qa quilt binding methods

7/31/2019 QA Quilt Binding Methods

1/22

How to BIND a QuIlt:

NEWQ B a FM f Y A Q

rom Quilting Arts

3

1 On the EdgesArAh Ann sMith

2 Not Bound by Traditionsherrie spAngler

3 A Big Finish for YourSmall QuiltsterrY grAnt

4 Picture It FramedlYric kinArd

4

12

21

how to bind a quilt: 12 new quilt binding and FiniShing methodS For Your art quiltS 1Q u i l t i n g A r t s . c o M

iav p llc

how to Bind A Quilt 12 Quilt Binding Methods


2/22

ls c : Ccz

k s . Fs

s (

s ). i

y s s

y k ,

s

s

s, js

c

s y c

s

c y .

n y, s bk s c

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12 cvy syys

s s s. F sc,

k S a S, ss

s cs, c

s s c c

s cv

s. S S cvy

ss

sy y

How to BIND a QuIlt:

12 new Quilt Binding And

Finishing Methods For

Your Art Quilts

rom QuIltINg arts

EDItorIal DIrEctor Pkey Bn

assIstaNt EDItor Pipp Ee

creative servicesDIvIsIoN art DIrEctor li Di

PHotograPHErs ly seinKdy sdi

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on nd ponl u only. Quilting ArtsMAgAzine no ponbl o ny l-bly ng om o, omon, omk onnd n h Book, ndd hould pod uouly, p-lly wh p o hnl nomon.inw P LLc gn pmon ophooopy ny pn publhd n hu o ponl u only.

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ips

FROMMISTAKETOMASTERPIECEt

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p. 46

p. 14

p. 28

800.406.5283 (U.S. & Canada)

760.291.1519 (International)qa.mQuilting Arts MAgAzine, P.O. Box 469087, Escondido, CA 92046-9350

Quilting ArtsMAgAzine xs ideas, textiles, and techniquesrelated toembellished and contemporary art quilting.is, y s s,step-by-stepcs,s y, motivation v ys sy, sk vs.

sc ck c

s.

hv y v s s

zz sc

, y v cs c ss? ty g s

c s ( s)

y s s s s

v cs sy c

. lyc K s

s xs s sv

s s

y ks s y s.

S y s s;

s s, i c

y c s

c !

Cs,

Pokey Bolton

Editorial Director


iav p llc



3/22

Ss v s cy

k s

s c,

s s s ks s

y. t s cs,

h i cs? t s s:

mk vs css vsy. Cy

sc, s c

y s, y .

oc y s y s, s

y c s

y k . d y,

s, y c c

sk sv s

y

, s ? d y cs

s? i y s s

, y c s y -s

( ck ) y . i y

k / ,

y s

s s

s.

DoublE-folDbias biNDiNgt - s

c s y s

s cy

s. F s ss,

i c - ss

s cs y c.

t s cs s

s cs, s s

s cv s, .

t cv sy,

y s s s (c s c

45 v )

w y s s s ss vcy. w i s cs cks s ? w i s s c s c sk? h k i sc cc s s ? i s c, k s s s

s. w y y s cs, s ss c.

By sArAh

Ann sMith

oN

tHE

perFeCtmitersFo sh nuon on how omk p m wh ny wdho b bndng, hk h blog nydd July 20, 2007. Go ohnnmh.om nd lk onh Blog lnk.

The mini-quilt shown

here illustrates most o thebinding challenges you willace, including standard edges

and corners, inside and outsidecurved edges, and a point.

AdAptedfroM

Quilting ArtsMAgAzine

August/septeMber2007And

october/noveMber2007


iav p llc



4/22

cs s scs. t

, s s

s f, scy

cvs. a - s

ssy

c s , s s cy s

/ s s.

makiNgthE stripC y ss 6 s 1.

s , s14" ( 14"

s). F

ss 38" y

212"- ss ( c

).

S y ss2.

--, s ss

14" s c,

y v y

s sv cs.

F s s,3.

