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dbx Professional Products • 8760 South Sandy Parkway • Sandy UT 84070 • Phone (801) 568-7660 • Fax (801) 568-7662 Int’l Fax (801) 568-7583 • email: [email protected] • URL: http://www.dbxpro.com A Harman International Company 18-1502-A Inputs Connectors: Female XLR and 1/4’’ TRS (Pin 2 and tip hot) Type: Electronically balanced/unbalanced, RF filtered Impedance: Balanced >18 k‰, unbalanced >9 k‰ Max Input Level: +24 dBu balanced or unbalanced CMRR: >40 dB, typically >55 dB at 1 kHz Input Gain Range: - to +16 dB MIDI: 5-Pin DIN MIDI Input Jack Outputs Connectors: Male XLR and 1/4’’ TRS (Pin 2 and tip hot) Type: Servo-balanced/unbalanced, RF filtered Impedance: Balanced 120 ‰, unbalanced 60 ‰ Max Output Level: >+21dBu balanced/unbalanced into 2k‰ or greater >+20dBm balanced/unbalanced (into 600‰) Output Gain Range: - to +16 dB MIDI: 5-Pin DIN MIDI Out/Thru Jack A-D System Performance A-D Conversion: 24-bit, dbx Type IV“ Conversion System Convertor Dynamic Range: 114 dB typical, A-weighted, 22 kHz bandwidth 112 dB typical, unweighted, 22 kHz bandwidth Type IV“ Up to 127 dB with transient material, Dynamic Range: A-weighted, 22 kHz bandwidth Up to 125 dB with transient material, unweighted, 22 kHz bandwidth Typically 119 dB with program mate- rial, A-weighted, 22 kHz bandwidth Typically 117 dB with program mate- rial, unweighted, 22 kHz bandwidth THD+Noise: 0.002% typical at +4 dBu, 1 kHz, input gain at 0 dB Frequency Response: 20 Hz to 20 kHz, +0/-0.5 dB Interchannel Crosstalk: < -85 dB at 1 kHz, input gain at 0 dB D-A System Performance D-A Conversion: 24-bit Dynamic Range: 115 dB typical, A-weighted, 22 kHz bandwidth 112 dB typical, unweighted, 22 kHz bandwidth THD+Noise: 0.002% typical at +4 dBu, 1 kHz, output gain at 0 dB Frequency Response: 20 Hz to 20 kHz, +0/-0.5 dB Interchannel Crosstalk: < -85 dB at 1 kHz, output gain at 0 dB Power Supply: Operating Voltage: 100-240 VAC 50/60 Hz Power Consumption: 24 watts Physical: Dimensions: 1.75’’Hx10’’Dx19’’W Weight: 7.14 lbs. (3.24 kg) Shipping Weight: 10 lbs (4.40 kg) Once again, the industry leader in dynamics processing has redefined the standard of audio excellence for which all others are certain to follow. The dbx is the first studio mastering tool that offers sampling rates up to 96kHz, with a true 48 bit digital signal path, as well as the legendary dbx dynamics processing which has been the industry forerunner for more than 25 years. The dbx Quantum’s intuitive operating system allows you convenient access to the most powerful mastering tool ever produced. The patent-pending dbx Conversion System allows you to retain the warmth and body of the analog signal, while adding punch, depth and focus. By utilizing dbx’s proprietary Tape Saturation Emulation, the dbx Quantum retains the original warmth of analog recording, while delivering the digital clarity and versatility required in today’s digital world of music production and mastering. The dbx Quantum also offers dbx’s patented dynamics processing in a 4 band multiband system. The 4 way crossover splits the signal into 4 bands which then may be individually gated, compressed, and limited. This uncompromising quality and flexibility combined, make the dbx Quantum the ideal tool of choice for any recording application. TSE™ Type IV™ Quantum SPECIFICATIONS ¤ Quantum Digital Multi-Band Processor ¤

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Page 1: Quantum Digital Multi-Band Processorvaly.1ka.eu/DIY/soundsystem/_upload_by_VeeHell/ftp.dbx.com/Spec_… · The dbx is the first studio mastering tool that offers sampling rates up

dbx Professional Products • 8760 South Sandy Parkway • Sandy UT 84070 • Phone (801) 568-7660 • Fax (801) 568-7662Int’l Fax (801) 568-7583 • email: [email protected] • URL: http://www.dbxpro.com

