purcell dido and aeneas complete
DESCRIPTION
Purcell Dido and Aeneas CompleteTRANSCRIPT
1
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Adagio
f
Dido and AeneasOverture( Mvmt. 1 )
Henry Purcell
( 1659 - 1695 )
f
f
f
f Adagio
mf f
mf f
mf f
mf f
mf
f
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mp
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mp
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1'27.4"17.4.983
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f
f
mp f
f
f
p
p
p
p
p
3
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f
f
f
f
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dim.
4
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cresc.
cresc.
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f
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f
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Belinda
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Allegretto
Editor: John Henry Fowler( Revision: 6-15-2006 )
Aria/Chorus - Shake the cloud / Banish sorrow
Dido and Aeneas
( Mvmt. 2a-b )
mf
Shake the cloud from
Henry Purcell( 1659 - 1695 )
off your
p mf
p
mf
brow, Fate your wish es- does al low;- Em pire- grow ing,- Plea sures-
cresc.
flow
f
ing,- - - For tune- smiles and so should you.
mf
Shake
f mf
mff
7
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the cloud from off your brow, Shake
p
brow.
Ban ish- sor row,- ban ish- care, Grief should ne'er ap proach- the fair, Ban ish-
Ban ish- sor row,- ban ish- care, Grief should ne'er ap proach- the fair,
Ban ish- sor row,- ban ish- care, Grief should ne'er ap proach- the fair, Ban ish-
Ban ish- sor row,- ban ish- care, Grief should ne'er ap proach- the fair,
cresc.
8
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mf
mf
mf
sor row,- ban ish- care,
mf
Grief should ne'er ap proach,- should ne'er ap -
ban ish,- ban ish- care,
mf
ban ish- sor row,- Grief should ne'er, should ne'er ap -
sor row,- ban ish,- ban ish- care,
mf
Grief should ne'er ap proach,- should ne'er ap -
Ban ish- sor row,- ban ish,-
mf
ban nish- care, Grief should ne'er ap -
§ § mf # (#6)
mf
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p
p
p
- proach the fair, Grief should ne'er, should ne'er ap proach- the
p
fair.
- proach the fair, Grief should ne'er, should ne'er ap proach- the
p
fair.
- proach the fair, Grief should ne'er, should ne'er ap proach-
p
the fair.
- proach the fair, Grief should ne'er ap proach-
p
the fair.
64 #3
(§ ) § 54
§3 p
p p
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Dido
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Dido
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13
Dido
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Editor: John Henry Fowler
Slow( Revision: 6-15-2006 )
Aria/Ritornello - Dido - Ah, Belinda
Ah !
mf
Dido and Aeneas
( Mvmt. 3 )
Ah ! Ah ! Be lin- da,-
Henry Purcell( 1659 - 1695 )
I am
mp { 4 § 3 } { 6 } { 6 }
mp
press'd with tor ment,- Ah ! Ah ! Ah !
mf
Be lin- da,-
{ 6 } mf
mf
I am press'd With tor ment- not to be
p
con fess'd.-
p
p
11
18
Dido
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Hrpscd
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Dido
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31
Dido
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Peace and I are stran gers- grown, Peace and
{ § 4 § }
I are stran gers,- stran gers- grown, I lan guish- -
{ # }
{ 6 }
cresc.
till my grief
is known, I lan - - - - - - -
{ § 6 4 # 3 }
{ § 6 }
12
37
Dido
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43
Dido
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49
Dido
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- guish till my grief is known,
f
Yet would not, yet would not, would not
{ § } f { § } { # 6 }
mf
f
have it guess'd.
p
Peace and
{ 4 § 3 } p
p
I are stran gers- grown,
pp
Peace and I are stran gers,- stran gers-
{ § 4 § }
pp { § }
pp
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Ritornello
grown.
p
mp mf
mp mf
mp mf
mp mf
mp
mf
14
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Dido
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2nd W.
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Editor: John Henry Fowler
Andante( Revision: 6-15-2006 )
p
Duet - Dido/Belinda - Grief increases
Dido and Aeneas
( Mvmt. 4 )
Henry Purcell( 1659 - 1695 )
p
p
Mine
p
ad - mits of no re veal- - ing.
Grief
p
in-creas es- by con ceal- ing;- Then let me speak; the Tro jan- guest In to- your
p
p
ten der- thoughts has press'd.
The great est- bless ing- Fate can give, Our Car thage- to se -
15
9B.
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- cure, and Troy re vive;- The great est- bless ing- Fate can give, Our Car thage- to se cure,- and Troy re vive.-
16
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Allegro
Editor: John Henry Fowler
f
( Revision: 6-15-2006 )
Chorus - When Monarchs UniteDido and Aeneas
( Mvmt. 5 )Henry Purcell
( 1659 - 1695 )
f
f
When
f
mon arch- u nite,- how hap py- their state; They tri umph- at once o'er their
When
f
mon arch- u nite,- how hap py- their state; They tri umph- at once o'er their
When
f
mon arch- u nite,- how hap py- their state; They tri umph- at once o'er their
When
f
mon arch- u nite,- how hap py- their state; They tri umph- at once o'er their
f § § 6 § §
f
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foes and their fate, They tri umph,- they tri umph- at once o'er their foes and their fate.
foes and their fate, They tri umph,- they tri umph- at once o'er their foes and their fate.
foes and their fate, They tri umph,- they tri umph- at once o'er their foes and their fate.
foes and their fate, They tri umph,- they tri umph- at once o'er their foes and their fate.
18
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Dido
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4
Dido
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7
Dido
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Whence
Editor: John Henry Fowler
Slow
( Revision: 6-16-2006 )
could so
Trio - Dido - Belinda - 2nd Woman
much
Dido and Aeneas
vir tue- spring ?
( Mvmt. 6 )
What storms,
Henry Purcell
What
( 1659 - 1695 )
bat tles- did he
mf
sing ?
f
An chi- ses'- va - - - lour mix'd with Ve
nus'- charms,
p
How soft, how
f p
f p
soft in peace, and yet how fierce, how fierce in arms !
p
A tale so
(§) (-) § b
mf
p
f p
19
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2nd W.
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13
Dido
2nd W.
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16
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strong and full of woe Might melt the rocks, as well
as you.
mf
What
mf
mf
f
Mine with
stub-born heart un mov'd-
could see
p
Such dis tress, such pi e- ty ?-
5 6 (§)
p f
storms of care
op press'd- Is taught to pi ty- the dis
20
19
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22
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- tress'd; Mean wretch es'- grief can touch, So soft, so sen si- ble- my
p
p
breast, But ah ! but ah ! I fear I pi ty- his too much.
21
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Belinda
2nd Woman
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Harpsichord
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17
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Fear
Editor: John Henry Fowler
Allegro
( Revision: 6-24-2006 )
f (p)
no dan
Duet and Chorus - Fear No Danger
ger
Dido and Aeneas
- to en
( Mvmt. 7 )
sue,- The he ro- loves as well as
Henry Purcell( 1659 - 1695 )
you.
Fear
f (p)
no dan ger- to en sue,- The he ro- loves as well as you.
f (p) (#6)
f (p)
Ev
p
er- gen tle,- ev er- smil ing,- And the cares of life be guil- ing,-
Ev
p
er- gen tle,- ev er- smil ing,- And the cares of life be guil- ing,-
p
p
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
f
f
22
25
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2nd W.
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33
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2nd W.
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Cu
p
pids- strew your path with flowers Gath er'd- from E ly-
sian- bowers.
Cu
p
pids- strew your path with flowers Gath er'd- from E ly-
sian- bowers.
p
p
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
f (#6)
f
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f (p)
f (p)
f (p)
Fear
f (p)
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f (p)
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f (p)
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f (p)
no dan ger- to en sue,- The he ro- loves as well as you.
f (p)
f (p)
p
p
p
Ev
p
er- gen tle,- ev er
- smil ing,- And the cares of life be guil- ing,-
Ev
p
er- gen tle,- ev er- smil ing,- And the cares of life be guil- ing,-
24
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f
f
f
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
f #6
f
p
p
p
Cu
p
pids- strew your path with flowers
Gath er'd- from E
ly-
sian bowers.-
Cu
p
pids- strew your path with flowers Gath er'd- from E ly-sian
- bowers.
