revised phase three of three 03 choreographed linkages

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REVISED Version: May 1, 2018 1 CALIFORNIA STATE POLYTECHNIC UNIVERSITY, POMONA Spring 2018 LA 203L Basic Landscape Design REVISED Phase THREE of three 03 Choreographed Linkages + Networks + Structures All deliverables are due for the Internal Review on, Wednesday, May 30st Patterns have this capacity to weave together systems and signs, thereby functioning in both utilitarian and figurative ways. They offer a framework that can be layered with ‘information’, absorbing the functional mandates placed on landscapes, such as increased attention to water capture and absorption, without forsaking formal and perceptual coherency. [8] Patterns, whether naturally occurring or designed, are indicators of the processes that created them, but they also convey future processes, which makes them particularly relevant as a strategy for dealing with degraded sites. Karen M’Closkey, pp. 19, Synthetic Patterns: Fabricating Landscapes in the age of ‘green’ Site conditioned/determined... Here the sculptural response draws all of its cues (reasons for being) from its surroundings. This requires the process to begin with an intimate, hands-on reading of the site. This means sitting, watching, and walking through the site, the surrounding areas (where you will enter from and exit to), the city at large or the countryside. Here there are numerous things to consider; what is the site's relation to applied and implied schemes of organization and systems of order, relation, architecture, uses, distances, sense of scale? Robert Irwin, pp. 21, Being and Circumstance; Notes Toward a Conditional Art Choreographed Linkages (Critically Combined Biased approach) The studio has investigated and interrogated Rio Hondo Spreading Grounds. This studio has dismembered the site to better understand and reveal it unique and very local potential. The studio will now use the spreading grounds to create a speculative illustration of the emergent landscape of the Los Angeles metropolis. Project Description This third and final phase of the project will require students to individually choreograph a set of assigned and derived programmatic pieces and performance criteria into the overall conditions of portion/bank of the transect they own - they must assemble their own monster. This phase will include notions of broader planting/capturing or opportunistic strategies and patterning in response to assigned program performance. This phase will utilize programs that are simultaneously cultural and ecological, formal and informal, understood and misunderstood, indexed and poised. This final project phase will require participants to link the narrative exploration and concept development of other studios. Emphasis will be placed on the structure and organization of project components as a complete narrative of verbal and visual expression. This phase will require combined and complex drawings and 3D modeling. Landscape Architecture College of Environmental Design

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Page 1: REVISED Phase THREE of three 03 Choreographed Linkages

REVISED Version: May 1, 2018 1

C A L I F O R N I A S T A T E P O L Y T E C H N I C U N I V E R S I T Y , P O M O N A

Spring2018

LA203LBasicLandscapeDesign

REVISEDPhaseTHREEofthree03ChoreographedLinkages+Networks+Structures

AlldeliverablesareduefortheInternalReviewon,Wednesday,May30st

Patternshavethiscapacitytoweavetogethersystemsandsigns,therebyfunctioninginbothutilitarianandfigurativeways.Theyofferaframeworkthatcanbelayeredwith‘information’,absorbingthefunctionalmandatesplacedonlandscapes,suchasincreasedattentiontowatercaptureandabsorption,withoutforsakingformalandperceptualcoherency.[8]Patterns,whethernaturallyoccurringordesigned,areindicatorsoftheprocessesthatcreatedthem,buttheyalsoconveyfutureprocesses,whichmakesthemparticularlyrelevantasastrategyfordealingwithdegradedsites.

KarenM’Closkey,pp.19,SyntheticPatterns:FabricatingLandscapesintheageof‘green’

Siteconditioned/determined...Herethesculpturalresponsedrawsallofitscues(reasonsforbeing)fromitssurroundings.Thisrequirestheprocesstobeginwithanintimate,hands-onreadingofthesite.Thismeanssitting,watching,andwalkingthroughthesite,thesurroundingareas(whereyouwillenterfromandexitto),thecityatlargeorthecountryside.Heretherearenumerousthingstoconsider;whatisthesite'srelationtoappliedandimpliedschemesoforganizationandsystemsoforder,relation,architecture,uses,distances,senseofscale?

