reader's digest unforgettable music memories

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A Reader's igestSongbook

',

l

+

f

i;t'

iii''',;,

r;f.'+

;'

'

fi,* ,

Editor:

William

L.

Simon

Music

arranged

and

edited

by

Dan

Fox

Editorial

Associates:

Mary

Kelleher

and

Natalie

Moreda

Music

Associate:

Elizabeth

Mead

Art

Editor:

Nicholas

Calabrese

Art

Associate:

Larissa

Lawrynenko

Annotators:

stanley

Green,

Barrymore

Laurence

scherer,

George

T.

simon

and

Richard

M.

Sudhalter

THE

READER'S

DIGEST

ASSOCIATTON,

NC.

Pleasantville,

New

york/Montreal

Copyright

o

1984

The

Reader's

Digest

Association,

Inc.

copyright

o

1gB4

The

Reader's

Digest

Association (canada)

Ltd.

_

copyright

o

1984

Reader's

Digest

Association

Far

East

Ltd.

Philippine

Copyright

1984

Readerb

Digest

Association

Far

East

Ltd.

All rights

reserved'

Unauthorized

reproduction,

in

any

manner,

is

prohibited.

tsBN

0_89577_178_0

Reader's

Digest

and

the

pegasus

corophon

are

registered

trademarks

of The

Reader's

Digest

Association,

Inc.

Printed in the United States of America



Introduction

fn

al l

chi ldhood,

there is no moment

qui te

I

like

the cliscovery

of the

past.

A

f,rmily attic,

an olcl

trunk

or chest firl l

of

photographs

and

nrernories

trnd

scents

of

times

gone

lry

-

t 'notrgh

tcl

awaken imagination, form

tr

tond,

rrni t ing a new generatic lnwith al l those now

cle'ptrrted. hey live

trgain, i lrever

young,

un-

cler

onrorn)w's

gaze.

S<t

t is with songs.

They

trre he flavors

lnd

fi ' irgrtlnces

of times

otherwise

soon

lost

to

nlenror ' .A wrlr ld

of feel ing

and

experience,

a

nlollrent rltrickly slipping

out of

reach,

crln

reniirir-rn

ar

phrrrse

or scrrlp

of

melody. Otrr

: t)r)gS

are

fi rrgn"rents

{ 'our

l ives:

t r

col lege

ri,rrrce rncl

he rnagic

of unexpected romance;

t i rnes of 'cr is is trncl

peri l ,

companionship

or

pri cle. Songs rnurk the stations of rr l f-etime

.urci he

people

who

rnrrke

he

memories:

Bing

(.r 'osbv

inging

"Dinarh,

s there

anyone iner"

rrn

l

scrrttchy

cllcl

ecord;

ctrrefreesurnmers

on

(..rpe

Cocl

evokeclanew by

rr

song

about

"sarnd

tlrrrres rncl

salty

air"; that night

we criecl {irr

Pi irf 'atCtrrnegie Hall

us

she

rebufl'ecl

rargecly

Dirn F-or,

arranger for

otrr eight

previ<ttrs

I l t ' i rc ler 'sDigest nrtrsic

tooks, once

again htrs

rli l(le fin'rlrite songs

etlsy to

pltry

ltut

tr lwtrys

nru\icirl l l. interesting

trncl

gratifying.

For

play-

t' t ' :

of

i tt l l ' trel l le

clef i lstptment,

tfie rlrellcly

is

,)n

top, clei tr ancluncl tr t terecl ,

wi th the stenrs

,

t

the

notes

turnecl trp. However,

i f one is to

pl,rv

in tturclern

with

a

piatno

or organ, it nrust

l rr on

t l

"C"

instrurnent,

strch

asa viol in, f l tr te,

rt 'c'orcler,

boe, accordion, hatrmonictt, nel<ld-

it' ir or rur y o{' the new

electronic keyboarcls.

( ,rr i tar ists lsocan play the r-r-relodyswri t ten,

,

r

hel '

can

pluy

chorcls rom the symbols

(G',

.\nr.

etc.) or

{ron-r

he

clitrgrams

printed

jtrst

. t l rove

the sttrves. Organists

whose instr tr-

nre'rrtsharve oot

pedtrls

rrlay

use the srnull

pecltrl

otes n

the brlssclef

(with

stems

urned

cl trrvrr) .

tr t

the,se

eclul

note,s

hould not

be

ttttt:rrtptedbg

Ttiurti ,sts;

hey are frlr f'eet

only

For the suke

of

firci l i ty,

the

pedtrl

l ines.move

:tepu' ise

and

stay

within

an octave.

Players

rvho

rrrpr<lvisen the

azz

sensectrn

"ttrke

ofT"

ii 'on-r he rnekrclyand the chorcl syrnbclls.

The chorcl symbols

also

tlre clesigned filr

piirnists

wl-rohave

studiecl

the

poptrlar

chorcl

nre-thocl;

ltryers

crrn retrcl

he nrelocly ine

trncl

rnrprovise their own left-hancl

accomptrni-

5

HOW TO

USE THIS

SONCBOOK

I

with

"La

Vie

en

Rose";

or

a{-{-ectiontrte

rniles

at the thotrght

of

Great-Grtrndfirther

r.r'ooing

Great-Grandrna

to the

strtr ins of

"Whetr

Y<ttt

Wore

a

Ttrl ip

(trncl

Wore a

Big Recl Rose)."

A

book

of old

songs,

sttch as

Unfrtrgettultl t '

Musictrl Memories, is just that kincl of clirect

apperrl

o the

irnagintrtion

and

emotions.

At

rt

tirne in orrr

history

when

we

rlre

cousttrtrt lr '

required to

mask

our

softer

f'eelingS,

o

clenr.

the

rnore

sentimenterl

side

of

ottrselves,

sttcl-t

mtrsic is vital.

We

play

and

sing,

enjol'

t l ie

closeness

of others

-

and

we clretrmof

"Jttprr-

nese sandmen,"

"shel ter ing

palms,"

goocl

<t lc l

" fr ivolotrs

Sal"

trnd

"Sweet

Georgi tr

Brou'tr ."

Such

a

book

grants

eterntrl

l i{'e

to tl l l

our'

yestercltrys

ancl

otrr totnorrows

tts

u'ell.

There will rrlways be A new generatiotr, all

wonder

and

delight,

to clirnb

into

the trtt ic

or'

open the

firmily tretrstrre

hest.

Ancl, oo, there

wi l l

a lways

be

songs ike the

96

mrtsictt lnrent-

ories

thtrt

fbllow to

nourish the

heart ,uicl

renew

the

spiri t. Without them,

we r.votrlclte

poor

indeecl .

rnents. The chorcl

symltols

lr l t ly be ttsecl, tttt.

by brrss

layers

(str ing

or

brtrss);

trst

plav

the

root r-rote f etrch

chorcl

syrnltol,

except

u'here

rrnother

note is

inclicatecl

for

extrnrple

"DlF

#

bass").

And accorcl ionists

an trse

the cl iorcl

syrnbols

br the

left-htrnd

lttrttclns

vhile

ltl ttr

-

ing the treble

portions

of

the ttrrautgerttertt

ts

written.

Like our <l ther

music l tooks,

this ol le

is

tlrrtrnged

o se rve a

soloist,un entire

eltseltt l t le

or an old-{irshionecl

sing-rrlong.

In

tlnl '

sorts

with more than two sttLnzas, tintecl tancl ulls

throtrgh etrch

rlternate

ine,

making

it

etrsr-

tr

keep

your

eyes

on

the

proper

pltrce

u'heti

singing.) The collection

will

prove

tt

cotrsttttrt.

endtrring

source

of enterttr inment

fbr

cltr l ts.

schools,

senior ci t izen

groups

trncl ,

{ 'cottrse.

{or

yotrrsel f

and

your

fami ly.

Enhtrncing

the

ntttsic are

the

introdtrctorr '

notes to each

song

-

backgrrluncl

nrtrteri tr l

written by

leaditg,

recognized

authorities

irt

the categories

defined

by the

section t i t les.

For al l those involved, this col lect ion of

nosttrlgic

poptrlar

"classics"

wtIS

tt

l tr l tor tl f

Iove.

We hope

thtrt Unforgettuble

Mu,sicul

Memories

will

give you

as

mttch

pletrsure

ts

t

gave

us

in

putting

it

together.

The Eclitor,s



sECloN

Great

Hits

of

the

Great

Band

Era

L

rrortk

,JC

\Iode

ate

v slow

Glertn

MiI Ier 's

Moonl ight

Serenude

became

the

t l r e m e o f h i s , r o * - l r o r d t n 1 9 3 7 ' S e t t t t b e r e l e a s e d o n ol isg r):loilii i

with

sunrise

serenade,

t

hud

no

Igrics hat satitfi;; Milt-er So he askedMitchell Parish'i 'f

::sturdu,tt

fi^u for

lurics

rtbout

u

moonliSlht

rtorrr,r', ' i i ' tr ', '

,a1,

;itli

the strnrise

ne'

The

result:

ttne

of

the

MiIIer

bind's

mo,st

ncluring,

i ts '

Words

by

Mitchell

Parish;

Music

by

Glenn

Miller

g l o 1

F 6

ffi ffiTR

l r l {

H ' ^ ,

lr'nrt

rfffi

FdimT

'-;ntA.H

.

crossouer

7,+T

I

And

the

And

to-

tand

stars

at

your

a re

a-

GnrT

ffi

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tfttti

C 7

ffi

son

g- that

night-

how

I

sin

g-

is

of

their

light-

sets

me

-+-

j

1-

-i

r r r l

l l l

T

F

rnaj'7

D7

ffi

and

I

do

you

oon- l ight .

I

dream

-ing

'

MY

-

G m I - C

F 6

CFF

ffi

F 9

ffi

a _ ,'

T

r ' l t l

wait - For the

know-

That

Your

June

night;

beam - ing?

The

I

?

I

I

I

touch-

of

Your

hand-

in

the

eves-

are

like

stars- bright -l Y

Internat ional

copyr ight

secured

Al l

r ights

reserved

used

by

permlssron



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sigh

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A

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you

A

nade.

Th

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ser

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moon-l ight

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break

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day

In

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dreams ,

Jus t

you

and

I ,

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So

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l l

4



\ l o o n l i e h t

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a ' l

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a a

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to

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stand

at

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you

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voca l me lody

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l l

moon-light ser -

"-/-

nade .

(pianis ts

omit )



Serenot

hBhe

Words

by

Mack

Gordon

Music

by

Harry

Warren

Slow

(IJ

prayed

",

T'J'l

"Serenut le

in BIue,"

u)r i t ten

bg

trco of Hollllwood',s

rnost

prolifc

clntposers,

Horrq Wurren

un d

L[ack

Gorclon,

was the ltig

lot,e

song

in

Glemt

Miller',s 1942

ilnt

Orchestra

Wives.

MlL; i rprqr , \ , \eLt)

(but

di t l not

hcur)

Juckie

Cleosort

rt,s

bu,s,s

luger,

Georg,e

L[ontgornenl

as a truntTteter

untl

Ce,surRomero us piur t ist i r t u bund

rchich

wus

then ut the

height

of

its

Ttopuluritq

ontl

rchich

feutured

in

per,sor t

nul

in the ntot ie

Ruq

Eber le

us

i ts rornunt ic

singer.

blue

s

F

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t+-++4.'

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ffi

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H_TFfl

When

I

hear

that

Ser

-

e

-

nade

in

Once

a

-

gain

your

face

comes

back

to

B lu

me

f

I

a-'

a

l ight

foot

AbmT

some

-

where

in

an

l ike

the

theme

of

v

ery

smooth ly

I

Shar - ing

In

the

all

al

we used to

mymem-o

oth

some

I

world

a

got

-

ten

er

for

Gm7

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the joy s

bum

of

i

lone

with

you,

me l -o -dv

know

Man

- y

r Y '

S e r

-

e

, r gh t

i'

1 9 4 2

W B

Mus i c

Corpora t i on

Copyr i gh t

renewed

A l i

r i qh t s

e s e r v e d



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danced

the

ebaim

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good

-

bye,

But



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lone

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A.l

WC

Lr

flame

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go

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\"

lmthc

Nfiood

saxlphonist

J0e

Garland

fiyt

brotrSlltt^hi,s

trrangenrcnt

,of

his

song

;I;-;it

Moo"d"'i

ertle

Shnru,

ulttt

foltnd

i-t

rttt

cumbersome

o

rec,rd.

So

Garland

took

t

to

Glenn

hii l ler,

whrt

cotnTttrcted

t

ittto

a

catchg

trrtruinrJil 't i irt

feature4

u

re,t'etit i ttu's

ight-bar

riff*

a

saxgphgne

attle

and

o

teasfrg,

ucl 'e--out

hut

t,nted

the

I939

Miller

record. ingnto"i t n lro"i ' t bl i ;ges-t i t as rcel l ( t ,s ne of the-Swing

Ertt 's

m,st

nuui,utiue

uaoritis.'This

ketl ltotrrcl

"u"geitant

bg

Dan

Fox

fol1oro,

Mi'ller;i

i t i ,rrt

uersiort

as

closelu

os

possiltle.

r l

o1'sffiotr"

Music

by

Joe

Garland

Irleciium

bounce

empo

(

J?

played

as

ItFl

+

mf

D m 7

C6

G7

-

-r-

C7

F 6

I

-\

dA

AiLt-rL 1;

:\

Copyr ight

r '

MCMXXXIX,

renewed

MCMLX

by

Shapi ro

Bernstein

& Co

Inc

New

York



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(

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t he

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tff

13



I'm

Gettin'

Sentimental

OverYou

This huunting,

bullad

bU

Bt-sston

Crtnseroot_org

gruduate-

Georg,e

Bassntttn

and

L2-iime

Acoclemrl

-Award

nrtminee

l' /ecl

Washington

serr;ed

for

27

gears as

the theme

song

of

Tonung

Dorseg-, '

The

Sent i mental

Gent lemun

of

s-uing,

uho

-wu,s

sometimes

sentirnerttul

but

oftert

feistg

and

whtt

pluged

th e

sweetest

trombone

in

big-bartd

histttrg.

Words

by

Ned

Washington;

Music

by

George

Bassman

Cm/nb

7 o

ffi

D7

ffi

fi

G7

ffi

#tffl

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Satin

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Johnny

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Ellington and

Billy

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t\Ioderate

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played

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Duke El l ington,

ui th on

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f rom

ni l Iu

Strughorn,

wrote the

meloclg

to

sutin

Doll in

1953 und

recorded

it

at an eusu,

relaxed

temptt.

Musiciarl.s

soorl

latchecl

on to the tune,

und

i t becante

so

populur

that

the

Duke

decided it needed

lgrics,

so in 1958

he asked

Johnng

Mercer to urite

sotne.

The

result: one of

the

ntost

charming

und,

ulus, the

last

of mang

big

sortg,

it s

from

the Duke,

uho

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turned

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ly

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brJ

Rube Bloont

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Johnnq

Mercer

who

song

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became

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in lS)39,

purtiullg

becuuse

of

recordings

by Tommy

Dorsett

(wi th

o

aocal

bU

Jack

Leonurd)

and Art ie

Shau,

(oocal

bg

Helen

Forrest),

that it

remuined

0n

Yotrr

Hit

Parrade

fu,

10

consecutioe

ueeks,

reoching

the

tlot,eted

Mr. I

spot

in SeTttember.

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Om

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Slou'Iv

Swingin ' the

Dretrnt ,

d

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Broacluug

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flo7t

based on

ShukesTteore's

Midsummer

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presented

three

top

jaz'z

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Louis Armstrong,

Benng

Cloodman

and

Maxine

Sul l iuan, but

just

one

hit

tune, th is

t t tuching

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the

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Ha.ry '

Ruby; Music by Rube

Bloom

There

huue

been

munu

sottgs

ucluocrt t i r ts

the

pleasures

of

the

simple

life,

but ttort,

has euer

done

it u i th

ntore

bouncq

gttod

humor

than

thi ,s

une,

uhich

John

Puytt t

ond

June

Huaer

intr t tduced

in the

1916

Fox

ilm

Wake Up ancl

Dretrm.