25
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f
f
f
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
Fear
f
no dan ger- to en sue,- The he ro- loves as well as you.
f #6
f
26
1
8
8
q =80Belinda
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Harpsichord
4
B.
Aeneas
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Hrpscd
See,
Editor: John Henry Fowler
Andante
( Revision: 6-24-2006 )
[Aeneas enters with his train]
f
Recit. - Dido/Belinda/Aeneas - See, your royal guest
see, your
Dido and Aeneas
roy al- guest
( Mvmt. 8 )
ap pears;- How god like- is the
Henry Purcell
form
( 1659 - 1695 )
he
f ( 7 # 6 )
f
bears !
mf
When, when, roy al- fair, shall I be bless'd, With cares of
mf
mf
27
7
Dido
Aeneas
Basso
Hrpscd
10
Aeneas
Basso
Hrpscd
Fate for bids- what you pur sue.-
love and state dis stress'd ?- Ae ne- as- has no
7 (#) 6 # (§)
f
3
p
fate but you ! Let Di do- smile, and I'll de
f
fy- The fee ble- stroke
of Des ti- ny.-
(#) (#) (§) #4
2 f (6) ( 4 # )
mf
f
28
1 9
9
q =120
Violin - 1st
Violin - 2nd
Viola
Soprano
Alto
Tenor
Bass
Basso
Harpsichord
Allegretto
mp
Editor: John Henry Fowler( Revision: 6-24-2006 )
Chorus - Cupid only throws the dartDido and Aeneas
( Mvmt. 9 )Henry Purcell
( 1659 - 1695 )
mp
mp
Cu
mp
pid- on ly- throws the dart That's dread ful,- dread full,- dread ful,-
Cu
mp
pid- on ly- throws the dart That's dread ful,- dread ful-
Cu
mp
pid- on ly- throws the dart,
Cu
mp
pid- on ly-
mp # #6 #4
2(6 #6)
mp
[ mp ]
29
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Cu pid- on ly- throws the dart That's dread ful- to a war rior's- heart, That's
dread ful,- Cu pid- on ly- throws the dart, on ly- throws the dart, That's
Cu pid- on ly- throws the dart That's
throws the dart That's dread ful,- dread ful,- Cu pid- on ly- throws the dart That's
# #4
2(6) 4 #3 #
30
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mf
mf
mf
dread ful- to a war rior's- heart,
mf
And she that wounds, and she that wounds can
dread ful- to a war riour's- heart,
mf
And she that wounds, and she that wounds can
dread ful- to a war riour's- heart,
mf
And she that wounds, and she that wounds can
dread ful- to a war riour's- heart,
mf
And she that wounds, and she that wounds can
# mf #5
mf
cresc.
31
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f
mp
f mp
f mp
on
f
ly,- on ly- cure the smart, can on ly,- on ly- cure
the
mp
smart.
on
f
ly,- on ly- cure the smart, can on ly,- on ly- cure the
mp
smart.
on
f
ly,- on ly- cure the smart, can on ly,- on ly- cure the
mp
smart.
on
f
ly,- on ly- cure the smart, can on ly,- on ly- cure the
mp
smart.
f # # #
f
mp
32
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10
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Aeneas
Basso
Harpsichord
5
Aeneas
Basso
Hrpscd
Editor: John Henry Fowler
Andante
( Revision: 6-24-2006 )
If not for mine, for em
Aria - Aeneas - If not for mine
pire's
Dido and Aeneas
- sake
( Mvmt. 10 )
Some pi ty- on your lov
er- take; Ah !
f
Ah !
Henry Purcell( 1659 - 1695 )
Make not in a
# 6 f
f
hope less- fire A he ro- fall, and Troy once more
ex pire.-
5
#64 -
5#
mp
33
1 11
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q =100
Belinda
Basso
Harpsichord
5 1.
1.
2.
2.
B.
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Hrpscd
8
B.
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Hrpscd
Editor: John Henry Fowler( Revision: 6-21-2006 )
Allegro
Purmf
sue- thy
Aria - Belinda - Pursue thy conquest
con quest,
Dido and Aeneas
- Love,
( Mvmt. 11 )
Pur
p
sue- thy con quest,- Love, Pur
f
sue,- pur sue-
Henry Purcell( 1659 - 1695 )
Pur
mp mf
mp mf p mf
- sue thy con quest,- Pur - sue thy con quest,- Love. Pur - sue thy con quest,- Love. Her
eyes Con
p
fess- the flame, her eyes
mp
Con fess- theflame her tongue de nies,-
mf
her eyes Con fess- the
p
§mp
( 4 6 4 # )mf
p mp mf
p
34
11
B.
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Hrpscd
14
B.
Basso
Hrpscd
17
B.
Basso
Hrpscd
flame, her eyes Con fess- the flame her tongue de nies.- Pur sue- thy con quest-
f f
Love, Pur
p
sue- thy con quest,- Love,
f
Pur sue,- pur sue,- Pur sue- thy con quest-
p f
Pur sue- thy con quest,- Love, Pur sue- thy con quest,- Love.
p
35
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Allegro Vivace
Editor: John Henry Fowler( Revision: 6-21-2006 )
f
Chorus - To the hills and the valesDido and Aeneas
( Mvmt. 12 )
Henry Purcell( 1659 - 1695 )
f
f
To
f
the hills and the vales, to the rocks and the moun tains,- To the mu si- cal-
f
To the hills and the vales, to the rocks and the moun tains,- To the mu si- cal-
f
To the hills and the vales, to the rocks and the moun tains,- To the mu si- cal-
f
To the hills and the vales, to the rocks and the moun tains,- To the mu si- cal-
f
f
36
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p f
p f
p f
groves and
p
the cool sha dy- foun tains- Let
f
the tri - - - umphs, let the tri -
groves and
p
the cool sha dy- foun tains- Let
f
the tri umphs,- the tri umphs,- - the
groves
p
and the cool sha dy- foun tains- Let
f
the tri - - - umphs, let the tri umphs,- the
groves
p
and the cool sha dy- foun tains- Let
f
the tri umphs,- let the tri - umphs, the tri -
p f
p
f
37
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- umphs of love and of beau ty- be shown.
tri umphs- of love and of beau ty- be shown.
tri umphs- of love and of beau ty- be shown.
- umphs of love and ofof beau ty- be shown.
38
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mf
mf
mf
mf
Let the tri - umphs,- - let the tri - umphs- - of love and of
mf
Let the tri umphs,- the tri - umphs,- - the tri umphs- of love and of
mf
Let the tri - umphs,- - let the tri umphs,- the tri - umphs of love and of
mf
Let the tri umphs,- let the tri umphs,- the tri umphs- - of love and of
mf
mf
39
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p f
p f
p f
beau ty- be shown. To
p
the hills and the vales, to the rocks and the moun
f
tains,- To the mu si- cal-
beau ty- be shown. To
p
the hills and the vales, to the rocks and the moun
f
tains,- To the mu si- cal-
beau ty- be shown. To
p
the hills and the vales, to the rocks and the
f
moun tains,- To the mu si- cal-
beau ty- be shown. To
p
the hills and the vales, to the rocks and the
f
moun tains,- To the mu si- cal-
p f
p f
cresc.
