product development case study part 3e april 1, 2013

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Product Development Case Study Part 3E

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Page 1: Product Development Case Study Part 3E  April 1, 2013

part 3 E of 7 part Case Study

1 Product development

Page 2: Product Development Case Study Part 3E  April 1, 2013

Luxury brand Case Study

2

Page 3: Product Development Case Study Part 3E  April 1, 2013

Notes

3

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November 2012

Max Ruckman, Black & Decker HHI

Bill O’Connor, Source, Inc.

Bruce Eckman

Luxury Brand

Business

Development

Case Study Part 3 E

www.maxruckman.com

4

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5 Brand visualization

Brand

name

development

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6 Creative process

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7 Brand identity profile

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8 Naming objectives

suggest architecturally inspired style

suggest the joy of discovery

suggest genuine, authentic

suggest partnership

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preferences for real words in the language

9 Naming criteria

appropriate for door hardware, faucets and related extensions

preference for suggestive or fanciful vs. descriptive names

avoid initials, acronyms, names that can/will be shortened

appropriate for use in north america

all basic criteria legally available, easy to say, difficult to mispronounce, memorable, appealing

Page 10: Product Development Case Study Part 3E  April 1, 2013

10 Preliminary searches conducted

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11

recommendations

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12 Generic statements evaluated

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13

Brand names

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Echoes Architecturally-Inspired Hardware and Fixtures

14 Brand names

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Cadent Architecturally-Inspired Hardware and Fixtures

15 Brand names

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Sequels Architecturally-Inspired Hardware and Fixtures

16 Brand names

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Arcadian Architecturally-Inspired Hardware and Fixtures

17 Brand names

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Signet Architecturally-Inspired Hardware and Fixtures

18 Brand names

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Archetypes Architecturally-Inspired Hardware and Fixtures

19 Brand names

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“Quotes” Architecturally-Inspired Hardware and Fixtures

20 Brand names

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Re:visions Architecturally-Inspired Hardware and Fixtures

21 Brand names

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Fusion Architecturally-Inspired Hardware and Fixtures

22 Brand names

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23

Brand architecture

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24 Brand architecture

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25 Brand architecture

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26 Brand architecture

for simplicity and clarity, collection names under the range brand should focus on the architectural style and be linked in language and format to the range brand…

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27 Brand architecture

…of

Craftsman

…of

Italian Tuscany

…of

French Country

ECHOES

…from the

visual language of

French Country

…from the

visual language of

Italian Tuscany

…from the

visual language of

Craftsman Style

"QUOTES"

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28 Brand architecture

how do the existing brands fit in this new brand model?

if these two brands are to be included in the brand model, they will confuse and dilute the brand meaning

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29 Brand architecture

the existing brands share similar attributes…

i.e., an authenticity derived from a unifying reference to high culture

they may be able to form an integrated offering separate from the brand model

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30 Brand architecture

further exploration can continue

on some nominal

reference to the brands, but this is

not recommended

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31

Brand visualization

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32 Brand visualization

authentic

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33

Reliable Partner

Brand visualization

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34

Driven by detail

Brand visualization

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35

Stirs the imagination

Brand visualization

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36

Brand story

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37

Craftsman

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…of Craftsman …of Gustav Stickley

38

Echoes

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39

French

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40

Echoes …of French Country …of Samual Chamberlain

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41

Tuscany

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42

echoes …of Italian Tuscany…of Andrea Palladio

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Project Parousia Imark®

43

Name research

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44 Name Research purpose

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45

the high end of the

market, in particular,

continues to grow and

evolve as the aging

population reconfigures

their living arrangements

to reflect the lack of

children and different

social needs for space

Name Research purpose

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46 Name Research purpose

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it was the purpose of the research

to determine which of three names

would best suit the concept and

determine what evocative power,

motivation and imagery the names

would bring with them

47 Name Research purpose

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48

to test the brand name fit-with-concept, 19 in-depth interviews were conducted in chicago and irvine, ca.

Name Research purpose

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49 Name Research purpose

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50 Name Research purpose

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51 Name Research purpose

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52 Name Research purpose

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53 Name Research purpose

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54 Name Research purpose

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55

these names were set in a common typeface, helvetica bold and each name was followed by the descriptive line, architecturally inspired hardware and fixtures, set in helvetica regular

Name Research purpose

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56 Name Research purpose

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57 Name Research purpose

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58 Name Research purpose

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59 Name Research purpose

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60

the intent was to determine the effect of “design” on the preferences of the interviewees as well as the evocative impact of the designs

Name Research purpose

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61 Name Research purpose

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62 Name Research purpose

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as an

endorsement

“brand’' by

baldwin

63 Name Research purpose

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64 Name Research purpose

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65 Name Research purpose

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66

single brand dominant plus (baldwin architecturally inspired hardware and fixtures)

