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via terraggio pace 4, 20871 vimercate, milano tel +39 039 608 4242, [email protected] - www.redaelliassociati.it


IVO MARIA REDAELLI ARCHITECTS

via terraggio pace 4, 20871 vimercate, milano tel +39 039 608 4242, [email protected] - www.redaelliassociati.itvia terraggio pace 4, 20871 vimercate, milano tel +39 039 608 4242, [email protected] - www.redaelliassociati.it

IVO MARIA REDAELLI ARCHITECTS


MARIO BOTTA ARCHITECTSIVO MARIA REDAELLI project manager

AREA EX CAMPARISESTO SAN GIORVANNI - ITALY

via monte boglia 7, 6904 lugano - ch - tel / fax +41 091 971 82 34 [email protected] www.macullo.com

NATIONAL MUSEUM FOR ART, ARCHITECTURE & DESIGN

VESTBANEN, OSLO (NORWAY) COMPETITION 2009

In seeking to create a relevant, contemporary and inspiring complex that resonates

with its specific time and place as well as with the histories and cultures of its users, our

design proposal has sifted through the urban layers of this unique Nordic city in the

search for a solution that complements, echoes and extends the existing landscape.

Siphoning cues and references from Oslo’s history, particularly its relationship to the sea,

we attempted to seek out those elements which serve as universally applicable infor-

mants for the organisation of both conceptual and architectonic space.

From the outset the intention has been to cultivate a collective, open ethos to the

scheme, while still allowing for the programmatic and functional needs of the diverse

fields represented in the Museum. In creating such an open, intuitively navigated and

stimulating environment we hope to subvert the often guarded and traditional bounda-

ries of the art world and encourage the public’s curiosities. The Museum is designed to

embody and manifest a broadly democratic, enlightened, inspiring and integrated

vision of the institutions and activities which it is to house.

via terraggio pace 4, 20871 vimercate, milano - it - +39 039 608 42 42 [email protected] www.redaelliassociati.it

STUDIO REDAELLI ASSOCIATI & DAVIDE MACULLO ARCHITECTS

architetto, via monte boglia 7, 6904 lugano - ch - tel / fax +41 091 971 82 34 [email protected] www.macullo.com

NATIONAL MUSEUM FOR ART, ARCHITECTURE & DESIGN

VESTBANEN, OSLO, COMPETITION 2009




COMPETITION FOR THE THEMATIC PAVILION OF EXPO 2012

From the outset, the design intention has been to deliver a proposal that experientially and

referentially, both in form and function, belongs to the Sea. The Pavilion is conceived of as a

promenade, a projected threshold between man and sea, morphed from a strict coastline,

whereby the destination is the Ocean itself. The ‘Pavilion’ becomes an element in the jour-

ney across the Ocean, an element within which the theatrics of marine life are explained.

Anchored to the coast, the Bridge acts as a filter within which we can simultaneously ex-

perience the scale and contrast of two diverse conditions, those of the controlled basin and

the untamed ocean. The Bridge landscape sits on the cusp between the natural, with its

pantheon of memories and stories, and the artificial, with its potentials and promises, offer-

ing the public the opportunity to both reflect and to learn.

YEOSU (SOUTH KOREA) 2009



URBAN DESIGN COMPETITION FOR THE NEW UNESCO SITE


NATERS (VS-SWITZERLAND) 2009



This competition gives the opportunity to express the role of a new cultural facility in histori-

cal centres, balanced between the urban existing language and rules and the need to

express a new identity. The role of a museum as a contemporary sign that can help people

to recognize their belonging to their epoch, is a theme of discussion that recalls the dis-

putes of the Académie française of the past centuries. The proposal foresees a compact

volume clad with natural stone and set as a boulder raising from the ground and cut on the

city level to get the people inside it. Due to the huge program almost half of the functions

are underground. The idea is to build an internal shell that can offer flexibility and, at the

same time, a unique experience. This is the reason why the indoor spaces are designed on

a regular geometry. The exhibitions will then outline the ethnographical trip throughout

history. According to their needs the curators will use the building as a metaphor of a loose

boulder shaped from ancient flows of water and rising up within the urban structure of the

city of Geneva.

COMPETITION FOR THE ENLARGEMENT THE ETHNOGRAPHY


MUSEUM OF GENEVE (GE-SWITZERLAND) 2008




ART FUND PAVILION COMPETITION

An emotional space for the intimacy of presenting, gathering or exhibiting.

A warm shell to share personal feelings or enjoy them in solitude.

The dichotomy of an introverted and extroverted space/structure, expressed through a

simple geometry that reveals itself at first glance but never ends to surprise ones percep-

tions. The strength and the smoothness of an archaic and an anthropomorphic shape clad

in shingles is to be used as a note book by people for drawing/writing messages, wishes,

prayers, to indicate their physical presence. When writing a note, you are confonted by a

reflected and fragmented image of yourself.

