printmaking mixed media

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    INTRODUCTION

    PART 1: PRINTMAKING WITHOUT A PRESS

    CHAPTER ONE:

    Screen printmaking

    CHAPTER TWO:

    Collgraph printmaking without a press

    CHAPTER THREE:

    Monoprinting without a press

    CHAPTER FOUR:

    Sun printmaking

    PART 2: COMBINING PRINTMAKING AND

    MIXED-MEDIA TECHNIQUES

    CHAPTER FIVE:

    Playing with fabric and fiber, stitching

    CHAPTER SIX:

    Combining materials and printmakingtechniques

    CHAPTER SEVEN:

    3-D mixed media

    PART 3: STEP-BY-STEP PROJECTSPendants

    Silhouettes

    Calendar

    Fabric Book

    Flag Book

    Mixed-Media Collage

    Wall Hanging

    Assemblage

    Accordian Book

    PART 4: GALLERY

    RESOURCES

    INDEX

    printmaking + MIXEDMEDIA DORITELISHA 3

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    :an introduction

    I discovered printmaking about

    eighteen years ago,while taking graphic

    design classes at a local community college. I was

    introduced to several techniques, but the part I en-

    joyed the most was when the instructor assigned

    us a project of printing on found papers. So not

    on the specialized fine art papers but on anything

    else we could find around us. At the time I hap-

    pened to have some small Japanese papers that

    I decided to collage over larger textured papers.

    This collage became my substrate for printing. I

    screen printed different Asian motifs and some

    vintage portraits of women. To add texture to the

    mix, I machine stitched over the collaged print

    and added some lace and bits of fabric. This was

    the beginning of my love for mixed-media print-

    making, and I have been mixing papers, fibers, and

    techniques ever since.

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    A fine art student or artist will probably use

    only specialized expensive papers to print on and

    in most cases will use a press for the act of print-

    ing. He or she will treat the finished print as a

    precious, fragile work of art, will handle the print

    with gloved hands and will store it in a protective

    drawer. My approach to the finished prints is quite

    different. First, I prefer to work with printmaking

    techniques that do not require a press or special-

    ized papers so I can save space and money. Second,

    when my print is done, rather than treating it as a

    fragile piece, I may cut it, tear it, glue it, stitch it, or

    paint over it. I may even print over it again or use it

    as a background for another work of art. And last

    but not least, I enjoy using my mixed-media

    prints in different art forms: collage, bookmaking,

    3-dimensional art, and with fiber art.

    In this book, I will review the press-less tech-

    niques for creating prints, as well as several ways

    of using the finished prints in mixed-media art,

    while showcasing some examples for inspiration.

    What I would like to emphasize in this book is

    that printmaking can be a fun and non-threaten-

    ing art form that can add content, color, texture,

    and interest to your art. Dont shy away from using

    prints or sections of prints in your art. Even the

    unsuccessful or imperfect prints can be used to

    enhance your art!

    Having said that, I am sure there will be many

    prints that you would want to keep untouched, but

    open your eyes and keep reading about many pos-

    sibilities of creating mixed-media art with prints. I

    hope you will be inspired to see some of the differ-

    ent sides of printmaking.

    ---------Dorit Elisha

    printmaking + MIXEDMEDIA DORITELISHA 5

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    GALLERY

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    Learn simple printmaking techniques and incorporate printed images into mixed-media

    artwork on paper and fabric with Printmaking + Mixed Media. No printing presses or spe-cial papers are required! From screen printing, collagraph, monoprinting, and sun print-

    ing, these printmaking techniques are especially affordable and accessible to any artist,

    from beginner to advanced.

    Inside readers will learn: Each approach is shown step-by-step on both paper and fabric, plus how to combine

    different printmaking and mixed-media techniques.

    A variety of projects including a fabric artist book, a hand-printed calendar, wall art

    collage, an apron, a holiday book, greeting cards, and more. Stitch, cut, glue, layer,

    paint, and embellish printed layers to use in fine art or collage, book arts, fabric arts,

    fiber arts, or assemblage.

    A gallery of mixed-media samples from the author and various artists shows even

    more ways to include printmaking in your artwork.

    Printmaking + Mixed Mediais a great resource for mixed-media artists looking to expandtheir skills and printmakers interested in reinterpreting traditional methods.

    DORIT ELISHAis a mixed-media artist, printmaker, book artist and fiber artist. She has a degree

    in art history and also studied graphic design. After working as a graphic designer for a few years,

    she has spent the last eighteen years as an art teacher in an elementary school as well as an art

    instructor for adults, where she teaches printmaking and related mixed-media art. Her work has

    been published in books and magazines including Cloth Paper Scissors, Quilting Arts, Somerset Studio,

    and Legacy,plus she has exhibited her work in galleries.

    Paperbound, 8 10, 128 pages

    250 photographs

    ISBN 978-1-59668-095-1

    $22.95

    June 2009

    incorporate easytechniques into -