-ss lightly ss

.

aDDiNgthEbiNDiNga s 1. , s 14"

s c, s

, s 4"6"

c, v

4"6" ( s, v

12"). w sc

s 2" c, c

k 14" c.

Sc cksc.

rv . rv c c

s. (Diagram 1)

F k 452.

s s. (Diagram 2)

F s ck (cv3.

45 ). a

s x s

. S c, sc

x s. (Diagram 3)

r cs.

S sc 4"6" 4.

y ; cksc.rv c

c s. (Diagram 4)

JoiNiNgthEtailENDsaNDfiNishiNg

pss 1. 38" s c

. tck

s

. a 12"1" v,

y xcss. (Diagram 5)

r s 2.

s ck s; .

Fs s. (Diagram 6)

t ck. F3.

cs s

cs ck

c k.

bsc ck4.

s vs -

sc sc c

. bsc j.

Diagram 1

Diagram 3 Second old

Diagram 4

Press under a 38"seam allowance

Diagram 2

First oldFold

14"

Diagram 5 Trim ending tail Finish the seamDiagram 6


iav p llc



5/22

pilloWcasEfiNishSs s js s s,

s ( c

c cs) y

c -s c

s cs. i s s,

cs cs s, c

s

v s sy

ck.

t cs (s c

sc c ck)

s y v s

ks s

xsv y,

cs cvs ck.

thE pilloWcasEtEchNiquEt ys

cs ck:

lv s.

a

-s ,

s sc

s.

Sc c

ck, s i s c.ts s c sc c.

Y c sc s

s.

C k 1.

. C s sz s

( sy )

, s

( c c

s s

).

tipsi lk o h bndng on hlow l d, wh h jon

lly unnod h yl n uomd ph (oml o gh nd op o boom)o qul.

Looly un h bndng pound h qul o mk u m don lnd on on (oomuh bulk); do, dju young pon lghly.

tipsWh h pllow mhod pnd h, hon o h qul und lghly o h bk,nung h h bkng wll no b bl omh on o h qul. H w hn o kpn mnd whn ung h mhod:

Bo mmng you nhd qul op, dd

wh you wn h dg o you nhd qulo b, nd pln o 38" m llown. thwll nu h you don hd p o wh younnd o b bl whn ppoxmly 18" omh on olld owd h bk.

i dul o g hp on wh ollddg, o ond oundng you on omk hng .

A subtle line ocolor can be addedby using a triple-stretch stitch in theditch where the binding meets the quilt top (see the redstitching along the binding o this piece). For a perect fnish, sew in the ditchbeore hand sewing the binding to the back; this will cover the line o machine stitching. Fora aster fnish, ater sewing the binding to the ront, pin it to the back and stitch in the ditch

rom the ront, catching the binding on the reverse.


iav p llc



6/22

shortcutsto pd up h po, u ublwb on h bkng (bo youh o h qul), ung on o hollowng mhod:

Fo h p hh mhod, pplyubl wb xndng 1" o oound h plnnd p hhloon.

Fo mll qul, pply ubl wb

o h n bkng.Fo h mhod, w wh hud bkng on op nd du hp-oo pu o h ubldh don bunh up und hp oo. to du dg, plu pp o -wy blzo h ubl; mo h blzon hng ompl.

For a quick and easyfnish, try the escape-hatch

method (see The Pillowcase Technique).The opening is used closed, then hidden

under the label.

Clip o corner Cut notches

Clip Clip into corner

note: I do some additional quilting

ater adding the pillowcase backing to

keep the backing in place (see Step 10).

t ,2.

s 38" s

c. (t x 18" s

ck.)

C ck xcy s3.

sz s s .

t4. 18" s

ck.

note: I you will be using the escape

hatch method, apply usible web to a

section o the back and cut the opening

now.

pc ck ,5.

-ss , s

s s 14" s

c, s

sy sc ck .

t y s c s y6.

c s c.

t s cs c7.

k . C scvs c cs

s cvs. C s

cs.

tip: Avoid clipping into the stitched

seam. I the abric is raveling a lot, use a

short stitch length to reinorce the seam

and use a no-ray product where the

clips approach the stitching.

t -s . us8.