Name Research purpose

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a closing probe was done to see if the baldwin

name could be line extended to include faucets

67 Name Research purpose

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68 Name Research purpose

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69 Project Parousia Imark Name Research

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70 Project Parousia Imark Name Research

base line graphic

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71 Project Parousia Imark Name Research

base line graphic

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72 Project Parousia Imark Name Research

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73 Project Parousia Imark Name Research

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74 Project Parousia Imark Name Research

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75 Project Parousia Imark Name Research

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76 Project Parousia Imark Name Research

6a

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77 Project Parousia Imark Name Research

2a

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78 Project Parousia Imark Name Research

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79 Project Parousia Imark Name Research

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80 Project Parousia Imark Name Research

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81 Project Parousia Imark Name Research

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82 Project Parousia Imark Name Research

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83 Project Parousia Imark Name Research

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84 Project Parousia Imark Name Research

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85 Project Parousia Imark Name Research

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86 Project Parousia Imark Name Research

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87 Name Research findings

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88

the projects were long, often arduous, but

ultimately rewarding

Name Research findings

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89 Name Research findings

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90 Name Research findings

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homeowners broke into two segments

91 Name Research findings

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92 Name Research findings

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the respondents in chicago best represented this segment

93 Name Research findings

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94 Name Research findings

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they wanted the outer part of the house to make a design statement, but the interiors were often a mix of personal needs and eclectic styles

95 Name Research findings

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this segment was less involved, less of a purist at heart and best represented by the respondents in orange county

96 Name Research findings

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97 Name Research findings

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98 Name Research findings

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99 Name Research findings

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100 Name Research findings

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101 Name Research findings

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102 Name Research findings

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103

while

groehe

and jado

were

mentioned

repeatedly,

so was

emtek

Name Research findings

Page 104: Product Development Case Study Part 3E  April 1, 2013

emtek is growing in popularity, it was perceived as nice quality, good styling and reasonably priced

104 Name Research findings

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105 Name Research findings

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106 Name Research findings

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rocky mountain hardware was reported to have an interesting association with marvin doors

107 Name Research findings

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marvin only has a limited range of styles

108 Name Research findings

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109 Name Research findings

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110 Name Research findings

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111 Name Research findings

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most knew the name, but it was restricted to entry

door hardware, some wall plates and hinges

112 Name Research findings

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113

the perception was that baldwin

was a very good company

Name Research findings

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114 Name Research findings

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115

it was viewed as a bit stodgy, conservative and not very creative

Name Research findings

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116 Name Research findings

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117 Name Research findings

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118 Name Research findings

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119

the concept was positive

for both homeowners

and professionals

Name Research concept

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120 Name Research concept

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121 Name Research concept

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122

homeowners thought they would share this information with their friends who are going through remodeling projects

Name Research concept

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this was a resource that was perceived as valuable to them

123 Name Research concept

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124 Name Research concept

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“builds your confidence, it divides the data, gives

you a focus and lets you conquer, it’s helpful”

125 Name Research concept

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126 Name Research concept

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127 Name Research concept

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128

the look of the visuals and the description made the product seem well researched and that the line would blend together

Name Research concept

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this approach to presenting the

products would help those who

didn’t know what they wanted

as well as those who did know

129 Name Research concept

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“distinctive design sets”

130 Name Research concept

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131 Name Research concept

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132 Name Research concept

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133

the audience

for these

products were

those who had

the economic

resources and

the interest to

invest in

correct

architectural

design for the

period

Name Research concept

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they were affluent clients who

appreciated being brought to a place

that captured the spirit of that time

134 Name Research concept

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135

Name Research concept

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136 Name Research concept

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“having a single source makes my life easier”

137 Name Research concept

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138 Name Research concept

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the concept reminded some homeowners of restoration hardware, with whom they thought the line, would favorably compete

139 Name Research concept

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140 Potential Brand Names

Potential

Brand

names

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141 Potential Brand Names

the initial connotation for this name was that it had something to do with architects or

architecturally inspired products

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142 Potential Brand Names

it seemed high tech, that it would relate in some way to the architecture of the property and be correct design wise

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143 Potential Brand Names

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“it has depth to it. they’ve done their homework”

144 Potential Brand Names

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“you don’t have to think very hard about it”

145 Potential Brand Names

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146 Potential Brand Names

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147 Potential Brand Names

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148 Potential Brand Names

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149 Potential Brand Names

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150 Potential Brand Names

the design statement was more about the architecture than the interior

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151 Potential Brand Names

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the architecture and strength associations made it easier for both men and women to relate to the name

