Piano music with an exciting fusion of musical styles

One of the defining qualities of the music published by Promethean Editions is the exciting fusion of different musical styles that can be heard in the works of its published composers. Looking outward from the Western classical tradition, these composers broaden their stylistic horizons by partnering the traditional with the modern – or ancient – to create challenging, exciting contemporary classical works. Works for piano by Gareth Farr, Christos Hatzis, Vincent Ho and John Psathas certainly reflect this broad range of influences and styles. The following sample of piano music from the Promethean Editions catalogue covers virtuosic works for solo piano, chamber works for piano, as well as collections of piano works by influential New Zealand figures Douglas Lilburn and Larry Pruden.

Solo Piano

Gareth Farr’s music reflects his personality – bold, brash, or delicate and sensuous, but inevitably, immediately engaging. Rhythmic elements of his compositions can be linked to the complex and exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion music of the Pacific Rim, and these influences spill over into his works for piano. Balinese Pieces (1996-2003) (PE128) is a set of three piano works influenced by gamelan music of Indonesia. This collection includes Sepuluh Jari (“ten fingers”), Tentang Cara Gamelan (“on the technique of gamelan”), and Jangan Lupa (“don’t forget”). Farr perfectly captures the exciting rhythms and beautiful sonorities of gamelan music and combines it with sounds

and textures reminiscent of French impressionism. His writing for piano in these pieces is virtuosic, with fast melodic passages and complex rhythms.

The Horizon from Owhiro Bay (2007) (PE091) is Farr’s musical depiction of the ‘moody depths’ visible from the composer’s home. Farr writes: “This prelude is a musical representation of the view I see at twilight from my studio on the south coast of Wellington, New Zealand — the moody dark green depths of Cook Strait, the inky blue sky, and the endless unbroken horizon dividing the two.” The work’s simple arching structure begins and ends with a repeated two-note motif which serves as a literal horizon as the pianist performs surrounding ascending and descending figures.

An exciting and virtuosic work for solo piano, Farr’s Mouse Hole (1998/2002) (PE100) requires fast finger work and dares the pianist to keep pace with the scurrying rodent evoked by the speedy streams of semiquavers that define the work. This work perfectly illuminates Farr’s penchant for rhythmic propulsion that typifies much of his musical output. The persistent semiquaver material in the right

www.promethean-editions.com Piano Music Catalogue – September 2015

Piano Music Catalogue

PROMETHEAN EDITIONS

PE128 – 1

SEPULUH JARI DEDICATED TO MICHAEL HOUSTOUNGareth Farr

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Jenny Lin performs the music of John Psathas

hand is underpinned with syncopated supporting material in the left, making it highly engaging for listeners.

A great test for advanced pianists, John Psathas’s Jettatura (1999) (PE029) is an uncomplicated moto perpetuo, and another example of Psathas’s gift for creating high-energy, compelling works. Requiring heavy and impassioned fingering, Jettatura is shot through with defiance and aggression. The left hand hammers a stream of ostinatos while the right hand flies almost incautiously over the keys, stretching to the piano’s upper register.

By contrast, Psathas’s short and ebullient Sleeper (2007) (PE090) is built using minimalist techniques, the composer’s energy expressed in lyrical, child-like melodic gestures that evoke a sense of exploration and discovery. The opening measures contain a two-note ostinato pattern that forms a static harmonic base from which the work unfolds. A sense of momentum and subsequent departure emerges from the ‘voice-like’ notes, which gracefully evolve into scalic melodies, steering the dynamic and registral development of the piece, and generating the work’s pulse.

Vincent Ho’s Nostalgia (2011) (PE161) was originally intended as an encore piece for his percussion concerto The Shaman. Originally written for vibraphone, the evocative and lyrical lines of the original work also lend themselves to the sustained resonance of the piano. Ho expresses a sense of nostalgia throughout the work with simple melodic lines and ebbing accompaniment, making for a beautiful and thoughtful point within recital programmes.