40
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p f
p f
p f
groves,
p
and the cool sha dy- foun tains,-
f
let the tri umphs,- - let the
groves,
p
and the cool sha dy- foun tains,-
f
let the tri umphs,- the tri -
groves,
p
and the cool sha dy- foun tains,-
f
let the tri umphs,- - let the
groves,
p
and the cool sha dy- foun tains,-
f
let the tri umphs,- let the tri umphs,- the
#
p64
# 3 f
p f
41
38
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mf
mf
p
tri umphs- - of love and of beau ty- be shown;
mf
Go re vel,- ye
- umphs, the tri umphs- of love and of beau ty- be shown;
mf
Go
tri umphs,- the tri umphs- of love and of beau ty- be shown;
p
Go re vel- ye Cu pids,- go
tri umphs- - of love and of beau ty- be shown;
p
Go re vel,- Go re vel,- ye
p mf
p mf
42
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f
f
f
Cu pids,- go re vel,- go
f
re vel- ye Cu pids,- go re vel,- the day is your own.
re vel- ye Cu pids,- go
f
re vel,- go re vel- ye Cu pids,- the day is your own.
re vel,- go
f
re vel,- ye Cu pids,- go re vel- ye Cu pids,- the day is your own.
Cu pids,- go
f
re vel,- go re vel- go re vel- ye Cu pids,- the day is your own.
f
f
43
1 13
13
q =130
Violin - 1st
Violin - 2nd
Viola
Basso
Harpsichord
6
Vln-1
Vln-2
Viola
Basso
Hrpscd
Allegro Vivace
f
Editor: John Henry Fowler( Revision: 7-8-2006 )
The Triumphing DanceDido and Aeneas
( Mvmt. 13 )
Henry Purcell( 1659 - 1695 )
f
f
f
L'istesso tempo
f
44
11
Vln-1
Vln-2
Viola
Basso
Hrpscd
16
Vln-1
Vln-2
Viola
Basso
Hrpscd
21
Vln-1
Vln-2
Viola
Basso
Hrpscd
f
f
ff
f
p
f
p f
p fp f
p f
45
26
Vln-1
Vln-2
Viola
Basso
Hrpscd
31
Vln-1
Vln-2
Viola
Basso
Hrpscd
36
Vln-1
Vln-2
Viola
Basso
Hrpscd
mp
mp
mp
f
46
41
Vln-1
Vln-2
Viola
Basso
Hrpscd
46
Vln-1
Vln-2
Viola
Basso
Hrpscd
p
p
p
p
p
f
f
f
f
f
47
1 14
14
q =130
Violin - 1st
Violin - 2nd
Viola
Basso
Harpsichord
6
Vln-1
Vln-2
Viola
Basso
Hrpscd
Allegro
Editor: John Henry Fowler( Revision: 7-8-2006 )
f
Dido and AeneasPrelude for the Witches
( Mvmt. 14 )
Henry Purcell( 1659 - 1695 )
f
f
f
f
p
p
p
p
48
12
Vln-1
Vln-2
Viola
Basso
Hrpscd
17
Vln-1
Vln-2
Viola
Sor.
Basso
Hrpscd
f p
f p
f p
(§ 6)
f p
f
p
p
p
p
mf
Way ward- sis ters,- you that fright The lone ly- tra vel- ler- by
p
49
21
Vln-1
Vln-2
Viola
Sor.
Basso
25
Vln-1
Vln-2
Viola
Sor.
Basso
Hrpscd
night, Who like dis mal- ra
vens- cry ing- Beat the win dows- of
the
( 6 §4
3
dy ing,- Ap pear !- Ap pear- at my call, and share in the fame Of a
50
29
Vln-1
Vln-2
Viola
Sor.
Basso
Hrpscd
33
Vln-1
Vln-2
Viola
Sor.
1st W.
Basso
Hrpscd
mis chief- shall make all Car
thage- flame. Ap pear !- Ap -
( 6 6 6
45§ § )
f
Enter WITCHES
- pear ! Ap pear !- Ap pear !-
Say, Bel dame,- say, what's thy will ?
( § ) mf f
mf f
mf f
51
1 15
15
q =180Violin - 1st
Violin - 2nd
Viola
Soprano
Alto
Tenor
Bass
Basso
Harpsichord
Editor: John Henry Fowler
Allegro
( Revision: 7-8-2006 )
Chorus - Harm's Our DelightDido and Aeneas
( Mvmt. 15 )
Henry Purcell( 1659 - 1695 )
Harm's
f
our de light- and mis chief- all our skill,
Harm's
f
our de light- and mis chief- all our skill,
Harm'sf
f
our de light- and mis chief- all our skill,
Harm's our de light- and mis chief- all our skill,
f §
f
52
6
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
Harm's our de light- and mis chief- all our skill,
Harm's our de light- and mis chief- all our
Harm's our de light- and mis chief- all our skill, and
Harm's our de light- and mis chief-
§ ( § ) § § §
53
11
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
and mis chief,- mis chief- all our skill.
skill, and mis chief,- mis chief- all our skill.
mis chief,- mis chief,- mis chief- all our skill.
all our skill, and mis chief- all our skill.
54
1 16
16
q =130
Violin - 1st
Violin - 2nd
Viola
Sorceress
Basso
Harpsichord
6
Vln-1
Vln-2
Viola
Sor.
Basso
Allegro
Editor: John Henry Fowler
p
( Revision: 7-8-2006 )
Aria - The Queen of Carthage, whom we hateDido and Aeneas
( Mvmt. 16 )Henry Purcell
( 1659 - 1695 )
p
p
p
The Queen of Car thage,- whom we hate, As we do all in pros
p'rous- state, Ere
p
Non troppo lento
p
f
f
f
sun set- shall most wretch
ed- prove, De priv'd- of fame, of
f
life and
f §6
46§
5§
55
1 17
17
q =100
Vln-1
Vln-2
Viola
Sor.
S.
A.
T.
B.
Basso
Hrpscd
Editor: John Henry Fowler
Vivace
( Revision: 5-20-2006 )
p
Dido and AeneasChorus - Ho, Ho, Ho
( Mvmt. 17 )Henry Purcell
( 1659 - 1695 )
p
p
love.
mf
f
Ho ho ho ho ho ho ho ho ho ho ho
Ho
f
ho ho ho ho ho ho ho ho ho
Ho
f
ho ho ho ho ho ho ho ho ho ho ho ho ho ho
f
Ho ho ho ho ho ho ho ho
p § § §
f
56
7
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
ho ho ho ho ho ho ho ho ho ho ho ho ho
ho ho ho ho ho ho ho ho ho ho ho
ho ho ho ho ho ho ho ho ho ho ho ho
ho ho ho ho ho ho ho ho ho ho ho ho
b
57
12
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
ho ho ho ho ho ho ho ho ho ho ho ho ho
ho ho ho ho ho ho ho ho ho ho ho ho
ho ho ho ho ho ho ho ho ho ho ho ho ho
ho ho ho ho ho ho ho ho ho ho ho ho ho
( 6 § 6)
p
58
1 18
18
q =1301st Witch
2nd Witch
Basso
Harpsichord
4
Vln-1
Vln-2
Viola
Sor.
1st W.
Basso
Hrpscd
Editor: John Henry Fowler( Revision: 7-8-2006 )
Allegro
Ru
f
in'd-
Witches' Trio - Ruin'd ere the set of sun
ere the set
Dido and Aeneas
of sun ?
( Mvmt. 18 )
Tell us, Tell us, how
Henry Purcell( 1659 - 1695 )
shall this be
Tell
f
us, Tell us, how shall this be
f
Non troppo lento
p
p
p
done ?
mf
The Tro jan- Prince you know is bound by Fate to seek I tal
- ian- ground; The Queen and he
done ?
p
3
59
8
Vln-1
Vln-2
Viola
Sor.
1st W.
Basso
Hrpscd
12
Vln-1
Vln-2
Viola
Sor.
1st W.
Basso
Hrpscd
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
are now in chase,
Hark ! Hark !
p
p3 3 3 3 3 3
p
3 3 3 3 3 3
p3 3 3 3 3 3
But when they've
the cry comes on a pace !
mf più f p
60
16
Vln-1
Vln-2
Viola
Sor.
