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Renaissance Theatr Let’s have fun!

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Renaissance Theatre. Let’s have fun!. Medieval and Renaissance. Medieval Drama. Renaissance Drama. Moved beyond the Church Influences from many sources Fun Fact about the Globe / Burbage. Evolved from Church ceremonies Miracle Plays Saints Mystery Plays Bible History Morality Plays - PowerPoint PPT Presentation

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Page 1: Renaissance Theatre

Renaissance Theatre

Let’s have fun!

Page 2: Renaissance Theatre

Medieval and Renaissance

Medieval Drama• Evolved from Church

ceremonies• Miracle Plays

– Saints• Mystery Plays

– Bible History• Morality Plays

– Taught people how to live and die

Renaissance Drama• Moved beyond the Church• Influences from many

sources

Page 3: Renaissance Theatre

Shakespeare

• Read pages 289-296 • 2 Monarchs during Shakespeare’s career

• Three types of plays

Page 4: Renaissance Theatre

MacbethThe cursed play

Page 5: Renaissance Theatre

Written specifically to be performed for, and to please, King James I.

James Stuart was already King James VI of Scotland when Queen Elizabeth's death (1603) made him James I of England as well.

Page 6: Renaissance Theatre

King James liked witches

• In the late 1500's, Scotland had a witch craze. – Many people convicted

of wicked secret practices without physical evidence.

• James I believed the witch hysteria.– Wrote a book about the

supposed hidden world of wicked witches, entitled Demonology.

Page 7: Renaissance Theatre

OR, ….

• Maybe James really believed that there was a secretive sect devoted to malicious evil?

• Or, maybe he was just another leader trying to unite people against a common, imagined enemy with different cultural practices?

Page 8: Renaissance Theatre

One More King James I Link

• Macbeth deals with the fictional ancestors of the Stuart line (Banquo, Fleance) – presents Banquo

more favorably than did the play's sources.

• Procession of kings scene ends with a mirror (fun fact)

• James could see himself, thus becoming part of the action.

Page 9: Renaissance Theatre

3rd King James Link

• Macbeth assassinates the King of Scotland

• Gunpowder Plot – 1605– Catholics try to

assassinate King James– Blow up King James and

Protestant Parliament– Guy Fawkes

• Now a fun-filled holiday in England

Page 10: Renaissance Theatre

One more thing you should consider…

• Producing Macbeth is supposed to be unlucky.

• Fires, falls, and weapon injuries have plagued past productions.

• Superstition requires those involved in productions not to say the play's title.– The Scottish Play– Mackers– MacB

Page 11: Renaissance Theatre

Bad Luck – is it true?

• Legends about the boy actor who first played Lady Macbeth getting sick and Shakespeare having to fill in.

• Theaters closed early 1700’s after people thought the deviltry of the play had caused a bad storm.

• Some people think that the play's vision of evil, with witches, demonic familiars, and so forth explains the bad luck

Page 12: Renaissance Theatre

Literary Terms / Vocabulary

• Ambiguity, Equivocation• Atmosphere• Blank verse• Catharsis• Contraction• Deus Ex Machina• Foot / meter / Iambic

pentameter / blank verse

• Hamartia• Dramatic irony• Motif• Paradox• Soliloquy• Synecdoche• Tragedy / tragic flaw• Weird (Old English Def.)

Page 13: Renaissance Theatre

Antimetabole

• Repetition in reverse order

• "You like it; it likes you."

• Fair is foul; foul is fair

Page 14: Renaissance Theatre

Notes:

• Motifs: – Fair is Foul– Blood– Hands– Clothing– Sight, blindness– Sleep– Gender

• Themes:– Equivocation– Appearances– Ambition– Guilt– Gender

Page 15: Renaissance Theatre
Page 16: Renaissance Theatre

Macbeth – Tragic Hero

Page 17: Renaissance Theatre

Macbeth and Banquo

Page 18: Renaissance Theatre

Act I

• Review questions p. 318 • Blank Verse (p. 318)– Iamb / pentameter– Witches?

Page 19: Renaissance Theatre

Meter and Foot

• Meter – regular pattern of stressed and unstressed syllables

• Foot – Meter’s basic unit

• Consists of one stressed and one or more unstressed

Page 20: Renaissance Theatre

Foot Types

2 syllables:• Iamb = unstressed, followed

by a stressed– “relief” / “respect”

• Trochee – stressed, followed by an unstressed – “bummer” / “Passler”

3 syllables:• Dactyl = stressed, followed

by 2 unstressed – “ecstacy”

• Anapest = 2 unstressed, followed by a stressed– “contradict”

Page 21: Renaissance Theatre

Metrical Length

• Number of the feet each line contains– Monometer: one foot– Dimeter: two feet– Trimeter: three feet– Tetrameter: four feet– Pentameter: five feet– Hexameter: six feet– Heptameter: seven feet

Page 22: Renaissance Theatre

Put them all together

• Iambic Pentameter = 5 iambs– Unstressed/stressed

pattern used five times in each line

– “I dare do all that may become a man”

• Blank Verse: Unrhymed Iambic Pentameter

Page 23: Renaissance Theatre

Homework

• Scan your name• Are you naturally musical (fits a pattern)?– Jennifer = Dactyl – Passler = Trochee– If I wanted my name to fit a pattern• Jennifer Passaler = Dactyl Dimeter

Page 24: Renaissance Theatre

Order and Chaos – Elizabethan Style

• When this order is out of order = Chaos

• Duncan’s killing/murder causes disturbances in nature– A horrible act (lying,

stealing, killing) = storms, earthquakes, physical harm

Page 25: Renaissance Theatre

Knocking at the Gate

• Read the essay on pages 330-331.

• What is De Quincy’s main point?

• How does Macbeth’s transfiguration confirm his role as the tragic hero?

• Continual Knocking– Why?

• What is gained• What is lost?

• Porter– Why?

• What is gained• What is lost?

Page 26: Renaissance Theatre

Act II

• Review questions p. 333

Page 27: Renaissance Theatre

Act III

• Review questions p. 351

Page 28: Renaissance Theatre

Murder of Lady Macduff

• Macbeth’s actions become less grand– Duncan’s murder – tragically grand– Banquo’s murder – melodramtic– Lady Macduff – creepy, ghoulish

Page 29: Renaissance Theatre

Act IV, Scene 3, p. 359-364

• Malcolm and Macduff meet• Macduff was a friend of Macbeth• Malcolm is suspicious• Macduff says, “hey Malcolm, you should be king.”• Read Malcolm’s response, lines 50-66• Macduff says, “Oh no – yuck!”• Malcolm says, “Surprise – I was testing you!”• Let’s go get Macbeth! (10,000 Englishman)

Page 30: Renaissance Theatre

ACT IV, Sc. 3 – Royal’s Touch

In Macbeth• King Edward (England,

1003-1066)• Heals people with his touch• Real King = placed by God –

could do that

King James (England/Scotland – early 1600’s)

• Performed the Royal’s Touch

• Read page 367

Page 31: Renaissance Theatre

Act IV

• Review questions p. 369

Page 32: Renaissance Theatre

Act V

• Review questions page 388-89