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TRANSCRIPT
Presented by
Presents
Sponsored by
Disney’s Beauty & the Beast
With
Presented by
Disney’s Beauty & the Beast is presented through special arrangement
with Music Theatre International (MTI). All authorized performance materials are also provided by MTI.
Directed by Maranda Nichols
Assistant Director Jenny Westmoreland
Music Director & Conductor
Neale Bartee
Technical Director JR Lawrence
Choreography Cari Pulliam & Abi Mason
Music by Alan Menken Lyrics by Howard Ashman & Tim Rice
Book By Linda Woolverton
Anna Kate Horton David Beck Brett Harken
Dillon Davis Bruce Bryant Stacey Johnson
Gatlin Holland Bryan Roberts Jerry Greenwell
Scenes
Act One
Prologue
Scene 1: The Town Belle.....................................Belle, Gaston, Lefou, Villagers
No Matter What............................................Belle, Maurice
No Matter What (Reprise).......................................Maurice
Scene 2: The Forest
Scene 3: The Castle Interior
Scene 4: Exterior of Belle’s Cottage Me..................................................................Gaston, Belle
Belle (Reprise).............................................................Belle
Scene 5: Interior of Castle Is This Home................................................................Belle
Is this Home (Tag)...............................................Mrs. Potts
Scene 6: The Tavern Gaston..................................Lefou, Gaston, Silly Girls, Men
Gaston (Reprise)............................................Gaston, Lefou
Scene 7: Fireplace How Long Must This Go On.........................................Beast
Be Our Guest...............Lumiere, Chip, Mrs. Potts, Emsemble
If I Can’t Love Her.......................................................Beast
Intermission
Scenes
Act Two
Entr’acte
Scene One: The Forest
Scene Two: Fireplace/Castle Interior Something’s There............................................Belle, Beast,
Lumiere, Cogsworth, Mrs. Potts
Human Again.......................................................Ensemble
Scene Three: The Tavern Maison De Lunes.............................Gaston, Lefou, D’Arque
Scene Four: The Beast’s Lair/West Wing Beauty & the Beast..............................................Mrs. Potts
If I Can’t Love Her.......................................................Beast
Scene 5: Exterior Belle’s House A Change in Me...........................................................Belle
Mob Song................................................Gaston, Ensemble
Scene 6: Castle Interior Is This Home (Reprise).................................................Belle
Transformation/Finale......................Beast, Belle, Ensemble
End of Show
Cast Narrator..............................................................................Chase Martin Prince..................................................................................Isaac Haynie Enchantress...........................................................................Isabel Viala Beast.....................................................................................David Beck Belle.............................................................................Anna Kate Horton Lefou.................................................................................Bryan Roberts Gaston.................................................................................Brett Harken Maurice...........................................................................Jerry Greenwell Belle’s Mother....................................................................Kate Titsworth Lumiere.................................................................................Dillon Davis Cogsworth............................................................................Bruce Bryant Babette..............................................................................Sydnie Walker Mrs. Potts.........................................................................Stacey Johnson Chip..................................................................................Gatlin Holland Wardrobe.............................................................................Pip Williams Footstool..........................................................................Dayton Holland Monsieur D’Arque...................................................................Brak Young Young Belle.............................................................................Lillie Craft
