pyramid brain alchemy

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    http://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania%27s_irror_-_!salterium_"eorgii%2#_$luius_&ridanus%2#_#etus%2#_'((icina_Sculptoris%2#_$orna)_#hemica%2#_and_achina_&lectrica.*pg

    http://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpg
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    $irst o( all i( you were to look up the etymology o( ,pyramid, no one knows its origins

    howeer i( we were to reak down its parts what see is ,(ire 0pyre/pyro1 in the midst

    0mid1, which is a re(erence to lchemy. $irst thing to consider is that in ancient &gypt

    lchemy was not seen as eing apart (rom the practice o( ritual magic orastrology/astronomy and their entire culture was ased on the science and art o( Spirit. t

    is known that the pyramids were lack white and red which are not so coincidentally the

    three ma*or points o( alchemy 3lack 4 igredo/6eath 0ritual practice not actual death

    there is &8' eidence the pyramids were urial chamers1 9hite is (or the white

    stone and the red (or the red stone. he ritual practice o( magic and alchemy is o(ten

    done as an outward representation o( an inner process played out in dramatic (orm in

    order to engage the many senses in symolic (eedack 0he lchemical aspects can

    easily e researched online and eri(ied y seeral sources1. t is known also that the

    pyramids are uilt in a way to resonate at certain (re;uencies and had water channeled

    through certain tunnels 0all this can e eri(ied y arious &gyptology sources1.

    So lchemy like agic has inner aspects 0oth sutle and iological1 as well as outer

    0astrological as well as ,Spiritual/6iine,1. ( you were to look at the alignment o( the

    stars with the chamers o( the "reat pyramid you see that the orthern sha(t going (rom

    the s central one. he sha(t coming (rom the =ueens chamer points to

    Sirius the sacred star o( sis. Using this as a map i( you were to place a picture o( the

    pyramid on a star map so eerything lines up you (ind that the

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    he rain has the structure called the ,;uaduct, that comes (rom the halamus that

    also corresponds with the ascending passage that leads to oth the =ueen>s and the

    s chamers. hese can e seen in the ne)t two images.

    So i( we were to draw lines (rom the (orni) to where the sha(ts are pointing to the stars

    we see that Sirius and 'rion correspond to the pre(rontal corte) which is responsile (or

    emotions *udgement and planning 0sis/Sirius1 and the dorsolateral which is responsile

    (or imagination 0'siris/'rion>s elt1. 'n the other side they point to the areas o( the rain

    associated with isual memory and the processing o( multisensorial in(ormation 0the two

    immortal stars1.

    So now to the more directly alchemical. he entire practice o( alchemy is o(ten re(erred

    to as the ,rt o( $ire, so the (urnace 0$orna)1 is a central (eature in much alchemical art

    and re(erences. gain we see that the constellation $orna) sits in the same place as the

    "reat !yramid>s s chamer in the same place where the $orni) rests within the

    central rain. n alchemy the inner laoratory 0Aa-'ratory1 is the place where the

    sacred work is done and there are two locations 0as aoe so elow1. he lower is inthe ody and many o( the alchemical re(erences are also mirrored in lower anatomy. $or

    e)ample there is the woman>s aginal (orni) which makes re(erence to se)ual alchemy

    and is mirrored in ,'rion>s Sword, which is no sword ecause no warrior has eer held

    a sword etween their legs. he upper is in the higher conscious e)perience which

    occurs when our rainwaes drop to deeper states which are normally e)perienced as

    arious stages o( sleep which engage more central aspects o( the rain.

    n the picture o( the alchemical (urnace you see the three men dressed in roes 0much

    like the hree 9ise men1 in (ront o( the (urnace in the same way the three stars o(

    'rion>s elt are in the same depicted place on the star map with the pyramid 0and

    $orna) constellation1. ( there is any dout as to the relation etween the constellation$orna) and alchemical workings the last image actually comes (rom an old star map o(

    the constellation $orna) and actually says pparatus #hemicus which am sure don>t

    need to translate.

    ( we were to look into the cruci(i)ion o( @esus a(ter his cruci(i)ion he was rought to a

    ault where he stayed (or three days. his is the $orni). Stedman>s medical dictionary

    descrie that the $orni) has a (unction to transmit energy that is called ,(oramen/$or

    men, which now makes re(erence to mun>s Horn as well as the word at the end o(

    eery #hristian prayer ,men,.

    here are many many allegorical stories and myths o( arious religions that (ind theircorrespondences in astronomy/astrology anatomy and alchemical operations. ow what

    is important to say here is that it is a mistake to think that the stars and the anatomy is

    the actual mystery that is eing transmitted y ancient teachings and practices. his is

    not the case. 9hat we hae is proo( o( the a)iom ,s aoe so elow, in a real and

    irre(utale way ut then there is the e)perience o( awakening to that which is the real

    drie o( the ystery teachings.

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    he way we access and actiate the $orni) is y deep meditation and my proo( is again

    in the Stedman>s medical dictionary y looking into the rainwaes. 9hen we go into

    deep 6elta 0normally dreamless sleep1 we reach a point o( (our cycles per second or

    lower it is a state called 6elta $ornicus. nd within $orna) star constellation we see one

    o( the stars is called 6elta $orna). 9hat does this meanB hat in deep meditation we

    are seeking to remain conscious and lucid to this deep state o( 6elta (ornicus. his is (areyond where most people reach in meditation. ost people neer go eyond heta

    rainwaes 0normally dream sleep1. his is still a deep state and a person who reaches

    this state will e)perience many isions and ,spiritual, e)periences. he suconscious

    realm o( the astral plane is the realm o( the Soul and it is this place where dreams lucid

    dreams and astral pro*ections reside. 3eyond this is the 6elta waes and this moes to

    (urther reaching e)periences that are een eyond the reach o( our indiidual ,mortal,

    soul which is why it is always re(erenced as a sort o( death that leads to reirth. 9e

    hae to e willing to die y *umping to cross the ayss o( indiidual consciousness to the

    realm o( the supernal/;uantum consciousness.

    n 3uddhism the word athata means "suchness" or "thusness" and refers to the

    ultimate nature of a thing. Buddha referred to himself at times as Tathagata (Japanese

    Nyorai) and means "one who has thus gone", or "one who has thus come".

    This "coming and going" refers to the reaching of this Ultimate reality. And

    here is where we find the connection with Fornix/Fornax. By remaining

    conscious though the dee states of meditation, we can "roll !ac" the

    #tone of the $ault and enter %igher &ealities that ha$e long since !een the

    goal of ancient cultures.