The Igrit

wus

bt1

Hurrg

Rubg,

otherwise

be,st

known

for

the

mu,sic

he comTtrtsecl

o

lyr ic,swr i t ten

bt1

Bert

Kulmur. Compo:t

r

Rube Bloom u)os o

,self-taught nut,sit' ittr '

u,ith

,such

songs

to hi,scredit

us

"Foolt

Rush In" und "Dug ln - Dug Out."

fee

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in

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f ind

is best

I

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I

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and

griev

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when

your

mind Is keen

r

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mess

a

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as

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do

was

cra

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nev

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cut

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zy

a

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bout s leep,

can ' t

nf i

-s

me

m e

it

to

the

the

slm

sim

ple

ple

'/

l i f e .

l i fe .

Some find

I

love

pleas - ant di tr -

whi t

-

t le

ani -

r

16

Copyright

s-

1945

WB

Music

Corporat ion

Copyright

enewed

All r ights

es.- ' . -



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things

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on

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ba

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thri l l

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with

'

a/

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f rom

the care

and

be

a

farm-erts

+ ' - + +

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t

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a n d

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me

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l l

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o

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Slowly,

wi th

sentiment

F

YOU'LL

NEVER

KNOW

from

Hello Frisco Hello

"You'lI

lleoer

Knou),"

the

1943Academg

Ataarcl.lLoirtrtitrg

ottg, wos

usritten

for

u Tuentieth

Centurtl-Fox

nrusicul,

Hello F isco Hello,

in

which

it

wus introclucetl

blt Alice Fuye

from

the stuge of u tur n-of-

the -cen tu rg San F runc isco beer h a l l . W h i l e the , tong wos

uppropriate

for

both

the

,scene

und the

periocl,

compo,ter Harrg

Wurren

once

,saicl

hut he

ul,so

ounted

the

bullud

to be on

expre,ssiott,

thut

coulcl

applu to

the lonelines,s

felt

bu both

,solcl iers

ncl

ciui l ians

dur ingWorldWar

l l because

heir loaed

ones u)ere

fur

awuy.

Words

bv Mack Gordon: Music

bv Harrv

Warren

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3-

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rr

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I

G

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7 _

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lana

{You

i f I

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said good bye,

49



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moon

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and

mem

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You

went

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mY

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I r n inU

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Wish

Upon a

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.

r

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1940 Walt Disneg

. ' ' , , r , n

f i l n

P i n o c c h i o . T h o u g h

'Ti l r r r i

' r

Leigh

Har l ine

created

man,. l

from

Pinocchio

rr-. . , -

^: ̂ -

Words by Ned Washington; Music by

Leigh

Harl ine

\ \

l t n

exp ress ron

buckground

scores

for

moaies,

his

fantt'

re,sts argelg

on

the six

song,s

e wrote

fo r

this one

f i I* ,

nshich,

in

uddi t ion

tr t

th i .

Oscar

u;inner,

also

included

"Hi-Diddle-

Dee-Dee,"

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a

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"l 'ne

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star,

in

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No

re -ques t

i s

,51

7

I

Copyright

1940by BourneCo Copyright

enewed

All

r ights

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6*'fuo%o-

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from Hallelujah, l 'm

a Bum

Slowlv

Richurd Rodgersond

Lttrenz

Hurt spent

about

Jtue

geurs

in Hollgusood

n the earlg

1930s

urning,

out

sctrtgs

for

o

nuni l ter

of udoenturous

i lms.

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1933

Al

J.olson

starrer nil lelulah,

I 'rn a

Bum,

tl"req ud

to deal

rcith

o

tale

ubout hoboes

iaing

in

New

York

Citq's

Centrtt l

Purk

during

the Depre,s,sion.

[o,st

f

the

riottg,s

ere

integruted

uith the

plot,

but

Rod;ters

ni l

Hart

did

manuge

o creote

a ballad,

"You

Are

Too

Beuutiful,"

u;hose

heartfelt

sentimenthos

long,been

ertjrtged

ur from

the

drumutic

,si tuat ion

for

uhich

the song

was

wri t ten.

Words by Lorenz Hart; Music by Richard Rodgers

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dear ,

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one

man

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For

You are

too beau-

ti

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ful,

my

You are

too beau

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for

-^-

beau

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be

with

,

cause

eyes

I

of

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you,

their

own to

l

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are

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men

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bound

Copyright: ' r

932RodartMusic

Corporat ion

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HIGH

HO?Es

from

A

Hole

in

the

Head

llo song,usriting,

eam

has

eaer

contributed

mrtre

Frank

Sinatru

lt i t t

than

Jimmg

Vitn

Heusen

ond

Sammg

Cahn'-wi th

numbers,st tc ' / i

i . '

"AIl

ihe

Wira,"

"Call

Me

lrresponsible"

ond

"LoDe

und

Marriugt'

"

ln 1959,Vai

Heusen

und

Cahn

gaDe

Sinotro

another

syrefire-

piet

t

.

the Actidemg Atoard-u,,innin,g, High Hopes," uhich he ancl ". on"

Eddle Hodg'es

introduced

in

the

nonmusicul

f i lm

A

Hole

in

th t

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scene,

futher

ttnd

son

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taking

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daunt less

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by

Sammy

Cahn;

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Jimmy

Van

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played

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yourre

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,--

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Ju

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what

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there

was

that

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herl l

move

Thought

he'd

punch

tha t

a

i 6

Copyright

@

959

by

Sincap

Product ions.

ssigned

o

Maravil le

usic

Corp

Copyright

1959Maravil le

r ' -.

- -:



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$wingin{

on

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According

to

composer

immg

Van

Heusen,

Bing

Cro,sbtl

himself

nspired

"su;inging

on. f ,stur,"

an

oscur

u; inner

n lgJJ

one

nig;ht

uhen

van

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lgricist

Johnng

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rcerc

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the

crosbg

botJ,sDus

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mule?"

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turned

out to

be

inspirat ion

enough

for

the

u:r i tcr:

whose

assignment

for

the

ilm

Going

My

Way

hud

been

o

come

up

u;ith

a so-ng

hat

usould

b9

the

equioalent

of teot'hint

the

Ten

commandments

n

a

lighthearted,

uuntg

n;rnncr.

Words

by

Johnny

Burke;

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by

jimmy

Van

Heusen

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ter

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-r_

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you

rath

-

er

be a

mule

?

f r

l v

v

and

Dorsey

Bros

Music

nc

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enewed.

l l rrghts

eserved

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944

y

Bourne

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59



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%

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from

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Angels

Sing

lt

Could

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to

You

is

both

u

uarning

tr t

guurcl

agoinst

omantic

naoluement

nd

un

admissit tr t

't:hut

the

,singers

unable

to

heed

he adaice'

The

solg clutesback to 1944und the Purunxtuntmusical

And the

Angels

Sing,

n

uhich

Dortt thg

Lumour

sang t

to

Fred

MacMurrug

while

theu

uere

sitting

at

a

table in u

re,staurunt.

he

prolific sortg,writing,

eum

of

composer

immu

Vary-Heusen

nd

luricist

Johnng

Burke

lourished

ln

Hollgu;ttrtd

or

s<tme

3

geurs

from

ISEO

o

1953

during

which

tinte

theg

fashioned

200-odd

song.s

for

about

tu;o

clozen

mooies,

'mostlg

ut

Parumount

and

mostlu

for

Bing

Crosbg'

Words

by

Johnny

Burke;

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by

jimmy

Van

Heusen

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your

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Copyright

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1944

by

Famous

MusicCorp

renewed

97 '



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YW

REMEMBER

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Words

and Music

bv

Don Raye,

Gene

de

Paul

and

Pat

Johnston

performing note; It 's crucial to play the introduction and first

eight

measures

of

the

chorus

very

soft ly ,

wi th

pedal as

ind icated,

for the

dei i red

impressionist ic

ef fec t '

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f lames

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ev

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;

a s h

-

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i n -

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day

will

length

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in

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to

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to

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have

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to

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b e

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I r 1 1

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lone

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ly

I 1I

\\--.-/

copyright

1946,

1947 y

MCA

Music.

Division

t

MCA nc.,

New

York,

Y.Copyrighl

enewed

nd

assigned

o MCA

M

s :

i gh t s

eserved

Used

by

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r r ' r 'n r t t t ts icalF<lr ty-Second

Street

u

l t ic l t

in 1980also became

o clas,sic

>t t ts(

t r t t t ,s ical)

ontoined

no

less

th t t t t

four

n l l - t ime

standarc ls bg

I Iurn l

\ \h r ren

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AI

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Off

to Buffuki'

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r r r n ( .

) ou ' re

Get t i ng , o Be

a

Hab i t

r i t l t JIe, SinceForty-Second

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t

' l l

s o f t he t r i a l s

an t l eaen tuu l

Words

bv Al

Dubin

t r i u n t p h o f

a

Brouduag-bounc l

n t u s i c t t l c o m e d g ,

i t

i s

n r t t t t t r t

.surTtr is ing

hut

this

juut t t l l

numbcr

is

perfonncd

during

a

rehearsul. lrt

the scene,

Bebe Duniels, as the st0r

of

the show uithin

the shou',

re.sist,s

hub i t - forming

at tachments

rc i t l t

four

personuble

alung,

men or tr l

then

-

u,e a

comic

twist

-

tlonce.s

merr i lg o f fs tug,e

u i th

un actor

clressed

ike

Maltutrna

Gandhi.

Music

by Harry

Warren

Free

y

\

Moderately,

with

a

ti l t

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get

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stay

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arms, I tm aC

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I

me

Let me

o

be

a hab

-

it with

Copyright

1932WarnerBros

Inc

Copyright

enewed

All

r ights

esi-

::



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Shadow\^hltz

from

Gold

Diggers

of

1933

"Shadoru Waltz," prooided choreographer Busbg Berkeletl

u; i t l t

one

of l t is

ntost

mentoroble

t . reut ions

or

i l ro

^tr ,s ic i i l

c<r ld

Diggers

of

1933.

Featured

as

purt

of

un

elul torr t tc

Broacluaa

reDue,

the

song

is

first

introdiced

intimateltl

enoS4

bg Dick

Pouell,

in

white

formal

uttire,

sirtgirtg

t

to

Rubg

Keeler,

raearing

a

blonde

wig

and

a

uhite'er)enins

g,oun.

soon

the ,scene

xpands

and

we

ore transportecl

to

u

stag,eful

of

girls

all

uearing

blonde

uigs

und

uhite

gorcn\.

,seentinglg

pluging,

uhite

uiol in,s

as theg

gltde

up

uncl

down,

oDer

and

under

a series

of

rantTis

uncl

platfctrm,s.

Words

by AI

Dubin;

Music

by Harry

Warren

Gracefully, with artful hesitations

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me

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I

Let

me

dream

a

song

that

t i=t

I

can

bring

to

Jooyright 1933

warner

Bros Inc

copyright

enewed

Arr ights

eserved



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Tlwnksfw

ttrc

cTGmoty

tuom

he

is

roadcast

r

ress

Robin

and

Ralph

Rainger

recollection

of

-some

of

their

most

fondtg

sharecl

moments.

On-e

ine

of ihe

original

liricr,

ho*uuur,

ran

nto

censorship

rouble.

Because

That

weekend

at

lrJiag'ra

ushen

u)e neDer

saw

the

Falls

was

deemed off -color , lgr ic is t Robin obl iged bu

changing

he

word

net)er

to

hardlg.

Words

and

Music

by Leo

C,,r r i t 'd iorr

B 'b

H'pe

made

his

screen

d,ebut

n

The

BiE

Broi ldcast

of 1938

in

the

tgpical

role

of

a

gl ib,

1i

i r ' ( ' rd( 'k ing

ntas. ter

f

ceremonies

aboard

o tugi

, , r -

( t r t

i r ter .

But

one

sbene,

at

the

ShiTis

bar,

gaae

lr i t r t

t r r r l

S/r

r leg

Ross,

us his

ormer u: ie, the chuncet , '

i r t t r o d u t ' e

t h i s

w i s i f u l ,

r o i u e r s a t i o n o l

i t loderately,

wi th

a

lazy

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rr

( ,

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ffi.,n

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l l

1 l

i

l - .

i

r n a n K s

hanks

for

the

Thanks

for

the

+

mem

-

o-ry

Of

mem

o-ry

Of

can

-

dle

-

l ight

and

wine,

sen

-

t i

-

men

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ta l verse,

FdimT

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t les

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purse ,

on

in

the

my

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f

7

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I

Par

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the

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non

and

mo

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ments on thechuck - les

when

the

preach

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er

said

ttFor

t

love

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ly

f

I

it

it

ov;

-

lv

4

Thanks

for

the

Thanks

for

th e

Trrn

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r.

I l ud -sonR iv -e r

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ce t - te r

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fo r

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with

lace,

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Swing

y

Har- lem

tunes, And

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ner

by

the case,

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l l

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mo

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and

how

I

jumped

the

burn-ing

lips

and

day

you

trumped

my

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burn-ing

toast

and

prunes.

How

one

and

on

-

ly

ace. How

love

-

ly

it

love

-ly

it

I '

-ll

|

, - { - l

I

- ,

I l ,

. ) , - l

I

a

lvas

was

I

r

a-nyrs

the

time

that we

We

said

good-bye

with

a

or

''.

feast

€d

,

And

high-bal l ;Then

'f

"f

ma-nyrs

he t ime that we

I

got

as

high

as a

I

a

a

r

)-

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r

f a s t - e d . O h ,

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-p le .

Bu t

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rl

well , i t was

swel l

whi le

it

we

were

in

-

tel

-

l i

-

gent

-l

last

-

ed

peo

-

ple

I

nr

We

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qf

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did have fun

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tears, no fuss,

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l l l

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no

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done.

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ray

fo r

us .

So

, 4 ) l

r [

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thanks for

the

thanks for

the

I

4

- , L -

t

?W

t l

mem

o-ry

Of

mem

o-ry

And

r

v. fl.l r

shore,

nous,

sun-burns

at

the

strict

-

Iy

en-tre

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=TT

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p

I

Nights

in S ing

-

a

-

pore.

You

Dar- l ing,how

are

you?

And

r

r

might harre

een

a

head-ache, but

you

how

are

all

the

lit

-

tle

dreams that

'f

t

'l

nev-er lvere a bore;

So

,l I l

i + i

t

thank

you

J

H

nev

-

er

did come rue

?

B

rd im

7

Bm?

ffinn.

ffi'n.

Eb

\b

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i

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t a

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o

and

too-dle-oo, And

bn

freelY

t l'---,U

hank

you

so

)r'i

much

wf-tly

glad

I met

you,

Cheer-i-

4



[=5}T'T

HT

ffiffiRtrANT'HC?

from

Lorse

Me Tonight

I r i Puruntount 's

1932 release

Love Me

Tonight.

" lsn ' t

I t

R,Dtt t r t t ic '1"

u;us not

merelg

prcsentet l

us a

t luet

for

the

ri

r r i ' .seads,Maur ice

Cheual ier

and

J

eanetteM

acDonald,

itr . t t

t .s he means

bg

which

the mooie

changed

ktcations.

.\f"tcr

Cheualier

sings

it to a

customer

in his Paris

tai lor

' /11r ;r .

he

bal lad i ,s epeated

bg r ;ar ious

people

in a taxi

i r td

orr

o t ra in, bg

soldiers

marching

in the

countrg and

,.

' r 'n uul lq

bg Pr incess

eanette

who

hears i t

and

sings t

t

ttrtirt

r;rtt of

a usindou

of

her

chLfuau.

\\brds

and

Music

by

Lorenz

Hart

and

Richard Rodgers

lvloderately

and

somewhat

freely

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I\{u

sic in

the

night,

A

Soon I will

have

found

Some

man

tic ?

man

-

tic

?

dream

that

can

be

girl

that I

a

t

heard

dore .

I

J

r iJ

+

man

man

+'

tic

?

tic

?

s -n r t i t

r o -

s -n ' t i t

r o -

I

o

Dm7

ffi

A7

9

ffi

m/sb

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fr .

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r

r

r-

Mov ing shad-ows write the

Whi le

I

s i t a - round ,

my

F

l

ol d

Iove

l

I

- est mag - ic

can

scrub the

I

word.

floor.