Villagers
Taylor Pierce Aristocratic Lady
Kevin Box Egg Man
Ellon McDaniel Sausage Curl Girl
Chase Martin Baker
Lindsey Box Baker’s Wife (Marie)
Daniel Plyley Bookseller
Anna Marie Wright Silly Girl
Abby Orr Silly Girl
Eva Barrett Silly Girl
Steven Watkins Candle Man &
Fish Man
Brak Young Hat Seller
Lauren Box Milkmaid
Luke Walz Shepherd Boy
Anastasia Tarkington
Lady with Baby & Woman in “Mob Song”
Wolves
Aiden Wright Luke Walz Katie Cooper
Isabel Viala Alexandra Wright Riley Tarver
Enchanted Objects
Corbin Wright Chair
Joshua Tarver Chair
Kate Titsworth Cheese Grater
Ella Barrett Menu
Emma Buxton Candlestick
Jaden Monreal Candlestick
Beau Tarkington Broom
Anna Ganong Dust Pail
Chloe Viala Cup
Caroline Box Cup
Betsy Johnson Parsley
Riley Tarver Rosemary
Alexandra Wright Thyme
Sophie Ramsey Sage
Cody Duncan Pepper
Dru Fergerson Salt
Katherine Lewallen Vase
Jenna Boling Egg Timer
Kaylen Doss Flatware
Jessica Holland Flatware
Lauren Phillips Napkin
Abi Mason Napkin
Lucy Box Napkin
Abby Jayne Spades Napkin
Katie Cooper Sugar Bowl
Aiden Wright Cart
Rodney Rodgers Caryatid
Georgia Guinn
Caryatid
Special Thanks
Amanda Nichols Chris Nichols Bill Stanley
Mary Stanley John Westmoreland Eleanor Westmoreland
Abby Jayne Spades Ellon McDaniel Doss McDaniel
Sarah McDaniel Kate Titsworth Janea Spades
Faye Haney Lin Rahrle Rebecca Orr
Abi Mason Sophie Ramsey Alexandra Wright
Betsy Johnson Stacey Johnson Abby Orr
Eva Grace Barrett Whitney Wheeler Anastasia Tarkington
Beau Tarkington Kristi Pulliam Cari Pulliam
Jesse Gunter Brittany Lawrence Wanda & Emily Strode
Ridgefield Christian School
Crew
Backstage
Stage Manager ..............................................................Jenny Westmoreland
Assistant Stage
Manager ..........................................................................Ella Scurlock
Lightboard .....................................................................Robbie Johnson
Projections ..................................................................Xavier Tarkington
Sound ...........................................................................JR Lawrence
Spotlight ..................................................Eliza Ramsey & Ian Buchanan
Flyrails ...................................................Burt Barrett & Chad Holland
Stage Hands ............Chad Holland, Mary Kate Woodham, & Kilee Erickson
Build Team
Set Design .....................Kristi Pulliam, JR Lawrence, & Maranda Nichols
Lighting Design ...........................................................................JR Lawrence
Set Construction
& Paint
.................JR Lawrence, Brittany Lawrence, & Andrew Tolson
Costume Design ............Amanda Nichols, Maranda Nichols, & Sametta Parker
Mirror Design ..............................................................Jenny Westmoreland
Rose Design .................................................Beau & Anastasia Tarkington
Orchestra Conducted by Dr. Neale Bartee
Piano Becky McKee
Bass Gabe Waters
Drums Chris Isom
Flute/Piccolo Caitlyn Lyerly
Oboe/English Horn Caroline Cato
Kristen Leitterman
Horn Rusty Robinson
Trumpet Max Hughes
Violin Hannah Bartholomae
Cello Elaine Bartee
Clarinet/Flute/Bass Clarinet Josh Carter
Late arrivals must wait at the back of the house until a scene change.
The videotaping or other video or audio recording of this production is strictly
prohibited.
Turn your cell phones OFF.
If you need to leave your seat, please wait for a scene change
if possible.
In case of an emergency, exits are located
in the front and back of the auditorium.
Restrooms are located on the mezzanine and in the lobby.
Food and drinks are not allowed in the theater.
If you’re not saving this playbill as a keepsake,
please place it in the ”Recycle Playbills” bin
at the front door after the performance.
Thank You
If you’d like to go paperless—The FOA wants to help!
You can find our Playbill on Facebook, foajonesboro.org, or you can scan
one of the QR codes in the lobby!
