portfolio i interior architecture and visualization
DESCRIPTION
Graduate of University of Applied Sciences in Dusseldorf.TRANSCRIPT
PORTFOLIO
Vanessa Schrage
table of contents
Livi
ng
Ru
les
Th
eo
do
r-H
eu
ss
-Bri
dg
eD
us
se
ldo
rf, G
erm
an
y
3°
Dre
hra
um
„3°
rota
tin
g r
oo
m“
Du
ss
eld
orf
, Ge
rma
ny
infi
nit
y„r
oo
m o
f s
ile
nc
e“
fun
era
l pa
rlo
ur
art
loft
ae
sth
eti
c li
vin
gD
us
se
ldo
rf, G
erm
an
y
Eam
es
Lo
un
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Ch
air
Ra
y&C
ha
rle
s E
am
es
(19
56
)
Se
ren
ity
Sp
a&
We
lln
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sA
rizo
na
, US
A
Living RulesTheodor-Heuss-BridgeDusseldorf, Germany
The assignment was to develop a form of
collec� ve living under the keyword „social
rules“.
As a group of 3 we decided that instead of
taking away important space at the riverbank
we wanted to give more space to the city.
We took advantage of the already exis� ng
structure of the bridge and worked with its
grid. We wanted our complex to be seen as
part of the construc� on - like a camoufl age.
Star� ng with narrow dwellings that have all
important u� lisa� ons in a „shelf“ on one side
of the fl at our idea grew with � me so that we
off er diff erent kinds of fl oor plans in the end.
We u� lize the length of 1km of the bridge in 3
diff erent parts. On the eastern riverbank near
the University we have a „campus“ that con-
sists of small dwellings in a dense popula� on.
The part on the western riverbank is more
„urban“ with bigger fl ats so that living for fa-
milies is possible. The middle directly over the
Rhine is a blend of small and medium fl ats.
All of the fl ats have the panorama view of the
skyline from the private balcony in common.sec� on
3 connec� ng levels:
_ streetlevel (bus stop)
_ boardwalk
_ waterlevel (landing place)
isometric drawing of narrow prototype-dwelling (used for student housing)
„Enjoy yourshelf“
eleva� on
fl oor plan
fl oor plans_ fl at varia� ons
chronomap_ � mes and distances
restaurant - located on top of the rhine having a great view towards south-east and north-west
loca� on for playing boule or „hang out“ in a net having the water underneath
dwelling perspec� ve - bath tub located in the middle of the living room;
facades connec� ng the interior with the exterior
landing place playground
slides - copy of the given structure gave new possibili� es of using the „curly-access“
3° Drehraum„3° rotating room“Dusseldorf, Germany
The assignment was to develop a gazebo in a
scale of 1:1 on the property of the University.
It is supposed to be a freestanding, accessible
sculpture.
It was important to us to incorporate all
exis! ng objects to create a gazebo that is in a
way sedentary. Another important factor was
that it was not only supposed to be a piece of
art but also invite to linger and so boost the
exchange in the student body and decelerate
the daily rou! ne.
The pavilion consists of two parts that are
complementary. 27 frames that turn 3° from
one to the next. This brings a certain dynamic
and fl ow to the structure - almost as if it was a
moving portal.
<< fi lm about the
project
infi nity„room of silence“funeral parlour
The assignment was to design a funeral parlour
that connects the func� onal requirements
with the par! cular needs of the mourners.
The mo! f of infi nity is a recurring topic in
connec! on with life and death. I decided on
this symbol because you can fi nd it in every
religion and I wanted no signs of religion in my
funeral parlour. Every persuasion has diff erent
views on „life a$ er death“ or reincarna! on -
our existence is infi nite.
The building is divided into 2 parts - private
(offi ce, storage...) and public (chapel, wai! ng,
laying out...).
The height of the whole complex is gradient
which emphasises the more and less important
parts.
infinity
sec! on B-B
sec! on C-C
sec� on A-A
fl oor plan
eleva� on_north
eleva� on_east
eleva� on_south
eleva� on_west
The assignment was to develop a concept for a
given building from place of loca! on over
target audience to the visualisa! on of the
project.
As a group of 3 we decided our proposal is to
be geared towards ar! sts. The community in
Dusseldorf has a wide variety and the city is
interna! onal orientated.