T.-

I

She '11

t

Copyright

1932

Famous

Music

Corp

renewed 97.1

t ' )



Am/G

I sn ' t

t Fomant i c?

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m

ffi

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rea r

the

breez

-

es

k i ss me

ev

-

f r v

play

-

ing

hour,

Dm6

ffi

7

" t .

c#d imz

Am?

ffiffi

ffi,u

EIJII3:i .

H+H

D7

in

the trees

a

-

or she'll

get

the

+

I

a

\ in i le

- {nd

,t-f

you

she

were

meant

can

scrub

f n r

r v r

I

m\ '

r

G7

all

the

world is say

-

in g

w h e n

I

t a k e

a s h o w -

€ r ,

/ t

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-ly

to

be

young

on

On

a

moon

-

l ight

night

,

she'l l

man

-

tic

man

-

tic

?

I s -n r t i t

r o -

I s -n r t i t r o -

man

-

tic ?

man

-

t ic,

this? Is

-

ntt i t ro

-

soup.

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-

dies

are ro

-



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dont t

f ight ,

we

r

i

l ike

soon

I

l

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a

t ra

fo t ar la

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troupe

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bols

in

the moon

-

light

,

h e l p

t h e p o p - u

-

l a

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t i o n ;

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mean

that

I t rs

a du

-

ty

cresc.

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finu'

m,,n

love

per

chance

?

dear

old

France.

I s -n r t

i t

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I s -n? t

i t

r o -

I

lffi,n.

ffi,*.

I

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mance?

I s - n r t

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:

\__//

mance

?



All

theWhy

from The

J

oker

ls

Wild

When, in 1957,

Frank

Sinatra

uas cust

as

nig,htclult

comedian

J

oe

E. Leuis

in

the

Jilm

biographlT

The

Joker

Is

Wild,

the

part

was

alterecl

to

make

Leuuis

more

of o

sirtger

thun a cornic.

Mo,st of

the

songs

uere

,standurds,

bu t

Jimmg Van Heusen and Summg Cahn did supTt lgSinutra

usith a

neu) tailor-made

and

memorable

ballatl,

AlI

th e

Wag, which

uon an

Oscar

for

Best

Sttn5l

hut

gear'

Actual lg, the song

sen:ed

an

important

funct ion

in

the

7tktt,

,si ice

it uus

uritten

to

dramrttize

Leu;ls's

/oss

-o.;[

uoice.AccordingtoVan

Heusen, The

big,

ump

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ot the end of the

second

bar to

the

middle of

the

third

bar

was specificallu

designed

to

be dlfficult

trt

sing.

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Cahn;

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by

Jimmy

Van

Heusen

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SECTION

Onforgettable

its

from

Broadway

hows

IMry

BeWong

But Think

bu're

Wonderful

)

ironr

\Iurrag

Anderson's

Almanac

- i gh t and swingy

John

Murrog

Ander,son,

one of Broadwau's

leading

clirectors of reoues,firmlg belieoed thut the best sortgsur e

creuted

under

pressure.

In 1929,

tohen he

uus

prelturing

the

show

called Murray Anders<ln's

Almanac,

he

put

his

theorg

into

pructice

b1t

ocking,

compo,serHenrg Sulliuun

in

u room

uith a

ytiano

und threutening

to keep him

there

unt i l

he

hacl

conte up

ui th a

song

uith

hi t

potent ia l .

ln

this

cuse, the

dru,stic measure uorked:

"l

Mag Be Wrong;

(But

I Think

You're Wonderful ),"

which was

introduced

bg Trixie

Frigunzu

uncl

Jininq

Sauo,

turnecl

out to be

th e

ntost

p<tTtulur

urnber

in the show.

Words

by Harry

Ruskin; Music

by Henry

Sullivan

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'329

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Bros Inc.

Copyrighl enewed

All

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I \Iar

Be

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I Think You're

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L

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my ties are

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'll

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y

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usasa

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for

Cli,fton

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the

1929

eoue

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he

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back

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uhen

Arthur

Schuartz

onclhis

fellou

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Lorenz

Hart

wrote

songs,fol,

o

reDue t the camp.

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them began,

l

looe

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auoke

in

bedl

Rightafter tapsll pull the lapslAboDema head.

[_'ater,

hen

Sc'hwaitz.'s

usic was

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bg

Houard

Dietz,

the

song

became

a

ountg

acceptance

f

the end of

a looe

affair.

Words by

Howard Dietz;

Music by

Arthur

Schwartz

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be

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that

point

com

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buy

those

blue

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ffi+n

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ffi

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Why

did

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a

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?

I

ly-

mas-

Un- ti l the

Be-fore

the

gan. Be

gan?

My

big af - fair be

big

af

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be

Copyright@

929,

1932Warner

Bros.

nc Copyright

enewed

AII ights

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c8

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me to

fore

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where

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boil-ing

point

is

much

too

n

r

nf;dim

reach

the

moon,

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crawl

right

back

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tried to

think

Irl l

when

in

t h e r e ,

she l l ,

I

got

to

my

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(D.C.for

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I

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Love

Me

or

Leave

Me

from Whoopee

\\i th

a l iu

(r.]

=

-t] ')

One

of

the most

engagin54,

op

songs ueruritten,

this

all-or-nothing

propo,sul

ous ntroclucecl u

Ruth Etting

in the

1928

Florenz Ziegfeld

proclttction

Whoopee.

Actual lg,

al l

Mis,s t t ing hod to do in

the

,show

us to

sing

tuo songs n the

irst

uct und

"LoDe

Me or Leuae

Me"

irt he second.

,leither he churucter

she

laged

u moaie

star

-

nrtr he,rorlgs

he

sung

od angthing

o

do uith the

plot

of

the

musicul, n which

Eddie

Cantor

capered

sa hgpochonclri uc

rtun

ncliun

encuntpntent,

Words by Gus Kahn; Music by Walter Donaldson

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let

me be lone

ly

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r ight

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for

kiss- ing, But

I

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tlv

You wontt

be-I ieve

night- t ime

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928

renewed)

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In c



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mor-row,

For

my

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is

your

love;

Therers

Tr 11- l

o

love

fbr

no-bod-y



qYQol{flll(f

from

Jumbo

\\rrrds

bl'

Lorenz

Hart; Music by

Richard

Rodgers

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uo,s e

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cornerlll, one

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troclucetl

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l ' leu; York's lliTtpodronte .

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Jimmg

Dururtte

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Whitemun's

orche.stru,

t offeretl

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duzzle

the ege

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meloclirtus

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score to en,churt , t

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musicul

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39



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1,5 ,

ndthere

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from Jumbo

bur

tug thut

contpletes

he thought

in the

inul

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theme.

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for

the

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hqperbol ic

ut sincere

xpre,s,sion

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nost

beuuti ful

gir l

in the

uorlcl ,

Lurry Hurt

broug,ht

the

sent iment

c loun

to

earth rc i th

sucl t

surpri,ses

s rhynting

"Dietrich"

u,,ith

su)eet

tr ick"

and

bg

reaeul ing

hat

the

gir l

i ,s naturul

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oith no

neetl

for

plut inum

hair.

Music

by

Richard

Rodgers

I

J

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Lorenz

Hart

l i tt ing

waltz

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LittleGirl

Blue

from

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by

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ytrouided

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Richard

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shotcBoat

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by

Oscar

Hammerstein

II

and

P.

G. Wodehouse;

Music

by

Jerome

Kern

Slowly and somewhat freely throughout

Thi,s

mntor tul

torch

song,

rchic 'h

Heletr

Jfutrst t r t

introduced

in

Show

Boat

in

1927,

rcul or ig inul l t t

wr i t ten

bg

Jerutme

Kern

und

P.

G.

Wodehoust,

l - , , r -

i

1918

nuts icu l

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plug' ,s

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thc

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\ 'het

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number lor

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he

ptt l l t ,d

"Bi I l "

out

of

his

"t runk"

of unused

songs,

tnt l

O:t . t i r -

Harnmerstein gaDe

a helping

hancl

with the

rc.r t r r l : .

Ftr

cp

dream

that

I

would

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s

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ten

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in

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books

I read.

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on his

knee

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not

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room

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feels

f ind

in a

sta

-

tue.

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I

nat

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to

me.

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can?t

ex

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T T'L

99



Can'tWe

BoFriends?

from

The Little Shous

\l '/rcrr

conlposer

Kag

S*rft

f irst

plaued

for

Libbu

Holntun

the

music

of u:hat

would later

become

" C u n ' t

We

Be

Fr iends? , "

t h e s i n g e r

LDus

s o

antlru,sia,stic

bout

it that

a lgric u)as

soon

added bg

11l.s,r

wift's husband

and

songu;riting

partner,

PauI

J

ume,s

u;ho

uas better

knoun

in banking

circ les as

Words by Paul

James;

Music by Kay Swift

James

Paul Warburg). Mi,ss Holman introclucecl tlu,

torch ballud in her next appearance,

the 1929 reLu(

The Li t t le

Show, roear ing u then-dnr ing

straple,s,s

red

eoening

g,own.

According, ttt

Houard Dietz,

rclto

helped orgunize the

reuue,

the

number stoppecl tltc

shou at

eoerg

performance.

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l^bt

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it

(

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man

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of

my dreams .-

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go

wrong , -

.-* ' l t6rt

i q l

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is

how

ti"

",[

-

ry

I can

see the wav

this

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ends

ends

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we be fr iends?rr

we

be

fr iends?tr

Nev

er

a -

100

Copyright

1929WarnerBros

Inc

Copyright

enewed

All r ights

ese' . : ---



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101



-sNs

[fr

LovedTbu

rom

Carousel

l',Io

more

ardent

duet has

euer been

uritten

for

the Broodwog

theater

than

"If

I Looed

You"

-

Aet

at no

ti*.e

do the

wordi

express

irectlu

hous

he

tuso

people

eallg

feel

about

each

other.

John

Raitt

and

Jan

clugton

introduied

the

Rodg,ers

nd

Hammerstein

song

n 1945

n

carou sel,

nn

adaptation

of

th e

celebratedHungarian plag Liliom, bg FerencMolnar. "

Words

by Oscar

ffammerstein

II; Music

by Richard

Rodgers

Y,.

fr'

quiet ly

fTowing

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you,

YP

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and

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I

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come_

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and

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hy ,

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a

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(

I

L

102

Copyright

1945

Wil l iamson

usrc,

nc

Copyright

enewed

Solesell ing gentand manager

f al l r ights TB

Harms

Company



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103



Sometimes

'mHappy

from Hit the

Deck

"Sonre

f rnes

'm

HapTtg" became

a standurd

througl"t

a

\( )ntcrchot

circui tous

route.

The melodq,

thr tugh

usi th '

a

,sr t t tppier

entpo, uas

f i rst

composed

ba Vincent

Youmuns

in

1923 to

u hlric co-usritten

bU Oscar

Hummerstein

ll artd

, .

r l lcr l

"Coft te

On and

Pet

Me." But the

song was

neDer

tt:ad

in the

musical

for

uhich

it had been

intended,

and-

to o

ttcur,t' ater,

with

a ieu; lgr ic

bg

lraing Caesur,

it tu'rned

up

uncler its

current

title in.onother

sh'ort;.

This

production,

horceter,

neDer

got

antl closer

to

l ' leus

York than

Phi lut le lphiu.

"sornet imes

I 'm

Happg"

f inul lg

made i t

to

i r r t rnor tul i tg

n

1927,

rahen,

( ts

sung,

bg

Louise Crooclg

anrl Churles

King,

it

becarne

the htt

of

FIit the Deck.

\lbrds

by

Irving Caesar;

Music by

Vincent Youmans

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I T ' I - L I

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you.

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t imes

I 'm

Some-t imes

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love

you;-

Some- t imes I tm

Some-t imes

I

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De

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on

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rcause

I

t

'f'

you . -

love

you

f,

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. l=

T

Copyright

1927

WarnerBros.

nc.

Copyright

enewed

Rtr rgn:s

el :



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from

Girl

Crazg

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on

October

74,

1930,

he

opening

night

of

Cirl

crazy',Ethel Merman stepped to thefootlights and berted

out the

Gershwin

brothers'

compeUihg

oniorn"ement

"l

cot

Rhgtb-,"

there

u)as

no

question

hat

a neus

Broaduay

.star

had

been

born.

As

the

singer

recalled,

On

th e

s e c o n d

h o r u s

j u s t h e l d t h e ' I '

. . . o n e

l o n g n o t e . . . w h i l e

the

orchestraplaged

the

tune.

The

audiunru

started

cl.apping

fttf

about

four

bars,

clapping,

clapping,

cIappirtg,

and

they

didn't

stop

ti l l

I 'd

done I

don't

know

hou

manu

encores.

t

was

like

electricitg."

\lbrds

by Ira

Gershwin;

Music

by

George

Gershwin

d

't"t',i,

.,.1.,N ':

$

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Who

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ask

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ask

for

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106

C o p y r i g h t o 1 9 3 0 N e w W o r l d M u s i c C o r p o r a t i o n . C o p y r i g h t r e n e w e d

l t

i g h t s : 3 S i - . : _



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SomehndV

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frorn

Ceorge

White's

Scandals

BroadwaA

euues

were

once

a

great

raining

g,round

for

composers

and

lgricists

who

later

uent

on

to

"create

complete

scores

or

book

musiculs.

The

series

of unnual

George

Whife's

Scandals

uhich

began

n

lblg, enjogerl

he

seroices

f

George

Gershuin,

wh o

,o*pot"ud"songs

orfioe

edii ion-s,

hree

of

the.m

ith

Igric ist

B. G.

DeSgIoa.

For

the

1924

-production,

Gershwin's

last,

hb

and

Desglua

(uith

co-lgricist

Bollard

Macdanald)

contributed

"

s omebodg

Looe

Me," uhich

was

introduced

bg

Winnie

Lightner'

Words

by

Ballard

Macdonald

and

B. G.

DeSylva;

Music

by

George

Gershwin

Mode

ate y

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usic

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l l rtghts

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SOON

from

Strike

Up

the

Band

\lbrds

by

Ira Gershwin

\Iusic

by

George

Gershwin

Strike

Up the

Band

is

one

of

the

rare

Br\aduag

musical,s

to har;e

ieceioed a

second

Chance.

When

the

anti-wur

sotire

wus

first

tried

out

in

1927,

it

uas

colsidered

too

bitter,

and"i t

d idn' t

get

beggnd

its

trgout

date

in

Phi ladelphia.

But

the shou was

then

reuised,

rescored

and

recast,

ancl

it

went

on to enjog

e

successful

Broaduay

run-in

1930'

"Soon,"

which

,.,us

writtei

for

the

neu

production

bu t

based on

a theme

from

the

original

shou2

lDos

a

romttntic

duet

fctr

uoeniles"Murgaret

Schilling

ond

Jerrg

Goff '

\ loderately and somewhat freelY

/T.

t

tT.

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a

mp

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My

lone

-

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My dear

,

yourll

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ffi'n. ffi'u

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end

lone

l

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l y .

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live

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you

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on

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)

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I

found

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t he

wi th

unt /

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on

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what

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i t is,

h a p -

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vou ,

who

cares

I tve

what

glrl

that

I

was

place

or

what

the

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>

co ri ht

1929

New

World

Musiccorporat ion

copyright

enewed

All

r ights

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t

g i r l

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onclh is

w i fe-

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Lois

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exTtre,ssed

heir

looe

in

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Cure'sP"

bg

,.

..

t r i r

i r r l i f ference

to culumit ies

,suchas

the

skl l

fa l l ing

: ' .

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- . r r r

t , , ' r i

runk 's

fu i l ing

inYonkers.

\ \ l r rds

bv

Ira

Gershwin;

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by

George

Gershwin

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copyright

1931

New

World

Musiccorporat ion.

opyright

enewed

All r ights

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How

Longi

Has

This

Been

Going

On?

from Rosalie

Rosalie ds generallg recalled as a sTtectaculurMG M

musicul u:itlt,songs

bu Cole

Porter.