Our Actors Appreciate
Your Best
Theatre Etiquette
Directors Note The year is 1991, I was 7 years old and we went to see the newest Disney movie that was usually a yearly occurrence. We got popcorn, a treat because my family just didn’t splurge on that, maybe I had candy, too. I just remember walking into that theater with full arms. The Malco, across from old Indian Mall, left of the concession stand and the middle theater on that side. Walking in, I never thought I would remember all of that, but when those opening strands of music and the pan on the Beast’s castle began, I was captured. It was the most beautiful movie I had ever seen. I was a Disney-holic and knew every word to every princess movie to date, but none impacted me as much as this one. She was a brunette, like me! She had brown eyes, like me! She loved to read, like me! She fell in love with a beast...ok so that was about where the similarities ended. Nonetheless, this was the princess I could connect with, and it stayed with me my whole life. I have seen this movie thousands of times and can quote nearly the whole film once started. When the musical came out in 1993, I would’ve died to be any part in it. I was shooting for Mrs. Potts, because by the time I got a chance to be in it, that’s how old I would be. I was overjoyed when we did this production 10 years ago. It was a literal dream come true. Mind you I had never seen the play live because I was always out of town when it came anywhere nearby, but to be cast in the show was amazing for me. We had an amazing cast with passion and talent and joy for this production, it was an honor to work with them and they gave me the show of my dreams. I have since seen the production several times live, and I am a huge critic because I don’t get the same feeling I did when I was seven and was first enthralled with the story.
To say I am honored to direct this show is not enough. I have been overwhelmed and delighted with this cast. Belle and the Beast do not fall in love and live happily ever after by accident, but by a series of cunning teamwork, attention to the tiniest details, and support of one another. This production of Beauty and the Beast is no happy accident, this production is full of hard work and everyone striving to be just a little bit better. Belle has worked her tail off, I’ve had spices and silly girls and napkins and villagers sewing costumes and painting sets and learning the words and coming to choreography rehearsals and it has been an absolute joy. I think they feel my passion for capturing the feeling of the movie and the purity of the characters created by some of the most iconic actors. It is the accents, the line delivery, how they are standing, the timing of the jokes, the precision of the choreography that makes this an amazing production, and it cannot be accomplished through accidents. This show, like the love story, is the result of many hours of hard work and passion and a unity of one goal. Love this show. We have already loved it. We hope we can take you into the magical world of enchanted objects and happy endings and leave you a little more light-hearted and take you back to days when anything is possible when you can see “Something there that wasn’t there before.”
Maranda
A Heart for the Arts Dear FOA Friends and Family, We’ve begun more conversations about WHY we do what we do at the FOA. We’ve always spoken of it in one-on-one conversations, but I believe it’s time to make this a greater conversation . The truth is, I try my hardest to instill in those around me a firm belief that we are acting on behalf of a set of principles here at the FOA – that, artistically, there are some basic beliefs that should resonate throughout every class, rehearsal, production, and meeting. Those principles come from what feels like a lifetime of studying theatre and the arts and creative people who just need a nudge toward discovering all they can be. So, this WHY is at the heart of the FOA’s mission to enhance the quality of life of our community through the arts. IT IS WHO WE ARE. So, in the coming months, we will be presenting the WHY of this wonderful organization of people. All in an attempt to define for ourselves and our community WHO WE ARE. Just for fun, I’ll address one “why” now: Why is it important to choose trained (educated and professional) directors for community theatre? Because we believe in theatre-done-well. At the FOA, the process is just as important as the product. Of course, it is an incredibly high priority for our productions to be top notch. This requires hours of dedication to the details of a show, from costumes to set to how an actor walks, sings, and talks. The Director is the Master Artist in theatre, and every other person collaborates to bring about the Director’s vision. In other words, the Director is in charge of everything except the words on the page. Experts have estimated that in any given communication situation, the words alone represent about 15% of the messaging. So the Director makes the choices for 85% of what the audience experiences when they are at a play - an almost endless amount of choices for any one person. That is why most Directors may defer to their artistic teams to make decisions, but that is up to the Director to choose how much she is willing to give away the artistic reigns. Good artistic crews and casts understand that their role is that of craftsmen, the people who can make the Director’s ideas real. (Great craftsmen, by the way, are beautiful and rare.)