The property is located in the media harbour
where a lot of crea! ve businesses have their
headquarters.
The fl oor plans are thanks to their openness a
perfect fi t. Every fl at has an open gallery with
a huge glass front that brings natural light into
the building.
artloftartistic livingDusseldorf, Germany
fi rst fl oorground fl oor
exterior view >
< kitchen block
view from foyer
dining area >
< living room
< gallery
bathroom >
bedroom
The assignment was to visualize the Eames
Lounge Chair from 1956 and create a short
anima on.
To make the work easier I started with an
analysis of the object.
That was followed by a storyboard because it
was my fi rst anima" on.
Eames Lounge ChairRay&Charles Eames(1956)
<< short anima! on
< varia� ons
The assignment was to visualize an
architecture. In a group of two we decided on
the theme „Spa&Wellness“ because we wanted
to work on ligh ng and the topic of water. We
designed the fl oorplans and then worked on
the interior design. Emphasis was on the
visualisa" on and anima" on.
Our main focus was on the salt cave with its
an" clinal shape and the sauna area.
SerenitySpa&WellnessArizona, USA
<< short anima! on
white
light pu
rple
purple
gold
dark purple
bamboo
loca! on
material/coloursinspira! on canyon
basement fl oor
ground fl oor
exterior view
recep� on >
< chill-our area
< salt cave
salt cave - view to salt-water pool >
sauna
My name is Vanessa Schrage.
I am an aspiring interior architect who is ready
to pour her energy and passion into crea! ve
work in the real world. I`m sure I will be an
asset to your company because I love to learn
new skills and am confi dent to work as a team
player.
I am dediacted, hard working and resilient.
Vanessa Schrage+49 (157) 57 40 06 [email protected]
<<
Educa! on
09/13 - 04/14
08/10 - 07/12
08/06 - 07/09
European Art Designer (EAD)
Visual Akademie, Wuppertal
Master of Arts in Interior Architecture
Peter Behrens School of Architecture
(University of Applied Sciences, Dusseldorf)
Bachelor of Arts in Architecture and Interior Architecture
Peter Behrens School of Architecture
(University of Applied Sciences, Dusseldorf)
Skills
ArchiCAD
VectorWorks
AutoCAD
Cinema 4D
3d Studio Max with mental ray
Adobe Photoshop
Adobe InDesign
Adobe Illustrator
Adobe A# er Eff ects
Corel Draw
Microso# Offi ce
Voluntary Ac! vi! es
06/07 - 09/12
05/11
06/06 - 07/06
Volunteer auf Schalke, Gelsenkirchen
_ coopera! on with security fi rm and police, helping wheelchair users
to their seats, informa! on, customer service
Volunteer at Eurovision Song Contest, Dusseldorf
_ customer service, informa! on, care for performers backstage
FIFA Volunteer at World Cup, Gelsenkirchen
_ caring for fans at main sta! on and public viewing, informa! on,
assistance with problems
Experience
03/15 - today
11/09 - 03/10
07/06 - 08/06
01/05 - 08/05
11/04 - 01/05
08/04 - 11/04
02/03
Execu� ve Secretary
United Promo! on GmbH, Wuppertal
_ administra! on, customer service
Internship
null2elf interior design I marke! ng, Dusseldorf
_ designing and dra" ing projects, research, extension of material library,
measuring and designing of kitchen in private housing
Internship
Fuis! ng joinery, Soest
_ furniture building, furniture design
Internship
Blumen Risse GmbH&Co. KG, Soest
_ create fl ower arrangements, bouquets and decora! on; customer service
Internship
Fehr - Hoberg painter and decorator, Werl
_ renova! on
Internship
FKW Fachverlag für Kommunika! on und Werbung GmbH, Soest
_ Ad Design, offi ce organiza! on
Internship
Dipl-Ing. Klaus Oe% erer, Werl
_ colour concept and mural, dra" ing one family house, measuring of building
site
Language
German
English
Mother Tongue
fl uent
The architect has the fi nest job in the world because on a small planet where everything has already been discovered, designing is s! ll one of the greatest adventures
possible : a job on the fron! er, walking a knife edge between art and science, between originality and memory, between the daring of the modern and the cau! on of
tradi! on.
Renzo Piano
contact me:
mobile: +49 (157) 57 40 06 59 mail: [email protected]