LONDON (UK) 2009



THE “PIER MUSEUM” COMPETITION


MIAMI (USA) 2009



The site express an extraordinary challenge to interact geographically as well as symboli-

cally with the existing nature and the important prehistoric elements. The new museum

becomes part of the landscape being itself the link between the two main levels of the

prehistoric park.In fact it is built as a double spiral accessible inside (Museum) and outside

on its roof (promenade).The Spiral construction allow to solve as synthesis the different crite-

ria demanded by Gyeonggi Provincial Government. The new Museum becomes so as well

a discovery-walkway through natural history. The spiral shape reminds to a fossil as well as a

coring excavated on the ground. On the hill side (precipice) the circular wall of the new

construction are directly excavated in the basalt and shown as part of the exhibition expe-

rience. The idea of the never ending screw or “infinite Museum” allows at least three visiting

ways. Each of them give the visitor a different perception of the exhibition: quick look, de-

ep involvement and pass by to the outdoor archeological excavations in the park.

COMPETITION FOR GYEONGGI DO JEONGOK PREHISTORY


MUSEUM GYEONGGI (SOUTH-KOREA) 2006



The chance to work with the visual artist MTH and display her work was given by the art

dealer Marinotti who promoted the exhibition and the idea of designing the “hardware” of

the installations beside the exhibition layout and mise en scène over the 1200m2 space at

the migros museum. The idea of the space was to share the visit into two different experien-

ces through two ways: one with the installations and one as architectural promenade

through abstract volume as a kind of physical installation and meditation moment on the

side of the visual art experience. The exhibit starts going through a filter of 3mt high block

letters TRAGEDY that introduces the dark space of the video installation ending with the

3/3/3 aluminium cube of the “for a better world” installation. At the end of the video spa-

ces the second space has been left enlighten from the natural light through the big ope-

nings of the industrial space. This space host the last installation of the artist: the sacrifice on

an altar of herself.

TRAGEDY ART EXIBIT DISPLAY AT MIGROS MUSEUM


ZURICH (TI-SWITZERLAND) 2002



COMPETITION FOR THE NEW CITY HALL


ENCHANDENS (VD-SWITZERLAND) 2009



Among the historical treasures in Italy, for sure the small historical towns are precious

milestones. The historical centre of Vimercate (Milano suburban area) is marked by

interesting and beautiful ancient buildings as well as historical parks. Set at the northern

corner of the “central park” this new volume belongs to the reconversion of an ancient

villa (XIX cent.) into a cultural complex related to the university. Being a volume set

inside the massive belt of the park we opted to keep it transparent as a kind of filter to

bring the people into the park. The steel structure is filled with glass and has a curtain of

brises-soleil in terracotta modelled in a light prismatic shape that recalls the materials

as well as the shake of the traditional buildings of the region.


VILLA SOTTOCASA CULTURAL CENTRE

VIMERCATE (MI-ITALY) 2008



COMPETITION FOR THE NEW USI CAMPUS


A town campus for the new università of Lugano composed of just four buildings that aim

to create an intimate place where to study. Our proposal wish to set a permeable structure

that allows the flow of the students through the buildings as a kind of continuation of the

patways of the green area. The tall building containing the conference hall and the

cantine overpass in height the existing neoclassical building to witness the presence of the

new cultural identity and raising up to an height that allows the view on the lake on the

southern part as well as to expose the new spaces to the sunlight.

LUGANO (TI-SWITZERLAND) 2004 STUDIO REDAELLI ASSOCIATI &


DAVIDE MACULLO ARCHITECTS


COMPETITION FOR THE NATURMUSEUM

ST.GALLEN (SWITZERLAND) 2009


STUDIO REDAELLI ASSOCIATI & DAVIDE MACULLO ARCHITECTS STUDIO REDAELLI ASSOCIATI & DAVIDE MACULLO ARCHITECTS

Casasco offers an extraordinary natural landscape with a spectacular view to Como Lake.

The project stresses the relation between man and nature with a primary geometry set at

the edge of the ancient village of Casasco as a kind of bastion but without a direction. The

elliptical shape opens the interior spaces towards the surrounding landscape in all direc-

tions. The new volume does not set itself as a limit but as a point, a centre that becomes

through the courtyard a refuge for the guests of the clinic. The rounded shaped elevations

leave the light flow on the skin of the building avoiding strong shadowed sides, giving a soft

appearance to the volume.

ALZHEIMER CLINIC “IL RONCO” IN CASASCO


LANZO D’INTERVI (CO-ITALY) 2005



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