However, Directors must also be good administrators. This requires sensitivity to each individual and their immediate and long-term needs. It means understanding the pressure of being time-bound, patient, self-controlled, humble, and knowledgeable. It means keeping the schedule, regardless of what others may believe, and remaining diligent in the production process without being inflexible to necessary changes. Making those decisions in the face of judgment from onlookers can be require some amount of fortitude in the face of criticism. And grace for those who simply haven’t worn your hat, however beautiful and heavy it may be. All the while, creating something beautiful and worthy of the patrons’ time and money – and leading an experience for the volunteers that they will remember fondly. The process is just as important as the product. Our volunteers should enjoy their journey of creating theater here, without drama or weak leadership. The Director leads the process as well as directs the product. And a trained Director in directing community theatre is vital throughout the journey. Among those who direct for the FOA, we have a wide variety of strengths and weaknesses, and sometimes, we miss the mark. But there’s blessing in the striving, and hopefully, as we stay focused on choosing Directors who have training in theatre, and are seeking more and more training, we will continue to grow toward better and better theatre-done-well. I hope you enjoy Beauty and the Beast. It’s one of my favorites, mostly, because it a story of hope and transformation. And hope and transformation are at the heart of the FOA’s WHY.
With a Heart for the Arts, Kristi
To purchase tickets for any performance, visit or call the Box
Office during normal business hours or purchase tickets online
at foajonesboro.org!
The Foundation of Arts Board of Directors
The Foundation of Arts Staff
Kristi Pulliam, Executive & Artistic Director
JR Lawrence , Tech Director
Megan Dacus, Programs Director
Meridith Pierce, Associate Director
Brandon Bishop, Office Manager
Jenny Box, Customer Service Associate
Kelly Kelley, Bookkeeper
Andrew Tolson, Tech Assistant
The Foundation of Arts Faculty
Janea Spades, Chair Attorney
Russ Pierce, Vice-Chair Pharmacist
Maranda Nichols, Secretary Physician Assistant - Certified
Max Dacus Owner, Max Dacus Mini Warehouses
Lorenzo Balderas Teacher
Dr. Pam Haun Attorney
John Mixon Architect
Keith Pace Realtor
Kevin Box Sales/National Account Manager
Stacey Johnson
John Deacon Financial Advisor, Deacon Capital Partner
Lesle Allen
Cherisse Jones-Branch
Michelle Edwards Lyrical
Megan Dacus Ballet
Hannah Housley Ballet
LeeAnn King Ballet, Conditioning
Brandon Bishop Boy’s Dance
Penny Pausch Art
Kaitlyn Bass Ballet, Latin
Annie Roberts Drama, LEAP Drama
Emily Allen Art
Cari Pulliam Ballet, Tap, Jazz
James Faulkner Singing & Piano
David Mason Art
Alisa Becton Ballet
Sametta Parker Drama
Aaron Fisher Voice
Amber Ferguson Tap, Jazz
Damon Wright Musical Theatre Performance
Pip Williams Preschool Music
Elea Pulliam Tap, Jazz, Drama
Maranda Nichols Musical Theatre Performance
Kristi Pulliam Yoga
Abi Mason Ballet, Tap Jazz
Jennifer Webb Ballet, Tap, Jazz
Matthew Ball LEAP Art
Support The Foundation of Arts because we…
• Believe that engaging in the arts grows people and unites community
• Help people, and each other, learn discipline, teamwork, creativity, and focus through arts experiences - which arms them for success in any field
• Provide disciplined creative arts study and experiences trying our
best to enable everyone to learn, regardless of their ability to pay
• Are a place for children and adults to participate in goal-oriented arts-study, in a non-competitive and technique-based environment
• Serve at least 500 families per week through arts education, theatre,
and outreach activities
• Offer community theatre with ten different productions per year including The Nutcracker Ballet, musical theatre, and children’s theatre
• Stand alone as an arts organization in Northeast Arkansas that
provides live theatre at relatively low ticket prices for thousands of patrons each year—and a Pay What You Can performance for each show so that everyone can grow from live theatre
• Work with adults and children with disabilities through the arts, allowing them the opportunity to perform annually on stage
• Bring an annual count of 55,000 trips into downtown Jonesboro for
our community
• Need your support—ticket sales and class tuition support only about half of what it takes to serve Northeast Arkansas and the more than 20,000 people we positively affect annually
• ARE YOUR COMMUNITY
Professional Affiliations
Support for The Foundation of Arts is provided, in part, by the Arkansas Arts Council, an agency of the Department of Arkansas Heritage, and the National Endowment for the Arts.
