risd for passions side hustles careers confidence creativity … · 2019-07-31 · passions side...

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RISD for

Everyone

PassionsSide Hustles

CareersConfidence

CreativityGrowth

Continuing EducationFall 2019

Creative experiences for adults, teens and kids.

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This is your invitation to join other thinkers, tinkerers & makers this fall at Rhode Island School of Design, where Continuing Education offerings make art and design education available to everyone.

Register online at ce.risd.edu/fall19 1

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July 22Registration opens

August 9Scholarship application deadline

September 9Fall term begins

November 25–30Thanksgiving holiday; no classes held; office closedNovember 28–30

December 8Fall term ends

FALL 2019 CALENDAR

7 1-day Workshops

27 Weekend Courses

82 Weeknight Courses

14Weekday Courses

Whether you have three hours, a weekend, or six or twelve weeks, explore your interest in fine art, craft and design with a fall course that fits your schedule. Our offerings are designed especially for people with busy schedules and active lives.

Perfect timing

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Tillinghast Place, Barrington

Adult Classes

Drawing I p.9

Pastels: Introduction p.14 Watercolor: Introduction p.25 Painting: Oils + Acrylics p.26 Landscape Photography: Autumn Woodlands p.30

Westerly Education Center

Adult Classes

Drawing I p.9

Applied Color p.9 Portrait Drawing Workshop p.14 Woodworking p.15 Graphic Design: Introduction p.16 Illustration: Introduction p.19 Comic Book Illustration: Introduction p.19 Jewelry Design: Introduction p.23 Watercolor: Technique Intensive p.25 Acrylic Painting: Technique Intensive p.25 Oil Painting: Technique Intensive p.26

Photography: Introduction p.29 Gaining Control of Your Digital Camera p.30 iPhone Photography Workshop p.30

Teen Classes

Art School Prep: Concept Development p.38 Fashion Illustration p.40 Armor Design: Helmets + Crowns p.40

View full course descriptions, prerequisites and lab fees, and register online at ce.risd.edu/fall19

Wherever you are

FIND YOUR COURSES

Most CE courses are hosted at the RISD Campus in Providence. We now offer additional courses at the Westerly Education Center, an easy commute for students in southern Rhode Island or eastern Connecticut. Select daytime classes are available at RISD’s waterfront satellite campus Tillinghast Place, a picturesque natural environment for artmaking.

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Ready for a life-changing experience?


Certificate Program Overview

Foundation Studies

Animation

Apparel, Fashion, and Textile Design

Book and Paper Arts

Digital Design Tools

Drawing

Furniture and Woodworking

Graphic, Product, and Web Design

Illustration

Interior Design Jewelry and Metal Arts

Painting and Printmaking

Photography

Professional Development

Art History and Appreciation

Teen Certificate Program Overview

Ages 13–17

Ages 9–12

ADULTS

YOUNG ARTISTS

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12

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15

16

19

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25

29

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36

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43Ages 6–8

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Certificate Programs

With no entry requirements, RISD CE certificate programs allow you to learn with motivated peers to develop your portfolio, broaden existing skills, explore a new career path or life pursuit, or start your own business—and build the network that will help you do it.

61% of graduates found a job related to their certificate within 6 months of completion*

30% of graduates changed careers because of classes taken in a certificate program*

AN

GR

IT

ID

JM

NS

PS

PG

PM

-R-E

Animation

Graphic Design

Interactive Design

Interior Design

Jewelry + Light Metals

Natural Science Illustration

Painting Studies

Photography

Product Development + Manufacturing

Required CourseElective

Although courses in this brochure may be taken for personal or professional enrichment, many may also be taken as part of a certificate program. Non-credit certificates have flexible schedules and provide studio-based learning that is current, relevant and integrally connected to creative sector development.

Complete program information, certificate program guides, sample schedules and policies: ce.risd.edu/adult-certificate-programs.ris

* Survey of RISD Continuing Education certificate graduates, 2009–2018

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Advance your creativepractice*

*even if you’re just getting started


Drawing IRobin Wiseman, Taleen Batalian, Michael Peery

Drawing is an essential means of communicating, and central to every artist’s and designer’s practice. Demonstrations, guided exercises and sustained drawing of varied subject matter including still life, landscape, architecture and the human form illustrate lessons in line, value, spatial systems including perspective, and composition. Applies to certificates: AN-R, GR-R, ID-R, IT-R,

JM-R, NS-R, PG-R, PM-R, PS-R

RISD Campus:Mon, Sep 9–Dec 2, 6:30–9:30 pmMon, Sep 9–Dec 2, 7–10 pm

Tillinghast Place:Tues, Sep 10–Dec 3, 9:30 am–12:30 pm

Westerly Education Center:Thurs, Sep 12–Dec 5, 6:30–9:30 pm

12 sessions, $525

Foundation Studies

Foundational skills developed in observational drawing, design and color develop the ability to understand and practice ideation and creative problem solving, and to absorb fundamental design principles such as composition and the use of color, line, shape, form, value, texture and spatial relationships.

DesignJohn Gonzalez, TBA

This course introduces students to the elements of design: line, shape, pattern, value, texture, color and space. Working through a variety of exercises, students use these elements to engage with problems of visual organization. Skills acquired in class have applications to anyone working in art and design, from painters and artists to art directors, illustrators and interior designers. Applies to certificates: AN-R, GR-R, ID-R, IT-R, JM-R, NS-R,

PG-R, PM-R, PS-R

Mon, Sep 9–Dec 2, 7–10 pmTues, Sep 10–Dec 3, 7–10 pmThurs, Sep 12–Dec 5, 7–10 pm12 sessions, $525

Applied ColorKaren Triedman, Elizabeth Gourlay, Suzette Cozzens

Bridging the divide between color theory and color practice, this course distills the essentials of color mechanics into workable studies and projects. Students explore color through exercises using collage and paint to understand color and how to use it effectively. Applies to certificates: AN-R, GR-R, ID-R, IT-R,

NS-R, PG-R, PM-R, PS-R

RISD Campus:Tues, Sep 10–Oct 15, 7–10 pmWed, Sep 11–Oct 16, 1–4 pmWed, Oct 23–Dec 4, 7–10 pm

Westerly Education Center:Tues, Sep 10–Oct 15, 1–4 pm

6 sessions, $365

Digital Design TechniquesBryan Rodrigues

This digital media course is ideal for the novice or even the intermediate user desiring a better understand-ing of computer-based workflow. A web design project, built over 12 sessions, is broken down into lessons that include bitmap editing, vector graphics, page layout, image capture, preservation and manipu-lation. Applies to certificates: AN-R,

GR-R, ID-R, IT-R, JM-R, NS-R, PG-R,

PM-R, PS-R

Tues, Sep 10–Dec 3, 6:30–9:30 pmWed, Sep 11–Dec 4, 9 am–noonFri, Sep 13–Dec 6, 6:30–9:30 pmSat, Sep 14–Dec 7, 9 am–noon12 sessions, $625

MORE COURSES FOR BEGINNERS

Not an Artist? p.13

Graphic Design: Introduction p.16

Design: Introduction p.13

Drawing: Introduction p.13

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Animation: IntroductionKosta Gregory

This course introduces students to the core principles of cycles, levels, and squash and stretch as they start to turn their inanimate drawings into moving animations. The use of analog and digital tools will be covered, as well as workflow imple-mentation, including the mechanics of sequencing distinct drawings so that they flow together. Applies to certificates: AN-R, IT-E, PG-E

Sun, Sep 15–Oct 20, 9 am–noon6 sessions, $425

Adobe After Effects IICarissa Abitabilo

This course will continue the explo-ration of Adobe After Effects with a focus on compositing, green screen techniques, camera tools, introduc-tory 3D animation, and character rigging. Students will learn how to set up and animate advanced cam-era moves as well as how to properly light 3D-generated content. Applies to certificates: AN-E, GR-E, IT-E, PG-E

Prerequisite: Adobe After Effects. Students must be well versed in the layout of After Effects to benefit from this course.

