radicalotherness10 full score
DESCRIPTION
ÂTRANSCRIPT
for flute, clarinet in B-flat, piano, violin and cello
radicalOtherness
2014
Rhythms must be played precisely; If not, most of the "cause and effect" relationships won't be
audible! Example: bar 18, pizzicati are one 16th note apart and cause the clarient's multiphonic.
Dynamic balance is also crucial in the piece. Except far harmonics where the dynamics are
increased one level, all the dynamics are based on the results, regardless to the playing techniques.
Dynamics in brackets are used for reminding players, in which dynamic they are currently
playing. It means that there is no change in dynamic.
"balance", "foreground", "background" and "NOT foreground" are used to indicate the
hierarchy between the voices.
Pizzicati: Strings pizzicati should be always in foreground but balanced with other instruments!!
They create structures with piano's similar punctuations! Example: bars 49-50 and 61.
Glissandi: Clarinet and Flute Glissandi should be played continuously and in the foreground!
Melody: Violin lines shouldn't sound like melody! They should sound noisy and balanced with
other instruments.
" " means that the sound should stop suddenly and simultaneously with the other instruments,
in order to create a stronger effect of suddenly cessation. This is a kind of reversed attack like one
hears in acousmatic music.
Trill: Small note heads in brackets show, with which tone the trills are to be played. In some
passages, intervals are stable; whether quarter tone or larger intervals. In other cases, intervals vary
over the time like a glissando.
Irr. trill: In page 34, two small note heads can be seen next to the main notes with a verbal
explonation "irr. trill". This means that all three notes have to be played irregulary in different
combinations.
Tremolo: There are sometimes arrows between 16th note tremolo and 32nd note or vice versa.
These represent continuous changes of tremolo-speed.
Quarter tones symbols are as follows:
one quarter tone higher one quarter tone lower
semi tone higher semi tone lower
three quarter tone higher three quarter tone lower
the vertical arrows show whether simultaneously occuring instances such as entries or pauses or
they show rhythmic structures distributed to diffrent instruments and also relationships between
sonic events. 16th note, 8th note, quintuplet and triplet rhythms are indicated with beams. Longer
and dotted distances are indicated with notevalues over the beams.
2
Instructions
GENERAL
Ordinario with key cliks
Key click noises should be audible during ordinario playing. It is shown with a "+" sign over the
head of the note.
Flutter tongue
There are two different notation for flutter tongue which indicate the speed. 32nd note tremolo is
slower than the unmeasured "z" symbol. They are often combined with multiphonics.
Multiphonics
For flute multiphonics I used Carin Levine's and Christina Mitropoulos-Bott's "The Techniqus of
Flute Playing".
For clarinet multiphonics I used also two references. Gerald Farmer's "Multiphonics and Other
Contemporary Clarinet Techniques" and the Phillip Rehfeldt's "New Directions for Clarinet"
Sing and Play
It might be sometimes difficult to find the exact pitches which have to be sang. The player can play
the tone in "pppp" dynamic right before singing, in order to find the right pitch. If it becomes too
difficult to sing and play at the same time with the exact pitches, the player should give the
importance to the playing part. It is kind of "frequency molutation" where ordinario played notes
are coloured by singing part. There are two different notation for ties in the sung notes. The most
common one is beam connects two notes, the other is a regular tie, since the singing and playing
parts are very close to each other, as in bars 31-34.
Pitch Vibrato
They are used in different combinations. Sometimes they develop from non to molto vibrato and
from narrow to wide vibrato. In other passages, they are just alternations between wide and narrow
vibrato.
Slap tongue
It is called pizzicato for flute.
woodwinds general
conductor
Playing with Fingers
play with fingertip (fewer overtones, dark)
play with fingernail (more overtones, bright)
For all the notes which are played inside on the piano, the angular note heads are used.
Prepared Forks
Prepare the forks on the given strings before the performance. From bar 35 on, forks are
to be removed from indicated strings. The player need not remove them immediately, but
as soon as possible, meaning that all the forks must be removed by bar 60. Cross note
heads are used for this preparation. For the first 4 low strings, metal hair clips should be
used.
with fork prepared
take the fork away
3
Clarflute
It is a technique where clarinet is played like a flute. The mouthpiece is taken away and the clarinet is
played at a 45 degree angle.
video of this technique:
http://www.youtube.com/watch?v=i3YnDH59pEY
"slow jet w." and "whistle tone" imitations are part of the clarflute technique, where the clarinet player
tries to produce sounds which are similar to flute sounds.
Bow Pressures
There are four different bow pressure levels as follows:
Both over pressure levels have to contain the written
pitch as a component of noisy sound.!!!
clarinet
strings
Slow Jet Whistle
This has the charecter of jet whistle and overtone swap. However, it is slower means longer than
normal jet whistle. Therefore, it sounds more like a glissando with an airy tone, which can be heard at
this link: it is the second sound in the jet whistle example.
http://www.larrykrantz.com/et/et.htm#Jet
Air vs. Tone
There are passages where flute goes from "air" to "ord." and vice versa. "air" means that the sound
has lots of air-noise components but the pitch can still be perceived, whereas the "ord." is ordinary
playing. For airy sounds angular note heads are used.
Left Hand Pressure
There are three different kind of left hand pressure as follows:
ord.
half pressure
normal pressure
little over pressure
over pressure
light touch for harmonics
half pressure
normal pressure
flute
Seagull Effect
The interval of fingers should be kept
constant.
Col legno Tratto
It should be played with half bow hair
and half wood.
String key
Each space of staff denotes a different string of
the cello. They show on which string the player
should play.
Bow Location
There are six different bow location in this piece, which are as follows: "est." for extreme sul
tasto, "st." for sul tasto, "ord." for ordinario, "sp." for sul ponticello, "esp." extreme sul
ponticello, "bb." behind the bridge.
Sub Harmonic
Only the octave sub harmonics are here used. They should be played with an extremely slow
bow and light bow pressure. This can be seen here:
http://www.youtube.com/watch?v=G0dgtW49wNs
piano
Playing with Plectrum
It is kind of pizzicato sound,
which is played with a
plectrum.