Basso
19
Vln-1
Vln-2
Viola
Sor.
Basso
done, my trust y- elf, In form of Mer cu- ry- him self,- As sent from Jove, shall
chide
his stay, And charge him sail to night- with all his fleet
a -
61
1 19
19
q =130
Vln-1
Vln-2
Viola
Sor.
S.
A.
T.
B.
Basso
Hrpscd
Vivace
Editor: John Henry Fowler( Revision: 7-8-2006 )
Dido and AeneasChorus - Ho, Ho, Ho
( Mvmt. 19 )
p
Henry Purcell( 1659 - 1695 )
p
p
way !
Ho
p
ho ho ho ho ho ho ho
p
Ho ho ho ho ho ho ho ho ho ho ho ho ho
Ho
p
ho ho ho ho
Ho
p
ho ho ho ho ho ho ho ho ho ho
p
§ §
p
62
6
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
f
f
f
ho ho
f
ho ho ho ho ho ho ho ho ho ho ho
ho ho ho ho
f
ho ho ho ho ho ho ho ho ho ho
ho
ho
f
ho ho ho ho ho ho ho
ho ho ho ho ho
f
ho ho ho ho ho ho ho ho ho ho
6 § 6 f b
f
63
11
Vln-1
Vln-2
Viola
2nd W.
S.
A.
T.
B.
Basso
Hrpscd
mf
But
ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho.
ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho.
ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho.
ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho.
§ 6
p f
64
1 20
20
q =1301st Witch
2nd Witch
Basso
Harpsichord
6
1st W.
2nd W.
Basso
Hrpscd
11 1.
1.
2.
2.
1st W.
2nd W.
Basso
Hrpscd
Editor: John Henry Fowler
Allegro
( Revision: 7-8-2006 )
Witches' Duet - But ere we this perform
But
f [ P ]
Dido and Aeneas
ere we this
( Mvmt. 20 )
per form,- we'll con jure- for a storm,
Henry Purcell( 1659 - 1695 )
ere
f [ P ]
we this per form,- we'll con jure- for a storm, But
f [ P ][ 2nd time: p ]
[
But ere we this per form,- But ere we this per form,- we'll
ere we this per form,- we'll con jure- for a storm,
con jure- for a storm, we'll con jure- for a storm, storm, To
We'll con jure- - for a storm, But storm,
f
65
16
1st W.
2nd W.
Basso
Hrpscd
21
1st W.
2nd W.
Basso
Hrpscd
27 1.
1.
2.
2.
1st W.
2nd W.
Basso
Hrpscd
mar their hunt ing- sport, To mar their hunt ing- sport, And
p
drive
To mar their hunt ing- sport, their hunt ing- sport, And
p
drive
p
p
'em back to court, and drive
'em back to court, And drive
'em, drive 'em back to court.
f
To court.
'em drive'em back to court.
f
court.f
f
66
1 21
21
q =120
Violin - 1st
Violin - 2nd
Viola
Soprano
Alto
Tenor
Bass
Basso
Harpsichord
Editor: John Henry Fowler
Andante
f
( Revision: 7-9-2006 )
Chorus - In a deep vaulted cellDido and Aeneas
pp
( Mvmt. 21 )
f
Henry Purcell( 1659 - 1695 )
pp
f pp f pp
f pp f pp
In
f
a deep vaul ed- cell,
pp
( - ed cell, ) the
f
charm we'll pre pare,-
pp
( pre -
In
f
a deep vaul ed- cell,
pp
( - ed cell, ) the
f
charm we'll pre pare,-
pp
( pre -
In
f
a deep vaul ed- cell,
pp
( - ed cell, )
f
the charm we'll pre pare,-
pp
( pre -
In
f
a deep vaul ed- cell,
pp
( - ed cell, )
f
the charm we'll pre pare,-
pp
f pp f pp
f
pp f pp
f
67
7
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
f pp f pp
f pp f pp
f pp f pp
- pare, )
f
Too dread ful- a prac tice,-
pp
( too dread ful- a prac tice, )-
f
too dread ful,- ( too
pp
- pare, )
f
Too dread ful- a prac tice,-
pp
( too dread ful- a prac tice, )- too
f
dread ful,- ( too
pp
- pare, )
f
Too dread ful- a prac tice,- ( too
pp
dread ful- a prac tice, )-
f
too dread ful,-
pp
( too
f
Too dread ful- a prac tice,- ( too
pp
dread ful- a prac tice, )- too
f
dread ful,-
pp
( too
f pp f § 6 pp § 6
f pp
f pp
68
13
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
f pp f pp
f pp f pp
f pp f pp
dread ful, )-
f
a prac tice,-
pp
( a prac tice, )- for
f
this op en- air,
pp
( for this o pen-
dread ful, )- a
f
prac tice,-
pp
( a prac tice, )- for
f
this op en- air,
pp
( for this o pen-
dread ful, )-
f
a prac tice,-
pp
( a prac tice, )- for
f
this op en- air,
pp
( for this o pen-
dread ful, )-
f
a prac tice,-
pp
( a prac tice, )-
f
for this op en- air,
pp
( for this o pen-
f b 6 pp b 6 6
b f 6 7 4 § pp 6 7 4 §
f pp f pp
69
19
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
f pp f
f pp f
f pp f
air. )
f
In our deep vault ed- cell,
pp
( - ed cell, )
f
the charm we'll pre -
air. )
f
In our deep vault ed- cell,
pp
( - ed cell, )
f
the charm we'll pre -
air. )
f
In our deep vault ed- cell,
pp
( - ed cell, )
f
the charm we'll pre -
air. )
f
In our deep vault ed- cell,
pp
( - ed cell, )
f
the charm we'll pre -
f pp f
f pp f
70
24
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
pp f pp
pp f pp
pp f pp
- pare,
pp
( pre pare, )-
f
Too dread ful- a prac tice,-
pp
( too dread ful- a
- pare,
pp
( pre pare, )-
f
Too dread ful- a prac tice,-
pp
( too dread ful- a
- pare,
pp
( pre pare, )-
f
too dread ful- a prac tice,-
pp
( too dread ful- a
- pare,
pp
( pre pare, )- Too
f
dread ful- a prac tice,-
pp
( too dread ful- a
pp f pp
pp f pp
71
29
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
f pp
f pp
f pp
prac tice,)- for
f
this op en- air,
pp
( for this op en- air. )
prac tice,)- for
f
this op en- air,
pp
( for this op en- air. )
prac tice,)- for
f
this op en- air,
pp
( for this op en- air. )
prac tice,)- for
f
this op en- air,
pp
( for this op en- air. )
f pp
f pp
72
1 22
22
q =90Violin - 1st
Violin - 2nd
Viola
Basso
Harpsichord
4
Vln-1
Vln-2
Viola
Basso
Hrpscd
Allegro
Editor: John Henry Fowler
f
( Revision: 5-25-2006 )
The Echo Dance of the FuriesDido and Aeneas
( Mvmt. 22 )
pp
Henry Purcell( 1659 - 1695 )
f
pp
f pp
f pp
f pp
f
f
f
f
f
73
6
Vln-1
Vln-2
Viola
Basso
Hrpscd
9
Vln-1
Vln-2
Viola
Basso
Hrpscd
pp f pp
pp f pp
pp f pp
pp f pp
pp f pp
f pp f
f
pp f
f pp f
f pp f
f pp f
74
12
Vln-1
Vln-2
Viola
Basso
Hrpscd
15
Vln-1
Vln-2
Viola
Basso
Hrpscd
pp
f pp
pp
f pp
pp
f pp
pp f pp
pp f pp
f
pp
f
f
pp
f
f pp f
f pp f
f pp f
75
18
Vln-1
Vln-2
Viola
Basso
Hrpscd
21
Vln-1
Vln-2
Viola
Basso
Hrpscd
pp f pp
pp f
pp
pp f pp
pp f pp
pp f pp
f pp
f pp
f pp
f pp
f pp
76
23
Vln-1
Vln-2
Viola
Basso
Hrpscd
f
pp
f pp
f pp
f pp
f pp
[ Thunder and Lightning, horrid music. The Furies sink down, the rest fly up ]
77
1 23
23
h =80
Violin - 1st
Violin - 2nd
Viola
Basso
Harpsichord
5 1.