Mon, Sep 9–Dec 2, 6:30–9:30 pm12 sessions, $625

Animation II: NarrativeCarissa Abitabilo

Storytelling is at the heart of the animator’s art form and the focus of this course, which gives students an opportunity to build narrative, frame by frame. The instructor pro-vides story and character prompts that students use to build story-boards, then animatics and, finally, a short sequence in the medium most appropriate for their tale. Applies to certificates: AN-R, IT-E, PG-E

Prerequisite: Animation I: Ideas into Motion

Thurs, Sep 12–Dec 5, 6:30–9:30 pm12 sessions, $625

Animation

Students explore storyboarding and

animation in RISD’s film, animation

and video studios.

Creating WorldsZoe Mathewson

Setting is crucial to the mood and pulse of any story; this course intro-duces design and spatial concepts to apply to the environment that surrounds all characters. Students are encouraged to explore different mediums (pencil and paper, paint, collage, and three-dimensional approaches) as a way to create unique environments and moods.Applies to certificates: AN-E

Sat, Sep 14–Oct 19, 9 am–noon6 sessions, $365


Fashion Illustration: IntroductionChristina Savas

Realizing fashion ideas usually starts with strong fashion drawing skills. In this course students are intro-duced to the croquis (the nine head fashion figure), learn to capture movement with gesture drawings, and are introduced to flat sketching techniques.

Wed, Oct 23–Dec 4, 7–10 pm6 sessions, $365

Sewing 101Anne Finelli

This course familiarizes students with their sewing machine while providing instruction in basic sew-ing skills. The class reviews sewing kit equipment, needle position, stitch types, and the impact of fabric types and qualities. Examples of projects created include a pillow, apron or tote bag; and a pair of pull-on pants/short/skirt, a shirt or blouse, or garment with zipper.

Wed, Sep 11–Dec 4, 6:30–9:30 pm12 sessions, $525

Sewing 102Anne Finelli

Building on skills acquired in Sewing 101, students in this course use basic sewing skills to create more detailed garments, while learning new tech-niques. Students begin with smaller items (winter hat, mittens, zippered pouch), and then progress to medi-um-level garment projects (zippered pants/skirt, top/shirt, dress/jacket/vest). Prerequisite: Sewing 101 or equivalent

Mon, Sep 9–Dec 2, 7–10 pm12 sessions, $525

Surface Design: IntroductionKaty Dika

Surface design is the illustration and design of shapes organized into patterns that can be applied to textiles and fabrics, wallpaper, ce-ramics, glass, tile, metal, fiberglass, resin and more. Students create patterns, simulate textures and craft colorways, and learn to use digital tools to make the surface design process easier.

Tues, Oct 22–Dec 03, 7–10 pm6 sessions, $365

Surface Design WorkshopKaty Dika

Surface Design is the making, both manually and digitally, of repeat-ing patterns and designs that can be used on a variety of products including home decor, apparel and textiles, stationery and fabrics. Here is a chance to gain hands-on experi-ence with development of individ-ual designs, including essentials of pattern and repeat, and digital manipulation of patterns.

Sat + Sun, Sep 28 + 29, 10 am–4 pm2 sessions, $275

Handloom Weaving: The ScarfSusan Sklarek

The work of contemporary Jap-anese textile designers serves as inspiration for exploring an array of materials and finishing techniques in this course as we develop luxuri-ous fabrics suitable for scarves and wraps. We explore innovative vari-ations of simple weave structures such as plain weave, twill, spaced warp and doubleweave to create patterned and sculptural fabrics.

Wed, Sep 11–Dec 4, 7–10 pm12 sessions, $525

Apparel, Fashion, and Textile Design

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CollageSuzette Cozzens

Students explore the expressive potential of collage using found objects, recycled and everyday materials, along with techniques such as mosaic, cut paper, textured surfaces and photomontage. Applies to certificates: NS-E, PS-E

Mon, Sep 9–Oct 14, 9 am–noon6 sessions, $365

Collage: Technique IntensiveSuzette Cozzens

Collage is undergoing a resurgence in contemporary art and, with applications to painting, illustration and digital design, is a valuable skill to add to one’s artistic arsenal. This workshop introduces some funda-mental techniques to consider when making a collage, and addresses issues of compositional structure— including color relationships, direction and movement. Applies to certificates: NS-E, PS-E

Sat + Sun, Nov 2 + 3, 10 am–4 pm2 sessions, $275

Experimental PapermakingSuzette Cozzens

Papermaking involves a variety of techniques—preparing pulps, processing fiber, pulling and drying sheets, layering, and making 3D structures. Once students master the essentials, they are encouraged to experiment with integrating ma-terials such as flowers, wire, string, reeds, sticks, buttons, baubles and photographs into the paper. Applies to certificates: NS-E, PS-E

Mon, Oct 21–Dec 2, 6:30–9:30 pm6 sessions, $365

Adobe PhotoshopMichael Ryan

Course topics include layer masks and effects, smart objects, adjust-ment layers, clipping masks and reverse editing methods to create subtle and professional edits to files—a necessity in photography, graphic design, illustration and web design. Applies to certificates: GR-E,

IT-E, NS-R, PG-R, PM-E, PS-R

Prerequisite: Digital Design Techniques

Wed, Oct 23–Dec 4, 6:30–9:30 pm6 sessions, $425

Adobe IllustratorAnne-Marie Byrd

The most popular vector graphics editor, Adobe Illustrator is essential when creating images and graphics that require precision and scal-ability. In this course you’ll create illustrations and freeform sketches as you explore how this program makes it possible to acquire, trace and alter scanned images. Applies to certificates: AN-E, GR-E, ID-E, IT-E,

NS-E, PM-E

Tues, Sep 10–Dec 3, 6:30–9:30 pm12 sessions, $625

3D Modeling with RhinoGail Dodge

Rhino’s files can be exported into any program that supports surfaces or solids, or prototyping applica-tions used by product designers, as well as those used for architectural and jewelry design and rendering, computer animation, filmmaking and web design. Learning Rhino allows students to fully realize their designs, as they produce three di-mensions in digital form. Applies to certificates: AN-E, IT-E, JM-R, PM-R

Prerequisite: Digital Design Tech-niques or equivalent experience


Book and Paper Arts

Digital Design Tools

YOU MIGHT ALSO LIKE: Digital Fabrication: Introduction p.15 Digital Design Techniques p.9


Not an Artist?Suzette Cozzens

You don’t need to know how to draw or be an artist to take this course—in fact, the less you know, the better! In this workshop students’ eyes are trained to look, observe and record. Exercises in drawing, color studies and collage encourage students to experiment, with an open mind the only prerequisite.

Sat + Sun, Oct 26 + 27, 10 am–4 pm2 sessions, $275

Creativity WorkshopTaleen Batalian

This workshop helps you tap into your creative energy, generate new ideas and develop new ways of working. A series of hands-on exercises work with unconventional mark-making tools and prompts that focus on speed, attention and reaction. You’ll be challenged to let go of preconceptions and encour-aged to experiment, play and make.


Drawing: IntroductionRobin Wiseman, Holly Popielarz

Drawing is the simplest, most efficient and most accessible way to communicate visual ideas. This course, designed for the absolute beginner, focuses on development of hand-eye coordination to under-stand how to look and how to tran-scribe what is seen onto a surface.Applies to certificates: NS-E, PS-E

Wed, Sep 11–Oct 16, 6:30–9:30 pmTues, Oct 22–Dec 3, 1–4 pm6 sessions, $365

Drawing

Design: IntroductionJohn Gonzalez

Inherent to all art making is the essential aspect of design. Design is also the cornerstone of making the visual make sense for artists and designers. This course will introduce the principles of design with proj-ects that build upon concepts such as line, shape, figure/ground rela-tionships, scale, proportion, pattern and balance. Applies to certificates: NS-E, PS-E


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Figure Drawing: IntroductionAmy Bartlett Wright

Students learn how to block out and establish the major structural masses of the figure and the 7 1/2 head proportional system; how to capture the gesture of a pose; and how to use line, light and shadow to convey form and suggest volume. This course is helpful for building drawing skills regardless of subject matter. Applies to certificates: NS-E, PS-E

Mon, Oct 21–Dec 2, 7–10 pm 6 sessions, $365

Portrait Drawing WorkshopMichael Peery

In this workshop students study the anatomy associated with the human head, and learn to measure and assess proportional relation-ships. They then gain skills in observing the relationship of facial features to each other, as well as to surface fluctuations created by muscle, skin folds and age. Applies to certificates: NS-E, PS-E