Spiccato
Bow bounces upon the string.
Col legno Battuto
It is shown as "clb".
Plectrum
Place the plectron somewhere, where you can easily pick it up. There are passages, where one
or two notes have to be played at the same time. The player has to play the given pitches
inside of the piano with plectrums. The strings could be marked with colors before the
performance in order to find the correct pitches easily. If there is not enough time to change,
just play them on the keyboard.
with plectrum
put the plectrum away
Right Pedal
There are 3 different levels of pedal used in this piece. 1/2 pedal, 2/3 pedal and full pedal.
With 1/2 pedal has to make the sound sustain but still as secco as possible. 2/3 pedal is
between full pedal and half pedal terms of a sound quality.
Sostenuteto Pedal
As can be seen at the beginning of the piece, sostenuto pedal is used to let only the played
string vibrate.
Harmonics
On the bars 5-7 there are overtones of the A1 string. The player has to play the A1 string
on the keybord while touching the proper harmonic nodes inside of the piano. It is crucial
to mark the nodes before the performance in order to find them easily. The notes in the
brackets indicate the pitches that should be heard.
Vertical Glissando
The player has to scratch the given sting vertically and continuously with a plectrum.
Cluster Chords
All chromatic tones should be played between the given notes on the keyboard.
Horizontal Glissando
All chromatic tones should be played between the given notes with a plectrum inside the
piano towards the given direction.
4
Dampened Strings
During the performance prior this passage, the player should place a wood block on the strings: The
wood block needs to be a minor 6th long and it should be placed between G4 to Eb5. Moreover the
wood block should be neither too heavy nor too light. It should change the sound chracter but it
shouldn't dampen the sound too much. The strings must be free to vibrate. Special note heads are used
for this sound. If it is not possible to damp Eb5 with this block, because of the construction of the
piano, you can use hairclip for Eb5.
Flute
Clarinet
in Bb
Piano
Violin
Cello
7
8
2
4
5
8
7
8
2
4
5
8
7
8
2
4
5
8
7
8
2
4
5
8
7
8
2
4
5
8
ppp
balance
pp ppp pp
"slow jet w."
only air, supported by chromatic fingering
pp
3
3
q=64
radicalOtherness
for flute, clarinet in B-flat, piano, violin and cello
2014
ppp
sos ped.
ppp
inside the piano
play tremolo with index and middle fingers
pp
balance
pppp
touch the harmonic nodes
on the below indicated string
play on the keyboard
loco
sul A1
ppp
G
3.
3
G
4.
5.
G
sul E2
4.
G
sul G2
4.
3
G
sul A2
4.
3
3
(flautando)
ppp
est.
NOT foreground
pp
st.
ppp
est.
pp
sul A
harmonic gliss
(flautando)
ppp
ord.
3
pp
ord.
ppp
sp.
5
5
5
q=64
harmonic gliss
balance
sul A
ppp
ord.
st.
pp
ord.
ppp
(flautando)
pp
ord.
sp.
in C
air with very little pitch components
5
Fl.
Cl.
Pno.
Vln.
Vc.
8
5
8
3
4
5
8
3
4
5
8
3
4
5
8
3
4
5
8
3
4
ppp
"slow jet w."
only air, supported by chromatic fingering
pp
3
ppp
ppppp
pp
3
pp ppp
flutter tongue
pp
ppp
ppp
3
sos ped.
ppp
pp
ppp
(flautando)
pp
est.
NOT foreground
st. est.
ppp
5
5
3
(flautando)
sul C
ppp
st.
pp
ord
ord
ppp
sp.
pp
air with very little pitch components
6
Fl.
Cl.
Pno.
Vln.
Vc.
14
9
8
7
8
2
4
3
8
9
8
7
8
2
4
3
8
9
8
7
8
2
4
3
8
9
8
7
8
2
4
3
8
9
8
7
8
2
4
3
8
ppppp
ppppp
pp
ppp
ord. with key clicks
NOT foreground
pp
3
5
36
flutter tongue
ppppp
pp
ppp
flutter tongue
pp
full
p
(metal forks prepared on given strings)
on keyboard
G
G
pp
G G
G G
pp
G
G
take the prectrum
3
extremly slow bow
sub harmonic octave
st.
pp
pizz.
p
piu
arco
ppp
sub harmonic octave
extremly slow bow
st.
pizz.
p
pizz.
p
(flautando)
arco
pp
sp.
ppp
ord.
pp
st.
p
ord.
ord.
pizz.
pp
arco
3
airy sounds
as soft as possible
7
Fl.
Cl.
Pno.
Vln.
Vc.
20
3
8
2
4
3
8
2
4
3
8
2
4
3
8
2
4
3
8
2
4
ppp
7
3
ppp
pp
ord. with key clicks
NOT foreground
p
pp
p ppp
play
pp
foreground
flutter
tongue
7
7
7 7
pp
Play with plectum in the indicated passages.
Whenever it becomes impossible to take and
leave the plectum, play those pitches on the
keyboard.
G
G G G
1/2
pp
G
G
on keyboard
1/2
[pp]
inside the piano
p
G
(flautando)
arco
ppp
est.
NOT foreground
st.
ppppp
est. st.
pp
optional [
[pp]
sp.
ord.
p
st.
ppp
5
5
(flautando)
ppp
sp.ord.
pp
ord.
ppp
st.
pp
est. pizz.
[pp]
[pizz.]
short gliss
pp
8
Fl.
Cl.
Pno.
Vln.
Vc.
ppp
26
ppp
7
8
2
4
7
8
2
4
7
8
2
4
7
8
2
4
7
8
2
4
ord. with key clicks
NOT foreground
pp
pp
p
play
sing
sing & play
pp
36
6
p
sing & play
play
sing
ppp
ppp
1/2
p
G
G
p
pp
G
full
G G
5
ord.
ord.
p
sub.
pp
[ord]
[ord]
ppp
esp.