-, - k , cc k

s cs.

i s cs 9.

c s s.

r js s

ck; s s

c v . w

s s, y s

ck/c, s vs

c, ss s

y .

us -- ( s) y s

ss c.

tip: I you rest a piece o wood or a

heavy book on top o the area you just

ironed as it cools, it will set better and

stay where it belongs (instead o trying

to uncurl).

Sc s sc10.

c cs ( s ). i

ck s s, . Yy s s

sc k ck

c, s i , scy

y ck s s.

S s y v 11.

sc c ss.

shEErsqs s

vy, c xsv, y, c

. i v s

s syc cs s

s, v s vs s,

y v s

cs x y

. i s c

s s cs ss y

. Y c s y c s

ss s y,

s () sc s,

c y. bcs s c

s cvs, i c y ss s.

F s ss, y

y c ss s

. bcs ss c y,

i s c s

c.


iav p llc



7/22

DirEctioNsry c y ss 1.

s 2" s

. F 12" , c ss

212"3". C s s

c s (c c

s 2"

s).

F s 2.

s s ,

s c

s s s

; . r s

s. (Photo 1)

tip: Spray baste the inside o the sheer

to make pinning easier.

tsc c,3.

s 12" ( s )

s ,

s ss fs

.

i s cssy y 4.

xcss s

( ck

). Fs, sc y

sc y

ss sc ,

s s

xcss

c. Cy xcss

c c/s xcss y,

v 18" y sc.

(Photo 2)

note: I you sear too close to the

stitching, your sheer may pull loose.

Also, you might melt your threads.Practice on a scrap and on the back side

o the quilt beore working on the ront.

Keep the heat tool somewhat vertical or

you may accidentally melt the binding

with the hot shat o the tool.

ps5.

ss

2 ss

,

k .

t xcss s

, v 12" x

c ( ck

).w 6. 12" xcss s

ck

ck. r .

i s s v,7.

sc y xcss

s .

Photo 1

Photo 2


iav p llc



8/22

Wrap-aND-tuckw w--tck ,

ck s

, s s sc ck k c

. t svs

cs s y y

s. Fs, vs

sy s s

x y s y

s f. a sc, cs

cs s css ,

ks c s sv

.

note: You need to decide on this

technique beore you have fnished

quilting. Leave

1

2" unquilted all aroundthe outside edge so there is room to tuck

the abric under the quilt top.

DirEctioNsC ck 1.

vsz. (t xcss

s y

k- s x y

c ck; s Ss 2

3.) ly s y

sc. C s

, v s 12"

c s.

t c s2.

k- s

s y .

t ck, s 3.

xs y

v


iav p llc



9/22

xs ck

(

s 14" ck

s ).

F s ss ck4.

, sy

ck

; ss s.

F cs c s;5.

ss.

F ss ;6.

ck ss s.

p, s, , s 7.

,

k s cs sy cy

.

C . b s8.

k- s.

satiNstitchiNgS sc, y ck

zz sc, s sc s

y c scs as

t Cs (atCs); ks s

-s cs s

. i c cky s,

cssy s, cc

vy cs, s sc

s s -s .

t ss i

c. i , i k

s cv . F

s ,

s - zz s s

sc ys .

w, y ck scs s

ss (s).

DirEctioNsS y sc,1.

sc ck

cs

s y s ,

s s-y . (ts s

You can use the same thread all the way around orchange thread colors to blend with the abric, as I did here.I wanted a variegated look at the night skys edge, but not a stripe,which happens when you machine zigzag stitch with variegatedthread. To avoid the stripe, I used ree-motion zigzag stitchingwith variegated thread.

what if?You n guy up h dg wh hwp uk und h op wh nhng, ouhd yn, mbody,bd, o oh do dl.


iav p llc



10/22

cssy y s s

/ sy vy c cs

s.) i c s sc

, s cy

s sc.

mk s ss s 2.

s sc ss,

x s-y

szs.

tip: Do a test to be sure the stabilizerwill wash away completely.

us - y .3.