1.
2.
2.
Vln-1
Vln-2
Viola
Basso
Hrpscd
Allegro
Editor: John Henry Fowler( Revision: 7-9-2006 )
f [ p ]
Act II, Scene ii, RitornelleDido and Aeneas
( Mvmt. 23 ) Henry Purcell( 1659 - 1695 )
f [ p ]
f [ p ]
f [ p ]
f [ p ]
p
p
p
p
p
78
9 1.
1.
Vln-1
Vln-2
Viola
Basso
Hrpscd
f
f
f
f
f
79
1h = 90
Belinda
Basso
Harpsichord
7
B.
Basso
Hrpscd
Thanks
Editor: John Henry Fowler
Allegretto
( Revision: 7-9-2006 )
24amf [ p ]
to
Aria - Belinda - Thanks to these lonesome vales
these lone some
Dido and Aeneas
- lone
( Mvmt. 24a )
some- vales, These des ert,-
Henry Purcell( 1659 - 1695 )
des ert-
mf [ p ]
24a
mf [ p ]
hills and dales. So fair the game, so rich the sport, Di -
f
2nd
1st
f
2nd
1st
80
13
B.
Basso
Hrpscd
19 1.
1.
B.
Basso
Hrpscd
- a na's- self might to these woods re sort;- So fair the game,
so rich the sport, Di a- na's- self might to these woods re sort.-
p
- sort.
p
p
81
1q = 130Violin - 1st
Violin - 2nd
Viola
Soprano
Alto
Tenor
Bass
Basso
Harpsichord
Andante
mf
24b
[p]
Editor: John Henry Fowler( Revision: 7-9-2006 )
Chorus - Thanks to these lonesome vales
Dido and Aeneas
( Mvmt. 24-b )
Henry Purcell( 1659 - 1695 )
mf [p]
mf [p]
Thanks
mf [p]
to these lone some,- lone some- vales, These des ert,- des ert-
Thanks
mf [p]
to these lone some,- lone some- vales, These des ert,- des ert-
Thanks
mf [p]
to these lone some,- lone some- vales, These des ert,- des ert-
Thanks
mf [p]
to these lone some,- lone some- vales, These des ert,- des ert-
mf[p] # # # # #
24b
mf [p]
82
7
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
p [mf]
p [mf]
p [mf]
hills and dales, So
p [mf]
fair the game, so rich the sport, Di -
hills and dales,
So
p [mf]
fair the game, so rich the
hills and dales, So
p [mf]
fair the game, so rich the sport, Di -
hills and dales,
So
p [mf]
fair the game, so rich the
7 6 #
p
#
[mf]
§
p [mf]
p [mf]
83
13
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
mp
mp
mp
- a na's- self might to these woods re sort;- So
mp
fair the game,
sport, Di a- na's- self might to these woods re sort;-
mp
So fair the
- a na's- self might to these woods re sort;- So
mp
fair the game,
sport, Di a- na's- self might to these woods re sort;-
mp
So fair the
# mp mp
mp
mp
84
19
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
so rich the sport, Di a- na's- selfmight to these woods re sort.-
game, Di a- na's- self might to these woods re sort.-
so rich the sport, Di a- na's- self might to these woods re sort.-
game, so rich the sport Di a- na's self might to these woods re sort.-
§
f
85
1q =130
2nd Woman
Basso
Harpsichord
4
2nd W.
Basso
Hrpscd
Editor: John Henry Fowler
Allegretto
( Revision: 7-9-2006 )
25a
Aria - 2nd Woman - Oft she visitsDido and Aeneas
( Mvmt. 25-a )
Henry Purcell( 1659 - 1695 )
mf
25a
mf
Oft
mf [ p ]
she vis its- this lone moun tain,- Oft she bathes her
1st
2nd
mf [ p ]
mf [ p ]
86
8
2nd W.
Basso
Hrpscd
11
2nd W.
Basso
Hrpscd
15
2nd W.
Basso
Hrpscd
in this foun tain,-
mf
Here, here Ac tae- on-
mf
mf
met
his fate, Here, here Ac tae- on- met his fate,
f
Pur sued-
f
f
by his own hounds,
p
And af ter,- af ter- mor tal- wounds, And
p
p
87
19
2nd W.
Basso
Hrpscd
23
2nd W.
Basso
Hrpscd
27
2nd W.
Basso
Hrpscd
af ter,- af ter- - mor tal- wounds
p
Dis cov- er'd- - too, too
p
p
late; And af ter,- af ter- mor
tal- - wounds Dis cov- er'd- too, too
late; Here Ac
f
tae- on- met
his fate.
f
f
88
1q = 130
Violin - 1st
Violin - 2nd
Viola
Basso
Harpsichord
6 1.
1.
2.
2.
Vln-1
Vln-2
Viola
Basso
Hrpscd
Allegro
25b
( Revision: 7-9-2006 )
Editor: John Henry Fowler
f
[ A dance to entertain Aeneas by Dido's women ]Dance - Women's DanceDido and Aeneas
( Mvmt. 25-b )
Henry Purcell( 1659 - 1695 )
f
f
f
25b
f
f
pp
pp
pp
pp
pp
89
11
Vln-1
Vln-2
Viola
Basso
Hrpscd
15 1.
1.
2.
2.
Vln-1
Vln-2
Viola
Basso
Hrpscd
f [p]
f [p]
f [p]
f [p]
ff [p][p]
p
p
p
p
p
p
90
1 26
26
q =80
Aeneas
Basso
Harpsichord
4
Vln-1
Vln-2
Viola
Dido
Aeneas
Basso
Hrpscd
Editor: John Henry Fowler
( Revision: 7-9-2006 )
Andante
Be
f
hold,- up
Aria - Aeneas - DidoBehold, upon my bending spear
on- my
Dido and Aeneas
bend ing
( Mvmt. 26 )
- spear A mon -ster's head stands bleed ing,- With
Henry Purcell
tush
( 1659 - 1695 )
es- far ex -
f
f
ff
ff
ff
f
The skies arecloud ed;-
ff
Hark !
- ceed ing- Those did Ve nus'- hunts
man- tear !
f
f
mf ff
f
mf
Piu mosso3 3
ff
91
8
Vln-1
Vln-2
Viola
Dido
Basso
Hrpscd
ff
ff
ff
ff
Hark ! How thun der- - Rends themoun tain-
oaks a sun- der !
ff
ff
92
1 27
27
q =110
Belinda
Basso
Harpsichord
4
B.
Basso
Hrpscd
7
B.
Basso
Hrpscd
Editor: John Henry Fowler
Allegro
( Revision: 7-8-2006 )
Haste,
f
haste to
Aria and Chorus - Haste, haste to town
town, haste, haste,
Dido and Aeneas
haste
( Mvmt. 27 )
haste, haste to town,
Henry Purcell
haste,
( 1659 - 1695 )
haste to
f 6
f
town ! This o pen- field No shel ter,- this o pen- field No shel ter- from the storm
the storm can yeild;Haste, haste, haste, haste to town, haste, haste to town,
p
haste, haste
p
p
93
10
Vln-1
Vln-2
Viola
B.
S.
A.
T.
B.