Funding for advertising and promotion of The Foundation of Arts, its programs, and its events is provided, in part, by The Advertising and Promotions Commission of Jonesboro.
The Foundation of Arts, Forum Theater, and The Arts Center are licensed under federal law by SESAC, Inc. 55 Music Square East, Nashville, TN 37203.
The Foundation of Arts, Forum Theater, and The Arts Center are licensed under federal law by BMI, Inc., 10 Music Square East, Nashville, TN 37203.
The Foundation of Arts, Forum Theater, and The Arts Center are licensed under federal law by ASCAP, 2675 Paces Ferry Road, SE, Suite 350, Atlanta, GA 30339.
The Foundation of Arts is a member of Jonesboro Regional Chamber of Commerce, American Association of Community Theatre, Arkansas Community Theatre Association, Americans for the Arts, Association for Fund Raising Professionals, and Arkansas Coalition for Excellence.
This performance has been legally licensed and all associated rights and royalties have been paid in full by The Foundation of Arts. Under strict penalty of law (punishable by steep fines, revocation of license, and/or imprisonment), no part of this production, nor any implications or representations of this production, can be reproduced for public, private, profitable, charitable, or other purposes.
The Foundation of Arts gratefully acknowledges those who provide financial support. These funds enable The Foundation of Arts to serve the citizens of Jonesboro and Northeast Arkansas by offering artistic opportunities to all. Contributions may be made as a gift in memory or in honor of a loved one. Monthly gifts can be made via credit card or installments. A one-time contribution is always welcome in any form of payment. Donations to the FOA are tax deductible.
This list reflects donations received between
March 4, 2018 & March 4, 2019
Presenters ($5,000 and up) A&P Commission Arkansas Arts Council United Way of NEA Cavenaugh Auto Group NEA Baptist
Producers ($2,500 and up) Maranda Nichols First Community Bank Centennial Bank Bob Uhlenhop Don Howard Stephen & Linda Woodruff Adam & Elizabeth Woodruff Anonymous Directors ($1,000-$2,499) Max & Jennifer Dacus First National Bank Dairy Queen Professional Title Warren & Phyllis Skaug Junior Auxiliary of Jonesboro Mona Parikh Craighead Electric Co-op Richard & Julia Coy
Sustainer ($500-$999) Kroger Janea Spades Dorine Deacon Fidelity Charitable Kitty Sloan Down Syndrome Association of NEA SBS CyberSecurity, LLC Doctors’ Anatomic Pathology Services, PA Barry & Lisa Tedder John & Lois Freeman The Mall at Turtle Creek Joe & Lauryn Carr Robert G. Wilson Blake & Karen Richardson Dr. Susan Myshka Rebecca Oliver JR & Brittany Lawrence Shane Hunt Partners ($250-$499) Scott & Taura McDaniel Andy Shatley Kerry & Georgia Summitt Frankie & Lisa Turner Lorenzo & Erika Balderas Amanda Fahlberg Terri Rorex Linda Rahrle Brent & Patricia Watkins Your Cause McDaniel Law Firm, PLC William Harrison FM Malpezzi Mike & Nina Thompson Ken & Terri Dost Jeffrey & Shannon Puryear
If you give, please consider supporting the FOA.
