - Bungallows and services. -A panoramic Restaurant -A discoteque -A hotel

Sachaca Palace and La Parada informal market

Tingo pond

Page 16: Portfolio CRZV 2015

CURRENT STATUS

Page 17: Portfolio CRZV 2015

RADIAL ORGANIZATION OF THE RESIDENCES

GOYENECHE PALACE: VISUAL LANDMARK

SPONTANEUS AND PRECARIOUS CONSTRUCTION

HOUSES LOCATION CONDITIONED BY TOPOGRAPHY

URBAN LAYOUT ARE ARRANGED BY: - REPUBLICAN PATTERN (ORTHOGONAL) - TOPOGRAPHY AND WATER COURSES

OPEN SPACES

BUILT AREAS URBAN IMAGE

SATELLITE PHOTO

Page 18: Portfolio CRZV 2015

LOC

ATI

ON

GEN

ERIC

FO

RM

SPEC

IFIC

FO

RM

SPA

CE

AD

DED

ELE

MEN

TS

CIR

CU

LATI

ON

OLYMPIC POOL

Page 19: Portfolio CRZV 2015

GROUND LEVEL ROOF LEVEL

LONGITUDINAL SECTION TRANSVERSAL SECTION

FRONTAL ELEVATION LATERAL ELEVATION

Page 20: Portfolio CRZV 2015
Page 21: Portfolio CRZV 2015
Page 22: Portfolio CRZV 2015

LOC

ATI

ON

GEN

ERIC

FO

RM

SPEC

IFIC

FO

RM

SPA

CE

FRA

GM

ENTA

TIO

N

CIR

CU

LATI

ON

ADMINISTRATION BUILDING

Page 23: Portfolio CRZV 2015

1st LEVEL 2nd LEVEL

3rd LEVEL

SECTION A-A

SECTION B-B

Page 24: Portfolio CRZV 2015
Page 25: Portfolio CRZV 2015
Page 26: Portfolio CRZV 2015

LOC

ATI

ON

GEN

ERIC

FO

RM

SPEC

IFIC

FO

RM

SPA

CE

AD

DED

ELE

MEN

TS

CIR

CU

LATI

ON

DIVING POOL

Page 27: Portfolio CRZV 2015

GROUND LEVEL UPPER LEVEL

FRONT ELEVATION LATERAL SECTION

Page 28: Portfolio CRZV 2015
Page 29: Portfolio CRZV 2015
Page 30: Portfolio CRZV 2015

LOC

ATI

ON

GEN

ERIC

FO

RM

SPEC

IFIC

FO

RM

SPA

CE

AD

DED

ELE

MEN

TS

CIR

CU

LATI

ON

MULTIPURPOSE SPORTS HALL

Page 31: Portfolio CRZV 2015

GROUND LEVEL UPPER LEVEL

ROOF LEVEL

SECTION

Page 32: Portfolio CRZV 2015
Page 33: Portfolio CRZV 2015
Page 34: Portfolio CRZV 2015

LOC

ATI

ON

GEN

ERIC

FO

RM

SPEC

IFIC

FO

RM

FRA

GM

ENTA

TIO

N

AD

DED

ELE

MEN

TS

SPA

CE

DISCOTHEQUE

Page 35: Portfolio CRZV 2015

BASEMENT 1st LEVEL

2nd LEVEL 3rd LEVEL

Page 36: Portfolio CRZV 2015
Page 37: Portfolio CRZV 2015
Page 38: Portfolio CRZV 2015

LOC

ATI

ON

GEN

ERIC

FO

RM

SPEC

IFIC

FO

RM

FRA

GM

ENTA

TIO

N

AD

DED

ELE

MEN

TS

SPA

CE

RESTAURANT

Page 39: Portfolio CRZV 2015

BASEMENT

1st LEVEL

2nd LEVEL SECTION

Page 40: Portfolio CRZV 2015
Page 41: Portfolio CRZV 2015
Page 42: Portfolio CRZV 2015
Page 43: Portfolio CRZV 2015

This proposal for the Ahmdo Costal Park in Incheon, South Korea, was developed around a rock formation in the coast. Since Incheon City is considered as a “gate” to Korea, due to its International Airport and the Port, the Ahmdo Coastal Park was conceptualized as a welcoming landmark, particularly visible from the bridges, which link the city and the air terminal. The park symbolizes the combination of nature and manmade structures, as well as stressing the historical connection of the city and water, while resembling a ship floating on the water.

Carlos Zeballos, Manuel Fujii and Sandra Carrasco.

Page 44: Portfolio CRZV 2015

Medical Association Recreational Club, Arequipa, Peru

Administration Building.

Page 45: Portfolio CRZV 2015
Page 46: Portfolio CRZV 2015

Rodriguez Villa, Arequipa, Peru

This house is perched on top of a cliff , overlooking spectacular views

of the Chilina Valley In Arequipa; Peru. The layout of the house maximize the vistas an solar

insulation, taking advantage of the topography.