Westerly Education Center: Sat + Sun, Oct 19 + 20, 10 am–4 pm2 sessions, $275

Pastels: IntroductionMichele Poirier-Mozzone

Explore the vibrancy, expressive-ness and immediacy of the pastel medium in this course. You’ll find out about materials, techniques and framing practices, as well as current notable artists working in pastel. Topics include using reference photos to their best advantage, building layers of color, planning for a successful composition, and achieving luminous tones. Applies to certificates: NS-E, PS-E

Tillinghast Place:Tues, Oct 22–Dec 3, 1–4 pm6 sessions, $365

Drawing Workshop: Intermediate to AdvancedMara Metcalf

This class is for students who are interested in advancing their drawing to a professional level. The first day is spent drawing from a still-life setup, and the second day working from a model in an extended pose. Topics include value structure, mark-making, expressive contour lines, pentimento, linear vs. shape-oriented thinking, and tech-nical vs. conceptual narrative.Applies to certificates: NS-E, PS-E

Prerequisite: Drawing I or drawing experience


Botanicals: Colored Pencil on FilmAlison Schroeer

Imagine drawing botanicals in brilliant color, with a technique that has the intuitive ease of draw-ing and the intensity of wet media (oils/acrylics), without the mess and complexity. You’ll learn to plan drawings in stages, from highlights and contours, to shadows and developing the form’s volume, resulting in high-detail illustrations that seem to pop off the page. Applies to certificates: NS-E

Sat + Sun, Nov 2 + 3, 10 am–4 pm 2 sessions, $275


Furniture and Woodworking

Digital Fabrication: IntroductionShane Richards

Digital fabrication is changing the way the world makes and thinks about making. As digital technologies and techniques become more accessible, they don’t need to feel out of reach. Students in this design/build course will be introduced to a variety of modern fabrication techniques. Focusing on the use of the laser cutter and 3D printer, they will become familiar with digital fabrication workflows through a series of experiments and simple constructions. No prior expe-rience in fabrication or digital expertise is necessary to begin to understand how the future will be built. Applies to: AN-E, GR-E,

ID-E, IT-E, JM-E, NS-E, PG-E, PM-E, PS-E

Saturdays, Sep 14–Dec 7, 9 am–noon12 sessions, $525

WoodworkingNicholas Ventola

This course is for beginning wood-workers to those with some limited experience. Students are introduced to the fundamentals such as mea-suring, marking, joining, carving and gluing. The use of hand tools is demonstrated and then we advance to the safe operation of power tools including table saws, band saws, joiners, planers, drill presses and sanders. Applies to certificates: PM-E

Sat, Sep 14–Nov 2, 9 am–noon8 sessions, $425

Woodworking at WesterlyWilson Lawrence

This course is an introduction to working with wood using power and hand tools. You will learn the safe and effective use of machinery, and how to develop and execute a real-istic plan/design for a simple piece. You’ll work with table saws and sanders, and learn which machines are most effective in achieving a chosen project.

Westerly Education Center:Wed, Oct 23–Dec 4, 6–9pm6 sessions, $365

Furniture DesignTBA

In this furniture design and construction course we investigate traditional techniques for joinery, including mortise and tenon, dovetails, and frame and panel construction; discuss design theories, including the ‘Golden Rectangle’; and strive to blend the four objectives in furniture design: function, durability, comfort and aesthetics. Note: Previous wood-working experience is helpful.

Tues, Sep 10–Nov 19, 6:30–9:30 pm10 sessions, $510

Register online at ce.risd.edu/fall19

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Graphic Design: IntroductionDina Zaccagnini Vincent

Get an introduction to the funda-mentals of working in the field of graphic design by examining the meaning of graphic design, the de-sign process and the role the graph-ic designer plays in society. You’ll also get a glimpse into the RISD CE Graphic Design certificate program. Applies to certificates: AN-E, GR-R,

IT-E, PG-E, PM-E

RISD Campus:Wed, Sep 11–Oct 16, 6:30–9:30 pm

Westerly Education Center:Mon, Oct 21–Dec 2, 6:30–9:30 pm

6 sessions, $365

Graphic Structures + SystemsAnya Lownie

In this graphic design course grids and modules are discussed as the primary device for developing de-sign solutions that acknowledge the core rules of proportion, rhythm, pacing and sequence. Among the digital tools used in class to define these unifying structures are Adobe Illustrator and InDesign. Applies to certificates: GR-R, IT-E

Prerequisite: Typographics I: Elements + Process



Typographics II: Studio PracticeDina Zaccagnini Vincent

Designed to expand students’ understanding of basic typographic principles, this project-based course leads to greater confidence in graph-ic design practice. Students are en-couraged to think beyond traditional design methods, and assignments focus on issues of hierarchy, con-ceptual development, image/type relationships, and structural systems. Applies to certificates: GR-R, IT-E

Prerequisites: Graphic Structures + Systems and Type + Image


Typographics I: Elements + ProcessDina Zaccagnini Vincent

This course provides an introduc-tion to the fundamentals of typog-raphy—including theory, practice, technology and history. Topics include conceptual development, reinforcement of meaning, analysis of letterforms, typographic mea-surement, typeface classification, typesetting, using grid systems, establishing hierarchies for orga-nizational clarity, and assessing document legibility. Applies to certificates: AN-E, GR-R, IT-E, PG-E

Prerequisite: Graphic Form


GRAPHIC DESIGN


Designing for Change: SDGs + Re-Thinking the Status QuoJanel Twogood

The plastic and mixed material in landfills, waterways and oceans pos-es an unprecedented threat to life. In this course we will learn about the United Nations Sustainable De-velopment Goals (SDGs), and apply new concepts to re-frame the goals of design, trace resource chains, and evaluate the true costs of raw materials. Note: Students meet on campus Sept. 9, Sept. 23 and Oct. 14, providing time to make substantive progress on projects between meet-ings. Applies to certificates: PM-E

Mon, Sep 9–Oct 14, 6:30–9:30 pm6 sessions, $365

Handbag Collection Product Development: From Idea to MarketLinda Pritcher

What goes into making a great handbag design? Even better, what turns a set of bags into a compel-ling, marketable collection with a refreshing point of view and the potential to make a profitable and sustainable business? In this course we’ll cover each aspect in the product-to-market cycle of handbag development. Applies to certificates: PM-E

Tues, Sep 10–Oct 15, 6:30–9:30 pm6 sessions, $365

Product Development II: Manufacture to MarketJorge Paricio

Your ambitions for your product design idea must go beyond the prototype. This course is the labo-ratory where you can consider the steps between you and the end user, including supply chains, resource management, updates, and innova-tion cycles. Vendor, publisher and distribution relationships are also discussed. Applies to certificates: PM-R Prerequisite: Product Development l: Human Factor


PRODUCT DESIGN


YOU MIGHT ALSO LIKE: Design Thinking p.31

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Building a Website Without CodingEric Dubois

In this course you’ll learn to build a website with WordPress, a leading content management system (CMS). The course will cover registering a domain name, selecting a web host and other service providers, iden-tifying the desired features, finding low-cost options for e-commerce, planning the website architecture, and then actually building the site.Applies to certificates: AN-E, GR-E,

ID-E, IT-E, JM-E, NS-E, PG-E, PM-E,

PS-E

Wed, Sep 11–Oct 16, 6:30–9:30 pm6 sessions, $425

Mobile App Design + PrototypingBryan Rodrigues

This course explores the design of visual user interface solutions for mobile devices from concept to screen, resulting in prototypes to help designers better commu-nicate with developers. Building on their existing knowledge of Adobe Creative Suite, students use industry-standard prototyping tools for collaboration and workflow, as they generate content in the layout editor of their choice. Applies to certificates: GR-E, IT-R Prerequisite: Digital Design Techniques


Cascading Style SheetsBruce Campbell

CSS (Cascading Style Sheets) allows designers to separate form and content, while reinforcing their control over a site’s appearance. In this course students become familiar with CSS behavior through lectures and exercises that encour-age their resulting webpages to be more structurally sound. Applies to certificates: GR-E, IT-R Prerequisite: Interactive Design: Introduction

Tues, Oct 22–Dec 3, 6:30–9:30 pm6 sessions, $425

Interactive Design II: User Experience (UX)Eric Paul Meier

This advanced course moves the web designer’s skill set forward to consider the end user experience and learn interactive wireframing for large interactive sites. Students create functional specification docu-mentation and data workflow maps for developers, and use productivity software like Omnigraffle. Applies to certificates: GR-E, IT-R Prerequisite: Interactive Design I: User Interface (UI)