Actuullg,

the

moaie

was

bused

on

a 1928

musicalof

the

some

itle

uith

u score

uritten

in

purt

bq George

und-lra

]ershwin,

and

t was

n'

that

production

thut this

hal lacl

u;as

f i r ,st

sung

on'

Broadu;au.

he song,

hou.,euer,

otes

buck

o

the

preoiotts

Aeur,

wlt-en

it *oi

written

for

Funny

Fac-e.

Thoug,h

introduced

bg Adele

Astaire

and

Stanlea

Ridees

during

the out-of-towrt

trgout,

it

uas

replaced:frrt

sotn.e

unacco;r i table

euson-bg

"He

Lttt-es

nd

She

Loues."

Words

by

lra Gershwin;

Music

by

George

Gershwin

i#&

,&

,

, . l j .

-i

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" . .

4 ,

i .

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--)

ca

ffi'ou

I

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Where

have

I

been

Where

have

I

been

sal t

-

y

tears;

sal t

-

y

tears;

I could

cry

I could

cr y

e

ebg

ffiun.

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t

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these

these

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years

?

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all

al l

I

I

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r

i t

Lis

l

ql

wow,

YoU

ll -1,

tIe

ten ,

4

Tel l me now, How

Tel l

me

do,

Holv

, l l t

bd

.1

, l t )

t

copyright

1927NewWorld

Musrc

Corporat ion.

opyright

enewed. l l

r ights

eser\ , 'e:



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lorrg

has

this

been

go

-

ing

iong

has

this

been

go

-

ing

1a

tfrt i7f i

l ' l l _ j I

i-J

on?

on?

f\--zf I

--

There

were

chi l ls

What

a

kick

ebdim

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ffi

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ffiffiffi

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----_-27

|

: _

up my

spine

How

I

buzz

'[

i

"f

An d

Boy,

)

some

th

you

cl

ri l ls

ick

I

)

I

A S

I

)

7

vr)

t l

t l

canrt de

-

f ine

.

no

one

does

) L -Ja

r

l

Lis

-

Hear

AY

I

sweet ,

sweet

t e n ,

f f i € t

cl

GnrT

G b 7

5

peat

:

pea t :

long

has

this

been

go

-

ing

long

has

this

been

go

-

ing

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bmaj

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nbt

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Oh, I feel that

Dear,

when

in

your

17

', f

t l

I could melt;

arms

I

creep,

l - . - l

17

',r

t l

In -

to

heav -

en

I tm

That

di

-

vine

ren

-

dez

l_-_l

17

a t | |

-

hurled

V O U S .

I

115



Hon.

Long

Atn

i#

i i t ? l

-r*+H

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Has

This

Been

Going

On?

Dm 6

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ffi

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ffiffi

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ffi

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know

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wake

I

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how

Co -

me

if

worl d

t rue .

+

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ffirou.

Cdim

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Find - ing an - oth - er

Let

me

dream

that

i trs

-d

lum - bus felt ,

I tm

a

-

s leeP;

-4

a

Kiss

me

K iss

me

+

1 {

6

a

once ,

tw ice ,

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bdim

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a

uJr'""

I

That

makes

thr ice

;

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hen

once

more;

then

once

more;

G b 7

5

B

bm?

\VAS

make

be

it

B t 7

#

i*F}H

filfl

nbg

ce

ffi ffi'mffi?r,"mar,.ffisr,.

fore .

four.

this been go

this

been

go

I

long

long

has

has

- ing

-

ing

Wf?+

l t l

heav

-

ents

sake

Hotr

heav

-

enrs

sake

Hoiv

hat

a

break

For

What

a

break

For



SECTION

I

Vocal

Hits

of

the

4Os

and

5Os

I

c

:C)

xpre

N

U I

+ l

- +

S S l O N

4

ond

a)

'ap@

Cod

Si r i - lv . w i th e

P

de l i ca te l y

It 's

a

continuing

u;onder

that

Cape

Cod, that

"bared

and

bendedurm of Mus,suchusetts,"n HenrgThoreuu'swords,cu n

tnean

so

munu

different

things

to

those

uho knou; it

from

generotion

o

generation.

Retreat

and touri,st

'enter, uidbar

und

sanctuurg

it can

ire

the

magination

and

spirit as

can

few

other

Irlorth

Americon

seocoast sites.

If

gou're

fond

of

iand

clunes

nd

sultg

oir,"

so(ls

his lgSO

hit,-

a mi lestone-in

he

c1treerofs ' iyserPat t iPa51i , , ,go7| reSuretofa l l in Ioaeui tholc I

caTte

;(t." ' i t ',

us

rue

as

t et)er

u)us,

, ihrrurrrnclstfai,sitrtrs

'i : '

cro's,sing

ape

cod

conal

eDeru

ummer

wil l happi lg

utte.st.

Words

and

Music

by

Claire

Rothrock,

Milt Yakus

and Allan

Jeffrey

F

FEEEEI

i----.-u

*_.-u-.]

r+{

B e m 6

Cm7

Bb

.TTTD

].J..+J+t

ffi'n.

6fr.

-r_

I f

yourre

fond

of sand dunes

and

D7

G9

.ffi

fiun

m'n

F 9

ffi'u.

sal t

-

y

air ,_

Quaint

l i t

-

t le

vil-lag-es

here

and

there,-

T

Yourre

sure

to

fal l

in love

with

Old

Cape

1956'

1983

by

GeorgePincus

& SonsMusic

Corp, New

York,N

Y. nternat ional

opyright

ecured. l l r ights eserved

117



Old

Cape

Cod

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with

an

ld

Cape

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You,

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-

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"o'uA"

that

seem

to

118



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chim

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you

spend

an eve

nin

g

,

you'11

ou

were

. J 1 ? h

l i l

mind

you

of

the

town

where

ar

want to

stay,-

l--l-.--l

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ing

the

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ight

on

-f'

Cape

Cod

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;

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119



lDlPlEA,s\t

\\brds and Music by Johnny Mercer

Mode

atelv

Johnng

Mercer,

tne

of

the

greate2tof

ull

Iry.rici'sts,

'*rote"both

uo'rds

,tnld

utic

ttt

thi 's

entluring

hit'

Accorcling

.

bunclleader-arran{1er

ayI

Weston,

wh o

ii i ipna'i 't

up

us

the

theme

son,g,

or

hi 's

pttpulur

ruclio

,ho'ro,

Mercer

hod

reseroations

itrtut

t

-

rtr

at lett,st

one

note

of

it:

the

sixth

note

of

the

ntelody..fitll ing,

tt

i iu

*ord

rblun."

" l

think

thui

note

ultnttst 'muke's '

the so,ng,"

ui t lWeston,

(tnd

conuinced

tthnng

o let

i t stag. ' '" l t

o,

fortunute

ttr

us

ul l

-

and,

us

Durt

Fox's'rich

ooicing

oDer

u

[oping'

bass

ig'ure

shorc's,

helpsgiue Mercer'sclassic ts extra poiSlnuncy'

C6

EtrEtrN

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mp

subdued

throughout

B 7 + 5

When vourre

feel

4l

B7

ffi

fi'*.

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Dream,

Tha t rs

thin

g

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of l

I

7

I

You'l l

f ind

Your

share

rlse

1n

arr ;

Copyright

1944

WB

Music

Corporat ion

Copyr rgh t

e n e w e d

A l l

r , gh t s

ese" -

j



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d ream,

^



,ALYOUNRE

This

looer's

our

of

the

alphobet

u)as

an

instant

hit

when

it

appeared

n

ig7g

and'

ha'

eidurecl

-

not-just

becouse

t' s

a cleuer

nnuuttu"b;;"i;;"

hecause

t's

u

u;ell-craftgd

'I9ce -

sons

expressin;;;;r; ';;,;:":;;

that

nct)er

o

tut

of

fus,lt ion.

ts

iifrr"rriii

pti

"ta

of

pract

ce

compose

.S

dnes

Lipptrtctrt

had,

urned.

out':: i ,t i 'sigar

ls

so

Refilted"

and

"chickent

Chick,"

and

t,Jri'iti

n' ' iaa

Kaag

hid

produced

"Don't

Be

a

Bobg,

Babg"

ond"'A

Penng

o"Ki"'

a

Penny

a

Hug"'

Buddy Kaye, Fred Wise and SidneyLippman

slowing

Ltr

(The

AlPhabet

Song)

Wordsand Music bY

Mode

ratelY

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youtre

the

one

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i

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dol

ttB

r

you

tre

so

beau

-

ti

-

ful

;

rHtr

youtre

so

treav-en- lY;

A "

y o u t r e

a

-

d O r - a - b l e ;

r

G

rr

you

look

good to

me

;

ttDrt

youtre

a

dar

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l ing

And

i lJ i l

wetre l ike

Jack

and

Ji l I ;

harms.

rze.

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youtre

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means

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ver-

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o

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through

the

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tell'

you

what

you

m'ean

to

l

-

pha-bet

with

you



UNT"ORGEITABLE

\ r r

f

Ki ns

C

ole' ,s

ast i r tg

success

s

a

populnr bal lad

singer

t

r , : f

the

rcor lc l

of

juzz

one

of

i ts

ntost extraordinurg-

Tt i t t r r ists.

t t t

us t ie l t t t

u7

hi ts

greu

ktnger,

there

seemed

it rr

t inte

or

Cgle

the

keiboard

wizurd.

"(Jnfsrg,ettoble"

rr , r r

r . ' /cr ' i ,sed

n

1951 und

becutne

one

of

Cole's

biggest

)( ,ng, . t ' .s he u;ork of l ra ingGordt tn, uhose tt ther crecl i ts

tnt ' l r t t le

l Ie,

Mu'set f

tnd

1,"

"Be

Ant l th ing

(But

Be

Mine)"

Lint l .

n t .o l luboiut i i t t t

wi th

Duke

E|I ing4,ton,

he

immortal

"

P

t'l trcl

f

r.r

r

Ki,ss.

D on

Fox's

graceful

urrangement

here

I tLt :

r

l i l t ing

qual i tg

thut

u, i I I

eaoke- in

monu

l isteners

the

l t , ' l t t t ' r l

spir i t

of

l lut

King,

Cole.

Words

and

Music

by

Irving

Gordon

Nloderately-i

ta

Shearing

.n

playedas

-tf I

1\

Gdim+7

Gmaj

7

Thatrs

what

You

In

ev

-

try

n-

for

-

get

-

ta

-

ble,

Un-

for

-

get

-

ta

-

ble,

way

Un-

for

-

get

-

ta

-

ble,

And for - ev - er - more,

--

( l o re : i - . : -



F 6

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of

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why

,

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How

the

thought

of

That

some

one

so

you

does

things_

to

me

;

u n

- f o r - g e t

-

t a - b l e

fore

ha s

some

one

been

i l '

,

D 9

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un

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too .

much

slower



The historA

of

populor s9ng

eems

with

partnersbipt

that

turnerl

rtut

hits, o*uii*ui

b,,J

he

d'ozZns

aet

are

almost

orgotten

bg

the

publt

Canadian-born

Aiex

Kramer

and

his

wife,

J

oun

Whitneg

gaye

he

u

"

r,

:

such

stand,ard.s

s

"Far

Auag

Places,"

High

on

a

Windu

Hill,"

")irrr'/:

l , leaerCet

Auag"

und

the

hiunting

"Mg

_Sister

nd

1."

Yet

heir

r l r tr f

end,uring

ongis

his

simple

upbeat

declarot ion

of

loae.-

made

al l

t i " '

more ̂ i^orible

bU

gricist

Mack

Dauid's

catchg

opening

itte

Words

and

Music

by

Mack

David,

Joan

Whitney

and

Alex

Kramer

Free Iy

Moderately

slow,

ir

G . , i t a r

C n r u i 7

:

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tempo

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dy,

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And

Can-dY's

al- '*-avs

The day I take m) '

ro

;o

Copyright

1944Leo

Feist , nc Copyright

enewed

nd

assigned

o

Harry_Von

ilzer

Music

Publishing

o

and

Kramer-wht l-E'

-

c/o

TheWelk

N4usrc

roup

SinL

Monica, al i fornra

nternat ional

opyright

ecured

All

r ights

eserved

Used

by

pe'-

:: :

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s imi le



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127



EOIIII.EOW

OO

When this

boogie-uoogie

coubog

song

became

a

hit

in

1942,

no one u)a:t

ntore

,surpri,sed

or

dismoged - than the artist, pianist Freddie

Slack. He had

plaged

boogie

uith

Wil l

Brarlley''s

band but

launched

his

own

group

to

plog

smoother,

stoeeter

ntusic.

"Cow-Coto

Boogie"

Ttttt

an

end

to

those

plans

-

and

shapecl

the

rest of

Slack's

career

uncl

that of

his uocali 'st

EIIa Mue

Morse. The

tune

u)as a special

faaorite

in the

Southwestern

states

and du.ring

the war

brougltt

menrories of

home

to countless

seruicemen

u;lrct

hailed

from

those

"uside

open

sr)aces."

Words

and Music

by

Don

Raye,

Gene

De Paul

and

Benny Carter

SIow

boogie blues

(t

played

as

rJ:r

J l)

C

ffi

plains

C9

ffi

F 9

ffi'n.

l

cow

-boy-

Rid the

jogged

a

-

long,-

ange

one

day.-

And as

he

*More

skillful

players

mdy keep the boss

f i ure f rom

the intro

going

throughout

the song,



l

tft f\---

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most

pe

-

cu-liar-

cow

-

boy

song.-

I t was a

heard

him

sing-ing-

t r /

ffiun

F7

ffi

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3

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learned

in

the

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lit

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do

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lit

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.

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hi s cow

bo y

H

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got

ffi6r,.m

knocked-out

West-ern

ac-cent

With

a

tr

ffi

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Har-

lem

touch.

130



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DaybyDay

PaulWeston

and

AxeI

Stordahl,

friends

since

heir dag,s

with Tommg

Dorseg's

orchestra-,

rote

this

loae

song os

u

follou:-up

to their

fi ,rst

collaboration,

"l

S_hould

are."

"On

a

recent trip

to

the

Far

East,Weston

hod dinner uitlt

friends

at the

restaurant

atop

Tttkgo's

mpe_rial

Hotel '

As

-theg

u;alked

n,

the

Japanese

ianist

was

plaging

an d

singing"DoA bg Dag." "I t remindedme againof uhut u

u:

o

nde

ful, unde

ap

7t

eci

at e

d

mus c an

Axe

Lt) s,"

Y|'e,st

said.

"Not

the

klnd

of

Sua

to

put

himself

forward

-

but I

don't think

angbodg-has

uer

uritten

for

strings

he uug

lt,-

did.

And if

gou

need

more

proof

ult

l isten

-to

'Dag

bg

DaU.' t 's iul l

of l l t t le

touches

onlg

he could

huaedecised

Words

and

Music

by Sammy

Cahn,

Axel

Stordahl

and

Paul Weston

Slow

and smooth

Freely,

like a cadenza

/i

)

a

tz

f

/i

r

Day

r

e,

I

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My love

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l r l \

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a

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an

-

y

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fr-

end to

my

de

-

t

vo

-

tion

;

rrT

l t r s

o

132

Copyright 1945by Barton

MusrcCorp.Copyrightc-

972 y Barton

Music

Corp.,

Cahn

Music

Corp,

and

Hanover

Music

Corp



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That's

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Music

br'

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Brandt

and Bob Haymes

Slowly, but

with

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The record hadn't stopTted

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the suitchboard

at

l,leu

York's

Wl\tEW

adio began

ighttng

u.p.

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di,sc

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piunist-,sirtger-

songwriter Bob Hagmes,

picked

up

the

irst

call.

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l/cf

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famil iar

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l

looe

hat song.

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t

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ar t

album

of orchestral

music.

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and

friend

Alan

Brandt uhiTtpetl

up a

lgitc in a

hurra

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and

Cole

recorded

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sturting

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There

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134

Copyright@

952,

enewed

982,

Mixed

Bag Musrc,

nc

All

r ights

eserved.

sed

by

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(IGotSpurs)

JINGLE

ANGLEJINGLE

ln 1942, housoncls f seroicemen n battlefielcl,s

tter'se

;

i;r;;ri 'f"r

ittst

ai

urho,

a

taste,.of

home

and

loaetl

ttnes

tt ':

behind..

mong

the

besi

reminilei,

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pop

sottg,s

rtr.td

few

were

more

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hun

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countrg.

t

wus

uLt i l lu l torut i t t t t

tet rceet t

nt r tk

ioir,rui

-

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he

Lorrl

ond

Puss

he

Ammunition"

,ulu,

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of

the

u)ar's

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hits

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music

omposer-iuiupt 'Lt l tea'

t

j ing,Ied

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words

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Frank

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by

Joseph

J.