NOT foreground
sp. ord. sp.
p
ord.
pizz.
pp
[pizz.]
p
5
5
5
p
arco
"pp"
extremly slow bow
sub harmonic octave
st.
pp
sp. ord.
ord.
p
9
Fl.
Cl.
Pno.
Vln.
Vc.
32
5
8
5
8
5
8
5
8
5
8
ppp
3
4
--
2
3
4
p pp
sing & play
pp
play
sing
p ppp
flutter tongue
p
5
1/2
pp
ppp
1/2
p
5
G
take the forks away
from d#2, c#3
from this point on, the pianist should begin
to remove the indicated forks and hair clips
G
pp
p
take the plectron
55
5
5
[pizz.]
p
[optional]
arco
ppp
ord.
NOT foreground
esp.
ord.
pp
sp.ord.
p
ord. sp. ord.
5 7
7
3
st.
pp
ord.
p
sub harmonic octave
extremly slow bow
st.
10
Fl.
Cl.
Pno.
Vln.
Vc.
37
3
4
3
4
3
4
3
4
3
4
slow jet w.
ppp
pp
sing & play
sing
play
ppp pp
p
ppp
take the mouthpiece out!!!
p
G
G
play the lower pitch with fingertip
G
[p]
play the lower pitch with fingertip
p
1/2
5
G
on keyboard
G
on keyboard ord.
pp
5
1/2
5
5
5
ord.
ord.
pp
ord.
p pp p
ord.
esp.
ord.
sp.
pp
5
ord.
p
ord.
sp.
ppp
7
sul G
pp
ord.
p
est.
pizz.
p
pp
p
arco
pp
sp.
p
ord.
pp
ord.
11
Fl.
Cl.
Pno.
Vln.
Vc.
41
3
8
3
8
3
8
3
8
3
8
ppp
slow jet w.
ppp
p ppp
ppppp
ppppp
5
If you can't play clarflute,
you can replace it with air
sound with pitch. You
should play it with the
mouthpiece then.
ppp
without mouthpiece
p
GG
take the forks away
from f1, f#2, g3, b4
sos ped
ppp
inside the piano
pp
take a plectrum
play the lower pitch with fingertip
[pp]
ppp
pp
p
5
pp
sub harmonic octave
extremly slow bow
st.
pizz.
p
[p]
arco
ppp
sp.
3
ord.
pp
3
5
p
ord.
sp.
ppp
ppp
sp.
pp
ord.
ppp
st.
pp
pizz.
p
arco
est.
ppp
3
ppppp
pizz.
p
whistle tones
(4th octave fingering)
ClarFlute
12
Fl.
Cl.
Pno.
Vln.
Vc.
46
3
8
2
4
3
8
2
4
3
8
2
4
3
8
2
4
3
8
2
4
ppp p ppp
pppp
ppp
3
3 3
OSSIA
air sound gliss.
ppp pppp
pp
ppppp
whistle tone imitation
pp ppp
"jet w." imitation
p
ppppp
ppppp
2
3 5
5
5
7
sos ped.
ppp
3
p
ppp
1/2
pp
G
on keyboard
p
G
G
[p]
1/2
take the forks away
from d3, bb3, c1
GG
on keyboard ord.
pp
1/2
3
ppp
ord.
ord.
p
sp.
ppp
pizz.
p
3 3
arco
ppp
sp.
ord.
ord.
p
sp.
ppp
ord.
pizz.
p
p
13
Fl.
Cl.
Pno.
Vln.
Vc.
accel.
52
accel.
7
8
2
4
7
8
2
4
7
8
2
4
7
8
2
4
7
8
2
4
slow jet w.
p ppp
p
sing & play
ppp
pp ppp pp
3
ppp
3
3
3
p
33
3
3
3
ppp p ppppp
ppp
put the mouthpiece on!!!
7
5
55
5
G
p
G
sos ped.
G
inside the piano
ppp
pp
ppp
ppppp
on keyboard ord.
p
7
pizz.
ppp
Play with all four fingers of the right hamd.
Don't break the chord. No Arpeggio!!
pizz.
sfz
sfz
ppp pp
arco
ppp
ord.
ord.
sp.ord.
3
3
14
Fl.
Cl.
Pno.
Vln.
Vc.
57
2
4
7
8
5
8
2
4
7
8
5
8
2
4
7
8
5
8
7
8
5
8
2
4
7
8
5
8
2
4
7
8
5
8
slow jet w.
ppp
pp mp p
mp
wait until
reverberation is weak
pppp
more air than pitch
ppp pppp pppp
non vibrato
background
foreground
3
3
5
3
q=106 q=76
pppp
background
alternating between wide
and narrow pitch vib.
ppp
pppp
inside the piano
pp
p
mp
on keyboard ord.
p
ppp
3
3
pppp
p
pppp
3
p
sfz
sfz
mp
sfz
[pizz.]
foreground
3
"p"
3
optional [
arco
ppp
background
3
3
q=106 q=76
p
ord.
sp.
Play with all four fingers of the right hamd.
Don't break the chord. No Arpeggio!!
mp
pizz.
sfz sfz
[pizz.]
foreground
"p"
5
3
3
15
Fl.
Cl.
Pno.
Vln.
Vc.
63
5
8
7
8
2
4
5
4
5
8
7
8
2
4
5
4
5
8
7
8
2
4
5
4
5
8
7
8
2
4
5
4
5
8
7
8
2
4
5
4
5
8
7
8
2
4
5
4
alternating between wide
and narrow pitch vib.
background
pp
ppp
p
ppp
non vibrato
foreground
pp
ppp
non vibrato
foreground
pp
ppp p
ppp
foreground
p
ppp
p
pp
57
p
1/2
G G
G G
ppp
full
G G
G
p
pp
p
3
3
3
p
pp
5
pizz.
pp
5
5
"pp"
[optional]
arco
p
background
pppp
ppppp
ppp
5
5
[pizz.]
"pp"
pp
p
[pizz.]
p ppppp
ppp
with plectrum
5
5
3
5
16
Fl.
Cl.
Pno.
Vln.
Vc.