Basso
Hrpscd
f
f
f
mf
haste, haste,
f
haste, haste,
mf
to town !
f
Haste, haste to town, haste,
Haste,
f
haste to town, haste, haste to town,
f
Haste, haste to town, haste,
f
Haste, haste to
mf
f mff
mf f mf
94
13
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
haste, haste, haste, haste, to town, haste, haste to town ! this o pen- field No
haste, haste to town, haste, haste, haste, haste to town, haste, haste to town, haste, haste ! this
haste, haste, haste, haste to town ! haste, haste to town ! this o pen- field No
town, haste, haste, haste, haste, haste, haste to town, haste, haste to town ! this
meno f
95
16
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
shel ter,- this o - pen field No shel ter- from the storm, the storm can yield;Haste, haste,
o - pen field No shel ter,- this o pen- field No shel ter- from the storm,thestorm can yeild Haste,haste to
shel ter,- this o - pen field No shel ter- from the storm the storm can yeild; Haste,
o - pen field No shel ter,- this o pen- field No shel ter- from the storm can yield; Haste,
# # ( - ) ( 6 ) 4 # 3
f p
96
19
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
mf
mf
mf
mf
haste, haste to town, haste, haste to town, haste,
f
haste,
town,
mf
haste, haste, haste, haste to town, haste, haste to town, haste, haste,
f
haste,
haste,
mf
haste, haste to town, haste, haste to town, haste,
f
haste,
haste,
mf
haste, haste to town, haste, haste,
f
haste,
mf f
mf
f
97
21
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
mf p
mf p
mf p
mf
haste, haste, haste, haste to town !
p
haste,
mf
haste, haste, haste, haste, to town !
p
mf
haste, haste, haste, haste, haste, haste to town !
p
haste,
mf
haste, haste, haste, haste, haste, haste to town !
p
mf p
mf p
98
1 28
28
q =80
Aeneas
Spirit
Basso
Harpsichord
5
Sp.
Basso
Hrpscd
8
Sp.
Basso
Hrpscd
Editor: John Henry Fowler
Andante
( Revision: 7-9-2006 )
[ The Spirit of the Sorceress descends to Aeneas in the likeness of Mercury. ]
Duet - Spirit/Aeneas - Stay Prince, and hear
Dido and Aeneas
( Mvmt. 28 )
Henry Purcell
To
f
night ?
( 1659 - 1695 )
-
f
Stay,Prince, and hear great Jove's com mand:- He sum - mons thee this night a way.- To-
f
( # )
f
mf f
- night thou must for sake- this land; The an -gry God will brook no lon
ger- stay. Jove com
7# § # 7
# 3 )
6
4 4
- mands thee,wasteno moreIn love's de lights- those pre
- cious hours Al - low'd by th'al might y
mf
- powers To gain
mf
mf
99
11
Aeneas
Sp.
Basso
Hrpscd
14
Aeneas
Basso
Hrpscd
18
Aeneas
Basso
Hrpscd
Jove's com mands- shall be o bey'd;- To -
th'Hes pe
- rian- shore, And ru in'd- Troy re store.-
( # )
f
- night our an chors- shall be weigh'd.
p
But
expressivo
ah ! but ah !
p
p
( # )
( # )
what lan guage- can I try, My in jur'd- Queen to pa ci- fy ? No
mf
soon er- she re signs- her
7# # 4
2
mf # 4 2
_ ,7 6 )
mf
6
100
22
Aeneas
Basso
Hrpscd
26
Aeneas
Basso
Hrpscd
30
Aeneas
Basso
Hrpscd
heart But from her arms I'm force'd to part.
f
How can so hard a fate be took ? One night en -
f
2
f
- joy'd,
mp
the next
for sook.-
f
Yours be the blame,ye Gods ! For I o bey- your will;
mp
but with
( # 6 )
mpf mp
mp
f
more ease could die, but
f
with more, more ease could die.
( # ) f
mp
f
101
1 29q = 140
Violin - 1st
Violin - 2nd
Viola
7
Vln-1
Vln-2
Viola
Basso
Hrpscd
Allegro molto
Editor: John Henry Fowler( Revision: 7-9-2006 )
f
Chorus - Sailor's ChorusDido and Aeneas
( Mvmt. 29 )Henry Purcell
( 1659 - 1695 )
f
f
f
f
f
102
13
Vln-1
Vln-2
Viola
Basso
Hrpscd
19
Vln-1
Vln-2
Viola
Basso
Hrpscd
p
mf
f
f
f
f
f
103
25
Vln-1
Vln-2
Viola
Basso
Hrpscd
31
Vln-1
Vln-2
Viola
A.
Basso
Hrpscd
Enter Sailors
1st Sailor
Come
f
a-
ff
cresc. ff
104
37
A.
Basso
Hrpscd
42
A.
Basso
Hrpscd
48
A.
Basso
Hrpscd
- way, fel low- sai lors,- come a way,- your an chors- be weigh ing,- Time and
tide will ad mit- no de lay- ing;-
mf
Take a booz y- short leave of your nymphs of the
mf
(6)
mf
shore, And si lence- their mourn ing- With vows of re turn- ing,-
f
But nev er- in -
piu f
piu f
105
54
A.
Basso
Hrpscd
60
A.
Basso
Hrpscd
- tend ing- to vis
it- them more,
p
no ne ver- in tend- ing- to vis it- them
mf
p mf
p mf
more,
p
no nev er,-
f
no nev er- in tend- ing- to vis
it- them
p f
p f
106
65
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
f
f
f
Chorus
Come
f
a way,- Fel low- sai lors,- come a way,- Your
more !
Chorus
Come
f
a way,- Fel low- sai lors,- come a way,- come a way,- come a way,- Your
Chorus
Come
f
a way,- Fel low- sai lors,- come a way,- come a way,- Your
Chorus
Come
f
a way,- Fel low- sai lors,- come a way,- come a way,- come a way,- Your
f
f
107
71
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
mf
mf
mf
an chors- be weigh ing;- Time and tide will ad mit- no de lay- ing;-
mf
Take a booz y- short
an chors- be weigh ing;- Time and tide will ad mit- no de lay- ing;-
mf
Take a booz y- short
an chors- be weigh ing;- Time and tide will ad mit- no de lay- ing;-
mf
Take a booz y- short
an chors- be weigh ing;- Time and tide will ad mit- no de lay- ing;-
mf
Take a booz y- short
(6) (§) mf
mf
108
77
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
leave of your nymphs of the shore, And si lence- their mourn ing- with vows of re -
leave of your nymphs of the shore, And si lence- their mourn ing- with vows of re -
leave of your nymphs of the shore, And si lence- their mourn ing- with vows of re -
leave of your nymphs of the shore, And si lence- their mourn ing- with vows of re -
b 6 ( 6 6 7 6)
109
83
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
p
p
p
- turn ing,- But nev er- in tend- ing- to vis it- them more, no
p
nev er- in tend- ing- to
- turn ing,- But nev er- in tend- ing- to vis it- them more, no
p
nev er- in tend- ing- to
- turn ing,- But nev er- in - tend ing- to vis it- them more, no
p
nev er- in tend- ing to
- turn ing,- But nev er- in - tend ing- to vis it- them more, no
p
nev er- in tend- ing to
§ (-) #4
2p
p
110
90
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
f p f
f p f
f p f
vis it- them more,
f
no nev er,-
p
no nev er,-
f
in tend- ing- to vis it- them more !
vis it- them more,
f
no nev er,-
p
no nev er,-
f
in tend- ing- to vis it- them more !
vis it- them more,
f
no nev er,-
p
no nev er,-
f
in tend- ing- to vis - it them more !
vis it- them more,
f
no nev er,-
p
no nev er,-
f
in tend- ing- to vis it- them more !
f p f
f f
p
111
130
30
q = 160
Violin - 1st
Violin - 2nd
Viola
Basso
Harpsichord
8
Vln-1
Vln-2
Viola
Basso
Hrpscd
Allegro
Editor: John Henry Fowler
f [ p ]
( Revision: 7-10-2006 )
Dance - The Sailor's DanceDido and Aeneas
( Mvmt. 30 ) Henry Purcell( 1659 - 1695 )
f [ p ]
f [ p ]
f [ p ]
Allegro
f [ p ]
f [ p ]
f [ p ]
f [ p ]
f [ p ]
f [ p ]
112
14 1.