Also on the theme of memory, Hatzis’ Through A Glass Darkly (2005) (PE102) is a dramatic and intricate work for solo piano that plays with the idea of ageing and failing memory. Wrong harmonic turns at the ends of phrases, memory slips, starting a new phrase in the wrong key and then adjusting afterwards; all of these harmonic dysfunctions intensify as the work progresses. Jagged juxtapositions of twelve-tone rows, minimalist fragments, and Liszt-like statements of the main theme all intertwine, making it particularly intriguing.

Piano and Percussion

First made famous by Dame Evelyn Glennie, Psathas’s Matre’s Dance (1991/94) (PE027) is now a standard in the repertoire for piano and percussion. The title refers to a dance performed by a group of fanatics in one of Frank Herbert’s Dune books. The dance was non-repeating and exhausting for the dancer, who often collapsed or died

before completing the extremely long, complex routine. Matre’s Dance is highly energetic and maintains relentless rhythmic tension courtesy of unpredictable accents and syncopation.

Glennie also commissioned Psathas’s Drum Dances (1993) (PE008), which is now also standard repertoire for drum kit and piano. Each of the four movements in this work were inspired by a certain rhythmic interaction possible between two performers. The performers gradually transition from battling for superiority to working together as they navigate material ranging from from a loosely-written stately dance to very tight and syncopated rhythmic interaction.

Farr’s Tuatara (1998) (PE037) is an energetic and entertaining work for percussion and piano, based on two musical ideas which are heard concurrently at the start of the work. A jaunty, angular, syncopated theme in the piano part is set against fast marimba lines. The musical argument of the work is entirely derived from these two ideas, which are exchanged between the instruments and subjected to development by variation.

Piano and Woodwind

Shifting between haunting and dextrous, Farr’s Nga Whetu e Whitu (PE131) (2005) is a captivating and challenging performance piece for piano and flute. Containing tonal colours and harmonies reminiscent of Olivier Messiaen, the piano’s nocturnal stillness is beautifully complemented by the flute’s winding lyrical passages. Faster, swirling lines are passed between the two instruments, their wave-like contours contracting into quivering trills and expanding into grand sweeps.

Ho’s Whimsical Sketches of Fanciful Birds (2012) (PE152) is an adventurous and colourful recital work for alto saxophone and piano. It consists of five short movements, each taking inspiration from a different bird species as imagined through the lens of the composer’s childhood. The

www.promethean-editions.com Piano Music Catalogue – September 2015

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saxophone’s expressive pitch bends, honks and frenzied gestures in combination with the piano’s colourful harmonic clusters makes for a playful, energetic and virtuosic addition to any post-graduate or professional performance.

Piano and Strings

Farr has arranged his string quartet Mondo Rondo for piano trio (2012) (PE132). Mondo Rondo is immediately engaging due to its combination of exotic melodies and percussive, funky rhythms throughout three contrasting movements. The pianist mimics the original version’s pizzicato techniques by muting the strings inside the piano.

Hatzis’s Old Photographs (2000) (PE104) is one of the composer’s most widely performed works for piano trio. Commissioned by the Gryphon Trio, it forms one movement of Hatzis’s award-winning multimedia theatre work Constantinople. Old Photographs takes inspiration from a combination of sources including the music of Robert Schumann and early 20th-century popular idioms reminiscent of the music of Astor Piazzolla.

Arranged for piano trio as well as clarinet, cello and piano, Psathas’s Island Songs (1999) (PE075 & PE177) is perfect for ensembles looking to perform a high-energy work inspired by Greek dance. Suitable for performance by advanced secondary students and above, Island Songs is one of Psathas’ most performed works with numerous presentations and broadcasts worldwide. Of similar origins is Psathas’s Piano Quintet (2000) (PE036), perfect for

chamber musicians who want to perform a virtuosic contemporary work influenced by Greek folk music. Individual lines are combined into layers of collective textures throughout the work, which makes the overall sound of the ensemble evocative and powerful.