152 Potential Brand Names

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153 Potential Brand Names

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154 Potential Brand Names

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155 Potential Brand Names

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156 Potential Brand Names

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157 Potential Brand Names

looking at the rating scales, the homeowners liked the

name even more than the architects / designers

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158 Potential Brand Names

it scored well on the following dimensions compared to the second place echoes name

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159 Potential Brand Names

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responsible

and

strong

160 Potential Brand Names

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respondents were more generous in their rating of archetypes than they were able to articulate in the interviews

161 Potential Brand Names

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162 Potential Brand Names

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it was a safer, yet

professional

163 Potential Brand Names

the “crisp” style and “neat”,

“compact” letters gave the

name a “professional” air

about it

the style seemed very

“business like” and like it

was for “traditional” types

architects and designers

perceived the name as easier to

understand by their clients than

other approaches

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164 Potential Brand Names

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165 Potential Brand Names

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166 Potential Brand Names

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167 Potential Brand Names

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“it doesn’t know what it is trying to be”

168 Potential Brand Names

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“the transition from one font to another is too abstract”

169 Potential Brand Names

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“daring, creative”

170 Potential Brand Names

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“seems unfinished,

It’s unsettling”

171 Potential Brand Names

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there was also a sense that the ending typeface seemed “too modern” for the concept

172 Potential Brand Names

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173 Potential Brand Names

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174 Potential Brand Names

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175 Potential Brand Names

it was an interesting word

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176 Potential Brand Names

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it had more emotional connotations than archetypes

177 Potential Brand Names

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178 Potential Brand Names

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179 Potential Brand Names

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it was “the finishing touch” that “pulls it all together”

180 Potential Brand Names

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“it summed up the idea of the concept”

181 Potential Brand Names

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182 Potential Brand Names

the idea was of an emotional atmosphere from the past

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183 Potential Brand Names

this gave the concept an aura

of “mystery” and “curiosity”

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184 Potential Brand Names

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185 Potential Brand Names

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“evocative of before and after”

186 Potential Brand Names

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“looking into the past for inspiration”

187 Potential Brand Names

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“this fits my process, what i was trying to capture in the past”

188 Potential Brand Names

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189 Potential Brand Names

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“gives me

the warm

fuzzies

about how

i look at

my home”

190 Potential Brand Names

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191 Potential Brand Names

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192 Potential Brand Names

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193 Potential Brand Names

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194 Potential Brand Names

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195 Potential Brand Names

it brought to mind the interior and exterior fixtures of the house, rather than the form of the house

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196 Potential Brand Names

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this name had a softer, feminine

side to it, which may appeal less

to men than women versus

archetypes

197 Potential Brand Names

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198 Potential Brand Names

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199 Potential Brand Names

echoes was slightly more exciting than archetypes and it was more accessible

Page 200: Product Development Case Study Part 3E  April 1, 2013

archetypes had that strong, professional

air about it which did not breed closeness

200 Potential Brand Names

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201 Potential Brand Names

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202 Potential Brand Names

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203

Ways of handling

the product line

names

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204 Potential Brand hierarchies

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205 Potential Brand hierarchies

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206 Potential Brand hierarchies

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the new line seemed newer, more sophisticated than expected

based on the style of the design and the names used

207 Potential Brand hierarchies

the message was that baldwin was coming out with a new line of

products that was different from what they were known for

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“it’s effective. it draws you in”

208 Potential Brand hierarchies

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209 Potential Brand hierarchies

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210 Potential Brand hierarchies

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211 Potential Brand hierarchies

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212 Potential Brand hierarchies

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213 Potential Brand hierarchies

this made it seem “boastful” and that “baldwin was selling something”

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it seemed like it was a reliable product but that the spirit of styles was being subjugated into existing lines

214 Potential Brand hierarchies

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215 Potential Brand hierarchies

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216 Potential Brand hierarchies

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217 Potential Brand hierarchies

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218 Potential Brand hierarchies

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219 Potential Brand hierarchies

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220 Potential Brand hierarchies

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“too specific if the baldwin name is not known”

221 Potential Brand hierarchies

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too pure for remodeling jobs which are mixed in design”

222 Potential Brand hierarchies

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223 Potential Brand hierarchies

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224 Potential Brand hierarchies

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225 Potential Brand hierarchies

baldwin

Page 226: Product Development Case Study Part 3E  April 1, 2013

226 Potential Brand hierarchies

baldwin

Page 227: Product Development Case Study Part 3E  April 1, 2013

227 Potential Brand hierarchies

baldwin

Page 228: Product Development Case Study Part 3E  April 1, 2013

if someone was aware of the line, it tended to seem like more of what they are used to