67
5
4
2
4
5
4
9
8
4
4
7
8
5
4
2
4
5
4
9
8
4
4
7
8
5
4
2
4
5
4
9
8
4
4
7
8
5
4
2
4
5
4
9
8
4
4
7
8
5
4
2
4
5
4
9
8
4
4
7
8
5
4
2
4
5
4
9
8
4
4
7
8
pp
mp
pp ppp
pp
p
ppp
non vib.
pp
pp
mp
ppp
foreground
ppp
ppp pp
mp
on the keyboard
p
sos ped.
pppp
inside the piano
ppp
pppp
pp
sos ped.
p
p
3
mp
pppp
non vibrato
st. ord.
pp
alternating between
wide and narrow vib.
p
non vib.
pppp
mp
[pizz.]
p
pp
arco
alternating between
wide and narrow vib.
pp
p
ppp
ord.
ord.
sp
p
whistle tones
(high register fingering) 17
Fl.
Cl.
Pno.
Vln.
Vc.
72
7
8
3
4
3
8
3
4
7
8
3
4
3
8
3
4
7
8
3
4
3
8
3
4
7
8
3
4
3
8
3
4
7
8
3
4
3
8
3
4
7
8
3
4
3
8
3
4
[pp]
ppp
alternating between wide
and narrow pitch vib.
pp
sing & play
p pp
ppp
alternating between wide
and narrow pitch vib.
pp
sing & play
ppp
p
pp
sing & play
[pp] p
mp
3
ppp
pp p
pp
full
pp
3
3
3
ppppp
ord.
ord.
sp.
p
pp
ord.
p
ord.
pp
ppp
ord.
ord.
p
sp.
mf
ord.
control the dynamic of over pressre with
increasing and decreasing the bow speed.
pizz
pp
3
3
18
Fl.
Cl.
Pno.
Vln.
Vc.
76
3
4
2
4
3
4
9
8
3
4
2
4
3
4
9
8
3
4
2
4
3
4
9
8
3
4
2
4
3
4
9
8
3
4
2
4
3
4
9
8
3
4
2
4
3
4
9
8
sing & play
3
mp
3
mf
non vibrato
pp p
3
3
mpmf
non vibrato
pp
3
p
mp
3
mf
pp
mp
p
3
3
mp
1/2
articulate the first tones of trills
3
5
ord.
mp
mf
sp.
3
3
ord.
pp
3
p
p
arco
ord.
mp
mf
sp.
pp
ord.
p
3
19
Fl.
Cl.
Pno.
Vln.
Vc.
81
9
8
2
4
9
8
4
4
9
8
2
4
9
8
4
4
9
8
2
4
9
8
4
4
9
8
2
4
9
8
4
4
9
8
2
4
9
8
4
4
9
8
2
4
9
8
4
4
[ppp] don't be louder than vln. and vlc. !!
mp
ppp
p
mp mf
3
3
[ppp] don't be louder than vln. and vlc. !!
mp
p
3
pp p mp pp
3
mp
3
p pp
mp
mf
5
3
3
mp
3
mp
mp
3
[f] don't be quiter than fl. and cl. !!
mp
3
3
ppp
pmp
pizz.
3
mf
3
3
3
3
[f] don't be quiter than fl. and cl. !!
mpp pp
pizz.
mf
3
3
3
20
Fl.
Cl.
Pno.
Vln.
Vc.
86
3
8
4
4
3
8
4
4
3
8
4
4
3
8
4
4
3
8
4
4
3
8
4
4
[p]pp
more air than pitch
ppp
ppmf
pp
more air than pitch
p
3
pp
mf
p
pp
ppp
mp
G
p
G
G
mp
mf
G
G
mp
3
3
3
5
mf
1/2full
p
G G
GG
mf
mp
1/2
G
p
p
1/2
3
3
[pizz.]
mp
sfz
3
5
p
5
5
"p"
arco
ppp pp
3 3
5 5
[pizz.]
mp
sfz
p
"p"
arco
ppp pp
3
3
5
5
21
Fl.
Cl.
Pno.
Vln.
Vc.
91
7
8
7
8
7
8
7
8
7
8
7
8
pp
pp
play & sing
p
sub.pp
ppp
pp
q=76
pp
pp
play & sing
p
sub.pp
ppp
GG
mp
3
G G
G
p
G G
G
mp
mf
3
mf
mp
G
1/2
G G
2/3
G
p
G
2/3
G
2/3
G
mp
3
5
sul E
arco.
mp
seagull effect
keep the interval of handhold always the same
p
pizz.
sfz sfz
arco
p
pp
pizz.
5
"mp"3
pizz.
mf
3
f
sfz
sul A
arco
seagull effect
p
keep the interval of handhold always the same
3
3
33
22
Fl.
Cl.
Pno.
Vln.
Vc.
95
3
4
5
4
3
4
3
4
5
4
3
4
3
4
5
4
3
4
3
4
5
4
3
4
3
4
5
4
3
4
3
4
5
4
3
4
ppp
ppp
non vibrato
soft marcato
soft marcato
pp
non vibrato
ppp
pitch vibrato
pp
non vibrato
ppp
soft marcato
pp
pitch vibrato
non vibrato
ppp
5
mp
p
take a plectron
Acciaccatura
on the keyboard
inside the piano
with plectron
sfz
GG
sfz
5
mf
5
full
G
mf
5
5
ppp
arco.
non vibrato
pppppp
ppp
pitch vibrato
non vibrato
55
pp
pizz.
sfz
ppp
arco.
non vibrato
pppp ppppp
non vibrato
pitch vibrato
23
Fl.
Cl.
Pno.
Vln.
Vc.
102
4
4
3
8
4
4
4
4
3
8
4
4
4
4
3
8
4
4
4
4
3
8
4
4
4
4
3
8
4
4
4
4
3
8
4
4
molto vibrato
mp
non vibrato
ppp
pitch vibrato
poco vibrato
non vibrato poco vibrato
molto vibrato
mp
poco vibrato
ppp
pitch vibrato
non vibrato
ppp
ppp
molto vibrato
mp
ppp
non vibrato
pitch vibrato
poco vibrato non vibrato
poco vibrato
molto vibrato
mp
non vibrato
pp
pitch vibrato
poco vibrato non vibrato
24
Fl.