(ts s y s

y s

sc

s sc ss

sy.) i ss y

c, c ss-

ss js ; s

- ,

k s . (t

--ck

s s y k v

- zz.)

rouND 1:4. i y s

s-y sz, c s

. us

s

zz sc 3 ys

y . o ,

i s 2.5 2.0 sc

s .

rouND 25. : S y c s sc .

i s cs, s 40-

rs ys

S ts, i

s 3.5 sc .35

v s

. i y s

, sc s 50-

s c, y sc

y v s.

tip: I, ater Round 2, there are bits

o batting showing, use a abric pen or

abric paint to darken the batting along

the outside edge.

corNErs:6. i sc

c ( k-

), v

s c, k s

vcs vs sc.

w ss, i y

scs c

k y cv

c.

curvEs:7. t 2 ys

s-sc cvs:

--v --fy.

msa.

ks c

v

y

s

s

s

(cvx) cv,

ss sy

v c s

y s sc sy

v vs sc. ts

s cv s.

i s cvs b.

i cvs fy,

s s i sc.

i s

s s i

s

v .

ty s c ks s

y.

optioNal:8. d

s k 2 s

y k,

s sc.

experimentTry dn hd olo, hwdh, h lngh, nd non

ng.If you dg wn o ppl oh, o h hng wp oo o h boom d, y hngwh p o wh-wy blzund h dg. to mo hblz, wy muh pobl, hn pz wh w odol h mnd.

what if?Wh you w mbody fo opl oon ound h n-hddg, lk bb pol? Wh youhng hd olo long h dg,ng long, gul dh oolo, hong olo n h qul?

On this piece, I painted the edges o thebranches instead o stitching them.


iav p llc



11/22

couchEDyarNs

us y s s

s y v cs.

a s, ck s ky

c y cs c , s

s ck y ss ss

s sc. Y c

s c ys, ck ,

c c y c.

F sc, i s

sy ys c

s sc

.

DirEctioNsSc sc s 1.

c . ts

c y, s s

c zz, c

sc , s sc

i c cks

sc. a -s

zz s ks . Y c

v s cv sc; y

c s ks k

cck vs s

ss k cc ys.mk s s ss s

ys sc ss.

ty y ss sc

sc, js

s ckss y y,

sc, k.

(Diagram 1)

Tip:Its important that your stitch

swings rom the outside edge o the yarn,

on the right, into the quilt sandwich,

on the let, with the center line (real or

imaginary) running along the raw edge

o the quilt.

us - y 2.

v s vsy. as

s sc, y

s s / sy

, s s, scy

sy s, c

sc ys.w s s y3.

sv s

s s, c

cs y

ss sc -ck

(zz sc) y s

.

what if?ind o hng n nbl jon,wh you l h nd dnglng?

O nw nd o yn h on nd kno h yn h on? O ng bd ono nd o pl oon, w h ploon wh hk yn, nd yo on ld bd up no h bng hd (bng ul no o hh bd wh h ndl)?

A B C D

I twisted three yarns together

as I applied them; you canvary the twist rom looseto tight. It can get tricky,especially on a large quilt,to twist several yarns as youstitch. Instead, you can sewthe yarns into one combinedstrand frst, then apply themto the edge o the quilt.

Diagram 1

A: Zigzag, 3.5 wide 2.5 long

B: 3-step zigzag, 3.5 wide 2.5 long

C: Railroad or ladder, 3.54 wide 2 long

D: Checkerboard, 4.5 wide .35 long


iav p llc



12/22

t y s4.

s s

s y c . ajs

sc s

ss y

sc . us sk y s s

ss .

a c, v 5.

s

, y

s

. ts c

s c s ,

ss c.

as y c s ,6. y s.

C sc ys

v s 12". Sc

s -ck (zz)

c s.

h y ks s

? ls! t s y

vs s iv s

s c, y c ys s

c .

ask ys w ? t, k s c , s

ks. r: mk vs

css vsy!