Lil lel '

6'.,

e J

Bright

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temPo

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0nforgettable

its of the

3Os

[Covcr

the

M/atcrfromt

Words

by

Edward

Heyman;

next

Creen-Hegmun

gent,

"l

Couer

the

Wuterfront,"

uTtpeared,Green

us

r idinghigh: he had his

oun

bund,

an offer

for

his

oun

ruclio

show,

tt contruct to urite

music

for

the

ntooies.

Thi.ssong,

proaecl

un unexpected

hi t

for

Louis Armstrong,

uhose urgent

Tthrusing

und

gruuel lg

aoice lent i t un eurnest , huunt ing

quul i tq.

Music by

Johnny

Green

G

ffi

i

' l i t t r tq

)reen's

i fe

inmusic

got

off to

afust,sturt :

us r

.r, t t le

tt

ut Huraard,

he

clashed

ff u l i taht

i t t le

tune,

'

( '

11uette,"

hut

becunle

mtjor

hi t . l t tot

ongq

fter,

n

:

, ;r ' t r tar,sl ip

i t l ' r ur ic ist

Ed Heumon,

he turiecl

ott t

B,tdu

unclSoul"

und

"Out

of l lowhere,"

roo

i l l - t ime

1,r ,

lc ' r . fAmeriL 'un

opulu i

song.BU

1933,

chen

he

G

ffi

G

ffi

Free Iy

V

erse

Dmz

G Dm7

G

)

a

a

I

A

mP

F

J

'F

l l

way from

the

cit

-

y

that

Tr

ur t s

and mocks ,

I tm

r

-r

stand

-

ing a- lone

by the

lJ_:

/,

Dm/F

E 7

Cm/nb

D 7

ffi,.,,

ffi,'o.

firu.ffirr.

G

ffi

G

ffi

G

ffi

G

ffi

st i l l

and the

chi l l of the

rr

ight .

great

un

-

kn own; M y hea rt ha s

an ache:

i t ts

as

: , . qh t

'

1 9 3 3

Warner

B ros . I nc .

Copyr i gh t r enewed

A l l r i gh t s eserved

r39



I Cover

the

Waterfront

Drn/F

tr7

cm/Eb

ot

ffi,'*.

fi,'n.

firn.ffirn.

fi

+

h e a v -

y

a s s t o n e .

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bluesy

A7

FI]Tn

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Will

th e

D94

D7-9

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ffiffi

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ffirn.

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tr

dawn

eom

ing

on

make

it

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I tm watch

-

ing the

In

search

of

mv

I

cov-er

the

I cov-er the

wa-ter

-

f ront ;

wa- ter

- f ront

D 7 - 9

7

I

G

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/-

ffiffi

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ffi

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ffiffi

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x o ^

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sbt

s

ffi'u'

a

a

. ,

e

one

I love

be

cov -e red

by a

r

com

-

ing

star

- Iess

back

sky

l

"?

I

to

a -

I

2 J -

-il

r-

l

t l l l

,

,t-

me?-

o

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I t

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i J

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-e

Here

am

I

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110

pa-

t ient- ly

wai t - ing.



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hop- ing

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you

for

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get

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tin

g

.,

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fi'n.

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Oh

,

how

I

yearn

Where

are

vou

?

'r--i

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you

re

-

mem

l-l-3----r

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ffiffi

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er

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Will

you

re

-

turn?

wa

ter

-

f ront :

tl

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tr9

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t h e

Am7

ffi

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watch

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one

I

love

must

soon

come

back

to

7.

r|1

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I lUu

141



':t,,,.{\'

'ffemTfere

QTes

One

recent

night in

a Munhuttun

nig,ht

sytrtt,u

tJottttg

singer unnounced this hullou,,ecl1930 stanclurcl, lrcrt rt'nt

into u

rnte-perfect reproduction

of

Billie

Holiday's

funtt 'd

recording.

Asked luter

whether

she

realiz.ecl

orc

fur

fronr

Muceo P'i'nkard's

origirtrtl

melodtl

the

Holidtry

ueisioi

ltrtrl

,straged,

she expressecl

astonishment.

She'tI thouglft

titt ' st,rt,:

went thut taag

ln its ttnultered

form,

"Thern

There

Eyes

is

u catchu l i t t le dt t tu

bg the

ntun

wlto cor t t r ibutet l

,vuch

ul l -

t ime

,standurd,s

rs

"Sru

eet

()eorgiu

Brt tun,"

"Sugur"

ut td

"(]irnnte

a Little

Kiss,

Wil l Yu

Huh?"

to

Artericurt

|trt7t

music. lt remuin,s

u

perennial

fuurtrite.

Words

and

Music

by

Maceo

Pinkard,

William

Tracy and

Doris

Tauber

j \ Iedium

bounce

G+5

ffi

first

time I looked

in

-

to

Them

there

fell

in love with

vo u

D7

ffi

cute

way

of

flirt

-

int

with

there

112



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5th)

G7

ffi

ftlTtl

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t#

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ffi

9l

(Guitar

tacet)

ffi

- {--*-*-*-l

?-FH+{

a

eyes .

rtt

\

l>

They

make

me

U

\

feel hap

-

py;

\

{Lt

They

make

me

\

:>

€

C

ffi

t

a

'

:

a.

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-

- - =

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r

r

'-l

a

]'

l l

No

stal l

-

in '

;

r- l

I I '

r l

I rm

fa l l

-

i n r ,

fl

Go

-

ing in a big

way

fo r

ffi

I - l * ) . ) r

a

-o

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ftt|

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a

siveet

l i t

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t le

you.

A

-4 1

o

My

J

1-'

heart

is

jump

-

in'

;

you

t + ' t u

+

sure start

-

ed

some-thinrwi th

I

i

7

7

I

a

Them

there

'l

p

I

I

e y e s .

FrW P

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r

t I

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be t

-

te r

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l ( \

watch

them i f

youtre

I

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h )

= I

r

|

+

I

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I

i =

-l

r'r'T

143



Thern

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-

k le

;

\

' r t t , '

i

t:-j -i

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ver

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o

et

I

I

+

t

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gon-

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you

ln

C

ffi

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whole

lot of trou-ble.

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here's

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ger

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there



TRYALITTLE

TENDERNESS

Words

and Music

Jimmy

Campbel l

Slowlv

by Harry

and Reg.

Woods,

Connel ly

Trll

u Little

Tenclentess

uppeured in

1932

und

,struck

a

resTtonsiue

hord

in Deytre,ssion-

weortt

l 'Jorth Americuns.

Morale uas lou,

ntoneu

and

jobs

scurce.

n

ntuny

co,ees,

l l

thut a

nton

und uontun

hut l uas euch

other.

A

,song

urging them to be kind and

louir tg

to one unother

was o meclicine

for

the

meluncholy of

those

t inte,s

t tnt l

f i t i

or t r , \

/ ,s

el l .

Free y

-

- - -_

a

?

A

4

In

th e

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7

v

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Am 6

ffi

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I

hus- t le

of

to

J_l

T'

day

,

Wetre

F

I

in

-

clined to

I

r

al l

I

{>

miss

f r f rr

ffr

l l

Lit

-tle

things that

6

mean

so

much,

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t l t

l ^ l ^ . 1

o

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G7

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r

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a

smi le, a

-l

word ,

.l

tHa77

r l l

k iss

. When a

l r l l

rP

t l

, l

wom

an

loves

I

t l

a

o

man ,

Hersa

r

h e - r o

I

F

I

in

I

her

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€

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\ ,

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r

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eyes

,

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l - - - l

u J _ - - \

he

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ro

he

can

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-

ways

be

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l , l

r rr

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re

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al

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1I

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Tenderness

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w e a - r Y ;

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the

same

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om

e

n do

get

wea

ry

,

l );

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when

shers

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l i t

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ten

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G7+5

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shers wai t

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Things

she

may nev-er

us t an - t i c - i - pa -t i ng

a

Trv

a

l i t - t le ten

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der

116

lVhi le

shers

wi th-out t he m,



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not

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men

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t^ l

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grief

and

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en

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l ' r

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,P

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a

6

11;



Thatold

Feeling

5rrnrrr r

1 . 'u i r t

un

lu11

ust

cluint

to being

rnnong

the

lr t ' r f

i r rc l

lcu,st

knoran

of

t t l l

tha

greut

A'nter ic.ut t

r r rn.( rL ' r i ter ,s ' .

t ' runk,s

ai th

Iruing

Ber l in

r tnd

Hrtr r t l

\ \ i r ' r ' r , r r

r r

s l teer

uni l ter ,s

of

lust i r tg

hi t ,s

."When

i

l i tkc

7h1

Sugur

o

Teo,"

" Ie

( tn

Dr . (urn ,

Cun ' t

l? , "

" l ' l l

Be

Scc i r tgYou,"

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LoLe"

t tn t l

doz.c t r . \

nor ( ,

( int( )ng l tant . \ 'et ,sonrclxt tohe publ i r ; t loe,sr t ' tt l rcr t t1,s,

i i r tk

l t i .s

t i t .s

ci th

hi ,s

name.

"Dit l

he

rcr i ta

trut t .

too'1"

i :

t t

. l ' r t , r luer t t ly

;skedquest iot t .

l t ' ,s

cer tr t in l l l

t r r r t :

o. l -

t l t i \

r ( tn i r tder

oJ 'ent lur ing

oce,

u

co l l t i l to ru ' t io r t

o i i l t

L, . 'u '

RroLcn

J'or

t l rc

ntoxic

Vogucs

of '

93tJ.

\ \brds

nnd

N{usic

by

Lew

Brown

and

Sammv

Fain

Slorv

and

sentimental

E m 7 - 5

I)nr

c

fttrB

L+,J4-+J

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I

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saw

you

last

very

s m o o t h l

old

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1

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ffi

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feel

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p

l

I

night

and

got

that

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I

got

that

E7

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And

when

vou

caught my

eye,

a .1

-d

I

2

I

l

t

I

I

felt

a

1 1 \

) 'ou

danced

by,

Copyr i gh t

1 9 3 7

Leo

Fe i s t ,

nc

Copyr i gh t r enewed 19 65

Lcr r e

sl

1nc

l n te rna t l ona l

opyr i gh t

secured

A t ngnt s

reservor j

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b y

permrss ton



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still

.

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Once

I

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feel

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IIII

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And

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l r

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spark of love

lI l

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I

o

still

I

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t t l

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me

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r t td

t l t \ ' . i r '

\ l c 'scr i l t t i t

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t

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t t t t ,s i

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t t r t t ' l t t r t '

( t . \

p l )urgr t t

r t ,s

t t

t l t i , s

t l .s t7- .s r6 i r rg i r rg

l l t t . t t r i . tc .7 tur . ' t

t . f

, t 'u

Lcs l i tJs

In t t ' r - r r i t t io r l r l

l t ' r

r r t ,

o / '

t9 ,30.

t ' l r i t ' l t

l i c ld td

t t r t o t l t c r

i t . l ' o r

t l t t ,

t , r p r r .

( ) t i

t l t r

S t l t t t t 1

S i r l r

o . l ' t l t c

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t ' r ' 1

Words

by

Dgrot f i .v

F' ie l t ls;

Nlusic

[y

Jirnrny

NlcHtrgh

I ' loderately, with a li l t

l>

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( ( ,

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r r I I l I

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f I I I I I

rrrrn

i

I

know

why

I 've

Why

should

we

spend

wa i t

-

€d ,

mon

-

ey

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t

l l v l

Y ]

D7

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Irve

been

On

a

show

or

Prayed

each

night

for

No

one

does

those

b lue ,

two?

some

-

one

love

scenes

Ex-

Ex -

You make me

act

-

ly

l ike

You.

Copy r rgh t .

93O ,

enewed, hapr ro

erns te in

Co

Inc

New

York

N

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n bdim

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I

want-

to

hand

the

world to

vou.

You

seem

to

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schem

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I 'm

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I

know

why

q-r

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me

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be

t rue .

s o m e - o n e Ex

act - ly l ike you.



It's asintoGll

a

Lie

il't1lf*#;:;

Fttt,s

Wuller

recrtrderl

this

eDergreen

in

1936,

t le l i ter ing,

the

sent imentul

lgr ic

in

bct isterou's '

r r tot :k ing

oodhumor

-

uI I

the

uhi le

stainginSl

thing,smight i lg . f rom the piuntt ' S ince thert , t t r t

u,,u

rrr,

lteen

,ibte

to think

of

the

sottg

oi-tlnut

being

remincled

of

Fat.s.

Recentlg,

rahert

u

prominent

actre,s,s

ecortled

"lt ' 's

u

Sitt

to'I .el l

u

'L ' , i r t t

f r *

un

t i l l t t rm,

sl t t '

i t r . t t rpt t rutet l

Wul ler 's

' i f

uu,

breuk

mg

heurt ,

l ' I l

breuk

Ulur

. j r t tc"

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l re,

rout i t te

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rct ts

shot 'kt ' t l

t t

"lerrrn

thtrt

it

tattsn't

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of

thc

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Fat'shucl

rknre

his

huncliuork

well

intleed

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lilt

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say

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dim

ffi

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be

-

cau

se

the

se

'nff

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a

a

k e n ,

hearts

1933

WB

MusicCorporat ion

Copyright

enewed

All

rrghts

eserved



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o o

ffi

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ffi

a

spo

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a

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I

ken .

I

love

l+

y o u ,

Y e s

I

--.

-

r r t

. ) . ^ . - l o r L

hu 'u

d o ,

I

- -

t ) c | -1. | - , . , r l r -

love

- -

t ) o | . l . - t . , r l r

l

lt4

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oo

ffi

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srn

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153



Please

on't

Talk

About

Me

When

'rn

Gone

This old

fauorite

is deceptir,s:

i f

s<r-ttn

ls

us

if it

could

be a

very old

fuuorite,

perhup's dotirtg

from the Cug l'Jineties,or at leastfrom the last-golden

ogu ,if

uaudeuille,

the

qears

u'st

before

and ufter

Wodd

War L

But

no

-

de'sTtite

t's

old- t imeg

melodg

and

sent iments,

th is

one

usent nto circulut i r tn

in

1931.

t come,t

us

no

surprise,

though,

to

learn

thut

conq)o,ter

Sa m

Stept had uorked

in

uuudeailla,

us

Ttirtttist

or

tuch

star,s

oJ-

he tlug

tts

uck

l',loruorth,

Esther

Walker ond"the

incornTturable

Mue

We,st.

Words by Sidney

Clare;

Music

by

Sam

H. Stept

Illode

rate lv

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m

7

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when

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t l l

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r

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> > >

;-

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151

copyrighl

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1927,1930

warnerBros

lnc copyrights

enewed

All

r ights

eserveo



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I

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i

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ad

l t l

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i n g ;

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I

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mine

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best

that

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do.

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a

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a: iffi

t r t

hope

that

this_

brings

- - l

rfr(ir

l r

lots

of luck

to

l r r

7

7

155



Please

Don't

Talk

About

Me When I 'm Gone

' l t r

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please

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talk

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me,-

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156



l lti.t ltallad of looe

und heurtbreuk

att - rr- -

rF-lI

-

snch slandards us

"Und?r

a Blartkel

',.f

,:i,::;[:o ';:;;,i:31:;",:;:Ei ili, :

I

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me

UK

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'r i t l t a aocal bg Kennq Sargent. It ulso t ). - Doats." His long career spanned botlr

',',i,i,:, :o1"ho#Ji, :.1i:-;'#1,,,y:::';'"

Ol

me |OWn

*;nlT; ?,i{,1f" "rlii,

urccr as a songuriter.