Cl.
Pno.
Vln.
Vc.
110
7
8
2
4
4
4
9
8
6
8
7
8
2
4
4
4
9
8
6
8
7
8
2
4
4
4
9
8
6
8
7
8
2
4
4
4
9
8
6
8
7
8
2
4
4
4
9
8
6
8
7
8
2
4
4
4
9
8
6
8
non vibratopoco vibrato
pp
[pp]
poco vibrato
molto vibrato
mp
non vibrato
pp
mp
pp
q=76
poco vibrato
non vibrato
pp
[pp]
poco vibrato
molto vibrato
mp
ppp
non vibrato
p pp
pp
p
p
mp
take a second plectron
play the lower pitch
with fingertip
mf
sfz
sfz
sos ped.
ppp
non vibrato
pp
p[p]
poco vibrato
molto vibrato
mp
keep the dynmic same as a result and don't be softer than winds
non vibrato
mp
pp
p
poco vibrato
mp
[mp]
poco vibrato
molto vibrato
mf
non vibrato
keep the dynmic same as a result and don't be softer than winds
pppmp
pp
25
Fl.
Cl.
Pno.
Vln.
Vc.
120
7
8
5
8
5
8
2
4
9
8
7
8
7
8
5
8
5
8
2
4
9
8
7
8
7
8
5
8
5
8
2
4
9
8
7
8
7
8
5
8
5
8
2
4
9
8
7
8
7
8
5
8
5
8
2
4
9
8
7
8
7
8
5
8
5
8
2
4
9
8
7
8
pmp
air
p
ord.
pp
p
3
5
pmp
ppp
3
sfz
sfz
sfz
sfz
sfz sfz
on the keyboard
G
p
G
G
p
G
2 2 2
3
5
pmp
p
G
G
G G
3
5
control the dynamic of over pressre with
increasing and decreasing the bow speed.
sp.
ord pres.
ord.
p
ord.
mp
sp.
pizz.
3
"p"
3
mp
35
5
3
5
5
ord.
ord.
p
mp
sp.
pizz.
"p"
mp
3
3
3
5
26
Fl.
Cl.
Pno.
Vln.
Vc.
128
7
8
9
8
3
4
5
4
7
8
9
8
3
4
5
4
7
8
9
8
3
4
5
4
7
8
9
8
3
4
5
4
7
8
9
8
3
4
5
4
7
8
9
8
3
4
5
4
ppp
ord.
p
air
pp p
ord. air
pp
pp ppp
https://www.youtube.com/watch?v=eQqOPDoSbqU
mf
slap tongue
3
[mf]
[p]
3
3
mf
mp
inside the piano
G
take two plectrons
play the lower pitch
with fingertip
G
mp
G
pp
p
G
mp
3
G
G
G
inside the piano
vertical gliss.
G
play only the given sting vertically
and continuously with a plectrum
pp
3
p pp
3
arco.
pp
ord.
ord.
s.p.
p
pp
with plectrum
p
pizz.
mp
3
3
arco
p
ord.
s.p.
3
arco.
ord.
ord.
pp
p
s.p.
with plectrum
pp
p
mp
pp
with plectrum
3
3
3
27
Fl.
Cl.
Pno.
Vln.
Vc.
134
3
4
3
4
3
4
3
4
3
4
3
4
pizz.
mp
mf
air
mpp
non vib.
mf
ord.
p
sfz
pizz.
mf
mf
ord.
3
3
3
mf
mpp
mf mp
mf
slap tongue
f
mf
3
3
f
G
G
mp
mf
sfz
3
G G
mp
f
3
3
3
G
mp
GG
G
mp
pizz.
mf
c.l.b.
[mf]
spiccato ord.
p
mp
sp
ord. pres.
ord.
p
c.l.b.
mp
3
5
5
mp
mp
pizz.
f
mf
spiccato
c.l.b.
mp
mp
sp
3
ord. pres.
ord.
p
spiccato
mp
3
3
3
5
28
Fl.
Cl.
Pno.
Vln.
Vc.
138
6
4
4
4
6
4
3
4
3
4
6
4
4
4
6
4
3
4
3
4
6
4
4
4
6
4
3
4
3
4
6
4
4
4
6
4
3
4
3
4
6
4
4
4
6
4
3
4
3
4
6
4
4
4
6
4
3
4
3
4
air
pp
"jet w."
mpmf mp
mf mp
mf
pp
ord
mp
air
5
pp
mp
mf
mp
5
mf
G
mp
mf
take two plectrons
play the lower pitch
with fingertip
f
sfz
3
inside the piano
vertical gliss.
3
mf
pizz.
mp mf
arco
mp mf
s.p. ord.
ppmp
s.p.
3
3
mf
mp
arco
sul A
mp
ord.
sp
mfmp mf
ord.
pizz.
mp
mf
arco
s.p.
mp mf
ord.
ord.
5
3
3
29
Fl.
Cl.
Pno.
Vln.
Vc.
143
3
4
4
4
3
4
2
4
4
4
3
4
3
4
4
4
3
4
2
4
4
4
3
4
3
4
4
4
3
4
2
4
4
4
3
4
3
4
4
4
3
4
2
4
4
4
3
4
3
4
4
4
3
4
2
4
4
4
3
4
3
4
4
4
3
4
2
4
4
4
3
4
mf
ord
p mp
mf
[mf]
foreground
mp
background
mf
[mf]
foreground
mp
3
mf pmp
mf
sub.
p
background
mf
p
3
mf
5
p
mp
p
mf
p
mp
3
3
5
mf
s.t.
mp
ord.
ord. pres.
mf
s.p.
sub.
ord.
p
make a gliss with the trill interval.
mf
ord.
ord. pres
p
mf
mp
mf
s.p.
mp
ord.
s.p.
mf
ord.
arco
ord.
mpmf
s.t.
ord.
mp
mf
ord.
mp
make a gliss with the trill interval.
ord.
ord. pres
mf
30
Fl.