Douglas Lilburn Collected Edition

Douglas Lilburn occupies a pre-eminent position in New Zealand music, with a legacy extending well beyond his compositional output. As a composer, teacher and mentor he presided in innumerable ways over the artistic growth of New Zealand from 1940 onwards. From the early works redolent of the influence of Sibelius and Vaughan Williams, to the electro-acoustic pieces of his later years, his works have been instrumental in establishing a genuine vernacular in New Zealand classical music.

The Douglas Lilburn Complete Piano Music Edition (PEL01-04) provides substantial insight into Lilburn’s compositional style at various points in his career. The first volume comprises Lilburn’s highly individual early Sonata (1949) and a collection of some 20 sketches, studies and personal tributes first published as Occasional Pieces in 1975.

The second volume contains Lilburn’s early Sonata for Piano in A Minor (1939) and the miniature Moths and Candles (1948).

The third volume features Lilburn’s Sonata (1956), while the fourth volume features his Sonatina No. 1 (1946).

Piano Music Publications

CATEGORY COMPOSER TITLE CODE DUR. PP ISMN FORMAT PRICE

Solo Piano Brenton Broadstock Dying of the Light (Piano) PE042 12:45 17 979-0-67452-070-6 Performance Score NZ$34.00

Brenton Broadstock In the Silence of Night (Piano) PE043 9:30 11 979-0-67452-071-3 Performance Score NZ$27.00

Gareth Farr Balinese Pieces (Piano) PE128 18:00 32 979-0-67452-200-7 Performance Score NZ$65.00

Gareth Farr Mouse Hole (Piano) PE100 6:00 17 979-0-67452-217-5 Performance Score NZ$37.00

Gareth Farr The Horizon from Owhiro Bay (Piano) PE091 3:00 12 979-0-67452-120-8 Performance Score NZ$27.00

Stuart Greenbaum But I Want the Harmonica (Piano) PE062 7:45 12 979-0-67452-073-7 Performance Score NZ$27.00

Stuart Greenbaum First Light (Piano) PE030 5:45 11 979-0-67452-074-4 Performance Score NZ$15.00

Stuart Greenbaum Ice Man (Piano) PE005 33:00 34 979-0-67452-075-1 Performance Score NZ$49.00

Christos Hatzis Through a Glass Darkly (Piano) PE102 10:30 27 979-0-67452-105-5 Performance Score NZ$42.00

www.promethean-editions.com Piano Music Catalogue – September 2015

PE104 – 4 PE104 – 5

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B B C C- CC- AAev`9 ! #B B C B- C OOC hj C C C C C C h C. T S S CW CW BW BW BBW B BW BW BW BBB BY BY BY BBY B! #B B C B- C OOC giC C C C C C

gC. T S S C C BB BB B B BB BY BY BB16 # !OBY OB OBY CYppAY C CY CY C OBY

BYp B C B- C AS OT hj CWppBW C CW CW C OBW

# ! # ! #AY AYOOS hj CY CY C C C C AY BY B C B- C

R S UT CW C C AAW AAW

23 ! Bp BWCW BW C OOCY OOC hj C BY C CY C C OBY OOS hj CY BY C CY CY C OBY

# ! # ! #B BW CW BW C OBY OBY UT CY CY C OBY CY CYcresc. OBY OBY UT CY CY C OBY CY CY

29 ! OOS hj CY BY BY BY OOS hj CY OOCY OOCY OOCY hj C CY CCY CY C C CI Ceva C C C CI C CY CY C C

IC OOCY f

hj CY OCY OCY OCYeva

UT giCY# ! # ! # ! #OOC OOC hj CBB OOC OOC hj C

OOC OOC hj C CCY C. C. C. OOCY OOCY hj CYOCY OCY UT CY giCY

Sonata 1949

PEL01aSonata © Alexander Turnbull Library Endowment TrustThis edition © 2011 Promethean Editions Limited ISMN M-67542-124-6

Excerpt from Sonata (1949), bars 1-6, p.1 (PEL01)