Leuinson,

u;ho

t ' t ' r t tual lgbecame

Lioingston,

u)ent

on to

Slowly

F/A

ffi

penned

he

theme

hut

heralds lrc :urtt1

cartoon

exTtloits f

Bugs

Bunng.

Neiburg;

Music

by

Jerry

Livingston

ords

by Marty

Symesand Al.

J.

and rather

freelv

eba imz

Gm7

trFFFFt

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1'|ffifi

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We

were

more

than

lov

-

ers:

mP

We were

more than

sweet-

hearts

;

GrnT

ebd imz

m7

ffi

C7

ffi

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know why i t

hap-pened,

tand

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C7

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9

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r'

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|

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\

Why should we be stran\rs

t \

Af-ter al l we planned?

ontt know how it started:

Copyright

1933

by SantlyBros., nc

Copyright ssigned

938

o

Joy

Music,

nc.

Renewal opyright ssigned

961

o

World

Music,

nc

NewYork,N.Y. nternat ional

opyright

ecured.

ll

r ights

eserved.

157



Talk of the

Town

F6/A

Abdimz

Gm7

ffiffiffi

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ffi

A+ 5

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Fadd9

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qr

I

can't show

my face,

Ev

-

ry

t ime

we

meet

l^ l

bo Yl

'a

l r ' | ,

Can? t

go

an

-

y -p lace ;

My

heart

sk ips

a

beat ;

FW

t l

Peo

-ple

stop

and stare;

We

dontt s top

to

sPeak,

cT

r

Bbm6

sz :na j7

T + ' ^

t t \

T nou

gh

nbg

De

ffiun.

ffi'u.

so

hard to

bear.

i t r s

j us t

a

week .

7 V e - o - C

Gm7

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A

7

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i l€,

left

f f i€,

Ev

-try-

bod

-

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knows

You

E v - ' r y - b o d - y k n o w s

y o u

-

r i - r ' i r l

+ . + + + l - . - a -

>--:

l '

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I t 's the ta lk

of

the

l r

o r

r l

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town.

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t's the

talk

of

the

cm/F'

I

sent

out in

-

vi-ta-

tions

to

7

"r

l l

friends and

re

-la tions

,

An

, I

7

I

v

I

nounc-ing

our

wed

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ding

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i \



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day .

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and

our

p

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re - l a - t i ons

I

7r

gave

con

-

grat

-

u

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la-

tions .

lr l

a

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How

can

you

face

them?

What

can

you

say

?

f

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Letrs

make

up sweet-heart

;

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et fool-ish

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you

from

my

side.

tp

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How can love like end - ed? Itts the talk of the

rv ' '

To

l--<



I

T

he c

a

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s of

B n

g

C

r o sb

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pul

Horrq

Btirris

cirtmplemented

euch-other

rtr

lleurs,

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'with

thiir

t ime

tog4e:ther

s

two

of

Puul

Whiteman',s

threc

Rhgthm

Bctt1,s.

uriis

wrote

u

succi.ssion

of

songs

thut

u;ere

tuinet l into 'a l l - t ime

clctssic,s

t1

he

Crosbt l

uoice:

" l t

L4ust

Be

True,"

"Wrtryt

Yortr

Trttubles

ii

Dreums,"

"At

Your

Cornntund"

ancl

this int 'e1se

cleclurution

of

lttoe

borclering

on

obses'sirttt '

Wordsby

Gordon

Clifford;

Music

by

Harry

Barris

t /

\ l n l t ' l \ / I

L ^ v

r Y ^ J

\

Dcar

A7

9

DmlF

t r7-9

of stay

a

-

way

,

I may

act

gay.

o

I

Werve

played

the

game

I

may seem

proud

;

1

m n o l . q * , e .

t

mP

Cresc.

But it costs

I t ts

just

a

F

i

more

pose ;

^lt-r

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ffi

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ffi

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opt. f i l l --

a

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f,e

t han

I

I rm

no t

can

pay.

that

way

,

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7 - 9

gffii

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With

-

out

you

I

canrt

make

mY

rCause

deep

down

in

mY

heart

I

mf

Dnr

7

rr-F

dear .

r r

::==-

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dear'

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l- n

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sur-ren

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sur-ren

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Lit- tle

mean

things-

we

P

e e

w

ere

r60

copyright

193.1 y

Mil ls

Music,

nc.copyright

enewed

All

r ights

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used

by

perrr

ss:-



Am

ffi

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have

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the

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woo irg,

But

A7

9

Whenstars ap-pear

C/ G

ffi

and shad- ows fall

,

To you

my love,

my

li

hy

then

you'l l

hear

out

of tempo

D9

cI

Dm/F

my

poor

heart

cal l ,

Traditional

ending

Cmaj 9

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ending

Freely

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ffiffi

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16r



- \ l is .sr i r ri -bont Wi l lard Robison u)u: ;u

sittgulttr kincl

of

songu;riter. He wrote

( ,_t

'otrntrg

l i ie, sm'ul l - tousn

,ecenes

r c n l e n b e e d

f

r o m

c h i l d h o o d :

t l rur t :c roppers , i t inerunt

T t reachers ,

I t t t r tes t ,s

nd

(w i th

a Iyr ic bg

Dedet te

(r.J=

0tD

FOTKS

Wordsby Dedette

Lee

Hill;

Music

by

Slow and bluesv

q-J r

J))

Lee

Hill)

such choracters

as

"Olcl

Folks,"

beloaed

bu

al l

in

hts smal l

hometoun.

l{o

composer,

suDe

perhaTts

Hrtug,g

Cormichael

and

Johnng

Mercer

at

tine,s,

hus cuptured

this

Ttart

of

th e

American

past

as

oiaidlg

as

Robi,son.

Willard

Robison

\

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mf

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Ev

-

'ry

-

one

knows-

him

as

al

-

wavs know where-

to

find

old

old

Fo lks ;

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Like

the

When

there 's

nbg

Am7

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good as his word ;- That's

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warm-

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w e l I .

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,

7+' ,

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son-le

stand-

a

be-

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r61



TNE

DESEKT

SOTYG

from

The Desert Song

()ttt

oJ- lrc

box-o.ffic'e

smu,slrc,y

f 1926,

Signtttnd

Rorr tbcrg' ,s

lu,s,s icTher

Desert

Srxrq

rentuir t ,s

u

l) ( ' r (ntr iu l

J ' t ruor i tc

of

per. fornters

ut t t l uudienr:c,s

ul ike.

t ,s

exot ic

,set t i r tg

n old I i ret tch

L[orocr :o

goL,c

t l t t '

( - 'o tnposcr

n

oTtpor tun i tq

not

on ly to u ; r i te

l , t t t , l q

w u l t z , e s

u n d r o n t u n t i r :

b u l l u c l , s

r t t h e

t r t td i t io t tu l

ae in

but

u lso

to in t ro t lu r :c

nrc lod ic ,y

l tut l tccl

n the

,sul t rq

colors

of ' l lor th Af ' r i t 'u

unt l the

Words

by Otto Harbach

and

Oscar

Hammerstein;

Music by Sigmund

Romberg

l leur Eu, ; t . Anong the

gents

f rom

t l rc

t l t r i l l i t tg \ ( ' ( ) t ' ( .

ure the,st i r r ing

"

Ri. f fSorrg," he moxit tg

lxt l l

ut l

"( ) r r

r

A lone"

ur td th i .s l reunul

i t le number . ln

19J9.

Th t

I )eser t Song tecunte l rc

i r ,s t

u l l - tu lk ing, u l l - ,s i r rg l r rg

, tc rcen

operc t tu ,

u ; i th

John

Role ,s t rc l

Our lo t tu K l r i i '

us t l rc

locer ,s .

Dcnni ,s

Morgun

ur rc l

ru te J lunr i i r i -

,sturret l

i t t thc 1943

rentuke,

fol loued

l tu

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urul

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10

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My

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I

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a f r

l l

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t t t

t"

Dear ,

I

r

l

come

there rv i t i - r

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lU

me.

l7

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J

t-

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I

[ '

long

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I

I

teach

l

a-u

+

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you

-V.

T.

Copyright.q 926Warner

Bros lnc

Copyright enewed

All r ights

eserved

r'

T.

r65



Ab maj7

The

Desert

Song

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l l

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r r i

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song

to

l

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166



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167



sonn

f

6e

rynfonrt

from The

Vagabond

King

\

t - r r l l -b loodcd

operet tu

in the

g,rund

munner,

The

\

. t , ' . r l r<rncl

ing

brought c lou;r t

he

lr ,ouse

t

i ts

prent iere

:r , 192. j .

t t ' i th

such

mognif icent

nuntber,sus

"OnIg

u

H

, . t ' . "

"Sonte

Dut1, "

"Huguet te

Wul tz"

on( l

"Loue

Me

I ' r t i . l t t . " ntut t l lcor ts ider t to be Ruclol f Fr in i l ' ,sf inest

Words

by

Brian Hooker;

Music

by

Rudolf

Friml

5core.

Dennis

King

creuted

the

t i t le

r t t le oJ'F ' rur t . ' t t i '

Villon, the

beg,gur-poet

u;l ' to

defencls

metlietul

Puri'

aguinst

the

for:ces

of

the

,Dttke

if

Burgundg.^\l'ht'rt

l t,

t r r r rSg

his

i t i r r ing

-

number,

i t

rDu,s

hurd

for

t t t ( t t t t i

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W

cr/

fu

rrom

he

agabond

ing

Rurlol l -

F-r in i l 's

t r t fuersul ly

enjol let l

operet tu

-l' lre

\lirgab<lncl

Kir-rg,

rchich

wus

pro(luc'etl

on

I l rot t r l rcut l

n

1l)25,

cos

buset l

on

Just i t t

I Iurr t l l l

. \1r ' ( la

t l41' ,s

rotel

I f I

Were

King.

Thi ,s

ouclq

\ ' o n g . l - r o n t h e s h o r o r e s u l t e c l i r r s ) o n t e

t r

t t t i t t t i o r tu l

humor

rchen

The

Vaga l lonc l

Kir ig

rcus

f i lnted

in

1930.

Reluct t r t t t

to

be of f

Words

by

Brian

Hooker

Moderate ly ,

i r

2

() - -

I beat)

conteru

rch i le

p lug ing

t l rc

scct rc

oytpo 's i ta

.letrrtette

LIucDrtntild,

,stur

Denni's

King,

rc|rc

"ulso

,stttrretl

ruttl

sttttg

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u

Rosa"

in

tlrc

or ig, inul

procluct ior t ,

nucle

sure

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'sonrc

urt

of l t is unrf tonut )os ottscreen

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he

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c, tc

i rt

the

mouir ,

, l rn

dubbecl

i t

"OnlY

(

l ' lo ' te."

Music

by

Rudolf

Friml

beat)

C

ffi

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l

l

a

rose

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oth

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meet

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renewed

1952.

Internat ional

Copyr ight

secured

Al l r lghts

reservec



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t l r l i t ' iou,s

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uduTtted

from

George

Bernurd

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i, .

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r

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cometlg

Anns trnd

the

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best

knotan

of

Oscur

*

r ' , rr , \ ( ) / rcrefo,s, chich uIso nclude A Waltz

Dretrm

anclThe

Lust

' , \

,1tz

.Sf

cu,suic,s

ndeniublyViennese

to the core )The

t i t le

refers

'

,lir.

rtp(,t^(,ttti,s

ero,

u

peoce-lot,ingt, oldier

u;ho

Ttrefer,t

ontunce

. ' . , /

,

h , , r ' o lu tes

o

t t ) u r - ru the r

a

s e n . s i b l e

ha7 t .

T h i s

l o u e l q

s o t t g

.

.,

, ;1rr '4r l

ecn

the

fuuor i te

numlter

in the

score,

und,

incleed,

ts

. '

i t t rL . .

mot ionu l

melodq

mukes

t t t

ou

to

,s ing '

ryHaro

---:--€.

from

The

Chocolate

Soldier

\\brds

by

Stanislaus

Stange;

Music

by

Oscar

Straus

Snrootir

al td

f owing

C

#

w-{

t-++-{--{--.1

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C

-+i_1

-?'

aII

-

-J,

I

my

o vn.

I

mf.

have

a true

and

Am

ffi

C

ffi

t-tt-t-H

D7

ffi

.

-J.

I

He

is

my sweet-heart

,

o

ble

lov

-

er ;

mine-

a

-

Ione.

+ ' l

His

l i ke

on earth

who

a

i

l*'

G

xocto

dlFEi

. I I I I . '

T I I I I I

D7

ffi

r

l t

' ' l

His

heart

is

mine

and

V

f

1

shal l-

dis-cov

-

er?

Am/C

Am/C

\\te

pledgrd

our

troth

each

And

for

our

hap

I

the

oth

€r,

r72

copyright

1g0B udwig

Doblinger

Bernhard

ermansky)

opyright

.1909

Warner

Bros

Inc

copyrights

enewed

All r ights

ese' ' ' l



G

++*

ffi

Am

ffi

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ffiH

a

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ffi

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nbz

_s

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ffiffiffi

c/n

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l ives_

be-long

to

t ' -P

t l

r l

one_

an-oth

-

er,

Oh

,

hap

-

py,

hap

py

wed

ding

G7

trs

| ?

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**f,

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iri-i-Fi

a

rl

ClE

r6

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ffi

r

rr

ome,

rrr

I

love

vou

tr

on

l y ;

I

rr

My

I

rr

heart

is

:

My

life

is

l one

l y ;

- f

t

l



\

lv Hero

pp

6lF

x ?

o

Effi

-H+1

*-t-1

long

fo r

r l

Gaug

Am

ffi

CmajT

ffi

nrT

*+-]-rlt

-;41

t t l

now

to

em

-

ach

ing

Iv arms

are

ace

You

;

? .

I

l--1

-j-o

F'

ffi

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di

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ffi

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o n

l y ,

174

,? '

-T

-U



A

Kissinthe

Dark

\-

ctor

Herbert

once

rausu,sked

ohq

he didn't

write

unttther

u'riltz

like

"Kis,s

Me ASqoin"

.from

the

1905

Mlle.

N{odiste).

(

rttshecl

U the

recent

failure

rf

Orange

Blos-soms

J

922),

he

rapl ied

udlu

l"tat

e'd

ari t ten

wultz,e

as

gttod,but he

publ ic

tl irln't

ecog,nize

hem.

The

Ttublic

ertuinlg

recog,nized

A

Kiss

in

the Durk,"

howeoer, special lu

fter

t

was

nterTtolated

rt

F orenzZieg,fetd's oll ies of 1923,ior ul 't ich Herltertsu.pplied

ntrrsic.

ince

then, i t

hos been

a-ccluimed

s

Herbert 's

inal

u'tiltz

classic.

He

diecl n

1924.)

And uith

good

reasrtn

ort

Words

by

B. G.

DeSylva;

Music

by Victor

Herbert

from

Orange

Blossoms

Moderately

C

#

_++ t l

FrHt-l

Verse

Gaug

ffi

C

ffi

G7

ffi

Ofa

Yet

to

-

[ '

mad

de

-

all

its

I

r e -

That

wa s

Iy

i t

love

day

G7

xooo

ffi

fTl1fl

Dm

ffi

7

o

o o

ffi

t

f ' l

I

night

,

hour

I

Trem

-

bl ing

In

the

'

t

Ff

t l

dance

-

seems

rrr

Tlr

f'

And

a

Like a

,A

stroll

in

-

sweet

but

I

, . n )

f'

t oa

fleet

ing

'

=-)

o

a a

a

f f

T

,

E 7 o

#

t-l-+++-..i

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F

a

rT-rT5.

I

I l a l

I

t I a l l l

I l I I I I

Caug

ffi

+Tltl

C

ffi

Gqtg

ffi

charm

s

d a w n ;

c

(

t++r

l l

t '

with

ro

-

land

of

r-

mancg .

dreams

'f

hr

p'

I

I

There

There

he

we

r'

told

me

part ed

J

,,)

of

in

l' I'

l l

my

the

-1.

-7.

f- ?.

l \_- .z l

T

Copyright

1922

WarnerBros

lnc.