Cl.
Pno.
Vln.
Vc.
149
3
4
3
4
4
4
7
8
3
8
3
4
3
4
4
4
7
8
3
8
3
4
3
4
4
4
7
8
3
8
3
4
3
4
4
4
7
8
3
8
3
4
3
4
4
4
7
8
3
8
3
4
3
4
4
4
7
8
3
8
mf
mp
p
slow jet w.
mf mpmf
mf
f
mf
foreground
f
mp mf
flutter tongue
mf fmf
mf
mp mf
GG
mp
mf
3
p
1/2
f
mp
G
G
mf
3
3
s.p.
mp
mf
ord.pres.
ord.
mp
sp.
ord. pres
ord.
mf
mf
mp
s.p.
mf
ord.
ord.pres.
mp
sp.
mf
ord. pres
ord.
pizz.
3
3
31
Fl.
Cl.
Pno.
Vln.
Vc.
154
3
8
4
4
3
8
4
4
3
8
4
4
3
8
4
4
3
8
4
4
3
8
4
4
mf
f
ff
mf
f
f
mf
f mff
mf
f
mf
3
3
mp mf
mf
f
1/2
fmf
sp
f
sfz
arco.
mf
sp
32
Fl.
Cl.
Pno.
Vln.
Vc.
156
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
ff f
f
mf
f
take a plectron.
full
ord.pres.
ord
fmf
ord. pres
ord.
f
sp
f
ord.pres.
ord.
mf
ord.
ord. pres
f
sp
irr.
irregular trill with the given notes
33
Fl.
Cl.
Pno.
Vln.
Vc.
159
3
4
3
8
5
8
3
4
3
8
3
4
9
8
2
4
3
4
3
8
5
8
3
4
3
8
3
4
9
8
2
4
3
4
3
8
5
8
3
4
3
8
3
4
9
8
2
4
3
4
3
8
5
8
3
4
3
8
3
4
9
8
2
4
3
4
3
8
5
8
3
4
3
8
3
4
9
8
2
4
3
4
3
8
5
8
3
4
3
8
3
4
9
8
2
4
irregular trill with the given notes
irr.
irr.
irr.
ff
irr.
irr.
fff
pp
irregular trill with the given notes
irr.
irr.
irr.
ff
irr.
irr.
fff pp
irr.
irregular trill with the given notes
irr.
ff
irr.
fff
ord.pres.
ord.
irr.
irregular trill with the given notes
irr.
irr.
ff
irr.
irr.
fff
ord.
ord.pres.
irr.
irr.
ff
fff
34
Fl.
Cl.
Pno.
Vln.
Vc.
q=68
169
q=68
4
4
4
4
4
4
4
4
4
4
4
4
[fff]
ff
fff
ff f
[fff] ff f ff
f
fff
[fff]
ff
[ff]
loco
fff
inside the piano
take two plectrons
G G
sfz
sfz
3
G
G G
inside the piano
f
slowly and equally
ff
ord.
ord.p.
[fff]
sp.
esp.
III
I
IV
II
bb.
ff
fff
ord.p.
ord.
ff
sp.
fff
ord.
ff
[fff]
ord.
ord.p.
sp.
esp.
III
I
IV
II
ff
bb.
fff
ord.p.
ord.sp. ord.
ff
sp.
fff
sp. ord.
ff
2
4
2
4
2
4
2
4
2
4
2
4
35
Fl.
Cl.
Pno.
Vln.
Vc.
173
3
8
3
4
2
4
3
8
3
4
2
4
3
8
3
4
2
4
3
8
3
4
2
4
3
8
3
4
2
4
3
8
3
4
2
4
ff
f
flutter tongue
fff
[f]
ord.
ff
f
ff
flutter tongue
f
G
on the keyboard
G
ff
G
f
[f]
3
G
mf
G
G
3
[ff]
sp.
f
esp.
III
I
IV
II
bb.
mf ff
pizz.
f
3
3
[ff]
sp.
f
esp.
III
I
IV
II
mf
bb.
ff
3
pizz.
f
3
3
36
Fl.
Cl.
Pno.
Vln.
Vc.
176
2
4
3
4
2
4
3
4
4
4
3
4
2
4
3
4
2
4
3
4
4
4
3
4
2
4
3
4
2
4
3
4
4
4
3
4
2
4
3
4
2
4
3
4
4
4
3
4
2
4
3
4
2
4
3
4
4
4
3
4
2
4
3
4
2
4
3
4
4
4
3
4
fff
ffmf
ffmf
ffmf f mf
ff
f
ff mfff
mff
mf
G
fff
GG G
sffz
sffz
take a plectrum
3 6 6 6
G
mff
G G
inside the piano
f
slowly and equally
ff
3
ff
3
sffz
arco
III
I
IV
II
mf
bb.
ff
fff
ord.pres.
sp.
ord.
ffff
sp.
f
3
3
ff
sffz
arco
III
I
II
IV
mf
bb.
ff
fff
ord.
ord.pres.
sp.
ffff
ord.
f
3
3
37
Fl.
Cl.
Pno.
Vln.
Vc.
181
3
4
5
8
3
4
7
8
3
4
5
8
3
4
7
8
3
4
5
8
3
4
7
8
3
4
5
8
3
4
7
8
3
4
5
8
3
4
7
8
3
4
5
8
3
4
7
8
ff
fff
sffz
foreground
f
balance
ff
fff
mp
background
balance
G
ff
f
fff
take a plectrum
play on the keyboard if there
is no time to take the plectrum
sffz
G
ff
ord.
ord. pres.
sp. esp.
f
III
I
IV
II
bb.
ff
mf
sp
ff
ord.
ord. pres.
sp.
esp.
f
III
I
IV
II
bb.
ff
mf
ord.
ord. pres.
38
Fl.
Cl.
Pno.
Vln.
Vc.