RobertIrwin,pp.21,BeingandCircumstance;NotesTowardaConditionalArt

ChoreographedLinkages(CriticallyCombinedBiasedapproach)

ThestudiohasinvestigatedandinterrogatedRioHondoSpreadingGrounds.Thisstudiohasdismemberedthesitetobetterunderstandandrevealituniqueandverylocalpotential.ThestudiowillnowusethespreadinggroundstocreateaspeculativeillustrationoftheemergentlandscapeoftheLosAngelesmetropolis.

ProjectDescriptionThisthirdandfinalphaseoftheprojectwillrequirestudentstoindividuallychoreographasetofassignedandderivedprogrammaticpiecesandperformancecriteriaintotheoverallconditionsofportion/bankofthetransecttheyown-theymustassembletheirownmonster.Thisphasewillincludenotionsofbroaderplanting/capturingoropportunisticstrategiesandpatterninginresponsetoassignedprogramperformance.Thisphasewillutilizeprogramsthataresimultaneouslyculturalandecological,formalandinformal,understoodandmisunderstood,indexedandpoised.

Thisfinalprojectphasewillrequireparticipantstolinkthenarrativeexplorationandconceptdevelopmentofotherstudios.Emphasiswillbeplacedonthestructureandorganizationofprojectcomponentsasacompletenarrativeofverbalandvisualexpression.Thisphasewillrequirecombinedandcomplexdrawingsand3Dmodeling.

Landscape Architecture College of Environmental Design

Page 2: REVISED Phase THREE of three 03 Choreographed Linkages

LA203L 2018 phase THREE

Revised 2

TimelineandTeams:• Thisisa3.5weekproject.• Studentswillcontinueworkingin

teamstoexecutethisproject,constructthesectionmodel,andproducethecompiledsheetsofdrawings.

• Individualstudentsareresponsibleforgeneratinga2”x8”3Dprintedinlay/insertsat1/16”=1’-0”fortheteam’ssitemodelorproduceaseparate3DprintedSpecimenModel@1/8”scalethatishighlycrafted.

• Eachstudiosectionwillcollaboratetoproducea1/16”sitecontextmodelwithspacefortheteamstoinserttheirprojects–seethesitemodelbasetemplatepostedtoblackboard.

ProjectDeliverables:Eachteamisresponsibleforallofthefollowingdeliverables:

PhysicalModels:• OnescalemodelofyourentiresitewithaCNCmilledorlasercutterrain(mountedona

lasercut¼”plywoodmodelbaseusingthefileonBlackboard,wherethebottomofthespreadinggroundsistheplywoodbase).Allmodelsarenottobepainted.

• Oneperteammember3Dprintedinlay/inserts(eachmeasuringatleast~2”x8”minimum,thesecanbelargerorbrokenintosmallerpieces,ie4@2”x2)or1/8”3DprintedSpecimenModel(s).

• Modelsmustincludeallproposedstructuralelementsandlandscapefeatures.• Circulationpathsandhardscapesmaybeindicatedbylasercutelements(whicharenot

countedasinserts)oretchedlines/hatches.• Mustincluderepresentationsofallproposedmajorplantmaterial.• Mustinclude1/16”scalefigures(whichcanmaybepaintedaaccentcolor).• ModelsmaybefabricatedfrommaterialsthataresafetoCNCmillorlasercut:solid

wood,woodlaminates,plywood,MDF,chipboard,orclearpolycarbonate–pleaseverifynon-toxicitywiththeENVModelShoporServiceBureau.

• Mustbemonochromaticbasedonthematerial(donotpaint),withtheexceptionofoneaccentcolormatchingthe3Dprintedfilamentcolor.

• Allverticalstructuralelementstobefabricatedfromthesamematerial–suggestusingbasswood,‘pianowire’,orpolycarbonate.

• Allplants/vegetationtoberepresentedbythesamematerial–suggestusinghardwooddowelsorwire–notmodelrailroadmaterials(suchaslichen/moss/grass,orpre-fabricatedmodel‘trees’).

• Othermodelmaterialscanbeusedwithpermissionofthefaculty.

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LA203L 2018 phase THREE

Revised 3

DrawingSheets• 4@programmaticpositioningdrawings11”x11”(oneperteammember)• Dividedamongtheteammembers:16@11”x11”drawingssheets(allmeasured

drawingsmustbeat1/16”scale).Ifyourteamhaslessthanormorethan4members,yourinstructorwilladjustthedeliverablestokeeptheworkloadthesame.

