relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers,...

30
V. Argyropoulos 1* , A. VOSSOU 1 , M. GIANNOULAKI 1 , D. CHARALAMBOUS 1 , I. SIANOUDIS 1 , K. POLIKRETI 2 A. KARYDAS 3 , V. PERDIKATSIS 4 , S. BITTNER 5 , and M. MACH 5 1. Department of Conservation of Antiquities & Works of Art, T.E.I. of Athens, Ag. Spyridonos, Aigaleo, Greece 12210, 30210538549, [email protected] 2 Hellenic Ministry of Culture and Tourism, Greece 3 Institute of Nuclear Physics, N.C.S.R Demokritos, Greece 4 Department of Mineral Sources, Technical University of Crete, Greece 5 Bayerisches Landesamt für Denkmalpflege, Zentrallabor, Munich, Germany Relating the damage assessment of outdoor bronze and copper monuments in Greece to the environment, techniques of construction, and past cleanings OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE XXTH CENTURY

Upload: others

Post on 19-Sep-2020

0 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

V. Argyropoulos1*, A. VOSSOU1, M. GIANNOULAKI1, D. CHARALAMBOUS1,

I. SIANOUDIS1, K. POLIKRETI2

A. KARYDAS3, V. PERDIKATSIS4, S. BITTNER5, and M. MACH5

1. Department of Conservation of Antiquities & Works of Art, T.E.I. of Athens, Ag. Spyridonos, Aigaleo, Greece 12210, 30210538549, [email protected]

2Hellenic Ministry of Culture and Tourism, Greece

3Institute of Nuclear Physics, N.C.S.R Demokritos, Greece

4Department of Mineral Sources, Technical University of Crete, Greece

5 Bayerisches Landesamt für Denkmalpflege, Zentrallabor, Munich, Germany

Relating the damage assessment of outdoor bronze and copper monuments in Greece to the environment,

techniques of construction, and past cleanings

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 2: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Kolokotronis in Nafplionand Athens

Page 3: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Objectives

• condition assessment for unique masterpiece monument located in Athens since 1927 “Theseus saves Hippodamea” constructed in 1908, artist Joh. Pfuhl, German manufacturer WMF in Geislingen

• Compare the types of corrosion products to past research carried out for the Kolokotronismonuments in Athens and Nafplio

• to better understand the techniques of fabrication, corrosion, and damages of this monument, in relation to its environment and past cleanings.

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE

XXTH CENTURY

Page 4: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Theseusby Johannes Pfuhl in 1907

Looks and sounds like cast bronze but copper

‘Hollow type’ expensive to make as opposed to ‘Core type’

Key is thickness of wall

Good replication technique

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE XXTH CENTURY

Page 5: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Famous monuments in Poland and Germany

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE

XXTH CENTURY

Perseus Monument in the catalogue of WMF (1910) Perseus Monument on the roof of the “Theater des Westens”, Berlin

Page 6: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE

XXTH CENTURY

Electrotype technology German WMF company founded an electrotype department in 1890

Voltaic power source in the laboratory of the chemist Sir Humphry Davy (1778-1829) made up of 200 copper-zinc galvanic elements

Schematic diagram of the “core type” process.

Page 7: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE

XXTH CENTURY

“Hollow Type” Process

• Graphite layer on mold (negative)

• Thin wire net in galvanic liquid (positive)

• Thicker walls than ‘Core type’ process

• No gypsum is required for core

Page 8: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC

SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE XXTH CENTURY

Strap of the interior fitting at plinthstilts inside the plinth were fixed with narrow bands of electroplated copper

Solder

Copper Sheet

Electroplated Copper

Wieland Fischer, Struers GmbH (Photo: M. Mach).

Page 9: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE

XXTH CENTURY

Soft Solder

V-shapedCrystals

Thin Oxide Layer

Spuds

Page 10: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Cracks - disequilibrating actions within the sculpture. the plinth is not able to absorb the complete weight of the overlying parts of the monument

OPEN AIR METAL OUTDOOR METALLIC

SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE XXTH CENTURY

Page 11: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Examination of Iron Bars

Simple Magnet Endoscopy and Digital Camera

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE

XXTH CENTURY

Page 12: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Visual Examination withan endoscopic and a digital camera

• The plinth inside is stabilised by an afloat base-ring made up of pig iron

• On this base-ring there are 5 tubes mounted vertically to stabilise the upper parts of the plinth

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 13: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

The iron base-ring is heavily corroded partially consisting of layered rust and partially already vanished

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE XXTH

CENTURY

Page 14: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Iron Stilts

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

• The iron stilts, which were covered by a galvanic coating, are corroded, too.