To see more o Sarahs work, visit

sarahannsmith.com.

It can get tricky, especially on a

large quilt, to twist several yarnsas you stitch. Instead you cansew the yarns into one combinedstrand frst, then apply them tothe edge o the quilt.

I twisted three yarns togetheras I applied them; you can vary

the twist rom loose to tight.

You can couch the yarn aroundthe outside edge o anypoking-out bits or, as I did,carry the yarn behind thosespots.


iav p llc



13/22

Notb

by a By sherrie sPAngler

w i s ys, i y s vy , .

t i cs c

vs, y k

s x.

t s,

vss cy, s y sy, s i x y vs.

my s v s, cv y s k sy s. i

s y cs s, v s c s s

c . i xs k k cc, s i s, ,

. is js s y, i y ss ss

. Ss i v x s. w y s, i c

s c .

AdAptedfroM

Quilting ArtsMAgAzinefAll 2005

What is Life? 21" 21" Unbleached cottonOsnaburg by

Roc-lon, rayedand washed in thedryer. Backgroundand backing abricact as a rame.


iav p llc



14/22

gENEraltipst ck ck

cs, s scsss

y c, cs

vs s . F y

s y s y

ss c s

y.

i ck c x

y s ,

c s , k s

ck ks ss.

S cs, -ys, ks

c, v y

vs s.

b s sc s

x s s ,

s i . ay y

c c s,

k y . i sy s

c w n

cs i k s fss

- c. Ss i s

f , ck y,

ss i .

S s xs

y y

y ,

s s.

q s c

cv . i s

k ssy, y s v

c.

tEchNiquEs

backiNgfabricasaframE

Cs ck c ks1.

ss. t svcs .

C sy s 2.

y

s. i y

s, c

s ck.

q 3.

ck . t s c

s cv .

as v, s ck4.

c s

. t ck

s sz c

s 12" s .

ex s

, cs .

ExposEDbattiNgC 1.

. Y c ck c ss.

q xs2.

.

t . Y js3.

s k , y

v 14" y . i

v

ck.

i y , y c 4.

s y

y . i sy s

s xs

c

s s. i y

-s ss i

s .

raWWrapsa , s1.

s sz.

C ss 2.

c vs s s. Ss, ,

csc k .

pss ss s,3.

ss ,

s, v

ss s y .

r s c4.

sc ys,

ss y.

optionAl: Instead o stitching the

binding on, tack with buttons or beads.

To see more o Sherries work, visit

sherriequilt.blogspot.com.

need F r e S h

i n S p i r a t i o n ?

look inside

cloth paperscissors

a.m

A bi-monthly publication

dedicated to collage,

mixed media, and

artistic discovery.


iav p llc



15/22

w i s k c scs s s, i sc ys s s y. t s s vy s s cs. i k k zz

s-sc , i c v f k ,

cs s . t sc s

cs,

cs

c y s

c

c. i

s, sc

sz s

k. i c,

s

v y c

cs, s k.a s

, i v s

ss c

zz s y

s cs.

AdAptedfroM


April/MAy 2008

By terry grAnt

S y k c 1.

y s sz

. i k s c s

12"1" c c s sz.

a c s , s 2.

k

k sz

. (Figure 1)

lv xy 3. 12" fss

s , y c

a BIg fINIsH yma qi

m a t e r i a l S

You qul

rul

Fn-pon pmnn mk

swng mhn wh zgzg hh n b djud n wdh

Pl oon, z 5, n olo hyou wn o you dg

Mhng hd

shp o

Green Beans 4" 6"Small Frog, Big Pond 9" 9"


iav p llc



16/22

c k

zz v . us

zz js cvs

c. by s

y c s , yc c s,

cs. h c

s k s y

sc. (Figure 2) i s sc-

s 1.5, y c

v sc v

s y c. i

y c s c

, s ; v, i

cs y c

s k s i s

y k cy

sc v c.

tip: Its best not to start and end at

a corner. The start and stop are less

noticeable along one o the sides.

w y ck 4.

s sc, c

c s s

s sc v ,

k x scs y

s. t s vy vs. (Figure 3)

nx, cy xcss5.

c , s cs sc

c s y c

c sc. (Figure 4) i

y s 1 2 scs,

y. S s

cv .

us -s 6.

vy-

(i s ),

k js sc c

c y c. C

, v 2 s c

c (c 3" ). ts

s v

s cc

y sc cs.