Allsheetsshouldincludemajortitletextat24-pointandminordescriptivetext/captionsat11-pointfont.Allsheetsshouldincludesomeformofoverlaydiagrammingtohighlight‘userbiasorientations’.

o 4@experiential/enduserviews/perspectives:i.e.:kidseye,hawkseye,fisheye,eucalyptuseye,etc,(nottoscale)renderedvieworphotomontage.

o 1@topographiclinedrawing(existingunderproposed)@1/16”scale.o 1@topographic+plantingstrategydrawing@1/16”scale.o 1@topographic+fixedprogramdrawing@1/16”scale.o 1@topographic+circulationdrawing@1/16”scale.o 2@drawingsoftouch:texturaldrawingsexpressionsthesensorialtactilityofyour

imaginedproject:feeltheprojects.o 2@aerialsections(liketaxonomymodels;onerenderedwithlineworkonlyandone

renderedwithfullentourage).o [email protected] [email protected] 2@Sitediagramsofcriticaldesigndecisions.

RequiredMedia

DrawingsSheets:• Mylarand/orBondpaper,maybelayeredtobestutilizepropertiesofmediaas

informedbyprevioussteps.

Project Process: ThisfinalphaseoftheprojectsrequiresstudentstoproposeaspecificalteringoftheirassignedsectionoftheRioHondoSpreadingGrounds.Theprojectmustfocusonthezone/areasexploredinPhaseOne.

01GeneralProjectrules:• Nometaphorsorrepresentationalfeaturesallowed-no‘thisisthat’

o Makeitwhatyouthinkitwantstobe-nohidingbehindotherideas.• Noprescribedmeaningallowed-no‘thismeansthis’

o Developexperiencesthatallowmeaningtoemergeovertimeandthroughprolongedengagementwiththesite.

• Nohistoricalclichés-nooverusedideasthatbetrayoriginalthoughto Developcurrentsitedeterminedapproachestohowweoccupythesite-nogazebos

andnopromenades.• Norepresentationalfeaturesallowed-no‘thisisa____’–stayabstract

o Allowvisitorstodeveloptheirowninterpretationsandtodefinethemeaningsofthelandformsandfeatures–sono‘arroyos’ofcobblesetceteraandavoidpastiche…

• Useprojectelementstoindexoccupancy-thesiteanditselementsasindicatorsofsomethingwithoutbeingobvious.

• Poisethesiteforoccupancy-itisbigenoughandsmallenoughforparticularusesbyparticularhumanandnon-humanusers.

• Allowtheprojecttorevealitselfovertimeandreveallargelandscapeconnections

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LA203L 2018 phase THREE

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o AsJ.BJacksonsaid:‘alandscapepracticethatremindsuswearenotrootlessindividualscannotbeunderestimated’.

02ProgrammaticDrawingsofPotentialDetermination:Thesecondpartofthisprojectisthedevelopmentaseriesoflinedrawingsthatsetoutaseriesofstrategiesfortheprogrammaticpotentialofyourspecificsitesection.Teamsarerequiredtodevelopfouraxonometricdrawings–thisdrawingisexpectedtoconnectthepotentialbeneficiariestotheareasofopportunitywithspecificprogramsalongthelittoraledge.WheretheseprogramideaswerelistedandconnectedinphaseONE,teamsmustnowconnecttheseprogramstospecificlocations.Teamsshouldattempttouseasimilarvisuallanguage/style.Therearenoprecedentsforthisdrawing.Itwillsetforththetrajectoryofspecificallylocatedsetofpotentialprogramsasalignedwithbeneficiariesandpartners–humanandnon-humanalike.Studentswilldevelopanintenseandcomprehensiveseriesofrulestoguidetheirexplorationoftheattractionofthisriparianedge.Therulesofattractionbetweenthetypicaledgeandthetypicalprogramsmustbegeneratedfromyoursitemapping.Thefantasticresultswillthereforenotbeabstractionsnorreductions,butspectacularintheconditioningoftheirordinariness.Alldrawingsmustbe:

• Gray-scalewithnomorethantwoaccentcolors.• Providea24-hourunderstanding.• WhiletheentiresetofdrawingscanbedoneinRhino,youneedtodeliverpolishedline

weights.• Berenderedashidden-linewithsurfaceshading,refinethelineweights/typesinAdobe

Illustrator.

