project eisenross epb

8/10/2019 Project Eisenross EPB

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Project Eisenross EPB 1

Project EisenrossEnvironment Preproduction Blueprint (EPB)The first step towards a proper LDD!

Table of ContentsPurpose and Features ................................................................................................................................... 4

Purpose ............................................................................................................................................. 4

Features ............................................................................................................................................ 4

1. Sensory Features ........................................................................................................................... 4

2. Technical Features ........................................................................................................................ 4

3. Unique Features ............................................................................................................................ 4

Mood ............................................................................................................................................................. 4

Visual and Narrative Themes ........................................................................................................................ 5

Visual Theme ..................................................................................................................................... 5

Narrative Theme ............................................................................................................................... 5

Location and Environment Setting ............................................................................................................... 6

Interior vs. Exterior ........................................................................................................................... 6

Urban vs. Rural .................................................................................................................................. 6

Time Period / Era .............................................................................................................................. 6

Lighting .............................................................................................................................................. 6

Specifics ............................................................................................................................................. 6

History and Story .......................................................................................................................................... 6

History ............................................................................................................................................... 6

Story .................................................................................................................................................. 6

Objectives and Obstacles .............................................................................................................................. 7

Objectives.......................................................................................................................................... 7

o Main Objectives ............................................................................................................................ 7

o Optional Objectives ....................................................................................................................... 7

Obstacles ........................................................................................................................................... 7

o Enemies ......................................................................................................................................... 7


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o Movement Decisions .................................................................................................................... 8

o Environmental Obstacles .............................................................................................................. 8

o Obstacle Mind-map Decision Trees .............................................................................................. 9

Focal Points ................................................................................................................................................. 10

Functional Purpose ......................................................................................................................... 10

Visual Aesthetic Purpose ................................................................................................................. 10

Focal Point Examples ...................................................................................................................... 10

o Railway Focal Points .................................................................................................................... 10

o Environment Focal Points ........................................................................................................... 10

o Scenery ........................................................................................................................................ 11

Top-Down Layouts ...................................................................................................................................... 11

Purpose ........................................................................................................................................... 11

Top-Down Layout Examples ............................................................................................................ 12

Camera ........................................................................................................................................................ 12

Function .......................................................................................................................................... 12

Camera Control ............................................................................................................................... 12

Camera Purpose .............................................................................................................................. 12

HUD and UI ................................................................................................................................................. 13

AIs and NPCs ............................................................................................................................................... 13Visual Development .................................................................................................................................... 14

Color Palette ................................................................................................................................... 14

Time of Day ..................................................................................................................................... 14

Feeling and Emotional Impact ........................................................................................................ 14

Modeling Quality............................................................................................................................. 15

Texturing Quality ............................................................................................................................. 16

Depth and Versatility .................................................................................................................................. 16

Pacing and Interest ..................................................................................................................................... 17

Lists ............................................................................................................................................................. 18

Design Reference ........................................................................................................................................ 20

Track Piece Reference ..................................................................................................................... 20

Track System Reference .................................................................................................................. 20


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o Looping ........................................................................................................................................ 20

o Linear........................................................................................................................................... 21

Audio Reference.......................................................................................................................................... 21

Aural mood and theme reference .................................................................................................. 21

o YouTube Links ............................................................................................................................. 21

o Spotify Playlist ............................................................................................................................. 22

o Audio Files ................................................................................................................................... 22

Original soundtrack examples ......................................................................................................... 22

Photo Reference ......................................................................................................................................... 23

Environment and location reference .............................................................................................. 23

Set design and props ....................................................................................................................... 39

Lighting and style ............................................................................................................................ 73

Original concept art ........................................................................................................................ 74


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Purpose and Features

Purpose

1.

To create a strong portfolio piece demonstrating skills within systems/level/game design

for all members of the Design sub-team.

2.

To learn new skills and to perfect old ones:

New skills: Designing environments defined by tracks.