1.
2.
2.
Vln-1
Vln-2
Viola
Basso
Hrpscd
Enter Sorceress and Witches
p
p
113
1 31
31
q = 80Sorceress
Basso
Harpsichord
4
Sor.
1st W.
2nd W.
Basso
Hrpscd
7
1st W.
2nd W.
Basso
Hrpscd
Editor: John Henry Fowler
Adagio( Revision: 7-10-2006 )
See, see the flags
Dido and Aeneas
and
Witches Duet
stream
( Mvmt. 31 )
ers- curl ing,- An chors- weigh
Henry Purcell
ing,
( 1659 - 1695 )
- sails un-
f
furl ing !-
Phe be's- pale de lud- -ing beams Gild ing- o'er de ceit- ful- streams
Our plot has took,
E lis sa's- ru in'd !- ho ho, ho ho, ho ho, ho ho ho,
The Queen's for sook !- ho ho, ho ho, ho ho, ho ho, ho ho ho,
114
10
1st W.
2nd W.
Basso
Hrpscd
13
1st W.
2nd W.
Basso
Hrpscd
16
1st W.
2nd W.
Basso
Hrpscd
ho ! E lis- sa's- ru in'd !- ho ho ! ho ho ! ho ho, ho ho, ho ho ho
EE lis- - sa's ru in'd !- ho ho ! ho ho ! ho ho, ho ho ho
f
ho ! Our plot has took, Our plot has took, The Queen's for sook !- ho ho ! ho ho ! ho
ho ! Our plot has took, The Queen's for - sook ! ho ho ! ho ho ! ho ho, ho
ho ! E lis- sa's- ru in'd !- ho ho ! ho ho,ho ho ho ho ho ho ho ho !
ho ! E lis- sa's- ru in'd !- ho ho ! ho ho, ho ho, ho ho ho ho ho ho ho ho !
115
1 32
32
q = 120
Sorceress
Basso
Harpsichord
6 1.
1.
2.
2.
Sor.
Basso
Hrpscd
Our
Editor: John Henry Fowler( Revision: 7-10-2006 )
Allegromf [ p ]
next mo
Dido and AeneasSorceress's Aria
tion-
( Mvmt. 32 )
must be to storm
Henry Purcell( 1659 - 1695 )
her
mf [ p ]
mf [ p ]
lov er- on the o cean.-
p
o cean.- From the ru
f
in- of o thers- our
p f
p f
116
11
Sor.
Basso
Hrpscd
16
Sor.
Basso
Hrpscd
plea sures- we bor row;- E lis- sa- bleeds to night,- E -
- lis sa- bleeds to night,- and Car - thage flames to mor- row !-
3
117
1 33
33
q = 140
Violin - 1st
Violin - 2nd
Viola
Soprano
Alto
Tenor
Bass
Basso
Harpsichord
Allegro
Editor: John Henry Fowler( Revision: 7-10-2006 )
f
Chorus - Witches's ChorusDido and Aeneas
( Mvmt. 33 )
Henry Purcell( 1659 - 1695 )
f
f
De
f
struct- ion's- our de light,- De light- our great est- sor row;- E -
De
f
struct- ion's- our de light,- De light- our great est- sor row;- E -
De
f
struct- ion's- our de light,- De light- our great est- sor row;- E -
f
De struct- ion's- our de light,- De light- our great est- sor row;- E -
f 5 # 6
f
Allegro
118
6
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
mf
mf
mf
- lis sa- dies to night,- And Car thage- flames to - mor row !-
mf
Ho
- lis sa- dies to night,- And Car thage- flames to - mor row !-
mf
Ho ho ho ho ho
- lis sa- dies to night,- And Car thage- flames to - mor row !-
mf
Ho
- lis sa- dies to night,- And Car thage- flames
1st
2nd
to - mor row !-
mf
Ho ho ho ho !
§ mf
mf
119
11 1.
1.
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
ho ho ho ! ho ho ho ho ! E lis- sa- dies to night,- And
ho ! ho ho ! E lis- sa- dies to night,- And
ho ho ho ! ho ho ho ho ! E lis- sa- dies to night,- And
ho ho ! ho ho ! E lis- sa- dies to night,- And
2nd
1st
2nd
1st
120
15
2.
2.
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
Car thage- flames to mor- row !-
p
De - night And Car thage- flames to mor- row !-
Car thage- flames to mor- row !-
p
De - night And Car thage- flames to mor- row !-
Car thage- flames to mor- row !-
p
De - night And Car thage- flames to mor- row !-
Car thage- flames to mor- row !-
p
De - night And Car thage- flames to mor- row !-
§ p
p
121
1 34
34
h =80
Violin - 1st
Violin - 2nd
Viola
Basso
Harpsichord
6 1.
1.
2.
2.
Vln-1
Vln-2
Viola
Basso
Hrpscd
Allegro
Editor: John Henry Fowler( Revision: 6-4-2006 )
f [ p ]
Act III, Scene i, Witches' DanceDido and Aeneas
( Mvmt. 34 )
Henry Purcell( 1659 - 1695 )
f [ p ]
f [ p ]
f [ p ]
Pomposo
f [ p ]
122
h =10012
Vln-1
Vln-2
Viola
Basso
Hrpscd
20
Vln-1
Vln-2
Viola
Basso
Hrpscd
f
f
f
f
f
f
p
f
f
p
f p
p
f
123
26
Vln-1
Vln-2
Viola
Basso
Hrpscd
31
Vln-1
Vln-2
Viola
Basso
Hrpscd
p f
p f
p f
p f
p f
124
36
Vln-1
Vln-2
Viola
Basso
Hrpscd
dim
125
1 35
35
q =85
Dido
Basso
Harpsichord
5
Dido
Basso
Hrpscd
9
Dido
Basso
Hrpscd
Editor: John Henry Fowler( Revision: 7-15-2006 )
Adagio
Aria / Duet - Dido - Belinda - AeneasDido and Aeneas
p
( Mvmt. 35 )
Your coun sel- all is urg'd in vain,
Henry Purcell
To
( 1659 - 1695 )
earth and
p
p mp f
heav'n I will com plain;-
p
To earth and heav'n why do I call ? Earth and
p
p
heav'n con spire
- my fall.
mf
To fate I sue, of o -ther means be reft,- The on ly-
mf
mf
126
13
Dido
B.
Basso
Hrpscd
16
B.
Aeneas
Basso
Hrpscd
19
Aeneas
Basso
Hrpscd
re fuge- for the wretch
ed- left.
See, ma dam,- see where the Prince ap pears !- Such 6
4
5#
f
sor row- in his look he bears As would con vince- you still he's true.
p
What shall lost Ae -
p
p
ne
as- do ?
mf
How, how, roy al- fair,shall I im part- The god's de cree,- and tell you
mf 5
(§)5 7
57 7
mf
6 6
6
127
23
Dido
Aeneas
Basso
Hrpscd
26
Dido
Basso
Hrpscd
29
Dido
Aeneas
Basso
Hrpscd
f
Thus, on the fa tal- banks of Nile Weeps the de ceit- ful-
we must part ?
f
3
cro co- dile;- Thus hy po- crites- that mur der- act Make heav'n and gods the au thors- of
the fact !
By all that's good, no more ! All that's good you have
for
p
-
By all that's good ...
6 5
p
p
3
128
32
Dido
Aeneas
Basso
Hrpscd
35
Dido
Aeneas
Basso
Hrpscd
38
Dido
Basso
Hrpscd
- swore.
f
To your pro mis'd- em pire- fly And let for sa- ken- Di
do- die.