A Harman International Company

18-1502-A

InputsConnectors: Female XLR and 1/4'' TRS (Pin 2

and tip hot)Type: Electronically balanced/unbalanced,

RF filteredImpedance: Balanced >18 k½, unbalanced >9 k½Max Input Level: +24 dBu balanced or unbalancedCMRR: >40 dB, typically >55 dB at 1 kHzInput Gain Range: -° to +16 dBMIDI: 5-Pin DIN MIDI Input Jack

OutputsConnectors: Male XLR and 1/4'' TRS (Pin 2 and

tip hot)Type: Servo-balanced/unbalanced, RF

filteredImpedance: Balanced 120 ½, unbalanced 60 ½Max Output Level: >+21dBu balanced/unbalanced into

2k½ or greater>+20dBm balanced/unbalanced (into600½)

Output Gain Range: -° to +16 dBMIDI: 5-Pin DIN MIDI Out/Thru Jack

A-D System PerformanceA-D Conversion: 24-bit, dbx Type IVª Conversion

SystemConvertor DynamicRange: 114 dB typical, A-weighted, 22 kHz

bandwidth112 dB typical, unweighted, 22 kHzbandwidth

Type IVª Up to 127 dB with transient material, Dynamic Range: A-weighted, 22 kHz bandwidth

Up to 125 dB with transient material,unweighted, 22 kHz bandwidthTypically 119 dB with program mate-rial, A-weighted, 22 kHz bandwidthTypically 117 dB with program mate-rial, unweighted, 22 kHz bandwidth

THD+Noise: 0.002% typical at +4 dBu, 1 kHz,input gain at 0 dB

Frequency Response: 20 Hz to 20 kHz, +0/-0.5 dBInterchannel Crosstalk: < -85 dB at 1 kHz, input gain at 0 dB

D-A System PerformanceD-A Conversion: 24-bitDynamic Range: 115 dB typical, A-weighted, 22 kHz

bandwidth112 dB typical, unweighted, 22 kHzbandwidth

THD+Noise: 0.002% typical at +4 dBu, 1 kHz,output gain at 0 dB

Frequency Response: 20 Hz to 20 kHz, +0/-0.5 dBInterchannel Crosstalk: < -85 dB at 1 kHz, output gain

at 0 dB

Power Supply:Operating Voltage: 100-240 VAC 50/60 HzPower Consumption: 24 wattsPhysical:Dimensions: 1.75''Hx10''Dx19''WWeight: 7.14 lbs. (3.24 kg)Shipping Weight: 10 lbs (4.40 kg)

Once again, the industry leader in dynamics

processing has redefined the standard of audio

excellence for which all others are certain to follow.

The dbx is the first studio

mastering tool that offers sampling rates up to

96kHz, with a true 48 bit digital signal path, as well as

the legendary dbx dynamics processing which has

been the industry forerunner for more than 25 years.

The dbx Quantum’s intuitive operating system allows

you convenient access to the most powerful

mastering tool ever produced. The patent-pending

dbx Conversion System allows you to

retain the warmth and body of the analog signal,

while adding punch, depth and focus. By utilizing dbx’s

proprietary Tape Saturation Emulation, the

dbx Quantum retains the original warmth of analog

recording, while delivering the digital clarity and

versatility required in today’s digital world of music

production and mastering. The dbx Quantum also

offers dbx’s patented dynamics processing in a 4 band

multiband system. The 4 way crossover splits the

signal into 4 bands which then may be individually

gated, compressed, and limited. This uncompromising

quality and flexibility combined, make the dbx

Quantum the ideal tool of choice for any

recording application.