PEL02 – 28

! WW 44 Q QC = 60

evaC Csempre throughouteva C C C C B C CY CX C C CX C C C

! WW 44 C. C.sempre throughoutB C. C. B C C C C C C C C C C C C C C C C C CX C C C C C C C CY C C C C C C

7 ! WW C C C C C C B C CY CX C C CX C B C C C CW C C C C C! WW C C C C C C C C C C C C C C C C C CX C C C C C C C CY C C C C CW C C C C C C C C C C C C C C C CW C

13 ! WW YC C C CW C C C C C C C C C C B C CY CX C C CX C B! WW YC C C C C C C C C C CW C C C C C C C CX C C C C C C C C C C C C C C CX C C C C C C C CY C C C C CW C

19 ! Y C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C C! Y C C C C C C C C C C C C C C C BW C C C C C C C C

25 ! Y WWC C C C C C C C CW C C C B C C C C C C B C CY CX C C! Y WWC C C C C C C C C C C C C C C C C C C C C C C C C C C C CX C C C C C C

MOTHS AND CANDLES 1950

PEL02cMoths and Candles © Alexander Turnbull Library Endowment TrustThis edition © 2012 Promethean Editions Limited ISMN M-67542-125-3

Excerpt from Moths and Candles, bars 25-28, p.28 (PEL02)

All prices are listed in New Zealand dollars and exclusive of GST To place an order email orders@promethean-editions.com, or visit our online store: www.43.co.nz.

Matthew Hindson Moments of Plastic Jubilation (Piano) PE049 5:15 15 979-0-67452-076-8 Performance Score NZ$32.00

Vincent Ho Nostalgia (Piano) PE161 5:45 8 979-0-67452-185-7 Performance Score NZ$39.00

John Psathas Jettatura (Piano) PE029 4:30 14 979-0-67452-076-8 Performance Score NZ$32.00

John Psathas Sleeper (Piano) PE090 4:00 12 979-0-67452-119-2 Performance Score NZ$32.00

Piano & Percussion Gareth Farr Three Little Pieces for Eve (Percussion & Piano) PE095 6:00 13 979-0-67452-144-4 Performance Set NZ$39.00

Gareth Farr Tuatara (Percussion & Piano) PE037 9:00 30 979-0-67452-099-7 Performance Set NZ$47.00

John Psathas Drum Dances (Drum kit & Piano) PE008 9:30 40 979-0-67452-088-1 Performance Set NZ$58.00

John Psathas Fragment (Vibraphone & Piano) PE076 3:00 3 979-0-67452-089-9 Performance Set NZ$21.00

John Psathas Matre’s Dance (Percussion & Piano) PE027 9:45 27 979-0-67452-091-1 Performance Set NZ$46.00

Piano & Woodwind Gareth Farr Meditation (Alto Saxophone & Piano) PE125 6:45 5 979-0-67452-150-5 Performance Set NZ$44.00

Gareth Farr Meditation (Clarinet & Piano) PE127 6:45 12 979-0-67452-152-9 Performance Set NZ$44.00

Gareth Farr Nga Whetu e Whitu (Flute & Piano) PE131 14:00 36 979-0-67452-191-8 Performance Set NZ$54.00

Gareth Farr Waipoua (Clarinet & Piano) PE021 5:00 9 979-0-67452-063-8 Performance Set NZ$35.00

Christos Hatzis Departures (Flute & Piano) PE111 28:00 60 979-0-67452-167-3 Performance Set NZ$69.00

Christos Hatzis Telluric Dances (Oboe & Piano) PE109 33:00 68 979-0-67452-141-3 Performance Set NZ$72.00

Matthew Hindson In Search of Ecstasy (Saxophone & Piano) PE007 6:45 21 979-0-67452-068-3 Performance Set NZ$35.00

Vincent HoWhimsical Sketches of Fanciful Birds (Alto Saxophone & Piano)

PE152 11:00 40 979-0-67452-225-0 Performance Set NZ$57.00

Piano & Strings Gareth Farr Meditation (Viola & Piano) PE126 6:45 12 979-0-67452-151-2 Performance Set NZ$44.00