In
f
# f § 6
f
f
No,
f
faith less-
spite of Jove's com mand- I'll stay, Of fend- the gods, and Love o bey.-
f
man, thy course pur sue;- I'm now re solv'd- aswell as you. No re -pen tance- shall re claim- The in jur'd-
5 6
129
41
Dido
Basso
Hrpscd
44
Dido
Aeneas
Basso
Hrpscd
47
Dido
Aeneas
Basso
Hrpscd
Di do's- slight ed- flame; For 'tis e nough,- what e'er- you now
de cree,- That you had once a
7 (6)
thought of leav ing- me.
A -
Let
f
Jove say what he please, I'll stay !f
f
- way, a way !- a way,- a way !- No, no, no, no, no,
No, no, I'll stay, No, no, I'll stay, I'll stay, I'll stay,
6
130
50
Dido
Aeneas
Basso
Hrpscd
53 q =60Dido
Aeneas
Basso
Hrpscd
56
Dido
Basso
Hrpscd
no, a way,- a way,- a way,- a way,- a way,- To Death I'll
I'll stay, and Love
o bey !- I'll stay, and Love o bey,- I'll stay, I'll stay,
(4 3)
fly if long er- you
de lay,- A way,- a
Largo
way !- But
and Love o bey,- and Love
o bey.-
[ Exit Aeneas ]
(#) 64
5# meno mosso
p
Death, a las !- I can not- shun; Death must come when he is gone.
§ 6 5
(#)
131
1 36
36
q =120
Violin - 1st
Violin - 2nd
Viola
Soprano
Alto
Tenor
Bass
Basso
Harpsichord
Sostenuto
mf
Editor: John Henry Fowler( Revision: 7-17-2006 )
Chorus - Great minds against themselves conspireDido and Aeneas
( Mvmt. 36 )
Henry Purcell( 1659 - 1695 )
mf
mf
Great
mf
minds a - gainst them selves- con spire,- great minds, great minds a gainst,- a -
Great
mf
minds a - gainst them selves- con spire,- great minds, great minds a - gainst, a -
Great
mf
minds a - gainst them selves- con spire,- great minds, great minds a - gainst, a -
Great
mf
minds a - gainst them selves- con spire,- great minds, great minds, a -
mf §
mf
132
6
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
- gainst them selves- con spire,
p
- And shun the cure they most, they most de sire.-
- gainst them selves- con spire,
p
- And shun the cure, the cure, and
- gainst them selves- con spire,
p
- And shun the cure they most de sire,-
- gainst them selves- con spire,
p
-
And shun the
#
p# #
p
133
10
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
and shun the cure they
f
most de sire,- they most de sire.
p
-
shun the cure they most de
f
sire,- the cure they most de sire.
p
-
and shun the
f
cure they most, they most de sire.
p
-
cure they most de sire,- and
f
shun the cure they most de sire.
p
-
# 6
f ( 6 4
-#
5 )
f
p
134
1 37
37
q = 80
Dido
Basso
Harpsichord
4
Dido
Basso
Hrpscd
7
Dido
Basso
Hrpscd
Editor: John Henry Fowler( Revision: 7-17-2006 )
Largo
Thy
p
hand, Be lin
Aria - Dido - Thy Hand, Belinda
-
Dido and Aeneas
da;- dark
( Mvmt. 37 )
ness- - - shades me,
Henry Purcell( 1659 - 1695 )
On thy
p
p
bo som- let me rest; More I would, but Death
in -
7 b 6 b 6 7
5b 3
b 9 8
6
- vades me; Death is now a wel come-
pp
guest.
5§
5pp
6
6 7 6
pp
135
1 38h = 90Violin - 1st
Violin - 2nd
Viola
Dido
Basso
7
Vln-1
Vln-2
Viola
Dido
Basso
12 1.
Vln-1
Vln-2
Viola
Dido
Basso
Adagio
Editor: John Henry Fowler( Revision: 7-17-2006 )
Dido and Aeneas
Dido's Lament ( Mvmt. 38 )
pp very softly
Henry Purcell( 1659 - 1695 )
pp
very softly
very softly
mf
When I am
mf pp very softly
laid, am laid in earth, may my wrongs
cre ate- No
trou ble,- no trou ble- in
thy breast,
When I am
136
17 2.
Vln-1
Vln-2
Viola
Dido
Basso
22
Vln-1
Vln-2
Viola
Dido
Basso
27
Vln-1
Vln-2
Viola
Dido
Basso
Re mem- ber- me ! re mem- ber- me ! but
ah ! for get
- my fate, re mem- ber- me ! but ah !
for get- my fate. Re mem- ber- me ! re mem- ber- me ! but
137
32
Vln-1
Vln-2
Viola
Dido
Basso
37
Vln-1
Vln-2
Viola
Dido
Basso
42
Vln-1
Vln-2
Viola
Basso
ah ! for get
- my fate, re mem- ber- me ! but ah !
Ritornelli
for get- my fate.
138
1 39
39
q =100
Violin - 1st
Violin - 2nd
Viola
Soprano
Alto
Tenor
Bass
Basso
Harpsichord
Larghetto
Editor: John Henry Fowler
p
( Revision: 7-17-2006 )
Chorus - With drooping wingsDido and Aeneas
( Mvmt. 39 )
Henry Purcell( 1659 - 1695 )
p
p
p
With droop ing- wings ye Cu pids- come, with droop ing- - wings, with
With droop ing- wings ye
With
p
droop ing- wings ye Cu pids- come, With droop ing-
With droop
p
- ing wings ye Cu pids- come,
p
#
p
139
6
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
droop ing- - wings, with droop ing- wings ye Cu pids- come, And
Cu pids- come, with droop ing- wings ye Cu pids- come, And
droop ing- wings, with droop ing- wings,with droop ing- wings,with droop ing- wings ye cu pids- come,
With droop ing- wings ye Cu pids- come, ye Cu pids- come,
# #
140
11
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
pp
pp
scat ter- ro ses,- scat ter,- scat ter- ro ses- on her tomb,
scat ter- ro ses,- scat ter,- scat ter- ro ses,- on her tomb,
pp
Soft, soft, and
And scat ter,- scat ter- ro ses,- on her tomb,
pp
Soft, soft,
And scat ter- ro ses,- scat ter- ro ses- on her tomb,
#
[ pp ]
141
16
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
Soft,
pp
soft, and gen tle,- soft, soft, soft, soft, and
gen
pp
tle- as her heart, gen tle- as her heart, soft, soft, and gen tle,-
soft
pp
and gen tle- as her heart,
soft, soft, and
Soft,
pp
soft, and gen tle,- soft, soft, soft, soft, soft, and
pp
# 6 # (6)§
( 7 7 6)
pp
142
21
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
p mp mf f mf
p mp mf f mf
p mp mf f mf
gen tle- as her heart;
p
Keep here,
mp
hear your watch,
mf
keep here,
f
here, keep here your watch, and
mf
gen tle- as her heart;
p
Keep here,
mp
here your watch,
mf
keep here, here,
f
keep here your watch, and
mf
gen tle- as her heart;
p
Keep here,
mp
here your watch,
mf
keep here, here,
f
keep here your watch, and
mf
gen tle- as her heart;
p
Keep here,
mp
here your watch,
mf
keep here, here,
f
keep here your watch, and
mf
# #
p mp mf
f
mf
p mp mf f mf
143
26 1.
1.
2.
2.
Vln-1
Vln-2
Viola
S.
A.
T.
B.
Basso
Hrpscd
p
p
p
nev er,- nev er,- nev er- part, and nev er,-
p
nev er,-
mf
nev er,- nev er- part,With droop - part.
nev er,- nev er,- nev er- part, and nev er,- nev
p
er,-
mf
nev er,- nev er- part, part.
nev er,- nev er,- nev er- part, and nev er,- nev
p
er,-
mf
nev er,- nev er- part With part.
nev er,- nev er,- nev er- part, and nev er,- nev
p
er,-
mf
nev er,- nev er- part part.
§ 6 # #
p mf
# 64
#3
dim. p mf p
144