03SpecificProjectrules(inorderofsuggesteddevelopment):• Projectmustaddressaminimumofthreespecificuser’sbiases(begintheprojectby

identifyingthesefirst):o OneHuman,onePlant,andoneAnimalbias.

• Projectmustperformsomefiltering/purificationtask.• Projectmustenablesomeobservationaltask.• Projectmustnegotiatemovementsacrossandalongtheconcrete‘riparian’edgeoftheRio

Hondo/spreadinggroundbasins.• TheexistingfloodwayoftheRioHondomustnotbeobstructed–butyoucan

contour/sculpttheedgewithinyoursectiontowidenit.Ifyouproposebridgingthechannel,youmayhaveONEpier/supportmid-stream.

• SpreadingGroundsareassumedtoperiodicallyfillwithwaterto+3’-0”ordeeper.Allcirculationelementsmustbeabovethiselevation.

• Projectmustengagethefour-designbiasdiscussedinclass(perinstructor):o Syntactical,Narrative,Phenomenological,andCritical.

• Sitefeaturesmustaccommodateindividualsand/orsmallgroupsof20peoplemaximum.• Projectmusthavethreescalesofcirculation,andmakethreeconnectionstothecirculation

ofadjacentprojects.• Noslopescanexceed1:1,otherwiseuseretainingwalls/structuralcribbingwhichwillbe

3Dprintedelementsinsertedintoyoursitemodel.• Eachteammustmakethreecollaborativegesturestotheprojectsoneachsideofthem.• Alldesignelementsmustbecontainedwithinthespecificsection-unlessthe

elements/featurescanbenegotiatedandaccommodatedamongstadjacentsection

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LA203L 2018 phase THREE

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designers(i.e:abigmoundmuststaywithinthedefinedsectionunlesstheadjacentsectioniswillingtoworkwithit.)

UniqueProgramsofOrdinaryOriginsEachindividualmustdevelopaseriesoffixedprogramelementsthatallowforthefleetingephemeraofthesitetoberevealed.Itisthroughthisprogramthatthismonsterwillhelpuserstoseethesiteinasignificantlyalteredway.ComfortablewithBeingUncomfortableThisprojectdoesnotneedtonecessarilydoanything,itcanjustbe.Eachalignment,eachmaterial,eachmoundordepressionsallowsfornewassociations.Thereisnorightorwrong,onlystrongandweakassociationswherethemoreunlikeanduncomfortablemovestowarddiscoveryandinventiveness.

RubricProjectswillbeevaluatedonthe:

• Rigorofteam’sprocesscombiningtypologies,addressingthebiases,providingthetask.• Qualityoftheconceptsanddegreeofexperimentation.• Sophisticationandrefinementoftheoveralldesign(includingconnectionswith

neighboringteams,circulation,designofindividualelementsworkingwiththewhole,etcetera).

• Craftandqualityconstructingthephysicalmodels.• Aestheticsandrefinementoftheposterlayout,qualityoftheindividualdrawingsand

renderings.

100% designcoverage

50% design coverage

optionalzones

Legend

Section 1/8” = 1’-0”

200’-0”

200’-0”

New Grade

Bottom of Spreading Ground Basin 8 or 9

Existing Grade

Lowest Permitted Elevation/Model Base

Rio Hondo LeveeSpreading Ground Berms

+16.0’+15.0’+14.0’+13.0’+12.0’+11.0’+10.0’

+9.0’+8.0’+7.0’+6.0’+5.0’+4.0’+3.0’+2.0’+1.0’+0.0’-1.0’

50% Design Coverage Zone

Bridges are 0% coverage

Covered0% 0% Covered 0% Covered

100% Design Coverage Zone

Holes may extend down to +0’

All slopes greater than 1:1, bridges/elevated platforms are structures to be 3D printed in your Final Model.Other landforms/surfaces can be laser cut or CNC milled.

+3.0’ Water Level

Not GradedRe-Graded

50% Coverage Strategies/Examples Plan

LA203L 2018 Phase 3 Diagrams