WEB + INTERACTIVE DESIGN

YOU MIGHT ALSO LIKE: Search Engine Optimization p.31 Online Marketing + Analytics p.31


Illustration: IntroductionCasey Roonan

This course introduces the rela-tionship between image and text, and investigates the process of interpreting and translating words into pictures. Projects are designed to ignite the imagination, and to help students gain skills and gather the information they need to begin illustrating. Students are able to tailor projects to their specific interests. Applies to certificates: NS-R Prerequisite: Some drawing experience is recommended

Westerly Education Center:Thurs, Sep 12–Oct 17, 6:30–9:30 pm6 sessions, $365

Illustration

Illustration Portfolio EssentialsLiz Goulet Dubois

In this course you’ll work to polish and perfect your portfolio, to inte-grate social media and marketing materials, and to generally prepare for promoting yourself as an illus-trator. Your work will be assessed, and individualized game plans for showing and submitting your best work to publishers and art buyers will be devised. Note: Class meets every other week. Applies to cer-tificates: NS-E Prerequisite: Some illustration and drawing experience

Wed, Sep 11–Dec 4, 7–10 pm 6 sessions, $365

Comic Book Illustration: IntroductionCasey Roonan

Students in this introductory course create narratives from simple au-tobiographical prompts, beginning with the basic design principles of a four-panel comic strip, then move on to a more long-form and complex final piece. Building blocks of comics—panel shape, page layout, dialogue and sound effects—are explored in class exercises. Applies to certificates: AN-E

Westerly Education Center:Thurs, Oct 24–Dec 5, 6:30–9:30 pm6 sessions, $365

Children’s Book Illustration: Image + TextCheryl Kirk Noll

Combining dynamic images with evocative words is at the heart of the process of illustrating and writ-ing for children’s books; this course provides a comprehensive introduc-tion to both. Essential elements are covered, including design, pagina-tion, character creation and concept development, material and medium exploration, color palette, story-boarding and the book dummy.

Tues, Sep 10–Dec 3, 7–10 pm12 sessions, $525

Drawing from Nature Amy Bartlett Wright

Focusing on form and structure, students in this course observe birds, shells, insects, bones, plants, flowers and more with the objective of translating proportion and depth onto the two-dimensional page and creating realistic renderings. Although the course is specialized in subject matter, skills attained here are applicable to a range of drawing subjects, media and styles. Applies to certificates: NS-R Prerequisite: Drawing II

Wed, Sep 11–Dec 4, 6:30–9:30 pm 12 sessions, $525

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Interior Design: IntroductionRina Naik

This introductory course focuses on the process of design as it applies to interior spaces. Students build an acute awareness of core principles—scale, proportion, light, circulation and progression—as a means to create visual harmony. Applies to certificates: ID-R, PM-E

Thurs, Sep 12–Oct 17, 6:30–9:30 pmTues, Oct 22–Dec 3, 9 am–noonThurs, Oct 24–Dec 5, 6:30–9:30 pm

6 sessions, $365

Interior Design

Drafting + Rendering for InteriorsJorge Paricio

This course introduces students to architectural drawing, drafting and rendering, as well as their tools and standards. Topics and techniques covered include construction drawings, layouts with dimensions and notations, and presentation renderings, as well as orthographic drawing, bubble diagrams, layout sketches, elevations, and 3D and perspective drawing. Applies to certificates: ID-R Prerequisite: Interior Design: Introduction


Hybrid RenderingJorge Paricio

In this course we will compare freehand and digital (Photo-shop, SketchBook Pro) rendering techniques used in architecture and interior design, and explore how blending the best of both can produce engaging images. We will analyze floor plans, elevations and perspective views, and review how to add textural notes, landscape features, entourage, reflections and light sources. Applies to certificates: ID-E Prerequisite: Drawing I or equivalent



AutoCAD: Interior Design IDavid Paolino

In this course students learn to use visualization and productivity software tools—Autodesk’s AutoCAD and AutoCAD Architecture, along with other CAD programs like Goo-gle’s SketchUp—to take a project from initial design to a finished two-dimensional plot. Dimension-ing, standard drafting and com-monly used detailing procedures are followed. Applies to certificates: ID-R Prerequisites: Digital Design Techniques and Drafting + Render-ing for Interiors.


Revit for Interior DesignDavid Paolino

This course introduces you to Autodesk’s Building Information Modeling application Revit Archi-tecture, to help you design, build and maintain higher-quality, more energy-efficient buildings. You’ll import, scale and trace a basic floor plan into a finished design and render it as interior and exterior model. Applies to certificates: ID-R Prerequisite: Drafting + Rendering for Interiors

Thurs, Sep 12–Oct 17, 6:30–9:30 pm6 sessions, $425

Chief ArchitectDavid Paolino

Get an introduction to the popular Building Information Modeling application Chief Architect, to help you design, build and modify high-er-quality, more energy-efficient buildings, and to help you become a more productive designer. Applies to certificates: ID-E


Interior Design Studio: KitchenKellie Suplicki

Students in this course focus on the kitchen as they build a design brief that examines traffic and usage patterns, lighting requirements and solutions for ventilation and storage needs. Considerations include fix-tures and appliances, wall and floor coverings, budget, responsible use and manufacture, and installation timelines. Applies to certificates: ID-E Prerequisite: Drafting + Rendering for Interiors


Interior Design Studio: BathroomsKellie Suplicki

This course focuses on the bath-room as students form a design brief that considers mechanical, venting, plumbing and electrical systems, along with material and fixture selections, budget, responsible use and manufacture, and demolition and installation timelines. Applies to certificates: ID-E Prerequisite: Drafting + Rendering for Interiors

Wed, Oct 23–Dec 4, 6:30–9:30 pm6 sessions, $365

Interior Design Studio II: Public SpacesDavid Paolino

In this course students take on the challenges of designing for public spaces. Project sites might include offices, retail outlets, hotels or healthcare facilities, each with technical criteria, traffic patterns and budgets that inform the design brief and create opportunities for the designer to reimagine shared spaces. Applies to certificates: ID-R

Prerequisite: Revit for Interior Design


Materials for Interior DesignNathan Reynolds

This survey course explores a variety of materials used in both commercial and residential interior design, including fabrics, wall cov-erings, paints, wood, stone, metal, glass, laminates, solid surfacing, tile, carpet and resilient flooring.Applies to certificates: ID-E


Concept Boards for Interior Designers: Communicating Your Vision Through CollageCathy Wilkerson

Interior designers use concept boards or “moodboards” as a means to communicate their vision through a collage of visual referenc-es. In this course students explore the process of creating their own concept boards through considering the various aspects of composition, hierarchy, color, scale and tactility.

Wed, Oct 23–Nov 6, 6:30–9:30 pm3 sessions, $215

Interior Design

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Color Palette + Materials: The Harmony of InteriorsRina Naik

Color, pattern and texture are integral to almost all objects within an interior space: furniture, fur-nishings, accessories and interior architectural elements like walls, floors, ceilings and doors. With top-ics including color theories, color psychology and color perception, and pattern, scale and repetition, this course helps students to blend materials and color palette for their design projects. Applies to certifi-cates: ID-E


Interior Design

YOU MIGHT ALSO LIKE: Textiles: A Retrospective p.33

Textiles 101 for InteriorsCathy Wilkerson

From cotton jacquards to silk striés, this course covers various construc-tions, designs, fibers, dyeing and printing processes, and loom types used to produce many of today’s home furnishing textiles. Students learn how to select the proper designs, fiber contents, qualities and suitable applications, as well as how to properly measure windows and furniture to calculate yardages.Applies to certificates: ID-E


Textile Trends ForecastCathy Wilkerson

In this course we discuss the color and style trends that are forecast to be prominent for the home fur-nishings industry over the next 18 months. We look at how trends start and their sources of inspiration, and examine how social, economic and ecological factors impact textile design and evolve into an aesthetic.