Designing interesting branching choices on a track.

Defining reverse tower defense in conjunction with semi-alwayson

movement.

Old skills:

Enemy encounter design.

Careful balancing of weapons and enemies.

Working closely with Tools Programmer on refining a custom level

editor for usability and speed.

Crafting an exciting gameplay experience.

Features1.

Sensory Features

Exploration of the elements of a runaway train:

Velocitymovement speed, acceleration, friction, turning.

Masscareening, climbing, diving, crashing, barreling.

Tensionobstacles, dangers, challenges.

Panictime-constraints, choices, approaching dangers.

Showcase of beauty within the environment:

Execution of a Mad-Maxian world.

Showcase brilliant art and sound.

Develop vistas, scenery, and landmarks.

Bring a world to life through animation, sound, and pacing.2.

Technical Features

Usableimplementation process of track-based movement.

Modular design for world-building.

Modular design for enemies and encounters.

3.

Unique Features

Designed with a focus on track-based combat.

Allowing player expression through choices:

Destination choices.

Risk vs. Reward.

Deep customizability of player avatar.

Mood

How will the player feel?

o Powerful

o

Free

o

Dangerous


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o Unique

What emotional expressions will the environment portray?

o Freedom

o Adventure

o

Ruination

o

Danger

How could each expression be misunderstood by the player?

o Freedom

Antithesis: Barrenness

o Adventure

Antithesis: Duty

o Ruination

Antithesis: Decay

o Danger

Antithesis: Fear

How will we achieve these expressions?

o Freedom

Antithesis: Barrenness

Synthesis: Distant horizons. Uncluttered sky. Huge landmarks and interesting

focal points. Sprawling deserts interrupted by mountains, rolling hills, mesas,

and plateaus. Avoidance of flatness, emptiness, and boringness.

o

Adventure

Antithesis: Duty

Synthesis: Mission objectives with multiple solutions and exciting surprises.

o Ruination

Antithesis: Decay

Synthesis:Allow the player to be a destructive, powerful force. Handle Mad-

Maxian theme with delicacy. Reward the player for destructive moments. Prove

the world is dying but invigorated to survive, and not hopeless or dead.o Danger

Antithesis: Fear

Synthesis: Focus heavily on empowerment of the player. Define danger as

challenge, and not hopelessness or unfairness.

Visual and Narrative Themes

What is the visual theme for the environment?

o Post-Apocalyptic

o Mad-Maxian

o

Old Western

o

Southwestern

What is the narrative theme for the environment?

o You can overcome strife against all odds.


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Location and Environment Setting

Interior vs. Exterior

o InteriorOccasional tunnels.

o ExteriorPrimarily within an open desert or mountainous region.

Urban vs. Rural

o

UrbanGhost towns, train stations, enemy fortresses.o RuralPrimarily rural. Open desert, cliff edges, plateaus, mesas.

Time Period / Era

o Future-Past, Post-Apocalypse.

Lighting

o

Midday, bright desert sun.

Specifics:

o Alternate Earth / Old Western fantasy world. Non-descript or unknown location: The

Wilds. The Great Divide.

o Set in the distant future, year 30XX.

o Context: No Mans Land. Raider territory. Bandit territory. Pirate territory. The In-

Betweens.

How does the setting mismatch the visual or the narrative theme in the previous section?

o Visual:

Working, functional railroads would never be 100% intact or safe to use in a

wild, untamed area rife with scavengers and pillagers.

Bandits and raiders probably would not survive in a harsh environment without

a substantial urban center nearby.

o Narrative:

Theme: You can overcome strife against all odds.

A barren wasteland may have difficulty with empowering the player.

History and Story

History

o How did the environment come to be?