228 Potential Brand hierarchies

baldwin

Page 229: Product Development Case Study Part 3E  April 1, 2013

229 Potential Brand hierarchies

baldwin

Page 230: Product Development Case Study Part 3E  April 1, 2013

“same old, same old”

230 Potential Brand hierarchies

baldwin

Page 231: Product Development Case Study Part 3E  April 1, 2013

“staid, good, quality, not progressive”

231 Potential Brand hierarchies

baldwin

Page 232: Product Development Case Study Part 3E  April 1, 2013

232 Potential Brand hierarchies

baldwin

Page 233: Product Development Case Study Part 3E  April 1, 2013

233 Potential Brand hierarchies

baldwin

Page 234: Product Development Case Study Part 3E  April 1, 2013

234 Potential Brand hierarchies

baldwin

Page 235: Product Development Case Study Part 3E  April 1, 2013

extending the brand

to faucets seemed

relatively easy

235 Potential Brand hierarchies

baldwin

Page 236: Product Development Case Study Part 3E  April 1, 2013

236 Potential Brand hierarchies

baldwin

Page 237: Product Development Case Study Part 3E  April 1, 2013

“they’re not a plumbing company. they’re just copying”

237 Potential Brand hierarchies

baldwin

Page 238: Product Development Case Study Part 3E  April 1, 2013

“it’s easier to go from plumbing to door locks than vice versa”

238 Potential Brand hierarchies

baldwin

Page 239: Product Development Case Study Part 3E  April 1, 2013

239

Media

presentation

Page 240: Product Development Case Study Part 3E  April 1, 2013

240 Media presentation

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241 Media presentation

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242 Media presentation

anything that would help the line stand out from the rest of the

showroom would help

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e..g., lighting displays, clean, understated higher end

displays, interactive computer displays that would

allow the respondents to see and sense the products

in the areas in which they would be located the idea

is to capture the “spirit” of the line and the place

243 Media presentation

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244

recommendations

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245 Recommendations

on the basis of these directional findings, source recommends that a second round of

imark research be conducted on the two strong candidate names archetypes and echoes

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the objective of this round of

imark sessions is to assess the

trade-offs between the emotional

richness and elasticity of the

echoes brand and the quick

understanding and clear-fit-to-

concept of the archetypes brand

246 Recommendations

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stimuli for this next round of imark sessions should be the brand stories for echoes and archetypes presented as movies of in a format similar to the prototype echoes brand story developed earlier in the planning process

247 Recommendations

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248 Recommendations

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249 Recommendations

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250

Summary &

conclusions

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251 Summary & conclusions

the concept was positive for both

homeowners and professionals

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252 Summary & conclusions

Page 253: Product Development Case Study Part 3E  April 1, 2013

253 Summary & conclusions

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254 Summary & conclusions

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255 Summary & conclusions

the look of the visuals and the description made the products seem well researched and fostered the belief that the collections in the line would be true to their architectural inspiration

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256 Summary & conclusions

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257 Summary & conclusions

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258 Summary & conclusions

Page 259: Product Development Case Study Part 3E  April 1, 2013

259 Summary & conclusions

Brand names

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260 Summary & conclusions

Brand names

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261 Summary & conclusions

Brand names

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262 Summary & conclusions

Brand names

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263 Summary & conclusions

Brand names

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264 Summary & conclusions

Brand names

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265 Summary & conclusions

Brand names

Page 266: Product Development Case Study Part 3E  April 1, 2013

the clear preference was that of the line brand is

dominant followed by a known manufacturer’s name,

e.g., “archetypes by baldwin”

this focused the respondent on the product line and

manufacturing quality while giving them reassurance

that the product was credible

266 Summary & conclusions

Manufacturer product line names

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267 Summary & conclusions

Manufacturer product line names

Page 268: Product Development Case Study Part 3E  April 1, 2013

the baldwin name was less familiar to respondents in

chicago that orange county

the perception was that baldwin was a very good

company

it stood for high quality, sturdy, long lasting,

conservative, brass and was expensive

it was viewed as a bit stodgy, conservative and not

very creative, which at the "traditional” or "colonial"

market, which was not part of the concept statement

or the collections this study was looking at

268 Summary & conclusions

Faucet line extension

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line extending baldwin into faucets was not as difficult as one might think,

assuming the person was aware of baldwin

companies ‘branch out all the time

" as long as the brand image is “faithful to high quality,’ which baldwin is,

extending the brand to faucets seemed relatively easy

269 Summary & conclusions

Faucet line extension

Page 270: Product Development Case Study Part 3E  April 1, 2013

November 2012

Max Ruckman, Black & Decker HHI

Bill O’Connor, Source, Inc.

Bruce Eckman

Luxury Brand

Business

Development

Case Study Part 3 E

www.maxruckman.com

270