rembrandt (törzsanyag)

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REMBRANDT REMBRANDT (törzsanyag) (törzsanyag) Rembrandt Harmenszoon van Rijn (1606-1669) (1. Rézkarcok és rajzok)

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REMBRANDT (törzsanyag). Rembrandt Harmenszoon van Rijn (1606-1669). (1. Rézkarcok és rajzok). Rézkarcok. The Angel Appearing To The Sheperds 1634 Etching, burin, and drypoint, 261 x 218 mm Staatliche Graphische Sammlung, Munich. Be ggars Receiving Alms at the Door of a House 1648 - PowerPoint PPT Presentation

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Page 1: REMBRANDT (törzsanyag)

REMBRANDTREMBRANDT

(törzsanyag)(törzsanyag)

Rembrandt Harmenszoon van Rijn(1606-1669)

(1. Rézkarcok és rajzok)

Page 2: REMBRANDT (törzsanyag)

RézkarcokRézkarcok

Page 3: REMBRANDT (törzsanyag)

The Angel Appearing To The Sheperds

1634

Etching, burin, and drypoint, 261 x 218 mm

Staatliche Graphische Sammlung, Munich

Page 4: REMBRANDT (törzsanyag)

Beggars Receiving Alms at the Door of a House

1648

Etching, burin, and drypoint, 165 x 128 mm

Page 5: REMBRANDT (törzsanyag)

The Little Children Being Brought to Jesus ("The 100 Guilder Print")

1647-49 Etching and drypoint, 1st state, 278 x 388 mm Rijksmuseum, Amsterdam

Page 6: REMBRANDT (törzsanyag)

The Circumcision in the Stable 1654 Etching, 94 x 144 mm

Page 7: REMBRANDT (törzsanyag)

Faust

1650-52

Etching, 209 x 161 mm

Rijksmuseum, Amsterdam

Page 8: REMBRANDT (törzsanyag)

Portrait of the Painter Jan Asselyn

1647

Etching with line engraving, 195 x 170 mm

The Hermitage, St. Petersburg

Page 9: REMBRANDT (törzsanyag)

Portrait of Jan Six

1647

Etching, 240 x 189 mm

The Hermitage, St. Petersburg

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Joseph and Potiphar's Wife 1634, Etching, 90 x 115 mm

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Ledikant 1646, Etching (fourth state), Bibliothčque Nationale, Paris

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Johannes Lutma 1656,

Etching, 198 x 149 mm

Rijksmuseum, Amsterdam

Page 13: REMBRANDT (törzsanyag)

Old Beggar Woman with a Gourd

c. 1630

Etching

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Old Man Shading His Eyes with His Hand

c. 1639

Etching and drypoint, 138 x 115 mm

Page 15: REMBRANDT (törzsanyag)

Old Man with Flowing Beard, Looking down

Left

1631

Etching

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The Pancake Woman

1635

Etching, 109 x 77 mm

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The Return of the Prodigal Son

1636

Etching, 156 x 136 mm

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Seated Female Nude

c. 1631

Etching, 177 x 160 mm

British Museum, London

Page 19: REMBRANDT (törzsanyag)

Self-Portrait

1639

Etching, 2nd state, 185 x 163 mm

The Hermitage, St. Petersburg

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Self-Portrait with Saskia

1654

Etching, 104 x 95 mm

The Hermitage, St. Petersburg

Page 21: REMBRANDT (törzsanyag)

The Adoration Of The Sheperds: With The Lamp, 1654, Etching, 105 x 129 mm

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The Tribute Money c. 1635, Etching, 71 x 103 mm

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RajzokRajzok

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Boaz Casting Barley into Ruth's Veil

c. 1645

Pen and brush, 126 x 143 mm

Rijksmuseum, Amsterdam

Page 25: REMBRANDT (törzsanyag)

Three Women and a Child by a Doorway

c. 1645

Pen in brown, 233 x 178 mm

Rijksmuseum, Amsterdam

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Saskia with a Child

c. 1636

Pen and wash

Pierpont Morgan Library, New York

Page 27: REMBRANDT (törzsanyag)

Self-Portrait, Staring

1630

Copper engraving, 510 x 460 mm

Rijksmuseum, Amsterdam

Page 28: REMBRANDT (törzsanyag)

Drawing from the Nude Model in Rembrandt's Studio, 1650s, Pen and brush in a brown wash over a chalk drawing, 180 x 266 mm, Hessisches Landesmuseum, Darmstadt

Page 29: REMBRANDT (törzsanyag)

The Three Crosses (first

state)

1653

Drypoint and burin on vellum, 385 x

450 mm

Rijksmuseum, Amsterdam

Page 30: REMBRANDT (törzsanyag)

The Three Crosses (second state)

1653

Drypoint and burin printed on vellum,

381 x 438 mm

Metropolitan Museum of Art,

New York

Page 31: REMBRANDT (törzsanyag)

Man with Wide-Brimmed Hat

1632-39

Ink on light-brown paper, 160 x 98 mm

Musées Royaux des Beaux-Arts, Brussels

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VÉGEVÉGE

<Dr. Spissák Lajos, 2010><Dr. Spissák Lajos, 2010>