Copyright

enewedAll

r ights eserved

175



\ K iss

in the Dark

\ n

Am 7

j _ j

o o o

r------ ffi

ryTil]

D 9

ffi

c/c

ffi

Adim7/G

.ffi

H

orv could

He had

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played

a

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i-

sist ?.

par t .

l

€

'l

l-l\

a - l r L

fi

I

Sud

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den

-

the

,+l

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ly

rvi t : .

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'rr.-

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--------,-l

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o c

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J

ro i 'us

-

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U /

+?fifll

1-fftl

;-+--+-l-+-{

++.i-l

in

his

lin

gered

. J . + +

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( .

l l

arms

on

. - l I

-r.

I

I

In

was

my

l

r'

held and

trem bl ing

r

K

kissed .

heart.

z+

tir

a:

+ t ^ . ^ -

oh,

oh,

a

':__>r-'

-r<___---a

-*

a

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I

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r

kiss

= +

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l l

i

in -

the

(

dark

rr

t l

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a . l l

I i

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to

hi m

-T

a

t

r

t

Dm

ffi

tL

a

just

a

I

la rk,

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l l

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n t l

t t

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- to

' l l

{tr

m e

J]

(- l l

I twas

a

a

r

176

rtTtT



c#aimz

t

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t

/

r - ?

ffiffi

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C/E

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ffifr

/tr

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caye

fftrn

f#

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i t

a rk ,

C/G

FTTFFI

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( l o s

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c

ffi

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xooo

ffi

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Dm

o

I I I I I t

T T-TI II

t t t t t l

dled

the

+ +

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lovers

c l

young

ct

l-

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tit

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I

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A

).

o

A.= .= l t

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=-

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\- - - l :

'

Ul*

177



tPo@r

Sttrpr is i r rg lA,Gi lber t and

Sul l ioon's

The Pirates of

Penzance

receiaed its world

premiere

in 1879 not in

Lttttdon

but in

New York . Due to loopholes in

th e

t'opgright

luus

of the time, the

English

composers

tL'cre obliged to unoeil thei,r u;ork in the United

Stute,s n order

to

protect

themseloes

from

American

p i ru te ,s

uho

u)ere

produc ing preo i ,ous

G&S

t'ttmedies

without

pagment,

The

plan

usorked, and

the uuthors

were able to secure

internat ional

protect ion

as a

resul t .

"PoorWander ing,

One ," one

tt_f he highlights of the tuneful

score, is a cleuer

send-up

of the elaborate ualtz-arias

made

popular

bt1

Charles

Gounod, composer

of tratst.

Howeoer,

it s

tenutiful melodg

and

tr ickg

passageuork

made it

o

frcorite

soprano shoupiece i n i ts oton

right.

Omc

Words

bv W.

S. Gilbert:

Music bv

Arthur

Sullivan

from

The

Pirates of

Penzance

Moderately

slow

waltz

F

-

| | | t - -

@

t t a t | |

Trr-rn

F

#

FrrrFI

I I A I I I

t t t t t l

Faug

a_

+

]' r

oor

)

ur-2-

r

i ' t t

I I

wan

drr ing

I

(ff

t l

o n e ,

{

r

r

(xx

I

Though

thou

has:

a

a 1 2 a

a t 2 a

t 2 a

C7

ffi

F

ffi

@

I l ^ t | |

r t t t t l

Faug

ffi

a t y ' - -

(

t?

t l

sure ty

6

] " ] "

strayrd

-

6

r

]'

+

of

l

heart

J

Take

grace

,

---?r{

178



F

Drn

C/G

G7

f f i

" r r r

* r -

r ' : - -

+nnffiffiffi

C

ffi

N ,

C

/

I

F

Faug

F

-, ff i

xH#n

ffi

ffi

Faug

ffi

t-++++l

H-rH-j

a

a

Thy

steps

re

-

I

t race ,

r - l - l

I

Poor

r l i

wan

-

dtr ing

( \T r

t l

l l

o n e .

s lower

l

,1

n

f f i f f i f f i

;IIFE

ffif

H#f

F7/A

O a

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c7 c/sb

B b B r n r

FFFFEI

FFFFF

t - 4 l l

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+l,-ttl

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'.

(

f f

t t

Poor

Poor

tn

tempo

)

v+-

F-

6

??

1l

wan

dtring

w

an

dtr ing

I

{

#*

t l

l t

o n e ,

one

,

{

f f

i i

d

8*

t t

l l

If

such

poor

Though

thou hast

l ove -

as

sure

1r-

+

I

U

.

( ) .

? .

- \ - -

a

mlne

stray?d-

6

l'1'

l-

I

Can

Take

F?

l l

help

thee

heart

of

a

t-

t

find

grace,

" r

I

I

I

True

peace

of

Thy

steps

re

-

mind

,

t r a c e ,

tVhl-

r /w

v t

w l

Z" ru

ffi

ffi

,m

l-neit;r.ot".ll

ffi

-r

take- i t ,

Poor-

a

F

I

6

{

\y

i t -

i s

wan

drr ing

A

rr

th ine.

r

+7 r I I i

i l

t

[ r l

o n e .

-t

=T

) '

c ) o

t

U .

179



Poor

lander ing

One

G7

ffi+H

no

dan

ger

low

rrs

;

T

G7

ffi

#

t+t-t+.I

i-ft-l+l

T

ake

Ff,dim

E7/B

ffi

C

#

ffi

6

qrr

heart

bu t

G7

xooo

fair

daYs

will

shine

;

C

ffi

/G

ffi

, .

S . a l

F ine

mine.

Ah

heart,

take

ny

r80



,fu,t(stna

words

by

oscar

Hammerstein

I;

Music

by

Sigmund

Romberg

Please

urn

to

page

182

for

information

about

this

song.

From

The

Neus

Moon

Moderately

slow,

Em

in

2

()=t

beat)

Am

ffi

rn-n

Em

ffi

FFFfH

Fffitt-t

Am

ffi

gay

and

ten

-

der.

Love

came

to ffi€,

sweet

sur

-

ren-der.

nffi

8oa.

Am/C

#

+FH

FTi-FH

Em

H#

H4ffi

f-t-t-i-t-l

B7

Hffi

n-ff.j

E^/g

#

trfi]]

Ft-fi-+l

C7

ffi

I

r

GlI

In

bright

ro

-

man

ti c

ffi

splen

dor.

_

faith

-

ful

nev

-

er . Fick

-

le

was

she

cle

-t

D7

ffi

rrH-1

Am

ffi

E m

h#

TflT1

n-ffn

€

G

Tffifi

-*-t{*.{

t-fJ-t+J

FFFI-H

B?

ffiffi

'n-n

r'fi

ffi

So

will

it

be

a, I i t t le

faster

T;

f o r -

e v

-

e r

t

for

-

ev

er.

i :cvrrght

o

1928

warner

Bros.

nc.

copyright

enewed.

rr

ights

eserved.

tBl



of t l r ' .

- \s

in a

\ lorning

Sunr ise

r . ' , ' /7r

t tnr l

Roni l terE ' ,s

he

New

Moon

(1925)

is one

of

: i . ,

' t i : t

g r t 'u t

Aner ic l t t

operet tus

ast

n the

European

i,.1.

t

rttn

for

ntore

than

o

Uear

in

l'lew

York CitU

)

.

i,

rt'

tttirrg

rtrt

the

road

to

become

an

eDergreen

stonrlard.

Among

the

score's

gelns aTe_

he

rou'sitrs.

listoutheorteil

Nlun"

(tohich

l,lelson

Eddy

,\uttg, tt

tltt.

1940

screen

Dersion),

the

louelg

duet

"Wunting

)iru"

and

this

headg

tongo

of

loae

ond

betragal'

Tango

emPo

E m

E=g

T1;ll

*-fFl

Am

ffi

-rrrl

Em

ffi

Am

ffi

The

light

of

love

cornes

.L

y ,

a

Soft

P

B7

ffi

rt-rr-1

. l t

Em

?#

H+111

Ffi-fft

B7

ffiffi

frrfl

l -

sun

rise

,

s in

a

morn-ing

I

I

\ 1 l

E n r

In- to

a

new-born

Am

ffi

FN-N

Em

ffi

m

ffi

rrrn

+._lF

I

Em

?F#

_r4+t

T1-fn

flam

rng

A burn-ing

N . C .

kiss

is

-C

'l*

t

B7

ffi

rn-n

E m

gFffi

Trril

|-rrrn

E m

ffi

o l

,t

l -

I

sun

r ise,

ith

all

the

glow

of

The

vow

that

all be

-

rir

f

i

:,

r -3

' l

L 3- ' - -

For the

pas

-

sions

that

| , ' I

182

seal

rng



G

'T+ffir

ffi

c/v E7

ffiffi

N .

C .

73-1

a

l - l

thrill love

bui ld ing

I

And

lift

you

high

I

to

J

TJ

l- l

heav

en

., I

lr ? r r r

t fr j

' l

's ' l

-

Are

the

pas

-sions

that

'T

t

&

I

...'a

B7

ffi

$?

ffi

m

#d

fl1-fl

a

'-

[---/,[

kilt

love

\ rL

l-J--l

And

let

you

t l

fall

to

i

I

hell

I

I

So

--

l r

\ ) _l

ends

each

sto

-

rv.

ff

hJ

J

) I

o

f-o

l l

-t-l

++

r

Am

ffi

m

E#ffi

ffi

A m

ffi

fl-rFt

Em

ftnffr

Tl'f F

rrn-n

-t-

)

l c

-t

Em

ffi

7

ffi

E m

ffi

nTml

Ffi-T.H

a

Soft

ly,

P

sud.denly

I

eve

-

ning

I

I

+ l

AS

ln an

\

l_ - -

sun set ,

I

The

tight that

gul"

you

I

\J I

o

-r-

dt--t )

-

A

a

glo

-l-

ry

a, -.I-

Witl take it alt

rTr

+

) + t a

I

a -

I

l_

t.l

way.

EP

A

. ' l

t4

t l

Tt

.Tf

v

r83



,

d ' - ,

i i ;?

\

' . \ '

?

\

Y'

tt"6

;{n

7,8

zt6RunR

from

Bitter

Sueet

Nodl

Couard

once

wrote,

"l

think

that

of all

the

shou:s

huue

ever done,

Bit ter

Sweet

gaDe

me the

greutest

personal

pleasure."He recalleddrofting Act I aboardu steanrer ouncl'for

England in

1928ctnd

writing

Act ll irt,

u

hospitul

bed,

"needing

somethin

to do

ushile

awaiting

minor

surgerg.

Th-e

operetia tells

a stgiy

of

romance

inged

u,tith

adnes's

Suruh,

(r

Aoung

Engli,sh

irl,

runs

auau

to

Vienna

with

her

honclsome

music ,eo"iur,

Carl,

usho

s killed

in a duel

on

the eae

of

tlrc

opening of

his ol,Dn

operetta,

Zigewer

(Gypsy)..Mooie

buffs

ut i l l

t i ru l tJ

remember

eanet te

MacDonald 's

beaut i fu l

performance

of this

ush

and looe-ly

um-ber

n

the 1940

screen

oeision

o/Bitt"er

Sweet,

u:hich

she

mode

uith

l,lelson

EdcIU.

Words

and

Music

by

Noel Coward

i{oderate

waltz, somewhat

freely

throughout

N . C .

nbz

ffi,n

t

geu

ay

to

me

G 7

be

-

neath

the

tbz

G7

ffi

Ftll-H

arr.

ffi'n.

ffiun

sum

-

mer moon

Zi

-

Cmaj7

i\f

n e r ,

t

geu

brr

-e-

I

I

1,31

Copyright

192g

Chappell

& Co. Ltd.Copyright

enewed nd

assigned

o

Warner ros

Inc.

orthe UnitedStates

nd

Canada.

I I ights

eser'El



C

rTTTN

trTITI

l |

|

r I f

r _ r a l l J

t r /

. I I I I I

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words

by

joe

Youn-g;

German

words-br

W. Reisch

attJ

A.

iUfinson;

Music

by

Robert

Stolz

\lode

rate waltz

fi

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h e a r t s

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,

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what

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joy

com

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v ie r

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wi th

a

im

Dre i

n ight

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love so

v ie r

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im

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for

som

men-ge

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ll

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RAMONA

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for

u

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bor,s

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ot contet

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rct i l t :

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t l rc

recort l ing

eclnet l

on uc'hiet ,antent nTtrccedentet l r t

the

technologl l

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cru:

Ji lm

,stur

Dolr t re,s

el Rio

hud sung

"Runtonu"

on t l tc

rudio

in Hol l rytuood

chi le Whitctr turr 'sorchc,struuccomTtunied

her

in

(r

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York

,studio 3,000

mile,s

utDe | .

For rucl io,u lurrclnturk.

Words by L. Wolfe Gilbert; Music by Mabel Wayne

Atlegretto

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ast )

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me

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the

day

you

taught

care

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t

*

These

me lody

no tes

z re

p layed

Copyr i gh t 1927

L e o F e i s t

by the Lef t

hond.

r

al

-

wavs re

-

mem

-

ber

the

20

I nc

Copyr i gh t

renewed

1955 Leo Fe i s t I nc l n t e rna t i ona l

opyr i gh t

secured .

A l l r i gh t s eserved.

Used by

perm i ss ron



C

ffiTn

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ram

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m o n - a ,

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day

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Thi,s S)28

' lussic

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r lebut

t t ,s t ,sot tgrcr i ter

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, tource

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surpr i ,sc.

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i t

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l t rL l l r t r l ,

r f t r i l r r to.stnmrcdiutclU

tt . f tcr

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r t tur iu l t l ry

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fu;stcr

ten4to,s.

-One

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record ing,

bq

Puul

Whi temun' ,s

orche.s t ru ,

. fcrr turet l

melot l l l

, ; t r f tentent

uncl

uoct i l

in

thc

bul lut l

ntunner

br t t

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immortul i tq

on

Rix

Reiderbecke' ,s

tot tpurei l

c l rcnr t , t

t tp-

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l tun{4

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of h i ,s

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rr tute.

I i t ,st or ,s lorc,Young' .s4rcutnelodl l i 's t r tetcnrul

del ig l t t '

SweetSue

JustYiu

Words

bv

Will

J.

Harris;

Music

by

Victor

Young

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ate y

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r y

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I

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. a

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r

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14

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son

why

,

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weet

aO

a

o

a

) ) ,

Copyr i gh t '

1928,

renewed by S hap i ro

B erns t e l n&

Co,

l nc . New

Y ork N

Y



D 1 3 - 9

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223



SLEtrPYTIMEGAL

Whq.four

conq)o, \ers

for

ona

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,story1, l t t t t

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l rut

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Alclen

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prcsentcr l

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r t

pul i l i ,sher,

oho

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Richurt l

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r tncl

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of

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f

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orkt 'd

t lrcir nurgic

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rnrcl rcltlcr{"SIecpg

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hit,s hut irtclutlt 't l

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otrcl

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by

Joseph

R. Alden and RaymondB. Egan;Music by Ange

Lorenzo and

Richard

A Whiting

LazrIy, but with

a

lilt

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Leo

Feist , nc

Copyright

enewed1953Leo

Feist ,

nc Internat ionalopyright

ecured

All

r ights eservedUsedby

permrsslor



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7

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let

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night

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g e t - t i n '

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late

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dear,

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a



Words

and

Music

by

Leo

Robin

and

Albert

Von Tilzer

With

a

l i t t

(,

J

to

be

played

as

Bunilterger',s,

he

greut

olt l

lletaurk,

l'Jeu

Jer.sey,

depurtrrtuit

,store,

u;tt,s t leu,st

Tturtlq

resTtortsible

or

thi,s

futorite

-

urid

for

l r runt 'h ing

Leo

Robin

on u lot tg t tnt l -prothr t ' t i t 'e. r ( )ngr{ . '

i t i r t t

cureer. I t

rcas

1926,und Rolt in wus

fre,sh

in

from

Pit t ,sburs. l t .

Iooking

for

u;ork.

"l

got

un

offer of

$50

to write a lgric

_for

t l t t '

t lt ircl

unniuer,surg of

Bumlterger's bosentent," lrc rec'ullccl.

"T'lrcq

teumerl

nte

uith Albert

Von

Tilzer, wln rco,tu targ bit

c leu l

t the t i rne,und we wrote a th ingca l lec l 'Our Bubq ' .s hr t ' t

Yeurs

Old. '

l t

d id the

job."