• As a consequence, the stilts lost the ability to bear the weight of the sculpture.

• The stilts caved in and the galvanic coating burst off.

Page 15: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Expected (magnet) and detected(endoscopy) iron

bars inside the monument.

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 16: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Hind Leg of the Centaur

• This burst fissure is a clear indication for a transversal and lateral shift of the upper part of the monument.

• If this process will proceed, it can be expected that the complete sculpture will lose its integrity and will break down some day.

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 17: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Sampling Locations

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 18: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Documentation and Sampling Plan

• Monument’s construction technique (materials, structure, morphology)

• Surface characterization (surface inclination, surface texture, orientation, colour, texture, coverage, adhesion, crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation)

• Cracks and other types of physical damages

• preliminary assessment of environmental/climatic and microclimatic data in relation to monument

• (rain/sun sheltered, exposed to wind/water/sun, in direct contact with wind/water, rain/water flow etc),

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 19: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Portable XRF right hand of lying lady

Page 20: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Join and crack: Centaur’s right back leg and thigh

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 21: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Kolokotronis

Nafplio Athens

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 22: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

TECHNART2009 ATHENS

Nafplion – Pitting Corrosion

Page 23: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE

BEGINNING OF THE XXTH CENTURY

SO2 and RH

• Figure 1. Mean Annual SO2

concentrations in Athens and Nafplion

19

84

19

86

19

88

19

90

19

92

19

94

19

96

19

98

20

00

20

02

20

04

0

10

20

30

40

50

60

70

80

90

Athens

Nafplion

Year

Mean

An

nu

al

SO

2 (

μg

/m3)

19

80

19

82

19

84

19

86

19

88

19

90

19

92

19

94

19

96

19

98

20

00

20

02

50

52

54

56

58

60

62

64

66

68

70

Athens

Nafplion

Year

Me

an

Re

lative

Hu

mid

ity (

%)

Figure 2. Mean Relative Humidity for

Athens and Nafplion

Page 24: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Sampling Plan

Page 25: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Portable XRF

Athens Nafplion

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 26: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

XRD in 2001 and 2006

• Siemens D500, X-Ray Diffraction system

• less then 20mg and zero Background (Si) sample holders were used to minimize the background

• DIFFRACPlus software (Brucker AXS) and JCPDS Powder Diffraction File

• In 2006, quantitative phase analysis was carried out using the Rietveld Method (TOPAS software, Brucker)

• relative percentages of the crystalline phases normalized to sum to 100%.

Page 27: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

XRD in 2006

Quantitative Analysis was carried out Nafplio quantity and crystallization of corrosion products is

larger in Nafplio than in Athens due to conditions larger the quantity of crystalline phases in the

sample, the better statistics we have when wemeasure the counts for each phase, so the quantitave analysis is easier.

Athens, the sample more amorphous or at leastless well crystallised phases, which do not result in well shaped peaks

this creates problems to the fitting process and consequently to the quantification potential of the software

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING OF THE

XXTH CENTURY

Page 28: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

XRD Analysis

Θειικά

Ανθρακικά

Οξείδια

Χαλαζίας

Αργιλλοπυριτικά

Χλωριούχα0

10

20

30

40

50

60

70

80

Pe

rce

nta

ge

of

sa

mp

les

(%

)

Theseus

Kolokotronis - Athens

Page 29: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

Variations in colour –Cuprite and green patina

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Page 30: Relating the damage assessment of outdoor bronze and ......crust types, patina, presence of fillers, coatings or other materials) (surface area in terms of orientation) •Cracks and

OPEN AIR METAL OUTDOOR METALLIC SCULPTURE FROM THE XIXTH TO THE BEGINNING

OF THE XXTH CENTURY

Conservators

Eleni Kapatou

Thanasis Karabotsos

Maria Mertzani

Maria Petrou

Christos Stefanidis

Dimitris Tsipotas

Amalia Siatou

TEI of Athens

Prof. Nobilakis

Prof. Rokkos

Prof. Labropoulos

Mr. Tzanolinos

DemokritosCh. Zarkadas

ΙGME

Dr. Oikonomou

Municipality of Athens and

Nauplio

Eleni Drakaki

Thanks

Funding by EC program Culture 2000 and Archimedes- Education and Initial Vocational Training Program are gratefully acknowledged