portfolio + drawing journal
DESCRIPTION
Developing a professional resume in graphic form. Showing examples of the type and quality of work which I have completed in first year. Its presentation should demonstrate design and visual excellence. The Drawing journal will be reflective of semester one’s daily and weekly engagement with the practice of drawing through observation and analysis.TRANSCRIPT
Paul Jacob Bartsch
CONTENTSPage One / 1DESIGN STUDIO 1
Built ground comparison of Dubrovnik, Croatia Sydney, Australia
Page Two / 2DESIGN STUDIO 1
Detail of landscape 1x1 meter quadrant of hard-scape, soft-scape & combination
Page Three/ 3 HISTORY THEORY 1
Analysis of Seagram Building & Fransworth House by Ludwig Mies van der Rohe TWA Flight Centre & Dulles Terminal by Eero Saarinen
Page Four / 4 REPRESENTATION 1
Drawing Journal Hands
Page Five / 5 REPRESENTATION 1
Drawing Journal Text
Page Six / 6 REPRESENTATION 1
Drawing Journal Cubes
Page Seven / 7 REPRESENTATION 1
Assignment 1: Barr Smith Sketch
Page Eight / 8 REPRESENTATION 1
Assignment 2: Collage of Barr Smith Sketch
Page Nine / 9 REPRESENTATION 1
Assignment 3: Praline + Perspective Projection
CONTACT INFORMATIONEmail
Mobile0435012648
Paul Jacob Bartsch
Dubrovnik, Croatia Cityscape SketchesUnderstanding built form and the relationship between a cities buildings through high contrasting layout. Allowing fluent reading of the cities sectors (residential vs. commercial etc.) and in turn it’s character.
PAGE ONE
Sydn
ey, A
ustr
alia
“Cities were always like people, showing their varying per-sonalities to the traveller. Depending on the city and on the traveller, there might begin a mutual love, or dislike, friendship, or enmity. Where one city will rise a certain in-dividual to glory, it will destroy another who is not suited to its personality.”- Roman Payne
Detail understanding and representing different landscape forms and their materiality, environment and context.PAGE TWO
Hard
-sca
pe
Soft-
scap
e
Hybr
id
Analysis of historically significant buildings which are the first commercial examples of new materiality in, steel, aluminium and glass for Ludwig Mies van der Rohe’s rationalist Sea-gram Building & Fransworth House and the use of structural concrete in the expressionist TWA Flight Centre & Dulles Terminal by Eero Saarinen.
PAGE THREE
HANDS Essential technique.
PAGE FOUR
“Think of the line as a living thing, and the drawing as his legacy” -Paul Klee
HAND PRINTED TEXT Essential technique.
PAGE FIVE
CUBES Essential technique.
PAGE SIX
Mental unpacking of unknown forms, understanding 3-dimentinal objects and representing them in 2-dimentinal space.
Assignment 1: Barr Smith SketchPAGE SEVEN
Barr Smith
Paul BartSch
Assignment 2: Collage of Barr Smith SketchPAGE EIGHT
PAGE NINE
Assignment 3: Praline + Perspective Projection
Accurate & Compelling Drawings High Quality, precise drawing in graphite, with strong sheet composition line-weight and line-type consideration, crafting and understanding of each individual line on the heavy weight hot-pressed paper; and how each line if successfully drawn/placed can produce a aesthetically and theoretically engaging end product which can not only inform but please.
Assignment 3: Praline + Perspective ProjectionPAGE TEN
“Drawing makes you see things clearer, and clearer, and clearer still. The image is passing through you in a physiological way, into your brain, into your memory - where it stays - it’s transmitted by your hands.”- Martin Gayford