The history of the world is not known, but the land holds clues as to what

happened. A great battle, holocaust, or devastation (natural or artificial) bathed

the world in fire long ago. The ones who survived began to form tribes, clans,

and gangs. They crossed the endless deserts on buggies strapped together with

duct tape and hope. Territory wars became the nature of life in the wasteland,

but the railways were the borders. And the trains always get through.

o What happened in the environment prior to the players arrival?

Nothing disturbs the desert much, save for a few isolated bandit buggiescrossing from one looting opportunity to the next, or searching for the biggest

prize: a live, operating locomotive.

Story

o What is the story of how the character came to that environment?


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Eisenross can never stop running the railways. The locomotive may be delivering

precious supplies to the last civilized communities, or outrunning a much larger

threat. Either way, Eisenross tries to never stop.

o What is the player doing in the environment?

Delivering goods, passengers, or weapons. Outrunning a larger threat. Scouting.

Exploring. Destroying enemies. Upgrading personal systems. Collecting

resources. Speeding along the railway as fast as possible. Ramming through

obstacles. Enjoying the scenery.

Objectives and Obstacles

Objectives: what does the player need to do within the environment in order to progress?

o Main Objectives:

Survive.

Traverse a dangerous area.

Reach the end.

Complete a dangerous journey.

o

Optional Objectives: Collect resources.

Dropped by enemies or the environment. Collected at stations,

checkpoints, or points of interest.

Reach the end in time.

Complete a dangerous journey against the clock or advancing hazard

(sandstorm).

Defeat specific enemies.

Assassinate bosses (other trains) or packs of enemies (tanks, buggies,

helicopters).

Reach specific points before unlocking the end point.

Complete track loops. Cross specific bridges. Unlock future areas bypassing through present areas in a specific manner.

Obstacles: what does the player need to overcome within the environment?

o

Enemies

Free-Moving Enemies

Motorcycles

Buggies/Jeeps

Helicopters

Tanks

Artillery Platforms

Rail Enemies

Handcars

Bikecars


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Brake Engines (attach to caboose and hit brakes)

Special Enemies

Train Bosses

o Movement Decisions

Track-Switching

Danger vs. Safety

o Should I take the dangerous route or the safer route?

Risk vs. Reward

o Should I risk the dangerous route for better rewards?

o

Should I take the safer bet and route for the checkpoint stationto repair?

Shortcuts and Hazards

o Should I risk the hazardous route as a shortcut?

o Short-cuts allow specific vehicle component combinations to

bypass hazards.

Equipping 4 Shields allows train to cross an optional lake

of lava without taking substantial damage. It will drain

your Shields but gets you to the end faster.

Strategy and Enemies

o Should I pass the tank depot or the helicopter station?

Anticipation and Preparation

Should I stop and think about which track to take?

Should I prepare my weapons for the expected danger ahead?

Should I slow down and deal with this threat before taking on the next

one?

Am I ready for the next challenge?

Battle Tactics

Should I slow down?

Should I speed up?

Can enemies keep up with me?

Are the enemies too dangerous to slow down here?

o

Environmental Obstacles Hazards

Sandstorms

Acid Rain

Quicksand

Lava/Fire

Deep water


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Tornadoes

Explosive debris on the track

Spiky barricades on the track

Mine fields on the track

Vehicle graveyards (Debris)

Whurtle graveyards (Debris)

Falling rocks (Debris)

Bottomless pits

Inclined terrain (Slow effect)

Smog/Haze/Pollution

Radiation/Poison Clouds

Darkness/Nighttime

Broken bridges

Rough terrain/Damaged railways

Hazard Challenges Blow up the debris ahead.

Activate shields to mitigate damage.

Slow down and wait for hazard to leave.

o Waiting for a Whurtle or herd of cattle to cross the tracks.

o Waiting for a cloud of smog to dissipate.

o Waiting for a sandstorm to pass.

o Waiting for deep water to drain.

o

Waiting for a bridge to lower.

