pyramid brain alchemy
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http://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania%27s_irror_-_!salterium_"eorgii%2#_$luius_&ridanus%2#_#etus%2#_'((icina_Sculptoris%2#_$orna)_#hemica%2#_and_achina_&lectrica.*pg
http://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpghttp://upload.wikimedia.org/wikipedia/commons/7/75/Sidney_Hall_-_Urania's_Mirror_-_Psalterium_Georgii%2C_Fluvius_Eridanus%2C_Cetus%2C_Officina_Sculptoris%2C_Fornax_Chemica%2C_and_Machina_Electrica.jpg -
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$irst o( all i( you were to look up the etymology o( ,pyramid, no one knows its origins
howeer i( we were to reak down its parts what see is ,(ire 0pyre/pyro1 in the midst
0mid1, which is a re(erence to lchemy. $irst thing to consider is that in ancient &gypt
lchemy was not seen as eing apart (rom the practice o( ritual magic orastrology/astronomy and their entire culture was ased on the science and art o( Spirit. t
is known that the pyramids were lack white and red which are not so coincidentally the
three ma*or points o( alchemy 3lack 4 igredo/6eath 0ritual practice not actual death
there is &8' eidence the pyramids were urial chamers1 9hite is (or the white
stone and the red (or the red stone. he ritual practice o( magic and alchemy is o(ten
done as an outward representation o( an inner process played out in dramatic (orm in
order to engage the many senses in symolic (eedack 0he lchemical aspects can
easily e researched online and eri(ied y seeral sources1. t is known also that the
pyramids are uilt in a way to resonate at certain (re;uencies and had water channeled
through certain tunnels 0all this can e eri(ied y arious &gyptology sources1.
So lchemy like agic has inner aspects 0oth sutle and iological1 as well as outer
0astrological as well as ,Spiritual/6iine,1. ( you were to look at the alignment o( the
stars with the chamers o( the "reat pyramid you see that the orthern sha(t going (rom
the s central one. he sha(t coming (rom the =ueens chamer points to
Sirius the sacred star o( sis. Using this as a map i( you were to place a picture o( the
pyramid on a star map so eerything lines up you (ind that the
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he rain has the structure called the ,;uaduct, that comes (rom the halamus that
also corresponds with the ascending passage that leads to oth the =ueen>s and the
s chamers. hese can e seen in the ne)t two images.
So i( we were to draw lines (rom the (orni) to where the sha(ts are pointing to the stars
we see that Sirius and 'rion correspond to the pre(rontal corte) which is responsile (or
emotions *udgement and planning 0sis/Sirius1 and the dorsolateral which is responsile
(or imagination 0'siris/'rion>s elt1. 'n the other side they point to the areas o( the rain
associated with isual memory and the processing o( multisensorial in(ormation 0the two
immortal stars1.
So now to the more directly alchemical. he entire practice o( alchemy is o(ten re(erred
to as the ,rt o( $ire, so the (urnace 0$orna)1 is a central (eature in much alchemical art
and re(erences. gain we see that the constellation $orna) sits in the same place as the
"reat !yramid>s s chamer in the same place where the $orni) rests within the
central rain. n alchemy the inner laoratory 0Aa-'ratory1 is the place where the
sacred work is done and there are two locations 0as aoe so elow1. he lower is inthe ody and many o( the alchemical re(erences are also mirrored in lower anatomy. $or
e)ample there is the woman>s aginal (orni) which makes re(erence to se)ual alchemy
and is mirrored in ,'rion>s Sword, which is no sword ecause no warrior has eer held
a sword etween their legs. he upper is in the higher conscious e)perience which
occurs when our rainwaes drop to deeper states which are normally e)perienced as
arious stages o( sleep which engage more central aspects o( the rain.
n the picture o( the alchemical (urnace you see the three men dressed in roes 0much
like the hree 9ise men1 in (ront o( the (urnace in the same way the three stars o(
'rion>s elt are in the same depicted place on the star map with the pyramid 0and
$orna) constellation1. ( there is any dout as to the relation etween the constellation$orna) and alchemical workings the last image actually comes (rom an old star map o(
the constellation $orna) and actually says pparatus #hemicus which am sure don>t
need to translate.
( we were to look into the cruci(i)ion o( @esus a(ter his cruci(i)ion he was rought to a
ault where he stayed (or three days. his is the $orni). Stedman>s medical dictionary
descrie that the $orni) has a (unction to transmit energy that is called ,(oramen/$or
men, which now makes re(erence to mun>s Horn as well as the word at the end o(
eery #hristian prayer ,men,.
here are many many allegorical stories and myths o( arious religions that (ind theircorrespondences in astronomy/astrology anatomy and alchemical operations. ow what
is important to say here is that it is a mistake to think that the stars and the anatomy is
the actual mystery that is eing transmitted y ancient teachings and practices. his is
not the case. 9hat we hae is proo( o( the a)iom ,s aoe so elow, in a real and
irre(utale way ut then there is the e)perience o( awakening to that which is the real
drie o( the ystery teachings.
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he way we access and actiate the $orni) is y deep meditation and my proo( is again
in the Stedman>s medical dictionary y looking into the rainwaes. 9hen we go into
deep 6elta 0normally dreamless sleep1 we reach a point o( (our cycles per second or
lower it is a state called 6elta $ornicus. nd within $orna) star constellation we see one
o( the stars is called 6elta $orna). 9hat does this meanB hat in deep meditation we
are seeking to remain conscious and lucid to this deep state o( 6elta (ornicus. his is (areyond where most people reach in meditation. ost people neer go eyond heta
rainwaes 0normally dream sleep1. his is still a deep state and a person who reaches
this state will e)perience many isions and ,spiritual, e)periences. he suconscious
realm o( the astral plane is the realm o( the Soul and it is this place where dreams lucid
dreams and astral pro*ections reside. 3eyond this is the 6elta waes and this moes to
(urther reaching e)periences that are een eyond the reach o( our indiidual ,mortal,
soul which is why it is always re(erenced as a sort o( death that leads to reirth. 9e
hae to e willing to die y *umping to cross the ayss o( indiidual consciousness to the
realm o( the supernal/;uantum consciousness.
n 3uddhism the word athata means "suchness" or "thusness" and refers to the
ultimate nature of a thing. Buddha referred to himself at times as Tathagata (Japanese
Nyorai) and means "one who has thus gone", or "one who has thus come".
This "coming and going" refers to the reaching of this Ultimate reality. And
here is where we find the connection with Fornix/Fornax. By remaining
conscious though the dee states of meditation, we can "roll !ac" the
#tone of the $ault and enter %igher &ealities that ha$e long since !een the
goal of ancient cultures.