184
7
8
4
4
2
4
3
4
7
8
4
4
2
4
3
4
7
8
4
4
2
4
3
4
7
8
4
4
2
4
3
4
7
8
4
4
2
4
3
4
7
8
4
4
2
4
3
4
mf f
sffz
ff
f ff
7
fff
7
7
7
7
7
7
f
sffz
ff
7
f
fff ff
7
7
7
7
7
7
sffz
sffz
G G
ff
f
sffz
sffz
7
7
7
7
3
sffz
G G
G
ff
ord.
ord. pres.
ff
sp.
f ff
ord. press.
ord.
f
7
7
7
7
3
sp
ff
f
ff
ord. pres.
ord.
f
sp.
ff
ord. press.
ord.
f
7
7
7
7
7
3
39
Fl.
Cl.
Pno.
Vln.
Vc.
187
3
4
5
4
6
4
3
4
5
4
6
4
3
4
5
4
6
4
3
4
5
4
6
4
3
4
5
4
6
4
3
4
5
4
6
4
ff fff f ff mf
7
f
7
7
7
7
7
7
q=76
f
ff
f ff f
ff
7
mf
f
7
7
7
7
7
7
sffz
ff f
G
sffz
sffz
ff
mf f
mp
7
7
7
7
7
G
G
G
ff
sp.
ord. pres
f ff
ord.
ord. pres
f
ff
sp.
mf
ord. press
ord.
f
ord.
7
7
7
7
7
ord. pres
ff
ord.
sp.
f
ord.
ff
ord. pres
f
ff
sp.
ord. press
mf
ord.
f
7
7
7
7
7
40
Fl.
Cl.
Pno.
Vln.
Vc.
189
6
4
4
4
4
4
6
4
4
4
4
4
6
4
4
4
4
4
6
4
4
4
4
4
6
4
4
4
4
4
6
4
4
4
4
4
pmf
p
mfp
non vib.
[p]
6
p mf p f p
non vib.
[p]
6
6
6
sfz
sffz
sffz
take a plectrum
pp
mf
f
ord. pres.
st.
p
mf
ord.
mp
st.
ord. pres.
ord.
f
mf [mf]
p
st.
ord. pres.
mp
ord.
6
6
6
6
6
6
st.
ord. pres.
p
mf
ord.
mp
st.
f
ord. pres.
ord.
mf
ord. pres.
[mf]
ord.
st.
p
ord. pres.
mp
ord.
6
6
6
6
6
6
41
Fl.
Cl.
Pno.
Vln.
Vc.
191
4
4
3
4
4
4
4
4
3
4
4
4
4
4
3
4
4
4
4
4
3
4
4
4
4
4
3
4
4
4
4
4
3
4
4
4
[p]f ff
mff
7
7
7
7
7
7
[p]f
ff
G G
f
G
G
ff
7
7
G
G
f
ff
G
mf
ord. pres.
ord.
[mp] f
ff
sp.
mf
ord.
ord. pres.
f
6
6
6
6
ord. pres.
ord.
[mp]f
ff
sp.
5
5
5
42
Fl.
Cl.
Pno.
Vln.
Vc.
194
mf
f
mf
5
f
7
6
6
6
6
5
5
5
5
mf
f
mff mf
f
7
7
6
6
f
mf
foreground
fff
foreground
fff ff
5
6
7
mf
ord. pres.
sp.
f
ord.
ord. pres.
mf
ord.
f
ord. pres.
st.
mf
f
6
7
7
7
ord.
ord. pres.
mf
f
ord. pres.
st.
mf
f
5
6
6
6
7
7
43
Fl.
Cl.
Pno.
Vln.
Vc.
196
mf
f
mf
f
mf
f
mp
f
5
5
6
6
6
6
6
6
6
6
5
5
mf
f
mp
6
6
3
3
3
3
3
3
f
balance
mff
[mp]
7
7
7
6
6
6
ff
G G
G
mp
mf
ord. pres.
ord.
sp.
f
ord. pres.
ord.
mf
fmf
ord. pres.
st.
f
5
5
5
5
5
5
mf
ord. pres.
ord.
f
sp.
ord. pres.
ord.
mf
f
44
Fl.
Cl.
Pno.
Vln.
Vc.
198
12
8
12
8
12
8
12
8
12
8
12
8
mp
5
mf
p
sfz
p
non vib.
5
5
5
3
f
mp mf
psfz
p
non vib.
6
6
6
6
6
3
3
f
G
mf
pp
sfz sfz
G
5
5
5
3
G
G
G G
G
sfz
G
3
ord.
mp
ord. pres.
mf
p
st.
[pizz.]
3
sfz
non vib.
arco
pp
3
ord. pres.
st.
3
3
st.
mp
ord. pres.
mfp
ord.
[pizz.]
sfz
sfz
3
3
3
3
3
45
Fl.
Cl.
Pno.
Vln.
Vc.
200
3
8
4
4
3
4
3
8
4
4
3
4
3
8
4
4
3
4
3
8
4
4
3
4
3
8
4
4
3
4
3
8
4
4
3
4
pp
alternating between wide
and narrow pitch vib.
pp
pp
p
pp
p
pp
p
pp
p
pp
p
mp
non vib.
p
pp
alternating between wide
and narrow pitch vib.
p
pp
p
pp
p
pp
p
pp
p
pp
non vib.
mp
p
G
take a plectrum
sfz
G G G
p
G G G
mp
G G G
mf
G G G
G
G
GG G G
p
G
GG
G
pp
G G
ppp
G
non vib.
ppp
sp.
pp
non vib.
ord.
ppp
[ord.]
ppmp
st.
p
f
[ord. pres.]
ord.
mfmp
st.
non vib.
arco
pp
ord.
ord. pres.
sp. ord.
ppp
pizz.
sfz sfz
arco.ord.
non vib.
ppppp
[ord.]
pp mp
st.
p
[ord. pres.]
ord.
f
mfmp
st.
46
Fl.
Cl.
Pno.
Vln.
Vc.
accel.
207
accel.