Speed up to bypass hazard.

o Catching a bridge that is rising.

o

Speeding up before a gate is closed.o Speeding up to jump across a gap (Dukes of Hazard-style).

o Speed up to crash through debris.

o Speed up to cross poisonous swamp before too much damage is

taken.

o

Obstacle Mind-map Decision Trees:


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Focal Points

Functional Purpose

o

Helps the player to orient themselves in the environment. Player will always know

where they are in relationship to the focal point.o Signifies plot points relevant to pacing.

o Draws attention and the player.

o Becomes a purposeful point of interest to explore.

Visual Aesthetic Purpose

o

Making the environment have visual appeal.

o

Cinematic camera allows easy directing.

o

Rail-based movement allows cinematic camera freedom of mobility.

Focal Point Examples

o Railway Focal Points

Train Stations

Checkpoints Enemy depots

Shops / Repair Facilities

Track Junctions

Switches

Crossings

Hazard warnings

o Environment Focal Points


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Grade Elevation

Mountains

Mesas

Plateaus

Canyons

Rivers Pits

Artificial Landmarks

Radio towers

Artillery emplacements

Enemy bases

Power line trails

o Scenery

Natural

Tree-lines

Fauna movement

Cloud movement Sunrises

Sunsets

Artificial

Oil pumps

Windmills

Explosions

Vehicle disasters

Scripted Scenes

AI Actors

Top-Down Layouts

Purpose

o To be used for paper prototypes, in-game mini-maps, or usability for designer and

player.

o To convey the following information:

Buildings

Landscape areas

Map's boundaries

Player paths

Alternate routes

Space relationships

Flow

Pacing

Important locations

Focal points

Player decisions

Script events

Layout Types


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o Player Paths

o Enemy Placements

o Terrain layout

o Plot layout

o Pacing layout

Top-Down Layout Examples

Camera Function: How will the camera work?

o Third-Person

o Free Rotation around Focuser Object (Player Train)

o Ability to switch into multiple camera modes:

Car-by-car Focus Switcher

Engine Focus Switcher

Caboose Focus Switcher

Optional modes:

Cinematic

Engine cab

Top-down

Camera Control

o Will the camera take control away from the player to highlight landmarks, upcoming

obstacles, focal points?

o Will the camera take control away to create cinematic or dramatic effects?

Camera Purpose

o

What does the camera tell the player?


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Are there objects off-screen?

Is the end of the environment within sight?

Should the player act slow, fast, or somewhere in-between?

Should the player move slow, fast, or somewhere in-between?

Does the camera highlight danger, damage, enemies?

o Does the camera set up mood?

Uneasiness

Shakiness

Tension

o Are there cutscenes?

Intro sequences

Ending sequences

Boss intros

New enemy intros

o Does the camera reward the player?

Sweet jumps

Killcams

Execution cams

HUD and UI

Is there UI available for the environment?

o Minimaps

o 2D maps

o Enemy pointers

o Loot/Treasure pointers

o Secret area pointers

o Navigational pointers

Will the UI be effectively interactive, or just as reference? Will there be a requirement for a polished, top-down or profile map view?

Will the UI be interactive? Will it update itself with new information?

o Enemy location

o Objective location

Is the UI contextual?

Will it be visible within the viewport?

Will it obstruct information the player needs to see?

o Incoming dangers

o

Waypoint systems

o

Objective markers

o

Sub-location names/descriptions

AIs and NPCs

Is there AI within the environment?

o

Enemies

o

Bosses

o

Neutral Fauna


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Does the environment allow the AI to shine?

o AI Factions

AI vs. AI

o Environment Interaction

Ramps

Explosions

Rail enemies

Will the environment allow for the behaviors to be seen by the player or not?

o Third-person camera allows ample camera space.

o Cinematic camera points take direct control over players view.