Zz v c 7.

. as y c

c, s s sc

c. S, y

c, v, s

s c

y ck,

, y sy sc

x s s. (Figure 5)

w y s, y c

js s

sc .

Y c sc c sv

s y cv. a

sy s y

ss sv cs. Cy

. i s ck y s

y c, s i

g bs sc,

i v s s cs, sc

s i s S

F, b p. Y js

s y c cs

c s csy s

ss.

To see more o Terrys work, visit

andsewitgoes.blogspot.com.

Figure 2

Figure 3

Figure 4

Figure 5

Figure 1


iav p llc



17/22

PIcturE It

fam

mnin minn pjein

Hv y v s s c ,y s , c s y ,t s s iv v s? i s,

y s y s sk s

c . t y, y

v c c c 6" 6" c cy . my s,

s ys s y sc vs, sck y

scks i s y s x

s c y sy, w. i ks k . S

k k ? a ? w, cy, s .

By lyric kinArd

AdAptedfroM


februAry/MArch 2008

A piece from Small Works 10" 8" 138" This 5" 7" quiltis mounted on a paintedgallery-wrapped canvas. The machine

quilting design continues onto thecanvas and around the sides; it wasdrawn with a black permanentmarker.

t s y k

sys y s

. a s

sc c

s c . S

scs cy s

c k.t , , cs

k s y s

s . m

/ y cs

vs y k

c a.


iav p llc



18/22

prEsENtatioNw y cs

y k, sv sy s cs.

DoyouWaNttoshoWorcovEryourEDgEs?

i y cv

y s, y . o

v s y

v s s

y k.

i c y s

s , y

. Y cs

y k s sc

20.

i c s s s

s ( ), y

.

i vy s k vy

pxs

c y-

cvs.

DoyouWaNttoprotEctyourpiEcEWithglassorNot?

gss cs y k s,

ss, s, ks, c.

Scs c s

ss

k cc

s s k.

t xsv, y s

cs - uV cv

ss.

n ss c s

v c

, c s, ,

y ss s s v

s .

shoulDyouusEarchivalmatErials?i s s s c- ,

, .

hoWlargEaND/orhEavyisyourpiEcE?

t s y k,

s s

s , v

c.

t y c s, s .

hvy ss

s .

Vy s sc

s css ss s .

This piece measures938" 1138" (ramed).The quilted piece wasmachine stitched to heavywatercolor paperjustoutside o the marked linethat indicates the size o themat opening (shown in inset;see Framed with a mat).


iav p llc



19/22

framEDt ss y y k

s k y c s

y. hv,

s s c s s xs. iv

s k - ck

! Y c s

y k ys; y

s c , scy

y k y k sz

s -c .

framEDWithoutamat

tk y y ycs c

y k. Fs c s y

sys s y k. d sk

y. r y

s y k sys

ssy y k ys s

s. oc y c s

cc

s, c s ,

ss, cc y

c. n os 1 2 s ck

cs 5" 7" ( v

s).

optioN 1: C c vy

c sz

y . us s

c ck y k

. t sz

s y

.

optioN 2: C c vy

c sz

y . mc sc y k

c

, s vy

sc . Sc c

s y k k .

t y k sz

s y .

optioN 3: C c c-

sz y s y .

w y k s

s s, k

scs s

c s sc y

; s y

.

optioN 4: S y c cy

c-

. ts s y k s vy s.