Tues, Oct 1, 6:30–9:30 pm1 session, $85

Textile Sourcing for Interior DesignersCathy Wilkerson

An in-depth look at working with textile companies, this course covers the basics of working directly with vendors, including how to open an account to receive wholesale pricing, and what the trade lingo is. The resources and information presented provide students with the confidence and knowledge to walk into the showrooms of the Boston Design Center. Applies to certifi-cates: ID-E

Tues, Oct 22, 6:30–9:30 pm1 session, $85


Jewelry Design: IntroductionTzu-Ju Chen

Students explore how to translate jewelry designs through sketch-es and models and observe how natural forms are ideal catalysts in the development of unique pieces. Projects are created using readily available tools and materials such as paper, wire and everyday materials.Applies to certificates: JM-R

Westerly Education Center:Wed, Sep 11–Oct 16, 6:30–9:30 pm6 sessions, $365

Jewelry + Light Metals I: Materials and TechniquesTaylor Heide

In this jewelry design and fabri-cation course we focus on idea development and the critical-think-ing skills needed to realize a vision. We cover sawing, piercing, filing, annealing, soldering, texturing, cold connections, basic hollow con-struction, ring sizing and more. In addition, discussion of design, mate-rials, jewelry history and alternative techniques is part of every class.Applies to certificates: JM-R, PM-E

Sat, Sep 14–Dec 7, 9 am–noon12 sessions, $525

Jewelry + Light Metals II: Process + PracticesTzu-Ju Chen

This course moves beyond the foundation learned in Jewelry + Light Metals I: Materials + Techniques to refine and combine a variety of construction methods. Students are encouraged to pursue projects that incorporate more complicated soldering techniques such as wire construction and chain making, plus advanced techniques such as hinge making, complicated scoring and bending. Applies to certificates: JM-R, PM-E Prerequisite: Jewelry + Light Metals I: Materials + Techniques


Jewelry Workshop: BeadingTzu-Ju Chen

This course offers step-by-step instruction in beading, using pre-dominantly seed beads, while em-ploying off-loom stringing methods. Students make their own finished pieces, and leave with information on bead sources so that they may continue making necklaces, brace-lets, earrings and more on their own. Applies to certificates: JM-E


Jewelry and Metal Arts

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“ The RISD CE program helped me turn a hobby I love into a career I enjoy. A solid portfolio and dedication will get you the job, but having RISD on your resume will get you in the door.”

—HEATHER AUCLAIR, Jewelry + Light Metals


PAINTING

Watercolor: IntroductionMichael Lyons

Both compelling and at times mys-tifying, the medium of watercolor is broken down in this step-by-step introductory course. Students explore value, composition, and color theory as they cover wet and dry techniques, washes, color lifting and glazing. Applies to certificates: NS-E, PS-E

RISD Campus:Tues, Sep 10–Oct 15, 9 am–noon

Tillinghast Place:Thurs, Oct 24–Dec 5, 9 am–noon

6 sessions, $365

Watercolor IMichael Lyons

Developed for students who have a foundation in watercolor painting and want to delve deeper into the medium and improve their skills, this course introduces more tech-nique along with more complex sub-ject matter. Instruction focuses on issues of composition, color aware-ness, and capturing light. Critiques provide students with feedback for improving their paintings. Applies to certificates: NS-E, PS-E Prereq-uisite: Watercolor: Introduction is recommended, but not required

Tues, Sep 10–Dec 3, 7–10 pm12 sessions, $525

Watercolor: Technique IntensiveMichael Lyons

Using a more controlled approach to painting with watercolors, students in this workshop gain confidence and skill through comprehensive demonstrations and hands-on exercises. The instructor provides subject material, and students are encouraged to work from their own sources. Applies to certificates: NS-E,

PS-E

Westerly Education Center:Sat + Sun, Nov 9 + 10, 10 am–4 pm2 sessions, $275

Acrylic Painting: Technique IntensiveAmy Bartlett Wright

Experience with acrylic paint lays a foundation for learning to work with other paint, such as oil or gouache. Students gain proficiency in color mixing, composition and paint application—essential skills for any painter, illustrator or design-er. Applies to certificates: NS-E, PS-E

Westerly Education Center:Sat + Sun, Nov 16 + 17, 10 am–4 pm2 sessions, $275


FOR MORE COLOR, SEE: Pigments: History + Making p.32

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Painting: Oils + AcrylicsSusan Fossati

Students in this course develop a range of techniques for using oil and acrylic paints. They investigate the properties of oils and acrylics; the expressive qualities of compo-sitional elements; how to work with brushes, palette knives, paints and media; and techniques for paint application, from underpainting and glazing to impasto. Applies to certificates: PS-E

Tillinghast Place:Fri, Sep 13–Dec 6, 9 am–noon12 sessions, $525

Oil Painting: IntroductionMichael Peery

How to begin and sustain an oil painting is the focus of this course. Starting with an introduction to materials—brushes, palettes, sup-ports and mediums—and a review of value, color theory and color practice, students build confidence and skills. Also introduced are issues of placement, scale, construction of space, composition and lighting.Applies to certificates: NS-E, PS-E


Oil Painting: Technique IntensiveMichael Peery

Without the right first steps, oil painting can be a challenging me-dium. This workshop emphasizes technique and strategy, while en-couraging experimentation. Students are introduced to paint, medium and palette set-up; lessons in mixing, direct paint application, value, color and composition help them gain familiarity with the medium. Applies to certificates: NS-E, PS-E

Westerly Education Center:Sat + Sun, Sep 21 + 22, 10 am–4 pm2 sessions, $275

Painting I: Elements + ProcessesMarian Smith

Building on skills and concepts of drawing, design, composition, applied color, and materials and techniques acquired in the core level, students develop effective painting strategies. Exercises and projects give students confidence with the process of paint handling and color mixing as they move from a monochromatic to limited to a full, spectral palette. Applies to certificates: PS-R Prerequisite: Drawing II

Wed, Sep 11–Dec 4, 7–10 pm12 sessions, $525



“ I established a solid foundation through the well-structured curriculum, taught by inspiring artists who are eager to share their knowledge and experiences. Open critique sessions further propelled me to take on the role as an artist instead of an art student.” —FRANNY LEE, Drawing + Painting Studies

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Encaustic: Painting with Hot WaxTaleen Batalian

In encaustic, also called hot wax painting, molten beeswax that is colored with pigments is applied to a surface. The wax cools in minutes, enabling the application of many layers. Students in this course are encouraged to experiment and allow their paintings to evolve as they reheat and rework surfaces until the desired effect is achieved. Applies to certificates: NS-E, PS-E

Sat + Sun, Oct 19 + 20, 10 am–4 pm2 sessions, $275

Painting + AbstractionElizabeth Gourlay

This course—through a series of exercises involving abstracting from nature, collage and moving from macro to micro—offers a variety of solutions, experiments and strat-egies to trigger ideas as students discover new means of depiction and expression. Previous painting experience is helpful, but not re-quired. Applies to certificates: PS-E

Wed, Oct 23–Dec 4, 1–4 pm6 sessions, $365

Advanced Painting ConceptsTBA

In this course, concepts of style, technique, content and abstraction are investigated. Students begin to work in series and move on to experiment with the format and size of work and choice of surface to paint on, setting a groundwork for the Final Projects studio in the Painting Studies certificate pro-gram. Applies to certificates: PS-R Prerequisite: Painting II: Context + Composition

Thurs, Sep 12–Dec 5, 7–10 pm12 sessions, $525

PRINTMAKING

Printmaking Workshop: Relief + Transfer TechniquesKate Aitchison

This workshop introduces students to relief-based processes includ-ing linoleum cutting, Speedy-Cut blocks, direct impression foam core printing, and several solvent and acrylic medium-based transfer techniques that enable one to trans-fer digitally printed images onto various surfaces. This versatile and portable approach to the printmak-ing medium lends itself to multiple contemporary art practices. Applies to certificates: NS-E, PS-E




Photography: IntroductionJohn Hames, Dawn Temple

This course introduces new and amateur photographers to the art of composing and shooting great pictures. Lesson topics include tech-nical operations like focus, shutter speed and aperture, and how they influence artistic choices. Applies to certificates: AN-E, GR-E, IT-E, NS-E,

PG-R, PS-E

RISD Campus:Wed, Sep 11–Oct 16, 6:30–9:30 pmThurs, Sep 12–Oct 17, 6:30–9:30 pm

Westerly Education Center:Thurs, Sep 12–Oct 17, 6:30–9:30 pm

6 sessions, $365

Photography I: Making ImagesDavid Fleurant

Learn to make better and more thoughtful photographs using the DSLR camera. Topics include camera RAW workflow, histograms in-camera and in Adobe Photoshop, lenses, light control and metering. Studio lighting equipment and printing options are also previewed so that you gain familiarity with associated gear and output. Applies to certificates: AN-E, GR-E, IT-E,