Would the AI be more fun to watch with a different camera angle?

o Cinematic camera points

o Enemy/Boss introductions

Visual Development

Color Palette

o

[Reference to Art Style Guide]

Time of Day

o Midday / High noon

Feeling and Emotional Impact

o

Powerful


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o Free

o

Dangerous

o Unique

Modeling Quality

o Highly-detailed enemy vehicles

o Highly-detailed player train


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o Low-detailed world props

o Low-detailed environment pieces

Texturing Quality

o Highly-detailed texture sets

o

Normal mapping

o Specular mapping

Depth and Versatility

Can the environments be reused, or once only?o

Difficulty levels

Easy

Hardcore

o

Gameplay modes

Endless survival

Time trial

Quick ride / Free travel

Are objects within the environment reusable?

o

Reusable

World props

Environment pieces Player character

Enemy NPCs

Tracks

o Non-reusable

Plot-specific event props

Is the environment flexible enough to vary during gameplay?

o Can the scenery change dramatically?

Desert to Swamp

Forest to River

Flat plane to incline

o Can the players expectations of the environment be challenged or not?

Does the environment fit the mechanic the player will use? Example: If were running fast, we

need to be able to see.

o

Can the player access track junctions further down the line?

o

Can the player see in all directions while on the track?

o

Can the player see past smoke coming out of the train?


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Pacing and Interest

What is the interest curve for the environment?

o Three legs of the journey: Beginning, Middle, Finale

Each leg maybe separated by a distinct Build/Upgrade phase

Each leg is progressively more difficult

Based off of Jesse Schells Interest Curve

Based off Jesse Schells Flow channel theory

Does the tutorial properly teach the player?

o

Basic Information

Throttle-based movement

Whistle button

Enemy behavior / purpose

Enemy loot drops

Hull integrity

o Expressive Action

Collecting loot

Placing looto Complex Behavior

Weapon / Enemy diversity

Weapon / Enemy relationships

Movement speed and weapon/enemy relationships

Activated actions

AoE targetable weapons

AoE automated weapons


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Auras

Shields

Are new skills properly introduced on the pacing curve?

o Beginner levels

o Scripted introductions to enemies / weapons

Does the player receive adequate time to train new skills? Are there enough valleys? Does the player get too tired?

o Encounter design

o Enemy spawners

o

Literal valleys in the terrain

Are there enough interesting peaks? Is the player challenged and rewarded?

o Encounter design

o Enemy spawners

o Literal mountain peaks

Rollercoaster action

Lists

What models do we need?

o Player train

o Enemies

o Projectiles

o

Environment pieces

o

World props

o

Tracks

o

Buildings/Architecture

What textures do we need?

o Model unwraps

o

Desert terrain mapso

Clouds/Skybox/Skydome

o

UI

What effects will we need? What particles will we need?

o Explosions

o Sparks

o Trails

o Player fanfare

What will the production process look like? What will we do first and in what order?

1.

Collect photo/audio reference.

2.

Write a formal Environment Preproduction Blueprint (EPB).

a.

Create brainlists for:i.

Features

ii.

Ideas

iii.

Missions

iv.

Objectives

b.

Draw rough top-down outlines.

3.

Prototype. Paper or digital, preferably in-engine.


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4.

Write a formal Level Design Document (LDD).

a.

Insert it into the Game Design Document (GDD).

5.

Implement first-playable environment into game engine.

6.

Playtest it.

a.

Refine it.

i.

Playtest it again.

1.

Refine it again.

a.

Return to step 6. Break to step 7 when environment is

ready to ship.

7.

Ship it.

8.

Write post-mortem describing:

a.

New rules/guidelines learned

b.

The process of the environment design

c.

How effective the tools were

d.

What went right

e.

What went wrong

f.