Your dollars provide arts enrichment, education, and experiences to more people, and we all grow because of it!
Patrons (Up to $99) Zachary & Sarah king Rebekah Evans Justin & Nikki Nottingham DW & RG Reed Roundtable Enterprises, LLC Tammy Lee Hooks Dennis Pulliam Joe Pratt Cheryl Wall Trimarchi John & Christy Tacker Cherisse Renee Jones-Branch Philips G. Brunner Kathleen McMurray Amazon Smile Alvin L. & Joy Emery F. Waylan & Cheryl Deen Virgil & Judith Carr Anastasia Tarkington John & Deborah Sipa Jon & Jessica Baker Gene & Tammy Griffey A. Guy Patteson Robert Rahrle Dr. Lawrence & Carol Hinck Melissa Ayers Ruth Crimson Derek A. & Tami S. Dodd Mary Lou Rothenbach Wes Smith Distribution Compnay, Inc. Jennifer Salo Brenda Hayes CJ George Rocklan McCall Charlott Jones Carol Kelley Kim Shaw Hatton Weeks Anonymous Cayse Haynes Rebecca Cline Melanie Andrews
Associates ($100-$249) Stephanie Maloney Jimmy Adcox Network for Good ARKHOP, LLC JWT Properties Lydia Howard Jack & Peggy Havdala Kristi M. Pulliam Patricia Qualls Jeremy & Amanda Escue Sandra Burns Ryan Underwood Kevin Broadway Susanne & David Belk Jeremy & Ashley Watson Jay, Leslie, & Mary Leigh Allen Sharon Spence Langley Carter Patteson Benjy Kuonen Lori Clements Hans Hacker Shani Barnhill Carla Brunner Mona L. Fielder Tommy & Barbara Rankin Kay Evans John & Caryn Allen Erin Frangenberg Gary Washington Faye Haney Dennis & Dawn Layer NEAFCU David & Marsha Wright Allen & Judy Pierce Russ & Meridith Pierce Michael & Sandra Johnson Betty R. Stockton Sidney & Beverly Smith Christy Harris Colin & Vicki Pillow
Stage Note
Katie,
Congrats on your 5th show! You’re going
to do great!
Love,
Mom, Jason, Emily, & the littles
Want to help The FOA raise money? (Hint-the answer is YES!)
It’s easy! You shop – The FOA benefits from each purchase!
Option 1: Kroger * Using the website Kroger.com, log in to your account. The cute little person icon at the top right hand corner will take you there. Then choose “my account.” *Scroll until you find Community Rewards. *Add Foundation of Arts as your charity. (Organization number: WP291) *Now you can help The Foundation of Arts every time you shop at Kroger! Yay!
Option 2: Amazon Smile * Go to smile.amazon.com and log in to your account. (again, find the person icon at the top right hand corner) * Scroll to choose or change your charity * Choose The Foundation of Arts for N E Arkansas Inc (it is written exactly this way) * Use smile.amazon.com instead of amazon.com for all your Amazon purchases to help The FOA! (Prime benefits still apply on Amazon Smile)
The Foundation of Arts Thanks our 2018-2019
Presenting Sponsors:
Wish List
A New Camera
Cyclorama
Lights
2 Moving Head
Spotlights
A New Tap
floor
(Studio)
Sprung Floor (Activity Room)
Laptop
Computer (Newer than 2016)
New Stage
Curtains
New supply of
Lumber every 3
months for
shows
1804 W Washington Ave, Jonesboro, AR 72401
(870) 935-7860
The Foundation of Arts
would like to thank the City
of Jonesboro for the use of
the Forum Theater.
Women’s Giving Circle is a fun
group of women who love what the FOA represents and want to get
together to have fun and help out where they can. If you would like to join us, we would love to have
you! Just email [email protected]!
Is proud to support
Visit us at any one of our convenient branch locations in Northeast Arkansas today!
www.iberiabank.com