JM-E, NS-E, PG-R, PS-E Prerequi-site: Photography: Introduction


Documentary PhotographyJohn Hames

Much of what we know about the world has come to us through the work of documentary photogra-phers. Students in this course learn how to explore the world with their camera, developing projects of their choice, in either color or black-and-white. Discussions of student work and a historical overview combine to create a lively and supportive classroom. Applies to certificates: AN-E, GR-E, IT-E, PG-E Prerequisite: Photography: Introduction


Photography

LOOKING TO LEARN A NEW PROGRAM? YOU MIGHT LIKE: Adobe Photoshop p.12

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Landscape Photography: Autumn WoodlandsJohn Hames

Autumn in New England is a studio without walls for the photogra-pher looking to better understand color and the diversity of light. Add depth to your portfolio with visits to four scenic locations—all within 30 minutes of Providence. At each site you’ll capture images that you’ll then edit and post for peer review.Applies to certificates: AN-E, GR-E,

PG-E Prerequisite: Photography: Introduction

Tillinghast Place and Off-Campus:Sun, Oct 13–Nov 3, 1–4 pm4 sessions, $275

Architectural PhotographyJohn Tschirch

Providence, a city rich in diverse architectural styles, from colorful and elegant residences to time-worn mills and merchant buildings, serves as a miles-wide classroom for students who learn best practices that lead to better photographs of the urban landscape. Applies to certificates: ID-E, PG-E

Sun, Oct 13–Nov 3, 9 am–noon4 sessions, $275

Studio LightingErik Gould

This studio lighting course provides instruction in the use of continu-ous, strobe and flash light sources, modification tools (grids, flags, soft boxes), and supports, grips and stands. Students build confidence with the gear as they participate in group exercises, as well as individual assignments. Applies to certificates: AN-E, PG-R Prerequisite: Photography I: Making Images


Photography II: Advanced CritiqueJohn Hames

This course continues the explora-tion of the creative potential of the digital camera, begun in Photography I: Making Images. Students learn about different types of cameras, lenses and lighting controls, as well as alternative image processing techniques and programs. A final project encourages students to experiment with new approaches to image-making and presentation formats. Applies to certificates: AN-E, IT-E, PG-R Prerequisite: Photography I: Making Images


Photography Critique IntensiveLindsay Elgin

This is a concentrated, critique- based course for students who wish to explore their work in greater depth and receive guidance in developing their photographic eye. Students may choose to begin a new project for the course, or use this opportunity to focus on a project already in progress. Note: Students meet on campus every other week.Applies to certificates: PG-E


Gaining Control of Your Digital CameraDawn Temple

Do you have a DSLR camera but feel unsure about how to use it ef-fectively? This workshop is for you if you have little or no experience using a DSLR and want to gain a basic understanding of how to use it to maximum advantage. Applies to certificates: AN-E, GR-E, IT-E

Westerly Education Center:Thurs, Oct 24, 6:30–9:30 pm1 session, $85

iPhone Photography WorkshopDawn Temple

In this workshop you’ll learn how to take professional-looking photos with your iPhone. The instructor will share tricks, tips and insights into a few favorite (free) photo editing applications; how to take product/food shots; and how to make use of natural light.

Westerly Education Center:Sat, Oct 5, 10 am–1 pm1 session, $85

Photography


How to Digitize ArtworkEric Dubois

This course will teach how to digitize artwork, whether 2D or 3D. Students will learn how to scan and retouch photos to avoid common issues like moire patterns and show-through, how to process large artwork, how to identify elements likely to cause an issue, and how to optimize files for print and web use.Applies to certificates: AN-E, GR-E,

ID-E, IT-E, JM-E, NS-E, PG-E, PM-E,

PS-E

Mon, Sep 30, 6:30–9:30 pm1 session, $85

Search Engine OptimizationMichael Ryan

Having an effective web pres-ence requires strategies to make your website stand out among the millions of other dot-coms. Once you understand how search engines work, you can develop a sound search engine strategy based on tested optimization techniques, making design and copywriting decisions that much easier.

Sun, Oct 06, 1–4 pm1 session, $85

Online Marketing + AnalyticsMichael Ryan

This course examines the types of online marketing available to entrepreneurs and web profession-als: search engine optimization, pay-per-click advertising, and social media marketing. Together we cover how to plan, research and execute each step, and then discuss metrics and analytics for measuring success. Applies to certificates: AN-E, GR-E, IT-E, PG-E, PM-E

Prerequisite: Digital Design Tech-niques or equivalent experience


Professional Development

MORE COURSES FOR PROFESSIONALS:

Building a Website Without Coding p.18

Illustration Portfolio Essentials p.19

Designing for Change: SDGs + Re-Thinking the Status Quo p.17

Digital Fabrication: Introduction p.15

Design ThinkingJorge Paricio

What is design thinking and how can it be incorporated in our day-to-day situations? The brainstorming tech-niques, simulations and role-play exercises in this course challenge us to arrive at innovative solutions. Applies to certificates: PM-E

Wed, Oct 23–Nov 6, 6:30–9:30 pm3 sessions, $215

The Business of Art

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Artist, Patron, MuseSuzanne Scanlan

Artist, patron, muse: The relation-ship of these art world entities and the money and power exerted in multiple directions is the focus of this course. These relationships allowed for the creation of some of the world’s most important art and are both a glimpse into history and the history of art. The class discusses the various constructs of power and how they have shifted over time.


Art History: Medieval to ModernPhilip Qian

From Michelangelo to Duchamp, this course offers an introduction to the history of Western art. Slide lectures, readings and discussions focus on changes in artistic practic-es, shifts in the function of art and the impact of patronage on art and architecture. Applies to certificates: PS-E


Pigments: History + MakingKaren Triedman

Discover the secrets behind color in this class that begins at the Forbes Pigment Collection at the Strauss Center for Conservation and Tech-nical Studies at Harvard University. You’ll join a curator for a viewing of the collection’s 2,500 rare pigments/specimens, and visit the Art Study Center to explore several works from the Museum collection.Applies to certificates: PS-E

Off-Campus:Fri, Oct 4, 1–4 pm1 session, $85

Art History and Appreciation

Gods and Girls: Tales of Art, Seduction and ObsessionJohn Tschirch

Inspired by his journeys around the world, award-winning architectural historian John Tschirch shares the art and historic sites that have inspired his collection of short stories, “Gods and Girls: Tales of Art, Seduction and Obsession.” In each tale, a heroine is transformed by her encounter with a painting, sculpture or building and the heroes and villains she meets along the way. A fusion of art and cultural history with literature, John’s illustrated lectures will feature the work of great masters and mythic places. This four-part lecture series includes: “Legendary Paintings: From Dürer and Velazquez to Vermeer and Pollock,” “Mystical Places: Holy Island, The Sanctuary of Isis and the Oracle of Delphi,” “Landmark Buildings from Ancient to Modern: Hagia Sophia, San Carlo alle Quattro Fontane and the Secession House” and “Enchanted Objects both Sacred and Profane: The Venus de Milo and the Lindisfarne Gospels.” Applies to certificates: AN-E, PS-E

Sun, Sep 15–Oct 6, 1–4 pm 4 sessions, $275

Gods and Titans at the Hofburg. Vienna. Photo: John Tschirch


Cities: Exploring ProvidenceJohn Tschirch

This course explores the process of urban design in Providence from colonial settlement to industrial powerhouse and creative capital. The historical, social, cultural and artistic forces that shaped Provi-dence will be examined in lectures complemented by walking tours of Benefit Street, Downcity and Broadway.