TSE™

Type IV™

Quantum

SPECIFICATIONS

¨�

Quantum Digital Multi-Band Processor

¨�

Page 2: Quantum Digital Multi-Band Processorvaly.1ka.eu/DIY/soundsystem/_upload_by_VeeHell/ftp.dbx.com/Spec_… · The dbx is the first studio mastering tool that offers sampling rates up

�̈

Quantum Digital Multi-Band Processor Quantum Sample Applications

• 96 kHz, 24 bit A/D, D/A, and Digital I/O on AES/EBU

or S/PDIF formats

• 48 bit internal signal path for increased head room

and low level resolution

• Type IV™ A/D Conversion system with TSE™

• 4 band stereo compressor-gate-limiter

• 5 band EQ – Hi and Lo shelves, 3 band fully parametric

• Normalizer – lets you control the overall level of

signal dynamics

• Stereo adjust – allows you to control the

stereo image

• Sync input/output using dbx’s own

proprietary clock chips for extremely low jitter sync

• Dither outputs to 16, 20, or 24 bits

• Sample rate conversion

• Software updateable via Internet and MIDI

• Dual-mono or stereo operation

Analog Mastering Analog Mixing

SHAPEDITHER

586Dual VacuumTube Preamp

INSERT

METER SOURCE

DRIVEdB-10

+15

+25(LINE 0dB)

+60

+30

LOWdB-15

0

+15

PHASE LOW CUT+48V

MIDdB-15

0

+15

FREQUENCYdB100

200

1k

8k

4k

NARROW

HIGHdB-15

0

+15

LINE

INSERT EQ

LEVELdB-15

0

+15

PeakPlusTHRESHOLD

dB0

+5

+10

Off

+20

+15

PAD

Off: None Off: NoneGreen: TPDF Green: Shape 1Red: SNR2 Red: Shape 2

TYPE IVCONVERSION SYSTEM

DRIVE OUTPUT

LIMIT

CLIP

CHANNEL ONE

20107 5 3 0 3+-

¨

DECIBELS-15-20 -10-25 -5

-30 0

INSERT

METER SOURCE

DRIVEdB-10

+15

+25(LINE 0dB)

+60

+30

LOWdB-15

0

+15

PHASE LOW CUT+48V

MIDdB-15

0

+15

FREQUENCYdB100

200

1k

8k

4k

NARROW

HIGHdB-15

0

+15

LINE

INSERT EQ

LEVELdB-15

0

+15

PeakPlusTHRESHOLD

dB0

+5

+10

Off

+20

+15

PAD DRIVE OUTPUT

LIMIT

CLIP

CHANNEL TWO

20107 5 3 0 3+-

¨

DECIBELS-15-20 -10-25 -5

-30 0

Analog Tracking

SHAPEDITHER

586Dual VacuumTube Preamp

INSERT

METER SOURCE

DRIVEdB-10

+15

+25(LINE 0dB)

+60

+30

LOWdB-15

0

+15

PHASE LOW CUT+48V

MIDdB-15

0

+15

FREQUENCYdB100

200

1k

8k

4k

NARROW

HIGHdB-15

0

+15

LINE

INSERT EQ

LEVELdB-15

0

+15

PeakPlusTHRESHOLD

dB0

+5

+10

Off

+20

+15

PAD

Off: None Off: NoneGreen: TPDF Green: Shape 1Red: SNR2 Red: Shape 2

TYPE IVCONVERSION SYSTEM

DRIVE OUTPUT

LIMIT

CLIP

CHANNEL ONE

20107 5 3 0 3+-

¨

DECIBELS-15-20 -10-25 -5

-30 0

INSERT

METER SOURCE

DRIVEdB-10

+15

+25(LINE 0dB)

+60

+30

LOWdB-15

0

+15

PHASE LOW CUT+48V

MIDdB-15

0

+15

FREQUENCYdB100

200

1k

8k

4k

NARROW

HIGHdB-15

0

+15

LINE

INSERT EQ

LEVELdB-15

0

+15

PeakPlusTHRESHOLD

dB0

+5

+10

Off

+20

+15

PAD DRIVE OUTPUT

LIMIT

CLIP

CHANNEL TWO

20107 5 3 0 3+-

¨

DECIBELS-15-20 -10-25 -5

-30 0

Analog to Digital Converter DAW to DAT

Digital Mastering Digital Mixing Digital Tracking Sample Rate Conversion

Digital Multi-Band Processor

QUANTUM