renaissance to baroque the euphonium, similar to the tuba came from similar ancestors. the serpent...

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HISTORY OF THE EUPHONIUM

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Page 1: Renaissance to Baroque  The Euphonium, Similar to the Tuba came from similar ancestors. The Serpent and the Ophicleide. Both of these instruments were

HISTORY OF THE EUPHONIUM

Page 2: Renaissance to Baroque  The Euphonium, Similar to the Tuba came from similar ancestors. The Serpent and the Ophicleide. Both of these instruments were

Renaissance to Baroque

The Euphonium, Similar to the Tuba came from similar ancestors. The Serpent and the Ophicleide. Both of these instruments were instrumental in the development of lower brass instruments today.

Page 3: Renaissance to Baroque  The Euphonium, Similar to the Tuba came from similar ancestors. The Serpent and the Ophicleide. Both of these instruments were

Renaissance to BaroqueLeft: This is a picture of an Ophicleide

Right: This is a picture of a Serpent

Page 4: Renaissance to Baroque  The Euphonium, Similar to the Tuba came from similar ancestors. The Serpent and the Ophicleide. Both of these instruments were

Romantic to 21st Century Periods

Compensating Euphoniums:

In the mid 19th century it has said to have been that a wide bore bugle with a baritone range was invented. Later in 1874 David Blaikley developed an compensating euphonium. Thus compensating euphoniums were born.

Above: Besson Euphonium

Page 5: Renaissance to Baroque  The Euphonium, Similar to the Tuba came from similar ancestors. The Serpent and the Ophicleide. Both of these instruments were

British Brass Band The Euphonium, Baritone and the

Eb Alto Horn are all staples of the Tuba/Euphonium family. They all play a big role in brass bands by complimenting each other while creating a very full range and timbre of middle to lower brass voices.

Right: a Baritone Horn

Below: An Euphonium

Right: an EbAlto Horn

Page 6: Renaissance to Baroque  The Euphonium, Similar to the Tuba came from similar ancestors. The Serpent and the Ophicleide. Both of these instruments were

The difference between Baritones and Euphoniums

In American bands and ensembles the instrument names, Euphoniums and Baritones, have become interchangeable, though they are two distinctly different instruments. Visually, a Baritone is usually slightly smaller in size and primarily has three valves but can have an occasional fourth. On the other hand a Euphonium is slightly larger and can have four valves upright four in front or three upright and one compensating valve accessible to the left hand. Engineering-wise they are also different. A Baritone is predominantly 2/3 cylindrical and 1/3 conical and a Euphonium is 1/3 cylindrical and 2/3 conical. This is all relative. Also This is very technical Let me explain it with some pictures.

The shape to the left is a conical shape resembling the approximate shape a Euphonium is shaped in and the shape to the right is a cylindrical shape resembling the tubing for a Baritone.

Page 7: Renaissance to Baroque  The Euphonium, Similar to the Tuba came from similar ancestors. The Serpent and the Ophicleide. Both of these instruments were

20th Century American Euphoniums

The Double Bell Euphonium was developed during the turn of the century. Unlike a regular Euphonium the Double Bell Euphonium consists of two bells one similar to regular Euphoniums of the time and a smaller one on the other side of the horn used for the fourth (and sometimes fifth) valves.

Page 8: Renaissance to Baroque  The Euphonium, Similar to the Tuba came from similar ancestors. The Serpent and the Ophicleide. Both of these instruments were

Marching Baritones and Euphoniums Marching Baritones/Euphoniums are used widely

among many American high school and collegiate marching bands. These horns are specially adapted for the field. Instead of using bells that go up, Marching Baritones are designed similar to trumpets with the bell horizontal to the ground and having the valves work perpendicular to the tubing.

Right: MarchingEuphonium

Left: Marching Baritone