C y sz y

, s s

, c s

s . hvy

A 5" 634" quilt mountedon mat board (938" 1138"

ramed). See Framed, nomat, mounted on mat board.The back o the piece (inset)illustrates the starting point

or the stitching (top, nearcenter) and the ending point(upper right corner).


iav p llc



20/22

ss c s s

s . us

s , s y

k s

.

framEDWithamatCy cs c y

s c v

cs. w , cs

( cs y cs

cc). a c s s

c y. i scy k

s c y-c

s

ss. i s s

s s sy, lk , i ! a s

vs y k sc

y s ss. a scs

y

v v y

s.

w s , y c s y

s s v

y k y .

Y s, v, c y

sz

c y k

y , cc

.

framED, Nomat,mouNtEDoNmatboarD

w s y v

v

sc , ss s y k.

Cy cs c y

; c y

cs.

C sz y1.

cs .

C y k 2.

cy k js

s.

us s 3.

s 2 s

vy 12"1" s yk .

us s, c 4.

, c

ck , cc vy

k, c

ck sc

k k.

w c , v5.

x

css.

S y y 6.

scs ss,

cc y c.

mouNtEDm y s s

sc ss

c cc . t

sc c c y k c s,

cs y k f

. ts cs k

vy cs vy s

s y c

.

plExiglas

b y cs pxs s

sc,

y s c cs

k y k. Y c sy

s c 14"-pxs

f s s y y

k y c k

A piece rom SmallWorks 5" 7"

Mounted on an8" 10" piece o

Plexiglas. The quilt isstitched to the Plexiglas

at each corner. Thehanging wire is

attached to the Plexiglasnear the center o the back.


iav p llc



21/22

i scs. F

s cs c s

pxs

cs y c.

t :

Do not1. v cv

pxs.

pc y y2.

k , c

v c.

o y c.3.

rv y k k 24.

s (y, 18" )

c c. ts s

s y s c y sc y

k pxs. (Step 9)

mk 2 s pxs 5.

y s .

us s y 6.

, sy cy

c .

ly y k7.

sc, k y pxs

scc,

v .

us s s c8.

, k 2

s y c.

i s

/s s

v k s .

r y

ks c

k 1"

v .

us s k9.

, c y k

pxs y c

y k ck js

cc y k.

t c s c ck

pxs. r

sv s, k

ck . is

cky , y c

cc.

Sy ss c 10.

c s c y

s pxs.

(Do not spray directly onto thePlexiglas.)

F c y

y s. as, s cy

y c b w

c s s

k pxs

scc.

WrappEDstrEtchErbars

ts s y k y

, v sc

y y

s s y . i s

cs s

. p- sc s

c cs ss y

c ss y c k y

1" 1" , s s s.

ass y s js s1.

y k.

C c c 2.

s s,

ck, s s

Circles 7" 10"Mounted on

5" 7" wrappedstretcher bars (inset).


iav p llc



22/22

s. i ys s y

v ck c s

s .

ly y k c 3.

c sc s

c . uss s 2 .

us ck , s4.

y

sc s, js cc

ck . h

sc s k s

y c s s

s ( s)

cs. F cs, i s

4 s c-sc s.

gallEry-WrappEDcaNvas

ts s y v s.

Y y c, c

xs

c cvs. t cvs

cs xs y . i

sy s s 1"-ck,

-sc cvs s s c s ck

ss sc

s.

p y cvs y y1. cs y k.

p c scs

s. mk ,

x, . r

c ss y

cvs s . Y c sy

cv cvs c s

ck s. us

y .

l y svs y2.

v s y cy. t y

y k cvs

s s s c.

us , 3.s cvs. i

sy s

.

To see more o Lyrics work, visit

lyrickinard.com.

r e S o u r C e S

framEs, strEtchEr bars ,

harDWarE , mats , boarDs

mnm.om

dkblk.om

jym.om

lghmpond.om

grEat imagEsof fibEr art mouNtED

oN plExiglasoN mEloDy JohNsoN s blog

bmn.blogpo.om/2005/07/how-o-moun-qul-on-plxgl.hml

The back o this piece shows the hand stitching that secures the quilt to the gallery-wrappedcanvas.


qa quilt binding methods

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