Design History: From Modernism to PostmodernismEmily Shapiro

This course introduces significant developments in the history of design in Europe and America from 1900 to 2000 within their social, cultural, political and economic contexts. Movements considered include Arts and Crafts, Art Nou-veau and Art Deco, the German Avant-Garde, American Streamlin-ing, Post-War Machine Art and the International Style, Organic Design, Pop, and Postmodernism. Applies to certificates: AN-E, GR-E, ID-E, IT-E,

JM-E, NS-E, PG-E, PM-E, PS-E


Textiles: A RetrospectiveJohn Tschirch

With an emphasis on the luxury trades catering to the royal courts of Europe to the importation of Indian print cottons, we take a journey from silk to linen while learning about the construction, style and economy of textiles for use on fur-niture, as ornament and on windows and walls from the Renaissance to the present. Applies to certificates: ID-E, PM-E

Sat + Sun, Oct 12–20, 9 am–noon4 sessions, $275

Silver: A Brief HistoryJohn Tschirch

This course examines master-works of silversmiths, including tableware, tea and coffee services, light fixtures and other decorative objects. Beginning with productions of 17th-century French and German Baroque silver and continuing to work of Paul Revere and creations of the Art Nouveau, the course ex-plores the style and function of this remarkable precious metal. Applies to certificates: ID-E, JM-E

Sun, Dec 1 + 8, 1–4 pm2 sessions, $145

Modern Masters Lecture SeriesEmily Shapiro

This series uncovers the careers and processes of some of the masters of modern architecture. Students come away with an understanding of how their legacy lives on in buildings and in design today.

Le CorbusierWhat name is more synony-mous with what is now known as modern architecture than Le Corbusier? This lecture explores Le Corbusier’s oeuvre, with special attention paid to his process and the develop-ment of his style over his five-decade-long career.

Wed, Sep 18, 7–8:30 pm1 session, $60

Mies van der RoheThis lecture begins to uncover the career and process of Mies van der Rohe, exploring his influence on the German avant-garde in the 1920s and 1930s and following him to Chicago at the outbreak of WWII.

Wed, Oct 16, 7–8:30 pm1 session, $60

Alvar AaltoThis lecture surveys the career of Alvar Aalto, focusing on his interest in the concept of a Gesamtkunstwerk (total work of art), wherein the archi-tect would design not only a building, but also the interior surfaces, furniture and decor, making for a unified design.

Wed, Nov 6, 7–8:30 pm1 session, $60

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2,000 Average # of frames shot in a typical RISD Young Artist animated film:2D Animation for Teens p.40; Claymation p.41;

Beginning Animation p.42; Experiments in

Animation p.44

3 Courses to inspire your Halloween: Movie Masterworks: Special Effects Mask

Maker p.40; Mask Making p.43; Interpretive

Artworks: Scary Characters p.44

Experience RISD’s unique facilities, including studio space, animation and photography labs, the RISD Museum and Nature Lab. Explore topics ranging from drawing, painting and sculpture to cartooning, animation and moviemaking.

Immersive experiences for growing young artists

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Teen Certificate Programs

Teens ages 13–17 can enroll in courses individually or focus their studies in one of four certificate programs to broaden their skills, explore a new medium or prepare for a future in art and design.

AT

Y2

Y3

YD

Art School Preparation

For students interested in a future in visual art and design. The program focuses on developing skills and techniques in foundational processes such as drawing, painting and sculpture, as well as other areas of 2D, 3D and digital design.

2D Design

For students interested in drawing, painting, printmaking, illustration and traditional photography.

3D Design

For students who want to explore the built environment, including sculpture, architecture, fashion and industrial design.

Digital Design

For students interested in gaining skills in digital art processes in areas such as animation, digital photography, graphic design, movie making and game design.

Find out more and apply: ce.risd.edu/teen-certificate-programs

Ages 13–17

“ I think the biggest impact on these young artists is the ability to get a glimpse ahead into what a real art school is like, the way real artists work, the challenges that they face, to give them the chance for free expression.” —BRUCE LENORE, teen ceramics instructor

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Art School Prep: Concept DevelopmentDina Zaccagnini Vincent, Pat Ubaldi Nurnberger

The “assignment” is an art school’s test of an applicant’s ability to turn a written prompt into a visual solution. This course allows you to stretch your conceptual muscles and receive valuable criticism about your solution. Applies to certificates: AT, Y2, Y3

RISD Campus:Sun, Sep 15 + 22, 9 am–4 pm

Westerly Education Center:Sat + Sun, Dec 7 + 8, 9 am–4 pm

2 sessions, $265

Art School Prep: Photographing Your ArtworkCheryl Johnson

If you’re an aspiring art school stu-dent, you’ll need to represent your paintings, drawings and sculptures in a portfolio. In this hands-on course you’ll discover essential techniques for photographing your artwork, including lighting, com-position and post-processing. You’ll also get an introduction to digital photography equipment, exposure, focus and framing. Applies to certifi-cates: AT, YD

Sun, Sep 29 + Oct 6, 9 am–4 pm2 sessions, $265

Portfolio Prep

Art School Prep: DrawingSteven Hayes

This course provides an opportu-nity to develop a drawing portfolio with guidance from an instructor who has successfully navigated the art school admissions process. Class exercises focus on observa-tional drawing, and then move on to advanced techniques and the requirements of an admissions portfolio. Applies to certificates: AT, Y2

Sun, Oct 13 + 20, 9 am–4 pm2 sessions, $265

Get ready with portfolio prep! These courses offer teen artists a studio-based environment in which to plan and prepare a professional-level portfolio for art school applications.

Ages 13–17


Fundamentals of DrawingSteven Hayes

Learning how to draw is really “learning how to see.” This course serves as a first step for students looking to develop foundational skills in drawing. Students learn to use materials (pencil, pen and marker) effectively as they complete in-class exercises that focus on composition, figurative anatomy and perspective drawing. Applies to certificates: AT, Y2

Sat, Oct 26–Nov 23, 9 am–noon5 sessions, $285

Drawing: Focus on FacesSteven Hayes In this drawing workshop you’ll study the anatomy of the face, and strengthen your observational and rendering skills so that you can accurately draw heads and faces. Whether you’d like to become a portrait or comic book artist or just improve your skills at drawing faces, this course will provide valuable and readily applicable skills. Applies to certificates: AT, Y2

Sun, Dec 8, 9 am–4 pm1 session, $140

The Painted PortraitMonique Rolle-Johnson

Drawing inspiration from old masters such as Vermeer and Rembrandt to contemporary artists such as Chuck Close and Ann Gale, students learn techniques for inter-preting the face in paint. This is an excellent course for developing both painting skills and an understanding of basic color theory and facial anat-omy. Applies to certificates: AT, Y2


Exploring Digital PhotographyRachel Villari

Discover the basics of shooting, manipulating and printing your digital photographs in the RISD CE digital photo studio. Topics include exposure, shutter, aperture and sen-sor plane, and composition for the frame. Also included are exercises in light painting, flash photography, studio lighting, Photoshop and print-ing. Applies to certificates: AT, YD

Sat, Oct 26–Nov 23, 1–4 pm5 sessions, $285

Architecture Think TankSteven Hayes

When building designs that are responsive to nearby surroundings and human inhabitants, architects channel inspiration from the natural world and everyday objects. This concept-to-design-to-build course begins in RISD’s Nature Lab, where students investigate various natural structures, and later transform these ideas into drawings and handmade architectural models. Applies to certificates: AT, Y3

Sat, Sep 14–Oct 12, 1–4 pm5 sessions, $285

Chair Design: Form + FabricationRachel Duchesne

The chair is the perfect form to consider for a young artist wishing to understand design fundamentals and how they apply to furniture design. Inspired by examples from Chippendale to Le Corbusier, students practice a design work-flow that takes them from ideation to sketches to drawn plan to scale model prototype. Applies to certifi-cates: AT, Y2, Y3

Sat + Sun, Dec 7 + 8, 9 am–4 pm2 sessions, $265

Shoe DesignJonathan Smith

You are the maker in this course that incorporates elements of both product design and apparel design. You will choose a shoe form (sneak-er, pump, boot, sandal) to decon-struct and redesign, from concept sketch to prototype shoe design.Applies to certificates: AT, Y3


Ages 13–17

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Fashion IllustrationCathy Wilkerson

All fashion designers start their planning on paper, well before they see their garments worn and walking the runway. Students in this course explore the fashion drawing techniques used in the industry, such as basic fashion figures (or ‘croquis’) and mood boards—the process tools for translating a creative idea into a sophisticated design. Applies to certificates: AT, Y2