What was learned

What do we need to model?

o

Google SketchUp for prototyping

o

Artists

o

3DS Max/Maya

o Solid art pipeline

What audio will we need?

o Music

Intro/Theme

High energy battle mixes

o

Sound FX

Train sounds

Whistles

Explosions

Weaponry

Railroad sounds

Western riffs/splashes

What scripting features will we need?

o Full access to game objects

o

Complex math functions

What pre-programmed functionalities will we need?

o

Level Editor Track generator/creator/editor

What pre-designed systems will we need?

o Combat system

o Enemy spawner system

o Encounter system

o Weapon collection system

o Weapon upgrade system


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o Advanced camera system

o Movement system

What functionalities, tools, interfaces, viewers, and information windows will we need for the

editor?

o

Object List

o

Property window

o

Content Library

o Saving/Loading

o Visual representation (in-game or not)

o Game camera viewport

o Graphical Game Object transformation (XYZ, rotation)

Design Reference

Track Piece Reference

Dead-End

Elbow Bend

Elbow Curve

Horseshoe Curve

Track Junction

S Curve

Straight Arrow

Track System Reference

o Looping


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o

Linear

Train Simulator 2012/2013

FTL

Galaxy Trucker

Encounters

Audio Reference

Aural mood and theme reference

o YouTube Links

Borderlands, Skag Gully
http://www.youtube.com/watch?v=tkU7RYDGgdAhttp://www.youtube.com/watch?v=tkU7RYDGgdAhttp://www.youtube.com/watch?v=tkU7RYDGgdA