12
8
9
8
12
8
12
8
9
8
12
8
12
8
9
8
12
8
12
8
9
8
12
8
12
8
9
8
12
8
12
8
9
8
12
8
ppp
ord.
p
air
ppp
ord.
p
air
ppp
ord.
p
air
ppp
ord.
p
air
ppp
ord.
ppp
ord.
p
air
ppp
ord.
p
air
ppp
ord.
p
air
ppp
ord.
p
air
ppp
ppp p ppp p ppp p ppp
ppp p ppp p ppp p ppp
G G
f
G
f
G G
G
f
G G
G
prepare the metal forks on given strings
Use metal hari clips for first 4 low strings
G
G G
ppp
G
G G G G
ppp
G
G
est. st. ord.
ppp
esp. sp. ord.
[non vib.]
sp.
pp
ord.
poco vib.
est.st. ord.
ppp
sp.esp.
sp.
[non vib.]
pp
ord.
poco vib.
47
Fl.
Cl.
Pno.
Vln.
Vc.
q=78
214
q=78
4
4
2
4
5
8
3
4
4
4
2
4
5
8
3
4
4
4
2
4
5
8
3
4
4
4
2
4
5
8
3
4
4
4
2
4
5
8
3
4
4
4
2
4
5
8
3
4
ppp
ord.
p
air
pp
ord. air
mp
non vib.
ord.
poco vib.
mf
molto vib.
f
non vib.
ppp
half airy sound
pppp
background
ppp
q=54
p pp p
non vib.
mp
poco vib.
f
2
molto vib.
non vib.
background
p pppp
ppp
Use hair clips for necesseary pitches if the piano doesn't allow to dampen all
dampen the strings with
a proper wood/meatl block
foreground
ppp
G G
pp
on the keyboard
solo
G GG G
3
7
sp.
p
molto vib.
non vib.
mf
ord.
2
f
ff
ppppppp
half hair, half wood
c.l. tratto
background
q=54
p
sp.
molto vib.
mf
non vib.
ord.
f ff
pppp
foreground
pizz.
pp
2
3
7
48
Fl.
Cl.
Pno.
Vln.
Vc.
223
3
4
7
8
4
4
3
4
4
4
3
4
7
8
4
4
3
4
4
4
3
4
7
8
4
4
3
4
4
4
3
4
7
8
4
4
3
4
4
4
3
4
7
8
4
4
3
4
4
4
3
4
7
8
4
4
3
4
4
4
ppppp pp
mf
pp p
pp
ord. with key clicks
NOT foreground
mp
pppp
ppmf
p
pp
3
7
7
7
GG
7
7
p
G G
mp
G G
G
p
GG
NOT foreground
p mp p
3
6 7
6
G G G G
G
mp
3
pp ppp
arco
ord.
ppmf pp p
[pp]
7
sfzmp
ppp
arco
ord.
ppmf
p pp
49
Fl.
Cl.
Pno.
Vln.
Vc.
accel.
228
accel.
4
4
4
4
4
4
4
4
4
4
4
4
mpp
pp
NOT foreground
pp
ord. with key clicks
p
pp
pppp
non vib.
pp
flutter tongue
7
7
7 7
pmp
ppppp
ppp
pp
flutter tongue
NOT foreground
p
5
mp
G G G
sfz
NOT foreground
G
sfz
G
G
pmp
G
G
NOT foreground
p mp
sfzf
33
mpp
G G
ppp
mp
G G
p
G G
mp
G
G
mf
mp p ppppp
ppp
arco
p
est.
NOT foreground
mp
st.
p
est.
mp
sub.
pp
st.
ord press.
pp
ord.
p
5
5
pmp
ppp pp
ppp
pp
p
est.
NOT foreground
st. ord.
ord press.
pp
5
5
3
50
Fl.
Cl.
Pno.
Vln.
Vc.
accel.
232
accel.
2
4
5
8
7
8
4
4
6
4
7
8
4
4
2
4
5
8
7
8
4
4
6
4
7
8
4
4
2
4
5
8
7
8
4
4
6
4
7
8
4
4
2
4
5
8
7
8
4
4
6
4
7
8
4
4
2
4
5
8
7
8
4
4
6
4
7
8
4
4
2
4
5
8
7
8
4
4
6
4
7
8
4
4
ppppp
pp
non vib.
poco vib.
q=76q=84 q=54
mp p mppp
flutter tongue
ppppp
non vib.
poco vib.
5
5
3
sfzf
G GG
G
mp
NOT foreground
pp
3
p
mp
G
G
5
5
5
G
mp
p
G G
3
G
pp
G
pp
pizz.
p
5 5
5
"p"
ppp
arco3
p
non vib.
poco vib.
pp
55
q=76
q=84 q=54
pizz.
p
"p"
with plectron
ppp ppmf
pizz.
mp
arco non vib.
pp
5
5
51
Fl.
Cl.
Pno.
Vln.
Vc.
240
4
4
6
4
4
4
7
8
3
4
6
4
5
4
7
8
3
4
6
4
4
4
6
4
4
4
7
8
3
4
6
4
5
4
7
8
3
4
6
4
4
4
6
4
4
4
7
8
3
4
6
4
5
4
7
8
3
4
6
4
4
4
6
4
4
4
7
8
3
4
6
4
5
4
7
8
3
4
6
4
4
4
6
4
4
4
7
8
3
4
6
4
5
4
7
8
3
4
6
4
4
4
6
4
4
4
7
8
3
4
6
4
5
4
7
8
3
4
6
4
ppp
molto vib.
mp
pp
non vib.
foreground
ppp
06.19.2014
ppp
molto vib.
mp
ppp
non vib.
background
pppp
NOT foreground
ppp
G
G G
Acciaccatura
on the keyboard
G
sfzf
G G
G G
G G
sfzf
G
G
G
G
G
5
ppp
G GG
G
G
pp
G
G
G
G
pp
molto vib.
mf
non vib.
pppp
ord. sp.
sp.
[pppp]
ord.
ppp
background
pppp
poco vib. molto vib.
mf
pppp
ord.
non vib.
sp.
[pppp]
sp. ord.
ppp
background
pppp
as loud as possible
whistle tones
52