The

tu;o col luborutecl uguir t

5o()r i

ufter,

this titne on

"L[y

Cuteg's

Due." I.he

.tong,

u:u,s

e('ordt'd

bu

'ledWeents'

orchestru and becu me Robin'.s ,r,st untortg sut t

errclur inghi t ,s

t .s

Thunks

for

the Memort1,"

Loui ,se,"

Rt,Uttr td

the BIue

Hor iz.ot t"

und

"Loue

in Bloont."

A{yCutey's

ue

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me

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train from

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to

lose,

)

a

t

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t

1926,

renewed

b y

S t asny Mus i c

and

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Jurce Mus i c

227



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Cutey's

Due

At Two-to-Two Today

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cu- teyrs

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ryr

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nt t

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7

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home

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a.?

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I

just

I

I

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I

do

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my

I

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cu

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228



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days

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nights

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vr

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she loves

me

and

D o n r t

And

T o -

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there ain ' t-

no

when

I feel-

he

night

I

11

dis

-

con

-

cu-teyrs

due-

at

rrr

know

darn

well

there

wonrt

let go

til l

cause

I

want

to

i s

be

-cause

)

h a l f - p a s t

n i n e ; )

M y

b e

a

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l o n e ; l

San

ta

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I

l ips

on mine,_

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the

phone_

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D[N$A[il

\lbrds

by

Sam

M. Lewis

and

Joe

Young;

Music

bv Harrv

Akst

Moder

ate

v

EthelWrtter,s

holt l3

on

unportilIeletI

pluce

in the

ltistorg

of

poptilur

,sirrgirt{1

t,t

he

frst

performer

sut't 'es's-fulh1,

tb

fu,ie

the

seTturtrte

oncept,s

oJ' iui ' : ' ,

Ttopulur

song

unrl

the

blues.

Mrtnq of

the

'songs

he

intrrtrhtced

becunrc

irrtmetliote

sturt"tluVds

none

ntore

clrumaticully

tfuut

thi ,s lu5,sic.

ontpo3er, \

Ak,st

anclYoung

brought

i t t r t

her in

1924 unt l

c lenrcnstrutecl

t

bu sir tg i r tg

t . fu,st

und,

t rs

3he

srt i t l

uf ter ,

cornt1."

She

,sloued t t l<trcr t ,

ia i r tg

utlrlerl weight

to

both

melorlg

untl

Iq

ric:,s,

nclu,sed

t irt

l rcr r tpperrr r , r r rn

t

the

Pluntut i t tn

Olub

in

lJew

York

Citt1.

t

proued

tt

keq

,ste7t

rttourd

,sturclom.for

rcr.

G

ffi

+

(.

Is

the re

an

-

y

-one

With

her

Dix

-

ie

eves

D i n

&h ,

D i n

&h ,

fin

blaz

e r -

i n t

D 7

ffi

Car -

o

-

sit and

In

the state

How

I love

o f

to

I f

there

is

and

you

To the

eyes

of

Din

-

al-r

'm

ffi

ffi

ffi

'

l in

a?

gaze

in

Show

re r

to

me. -

\

Copyright

.r

1925by

Mil ls

Music

30

l nc. Copyr ight

renewed.

Al l r ights

reserved

Used

wi th

permrssror ' l



F

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shake

with fright?

Din

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ah

might_

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,Dllop

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rO,Dfi1DS

,DFrorll,eVl

Wordsby Billy Roseand Ballard Macdonald;Music by JosephMeyer

l ,Jo

elling

at

this ate

date

uho

the

gentleman

oas

o deserue

all the

hantlclapping.Whateoer

isdistinction,he

enjo.ged

to o

rounds

of

popularitg. The

irst

uas

in

1925,

uhen

this song

oppuorndond

*ot

re-corded

idelll

bg bands

and

sing,ers

f

the

d'clg,

nc. luding

he

populur

Cul i forniu

Rumblers

euturing^the

iazz

bass

.suxophone

f

Adriun

Rol l i t t i .

Jazzmen,

n^Joct,

-uccounted

for

"Charleg's"

second

moment

of

celebritg:

S_using

Era

recordirrgt

by Count

Basie

and,

appropriatelg,

Charlie

Barnet

gaDe'tt"te

td

standard

a brief

but

rousing

reuiaal.

br ight

good-t ime

2

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na

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Clap

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ere

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Char-ley

lap

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Char- lev

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omes

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Copyright

1925

WarnerBrothers

Music

Copyright

enewed nd assigned

o JoRo

MusicCorporat ion,

ew

York,N

Y, and o

Warner

rothers

Music, os

A^S:l-"-: l^C-i ' I?i l : i

a

t

This w&y,

This w&y,

-?rF

t t l

r r l

join

the

par

-

ty ;

meet

the

dol

-

l ies;

) rp?

ol l

I say ,

I say ,

'F?f

t t l

meet

Mc

-

Car

-

thY.

Zieg-

feld

Fol

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lies.

rr

Yl

Hey

hey

Hey hey

1t I

232

Thisarrangement

opyright

1984 oRo

MusicCorporatron

nd

Warner

rothers

Music



Am

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t t t a t a

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l - j f

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for

this

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right

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nf

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a chair.

move

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o

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the re ,

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h e t s a b u v - e r

next

to Ma

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pen

spac

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/0'

ofu

&

Words

by Herman

Ruby;

l is

f i r ,st

hi t .

l t ' .s becrtu

fut,ori te

of older-gurcrut iort

jrtz,z.men

ltrouglt t lrc

rycurs

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bryBirryq

Cro.slx1,ut'ked

bry7'1rcvlills

Jrotlrcr,s rrcl

ha

Dor,sey

Brothers

Orclrc,vtru,

,s

u ondmurk

irt

ttzz,

hi,storg.

Music

by

Joseph

Meyer

' ' , , ' , '1( /

or te o. l ' t l rc nrost

tntcleruTtpreciutet l

f u l l

t r t r t jor

' , , / i ( rc

r i tar ,s

nr tr ,st rc

Cul i font iu-bont

Jo,seph

N[eqer.

\ l r rn l t

o. f h is

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unt l rcnrs

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M i l l s M u s i c ,

I nc

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renewed

and ass i gned

to

JoRo

Mus i c Corpora t i on ,

New Y ork .N Y and t o M i l l s

Mus i c . I nc ,

New

Y ork , N

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T h i s a r ra n e m e ntCo r i h t

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and

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l it

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hon

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love you

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more

each

dav.-

\

When

years

have

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lov

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The

Japanese

and^an

Words

by Raymond

B. Egan

i '

;

r

l

\ \ - l t i tcntur t ' .s

rcl testru,

feutur ing,

:1 , , r r t t r tcd

tnnnpet

of Henry

Busse,

- ; r r ' t l t is 1920clu,ssictsf i r ,st t tnt l ntost

' , . .1 i r i

l . fhntc

-

anc l

n u

u; t t t t

b ,scured

. .

t r t tc beuut r l .

Whi temun

took the

'

r t : . f -ust .

r t l rc nunnter

of the

tktg. l 'et

.

:litrtt 'e

rft Ru11

Egun',i

rcorcl,s urcl

Hi,

/ i

urd\ I ' l t i t i r rg ' ,s

melodg

reaeuls

hat

. [ l t t '

. lu1 tunese

unt l rnun"

s u

lu lk fug,

,

,

' t

Tt luqccl

nt l

sung

,sof t lu

ant l

gcnt lg.

Mode ately

Music by Richard

A. Whiting

I t

wu,sone of

,seaerul

i ts

for

the t t ' r t r r r

o f E g a n i n c l

W h i t i r t g - .

W h i f i n g ' ,

duughter ,Murguret ,hushut l u long ur td

uur ied

coreer os

o

popukt r ,s i r tgcr

t td

hu,s eert

resTtor t ,s i l t lc

Jor

keeTt i r tg tunt t

of

her

fut l ter ' ,s

gqreute,st

t i t ,s,

"Tlr ,

JuT t t t ne ,se

u n t l n t u n " u t t r o n g t l t t ' r r r .

u l i u e . l t i , s

, s t i l l

r e c o r d e d u r i d

Tterformecl,

uncl

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u,s

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ocluq

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in 1920.

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sec

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-

hand

man ,

r

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o



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He

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Of

the

day

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is

through

,

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herl l

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you

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to

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a

or

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you

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fading

tway

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Trad- ing

new days

for

938



Ervcct

Gcorgia

Drovn

7-1rc

clouetl

ol'

L'[rte,stro,

undletulcr

IJen

Rernie.

f ir ,s' t

Tt .opulur i : ,ccl

hi ,s rht l thnt i r :

,st r tndurcl

n

the

mid- '2() ,s, ,

t r td

i t .s

. f lorcing ir te uncl c ' lutr t l st rut ture hurc bcen rt. f l t t :or i tcof- . ju: :

: ;o lo i ,st ,s

ter

,y i r t t . :c.

t ,s

:ot t tTtoser

cr ts

[r tc,co

p' inkt t r r l ,

, r ' i i , ,

,1r , ,

urLt lad

yuc'h

erennir r l ,s

t ,s

Srr5lr r r

und

Then

7'herr : ' l i t1c.s

t ,

t - | rc

uzz.ntun' , t

eTter toirc.

S

ueet

()corSqir t

Rrou;r t

hrr ,s 'nrpt

, r r l t t

l tcen

Tl luged

uncl

ret ixer l

repeutet l l t l

u i ' r ,

t l rc r leur ' ;

,sht :

,1 ' ( ,n

hud

offsTtr ing.

Thc

Drtughtcr

of Si .aeet

cor i iu

Bntrcn.

l t t t

Rent ie, lyr ic i ,st

Ken

cu,veg

md

itr r , t , tgtr

Ke,rr r r

,s.rorr

.

t tTt l tgr ' t r td

i r r

193{ )

u t

neuer

uch iaucd

r lu i te

the

pront inencc

of

t l t t ' , 'o r ig i t t t t l .

Dun

I\tr',\

urrungenterft

lrcre

int:orporrfte,s

t t intt:- l i tnort,d

.ft'

ut

u

re

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rf

j

u

.:.

pc

rt'-o

mu

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rt c

hu rl

e,st rt

lte t

, ru

n n

n

g

t l t r rugl t r t r t

unt l

k i ' r :k ing

lrc

melodry

nterr i l t l

t i l , t rg.

Words and Music by Ben Bernie, Maceo Pinkard and Kenneth Casey

Charle

ston

tempo

a

-

m1f

A

No

gal

made

has

got

a

shade

On

Sweet

Geor

-

gia

A7

ttf

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Two left feet but.

oh , so nea t Has

Sweet Geor- gia

- - - - lTr rght i .

1925

Warner

Bros

lnc

Copyr ight

renewed

Al l

r iqhts

reserved

239



5w'eet

Ceorgia

Brown

D 7

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a

They all sigh and

-l Lt

I

wan - na die For

| \ l

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Sweet Geor- gia

't

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Brown . I r l l t e l l- you jus t

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t

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those

said

she

t ips

the

7

xr't'o"x"

'em

dead

When

por

-

ter slip s

To

I

\ l

l ) - . I

,+

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she

lands in

Sweet

Geor

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r

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t-ffiffi

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Brown,

Since

she

came,

why

They buy clothes at

I

h^.tl

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I

i t rs

a shame

Horv

fash - ion shows With

I | \_ l

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7

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I

I

Ern

C/n

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)

-

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she

one

cools

do l

t em

lar

I.

d o w n .

d o w n .

I

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frl^

. ' l

r t l

b--t i

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t l

Fel

-

lers -

O h ,

b o y ,

-

l \

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7

fel

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Sweet G

eor

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S

weet G

eor

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Geor

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named her

'Taint t

her

s is

-

ter .

__4:_

(.

Brown.



Vbturt%u

\l,6re a

fulip

(and

woreBig edose)

' l ' ltouglt

Pcrcy

Wenrir:lt ,\

nutnc trtutl

tot bc

fumiliur

totkrrl,

ut laust

t l t rca of

l is

tnunt l

,song.r

ur t , . l ' l t t ) r ( ,ur( , no

ntorc

bcloocr l

ntclocl i t ' ,y,yrr rui

' ng. fntnt

thc

f i rst

t rco dct 'ut lc,s f

t l i ,s

r :cr t tunl

tht t t t

"Put

O'n l 'our

Olt l

( ) r r t t1

I)or tnet , ; '

"h loon l ig l t t

Buy"

und

th i ,s on( , rc r i t tc t t to i th

Jur :k

LIulrcrrc11.

n

uddit ior t

to

compo,si t tg

Ttol tu lr t r

sot t ;g,s

tnd

Tt i r t r t r t

u{ l , t ,

Wcrtr ic l t

l tud

u,sr t tca,s,sfr t l;uudt, t i l le

( 'ur(er

u' i t l t

h is rui . f -c,

ol lu

Cottnol l ry.

Words

by

Jack

Mahoney;

Music

by Percy Wenr ich

Like a march,

but not

too fast

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17

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And

l-r

r

I

wore a

r

t

i

t

t t

big red

j t

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t

t t a

l l l

rose

)

(\

I

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When

rr

you

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p

I

I

ressed

r

i l € '

"p-

I

I

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was

rr r

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heav

-

en

r

lessed

me

What

a

tt

I

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I

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-rr

I

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Copyr i gh t

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1 9 1 4

L e o F e i s t . n c

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1 9 4 2 L e o

Fe i s t , nc I n t e rna t ron a l

o p y r i g h t

secured .

A l l ngh t s r eserved

Used

by

permrss rD .



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C

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k n o w s .

G7

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you

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me

d e a r

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t T w a s

down

where

the

blue

grass

G

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Your

l ips

were

sweet

er

than

ju

-

lep

When

r i l

you

wore

that

big-

red

> > \ \

tu

-

lip



His brothe

r Theodorc

Lt)us

celebruted

noaelist,

bu t

Paul Dreiser

hud

the urge

to wttnrler.

After

u

short

try1

ttt

,studying

for

the

prie,sthoocl,

he

oined

u

-ntedir:ine

show u,su

sir rger

unt l

comecl iun,

chunging

l is nunte

to

Dresser

to

uuoicl

ni l turrussing

his

funt i lq.

Hi ,s cureer

rcus uoriecl

and colorful

-

und errclacl

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uncl

ytor;crtg,

btft

not-befttre

lrc hud

Ttcnned

cloz,en,s

1t f

srrrrg.s,t lel,u,st

too

o.f

t l ient

imnnrtuL

"On

the

Bunk,s

of

the

Wubasl f ' i ,s

t

buiberslnTt

quurtet

. fuuor i te,

but

the tule o.f

"friuolou,t

Sul,"

i t ,s

nrclocltl

und

Igric

ttrggirtg

ut the l rcur t , wi l l l i t 'c foreuer.

EW

9alSal

-<_c>(:.+

lVords

and

Music

by

Paul

Dresser;

Adapted and arranged

by

Dan Fox

1.:--,)(=fr';

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(Back

Home Again

in)

- l t t : : r r tan

urce

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njouecl

pluging

"1716Ji671s"

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urlry recorclirtg,s

g

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nt l

the.song's

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chorr l

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r i t i t ( tng

lrcm

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l iur l ie

Porker ' ,s

Donnu

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f

l ra

ntoort

shining

on

theWubush

hus ref let : ter l

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swing

m$DrAa$A

i r t

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u l lurd Mucdonuld and

James

Hunleg

wrote of i t i r r h i ,s

1917

clussi t : , n the

Ttrocess

t l t tot i r tg

n t l tc ncxt- to- lu, t t ine) . f rom Puul Dres,ser 's

1896 "Ort thc Runk,so.f tlrc Walto,\lt"; untl llortgtl

Cornt ic l ruel

i r rc ludad o

refcrenc'c

o

i t i t t

h is 1940

"Oun' t

Gct I r t t l i r r r tu

Off 'X[ry

I I int l . "

Words

by Bal lard Macdonald;

N{usic by

James

F. Hanley

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home

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MC[ , ,1XVl l ,

enewed by Shapi ro,

Bernstern & Co

Inc New York,

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