Page 47: Portfolio CRZV 2015

LEVEL 1 LEVEL 2

SECTION

Page 48: Portfolio CRZV 2015
Page 49: Portfolio CRZV 2015
Page 50: Portfolio CRZV 2015
Page 51: Portfolio CRZV 2015
Page 52: Portfolio CRZV 2015

•Far Eastern Federal University, FEFU, Vladivostok, Russia. Head of Laboratory of Urban and Landscape Design. 2012- 2014 •Research Institute for Humanity and Nature (RINH), Kyoto, Japan. Post Ph.D. Senior Researcher. 2006-2012 •San Agustin National University, Associate Professor in the Faculty of Architecture. Arequipa, Peru 2000- 2002 Computer Graphics, AutoCAD and Archicad courses, History of art. •Santa Maria Catholic University, Arequipa, Peru. Associate Professor in the Professional Program of Architecture April ’02- December ’02. Design I., History of Art.

As Editor •ATLAS OF HISTORICAL LANDSCAPE. JAPAN AND EASTASIAN INLAND SEAS. Neomap Project. Research Institute for Humanity and Nature, Kyoto, Japan. Editor in Chief, production of maps, 3D images, artistic paintings, photographs and texts. •ENVIRONMENTAL ATLAS OF AREQUIPA, PERU. Agreement U.N.S.A. - PEGUP. Editor in Chief, production of maps, graphs, photographs and texts. 2000. •Blog My Architectural Moleskine. Editor. 2007 - present http://architecturalmoleskine.blogspot.com/ • .

PROFESSIONAL EXPERIENCE AS PROFESSOR/RESEARCHER

Page 53: Portfolio CRZV 2015

SELECTED ACADEMIC PUBLICATIONS

•Zeballos, C; Mostovoi, S.. “AN INTEGRATED PROPOSAL FOR THE RENOVATION OF THE WATERFRONT OF VLADIVOSTOK, RUSSIA. “ In Town, City and Urbanization in a Globalizing World: a Theoretical and Practical Pespective. Kliment Ohridski University, Sofia, Bulgaria, in press •Zeballos, C.; Uchiyama, J.; Lindström, K.; Borré, C. “GIS APPROACH TO HISTORICAL LANDSCAPE CHANGES: THE CASE OF MODERNISATION AT LAKE BIWA IN CENTRAL JAPAN”. In: Roca, Z. Claval, P. and Agnew, J. (eds.): “LANDSCAPES, IDENTITIES AND DEVELOPMENT : EUROPE AND BEYOND”. Ashgate Publishing, 2011. •Uchiyama, J.; Lindström, K.; Zeballos, C.; Borré, C.; Nakamura, O.; Matsumori, T. (2010). “USING GIS FOR LARGE-SPAN HISTORICAL RESEARCH COMPARING PREHISTORIC AND MODERN LANDSCAPES: A CASE FROM EAST ASIA”. In: “ABSTRACTS: PECSRL. THE PERMANENT EUROPEAN CONFERENCE FOR THE STUDY OF THE RURAL LANDSCAPE, 24TH SESSION, LIVING IN THE LANDSCAPES: KNOWLEDGE, PRACTICE, IMAGINATION”; Riga& Liepaja, Latvia; August 23-27, 2010. (Toim.) Bunkše, Edmunds; Sture, Inese. Riga: Univeristy of Latvia, 2010, pp. 132 - 133. •Zeballos Carlos, Demura Yoshifumi, Kawasaki Masashi and Higuchi Tadahiko. THE PROCESS OF URBAN CATALYSIS.THE EVOLUTION OF THE URBAN SPATIAL SYSTEM IN AREQUIPA FROM 1868 TO 1920. Journal for Architecture of Infrastructure and Environment (2), 13-22. June 2007 •Zeballos Carlos, Demura Yoshifumi, Kawasaki Masashi and Higuchi Tadahiko. STREET TYPOLOGIES AROUND THE CHILI RIVER IN AREQUIPA FROM 1900 TO 1940. Journal of Architecture and Planning (618), pp. 73-79, 2007-08-30. •Zeballos, C.; Pesci, R.; Zucchetti, A.; Alegre, M.; Bejar, J. and others. PLAN DE GESTION AMBIENTAL DE LA CUENCA METROPOLITANA DEL RIO CHILI, AREQUIPA. Proy. ProChili, Municipalidad de Arequipa. Solvima Graf, 2002.

Page 54: Portfolio CRZV 2015

DIALOGUES: LANDSCAPES FROM THE WORLD / Пейзажи Мира - Vladivostok, Russia, Oct. 2013

PHOTO EXHIBITIONS

Page 55: Portfolio CRZV 2015

EXPO SHANGHAI 2010: MIRADAS INTENSIVAS/INTENSIVE GAZES / 強烈な視線. - Kyoto, Japan. Nov-Dec 2010 - Arequipa, Peru. Dec. 2010 and Jul.-Aug. 2012. - Chiclayo, Peru. May 2011 - Lima, Peru. Jul. Aug. 2011

PHOTO EXHIBITIONS