questioning the everyday
TRANSCRIPT
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Questioning the Everyday
AS2/Datuin
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Whose everyday?
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where? Who? What is the everyday? Why do we need to study the everyday?
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What does public mean?
How does one move in public
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Walking
Do these ways of walking have any meaning, or is it
just random or erfun!tory? "s there a different way of walking in u#li!? What are the fa!tors that affe!t walking a!e,
osture, style $eg walking %ui!kly, shuffling, strolling,
striding urosefully&?
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Walking in public
space constraints andboundaries(steps, balustrades, walls,terrain),
walking in groups or alone, purpose (walking to class, dorm, cafe,
etc)
Mood clothing, gender, profession, etc
rue self? !nguarded moments? "when #ou took their photos?
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Whose ever#da#?
What is the ever#da#?
Whereistheever#da#
Who?
How?
Wh#?
*sk +uestions
othing is self"evident
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-efebvre. what is left over afterdistinct, superior, speciali/edactivities have been singled out
0reud. the realm of the conscious visthe previousl# hidden (unconscious,traumatic memor#)
Mar. ideolog# as illusion
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1ultural 2tudies ($e 1erteau).subcultural resistance
0oucault. repetitive practices thatinstill a sense of disciplinar# self andoperationali/ed through institutionalarrangements
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3articular
*genc#
perience&feelings
4esistance
Microanal#sis
5eneral
2tructure 6nstitutions&$iscourse
3ower Macro
anthropolog#
0oucault, Mar
ps#choanal#sis
subculture
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6ntractable, not open todirect observation.
0orm or grammar
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WH* $7 87! 2?
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0ront
picture
9ack
writing9lurring of 5enre
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$e%ne 1ar
* car is a wingless aircraft that
crawls along the ground
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Would su:ce and manufacture ;cakes of toilet soap
nough iron to make a medium
si/ed nail 2ugar to sweeten a cup of co>
matches Magnesium would furnish the light
needed to take a photograph
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0at
;
6ron
2ugar
3hosphorus
=,=>>
Magnesium
!nusable amount ofpotassium and sulfur
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Viktor Shklovskydeclared, "Thetechnique of art isto make objects'unfamiliar' . . .
to increase thedifficulty andlength of perception
because the processof perception is anaesthetic end initself and must be
prolonged.
!reak of ay#, $ernando %. &campo
()*, &il on +anvas
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Magrittehe Human1ondition
hat is real-#
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'igher (rder )hinking)hrough Art
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sensing
making sense
#eyond !ommon sense
*loom+s )aonomy
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1reativit# is not a skill but the highestform of thinking, knowing learning
1reativit# 'uestions and generates newideas and wa#s of looking, eg theever#da#
1reativit# is not the monopol# of artists
1reativit# manifests in all forms of art
1reativit# and art make the ever#da#strange@gives form to the ever#da#
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)hank you
AS2/Datuin/)erm-/2.-02.-1