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Gorillaz, Ghost Train

Ennio Morricone, Ecstacy of Gold

I've Been Working on the Railroad

Red Dead Redemption, Triggernometry

Ennio Morricone, For A Few Dollars More Theme

Timesplitters, Khallos Express

James Bond 007, An Old Friend

Ennio Morricone, The Good, The Bad, and the Ugly

Train Sound Music Comp

Led Zeppelin, Travelling Riverside Blues

Led Zeppelin, Bring it On Home

John Mayall, Parchman Farm

Elmore James, Dust My Broom

Calexico, Minas de Cobre

Ram Jam, Black Betty 1977

o

SpotifyPlaylist

Train Songs

Taken from WikipediasList of train songs

o

Audio Files

Music

TF2, More Gun

ME

CowboyTheme

Awesome

Rider Of The Range Sound FX

Whistle1

Whistle2

Whistle3

Whistle4

Trail_RailClick_Loop01

Train, Freight Pass By

Original soundtrack examples

o

Train

o

Trains (fixed)o Train2 demo
http://www.youtube.com/watch?v=o3Rf54Ccl1ghttp://www.youtube.com/watch?v=o3Rf54Ccl1ghttp://www.youtube.com/watch?v=ZNGe7iK1O-4http://www.youtube.com/watch?v=ZNGe7iK1O-4http://www.youtube.com/watch?v=2zdTxrCJ1mchttp://www.youtube.com/watch?v=2zdTxrCJ1mchttp://www.youtube.com/watch?v=tg-yC0xcI9shttp://www.youtube.com/watch?v=tg-yC0xcI9shttp://www.youtube.com/watch?v=J4x7RchYCMchttp://www.youtube.com/watch?v=J4x7RchYCMchttp://www.youtube.com/watch?v=2STTajOZtcUhttp://www.youtube.com/watch?v=2STTajOZtcUhttp://www.youtube.com/watch?v=-w15JNrqjCUhttp://www.youtube.com/watch?v=-w15JNrqjCUhttp://www.youtube.com/watch?v=AFa1-kciCb4&feature=youtu.be&t=1m14shttp://www.youtube.com/watch?v=AFa1-kciCb4&feature=youtu.be&t=1m14shttp://www.youtube.com/watch?v=TvREVHXx1Lshttp://www.youtube.com/watch?v=TvREVHXx1Lshttp://www.youtube.com/watch?v=GtEAp-Rybl0http://www.youtube.com/watch?v=GtEAp-Rybl0http://www.youtube.com/watch?v=ihWhTvHVLAMhttp://www.youtube.com/watch?v=ihWhTvHVLAMhttp://www.youtube.com/watch?v=4vKGluBbhrohttp://www.youtube.com/watch?v=4vKGluBbhrohttp://www.youtube.com/watch?v=aKo80b-QfK0http://www.youtube.com/watch?v=aKo80b-QfK0https://www.youtube.com/watch?v=G2JkGlQN5Vohttps://www.youtube.com/watch?v=G2JkGlQN5Vohttp://www.youtube.com/watch?v=R044sleOW6Ihttp://www.youtube.com/watch?v=R044sleOW6Ihttp://open.spotify.com/user/122048797/playlist/4KNCocLOIxbyRbRL4GT3cKhttp://open.spotify.com/user/122048797/playlist/4KNCocLOIxbyRbRL4GT3cKhttp://en.wikipedia.org/wiki/List_of_train_songshttp://en.wikipedia.org/wiki/List_of_train_songshttp://en.wikipedia.org/wiki/List_of_train_songshttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/More%20Gun.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/More%20Gun.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/ME.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/ME.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/CowboyTheme.wavhttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/CowboyTheme.wavhttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/Awesome.wavhttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/Awesome.wavhttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/49%20-%20Rider%20Of%20The%20Range.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/49%20-%20Rider%20Of%20The%20Range.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle1.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle1.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle2.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle2.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle3.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle3.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle4.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle4.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/Train_RailClick_Loop01.wavhttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/Train_RailClick_Loop01.wavhttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/05%20-%20Train%2C%20Freight%20Pass%20By%2C%20Horn%20Doppler%2C%20Very%20Loud%20Track%20Squeals.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/05%20-%20Train%2C%20Freight%20Pass%20By%2C%20Horn%20Doppler%2C%20Very%20Loud%20Track%20Squeals.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/train.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/train.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/trains%20(fixed).mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/trains%20(fixed).mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/train2%20demo.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/train2%20demo.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/train2%20demo.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/trains%20(fixed).mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/train.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/05%20-%20Train%2C%20Freight%20Pass%20By%2C%20Horn%20Doppler%2C%20Very%20Loud%20Track%20Squeals.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/Train_RailClick_Loop01.wavhttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle4.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle3.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle2.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/whistle1.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/49%20-%20Rider%20Of%20The%20Range.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/Awesome.wavhttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/CowboyTheme.wavhttp://dl.dropbox.com/u/107679296/Musical%20Inspiration/ME.mp3http://dl.dropbox.com/u/107679296/Musical%20Inspiration/More%20Gun.mp3http://en.wikipedia.org/wiki/List_of_train_songshttp://open.spotify.com/user/122048797/playlist/4KNCocLOIxbyRbRL4GT3cKhttp://www.youtube.com/watch?v=R044sleOW6Ihttps://www.youtube.com/watch?v=G2JkGlQN5Vohttp://www.youtube.com/watch?v=aKo80b-QfK0http://www.youtube.com/watch?v=4vKGluBbhrohttp://www.youtube.com/watch?v=ihWhTvHVLAMhttp://www.youtube.com/watch?v=GtEAp-Rybl0http://www.youtube.com/watch?v=TvREVHXx1Lshttp://www.youtube.com/watch?v=AFa1-kciCb4&feature=youtu.be&t=1m14shttp://www.youtube.com/watch?v=-w15JNrqjCUhttp://www.youtube.com/watch?v=2STTajOZtcUhttp://www.youtube.com/watch?v=J4x7RchYCMchttp://www.youtube.com/watch?v=tg-yC0xcI9shttp://www.youtube.com/watch?v=2zdTxrCJ1mchttp://www.youtube.com/watch?v=ZNGe7iK1O-4http://www.youtube.com/watch?v=o3Rf54Ccl1g


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Photo Reference

Environment and location reference:


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Set design and props:


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Lighting and style:


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Original concept art:


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project eisenross epb

Documents