Gareth Farr Mondo Rondo (Piano Trio) PE132 12:00 40 979-0-67452-203-8 Performance Set NZ$57.00

Gareth Farr Shadow of the Hawk (Violoncello & Piano) PE016 10:45 21 979-0-67452-062-1 Performance Set NZ$50.00

Christos Hatzis Coming To (Violin & Piano) PE119 3:15 15 979-0-67452-208-3 Performance Set NZ$34.00

Christos Hatzis Old Photographs (Piano Trio) PE104 10:30 20 979-0-67452-118-5 Performance Set NZ$52.00

Matthew Hindson Lament (Violoncello & Piano) PE047 8:00 11 979-0-67452-069-0 Performance Set NZ$50.00

Vincent Ho Nighthawks (arranged for Cello and Piano) PE160 9:23 19 979-0-67452-186-4 Performance Set NZ$47.00

Larry Pruden Flight of the Albatross (Violin & Piano) PEP12 2:45 7 979-0-67452-166-6 Performance Set NZ$29.00

John Psathas Aegean (Piano Trio) PE181 4:30 14 979-0-67452-223-6 Performance Set NZ$54.00

John Psathas Calenture (Electric Guitar & Two Pianos) PE004S 11:00 39 979-0-67452-048-5 Study Score NZ$40.00

John Psathas Calenture (Electric Guitar & Two Pianos) PE004P 11:00 39 979-0-67452-049-2 Performance Set NZ$80.00

John Psathas Corybas (Piano Trio) PE179 12:00 44 979-0-67452-218-2 Performance Set NZ$57.00

John Psathas Island Songs (Clarinet, Cello & Piano) PE177 13:00 22 979-0-67452-184-0 Performance Set NZ$54.00

John Psathas Island Songs (Piano Trio) PE075 13:00 22 979-0-67452-178-9 Performance Set NZ$54.00

John Psathas Piano Quintet (Piano & String Quartet) PE036S 18:30 60 979-0-67452-168-0 Performance Score NZ$59.00

John Psathas Piano Quintet (Piano & String Quartet) PE036P 18:30 36 979-0-67452-169-7 String Parts NZ$60.00

Firestarters Various Firestarters 1 (Piano) PE068 28:00 34 979-0-67452-078-2Performance Score & Audio Ref.

NZ$30.00

Various Firestarters 2 (Piano) PE069 32:00 48 979-0-67452-101-7Performance Score & Audio Ref.

NZ$30.00

Mike Nock Firestarters 3 (Piano) PE098 19:00 40 979-0-67452-108-6Performance Score & Audio Ref.

NZ$45.00

Various Firestarters 4 (Piano, 4-6 Hands) PE097 26:00 60 979-0-67452-122-2 Performance Score NZ$55.00

Collected Editions Douglas Lilburn Piano Music Vol.1 (Piano) PEL01 46:02 43 979-0-67452-124-6 Performance Score NZ$57.00

Douglas Lilburn Piano Music Vol.2 (Piano) PEL02 30:33 40 979-0-67452-125-3 Performance Score NZ$49.00

Douglas Lilburn Piano Music Vol.3 (Piano) PEL03 49:00 52 979-0-67452-126-0 Performance Score NZ$63.00

Douglas Lilburn Piano Music Vol.4 (Piano) PEL04 29:00 44 979-0-67452-127-7 Performance Score NZ$59.00

Larry Pruden Collected Edition Vol.1 (Piano) PEP01 11:15 36 979-0-67452-000-3 Performance Score NZ$65.00

CATEGORY COMPOSER TITLE CODE DUR. PP ISMN FORMAT PRICE

www.promethean-editions.com Piano Music Catalogue – September 2015

Promethean Editions Limited • PO Box 10-143, Wellington, New Zealand • P +64 4 473 5033 • F +64 4 473 5066 • info@promethean-editions.com Publication and Promotion of New Music Gareth Farr, Christos Hatzis, Vincent Ho, John Psathas Publishers of New Editions of Bartok, Lilburn, Pruden, Vaughan Williams