Westerly Education Center:Sat, Oct 26–Nov 23, 1–4 pm5 sessions, $285

Character Development for IllustratorsJesse Smolover

Illustrators and concept designers create characters that are the heart of stories told in comic books, mov-ies, video games and toys. In this course students acquire the hand drawing and digital skills necessary to develop memorable characters. Lessons topics include backstory development, anatomy, proportion, foreshortening and Photoshop workflow. Applies to certificates: AT, Y2, YD


Essentials of CartooningMichael Pekala

This course introduces students to the basic techniques of drawing human and animal characters in cartoon style. Students learn to give expression, action and motion to their characters as they show words and pictures coming together.Applies to certificates: AT, Y2


2D Animation for TeensNick Marcoux

Build a foundation for digital two-dimensional animation tech-niques and begin to develop your personal animation style. You’ll discover the technology that makes it all possible, as you’re introduced to the concept of the frame, how it turns into a cycle, then a sequence and finally, a story. Applies to certifi-cates: AT, YD

Sun, Oct 27–Nov 24, 1–4 pm5 sessions, $285

Game DesignBruce Campbell

Join us to build simple interac-tive games using the latest web technologies as you draw, animate and craft action using JavaScript. The instructor introduces you to the basics of interactivity using pre-programmed game modules, which illustrate behaviors like mouse- and keyboard-controlled animation and boundary events. Applies to certifi-cates: AT, YD


Movie Masterworks: Special Effects Mask MakerStefania Medeiros

Hollywood’s use of special effects make up and prosthetics for science fiction and horror films began in the silent era with Nosferatu and continues with SyFy’s reality series Face Off. Students in this course will be introduced to character design and creature-making techniques as they create an original half-face mask from start to finish. Applies to certificates: AT, Y3

Sun, Sep 22–Oct 20, 1–4 pm5 sessions, $285

Armor Design: Helmets + CrownsTBA

Students in this course design their own helmet, crown or headpiece for a fictional character, first as a drawing and then as a full-scale model. One unique and custom piece is created, and finished with faux painting techniques. Applies to certificates: AT, Y3

Westerly Education Center:Sat, Sep 14–Oct 12, 1–4 pm5 sessions, $285

School Holiday Workshops

Digital Drawings: Logos + MascotsBryan Rodrigues

Students in this course learn how to use Adobe Illustrator to design the graphic identity of an imagi-nary sports team. The instructor guides them through technology and branding decisions that lead to two pieces of original art: a logo and a mascot graphic. The skills gained are easily adapted for non-sports logo design projects. Applies to certificates: AT, YD

Mon, Oct 7, 9 am–4 pm1 session, $140

Fashion Forward: Kimono DesignCandace French

In this course we explore the Japanese kimono and combine it with an inexpensive and versatile prototyping medium (paper). Working first from drawings and style boards, we finish the session constructing kimono models on quarter-scale dress forms. Applies to certificates: AT, Y3

Mon, Nov 11, 9 am–4 pm1 session, $140

Ages 13–17


Adventures in DrawingChloe Wessner

Young artists discover the excitement of drawing in this introductory course that provides grounding in the fundamentals of drawing, sketching and rendering. Hands-on exercises use an array of drawing tools, while expanding upon traditional subject matter including still life, landscape, city-scape and portrait.


Art ExplorersBarbara Voccola

In the spirit of Magellan, Buzz Aldrin and Amelia Earhart, this course inspires students to make artistic journeys by encountering new materials, styles and ideas. Uncharted destinations include the RISD Museum and Nature Lab as they document their findings in handmade sketchbooks.


Ages 9–12

ClaymationSimon Allen

Students in this course learn the secrets of frame-by-frame movie making, using clay as a medium to animate under the camera. Once the basics are understood, they’ll develop a narrative idea, style the characters and put them through their paces, working cooperatively to tell original claymation stories for family and friends to appreciate.


Designing for the Red CarpetCandace French

In this course students mix and match design possibilities with different celebrity personalities to design a specific piece for a special occasion (like the Oscars), or conceive of a wardrobe collection for that person. Students generate a collection of concept designs and then create their favorite piece on a miniature mannequin.


Paint MastersChloe Wessner

Young artists explore a variety of materials such as acrylic, tempera and watercolor while learning the fundamentals of the painting pro-cess. Each week, they’re introduced to famous painters and painting styles for inspiration, along with trips to the RISD Museum for an up-close and in-person glimpse of famous works of art.


Clayworks: Ages 9-12Sean Garrett

Here is a chance for kids to refine their skills in using the pinch, slab and coil methods of clay construc-tion, as they dig deeper into the function of their clay works and finish their pieces with surface dec-orations, embellishments and glazes.


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Design It, Build It: Kinetic SculptureCheryl Johnson

Based on the fundamentals of design and engineering, each lesson brings a challenge to create art with a purpose for play or prototypes for futuristic contraptions. Participants build upon 2D and 3D design skills, and work with materials like wood, recyclables, paper, cardboard, metal, rubber bands, wire and fabric.


Cartooning for KidsRick Shiers

Here’s a chance for young cartoon-ists to get funny, silly or scary as they discover how to create their own characters. Using basic pencil and pen-and-ink drawing techniques, students play with line and learn to experiment with personality on paper.


Digital Photo AdventureCheryl Johnson

Students in this course learn how to make creative choices for capturing people, places and even optical illusions while making decisions about point of view, depth of field, cropping and other photography essentials. Note: Students must bring their own digital camera. A simple point- and-shoot model is appropriate.


Magical Menagerie: Illustrating AnimalsJames Frio

In this illustration course you’ll learn the fundamentals of sketching and character design using animal specimens in RISD’s Nature Lab to better understand fur and feathers, scales and teeth. You’ll then move on to a computer lab to learn how Photoshop can make your magical animal kingdom even more fantastic.


Digital Clay Using SculptrisKristen Shea

Take the first step into computer- based design with the 3D modeling tool Sculptris. Activities will ignite your imagination and connect to your existing interests like video games and animation. Get excited to learn more about artistic creation, computer science and 3D visualization!


Ages 9–12


Beginning AnimationSimon Allen

This animation course is an ideal first experience with frame-by-frame moviemaking. Exercises introduce digital tools, along with handmade elements that connect students to tra-ditional animation. Working in small teams that mimic a studio experience, students become more confident with technology, storytelling and coopera-tive learning.


Day of DrawingChloe Wessner

Day of Drawing is a full day devoted to the celebration of drawing as an art form. Young artists explore a variety of pencil, pen, crayon and ink-on-paper techniques, all essential for developing observational and expressive drawing skills. The course includes a visit to RISD’s Edna Lawrence Nature Lab.



Clayworks: Ages 6–8Sean Garrett

Young artists explore the expressive potential of clay while using the pinch, slab and coil methods, and enjoy squishing their hands into this fabulously tactile medium. They add surface patterns and colored glazes and then, after kiln firing, their raw materials are transformed into works of ceramic art.


Drawing the Animal KingdomCasey Weibust

Students set out to find the animals of myth and legend living around the RISD campus, from taxider-my and entomology at the Nature Lab to ancient art and artifacts at the RISD Museum. They create a variety of projects, building basic art and design skills as they visually document their travels and create the myths and legends of tomorrow.


Ages 6–8

Kids SketchSean Garrett

This course is a fun (and funda-mental) introduction to drawing and sketching. Students develop confidence with materials including pencils, pen and ink, felt-tip marker and charcoal as they become ex-posed to the “stuff” of the art world with a visit to the RISD Museum and learn to discuss, critique and play on paper.


Mask MakingCheryl Johnson

In this course, kids explore tech-niques involved in mask making and theatrical sculpture to create a variety of multimedia masks. Emphasis is placed on casting, molding and painting as students use modeling clay, paint, handmade papers and recycled objects to cre-ate wearable art for Halloween or any costumed play.


Art SafariBarry Morang

Here is a chance for young artists to emulate the art that exists in nature as they define for them-selves the nature of art. They visit the RISD Nature Lab and RISD Museum in search of animals, birds and more. They then use the visual forms and artworks they discover as inspiration for a variety of cre-ative projects.


Art Atomic: Point, Line, Shape, PlaneCarlos Cruz

Where does a young artist begin to understand the vocabulary and structure of the visual arts? This interdisciplinary (drawing, painting, sculpture) experience introduces the “atomic units” of art and design. Students learn how points become lines, then shapes, then planes, be-fore artworks with greater meaning are created.


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Mixed Media MedleySean Garrett

Sometimes one art material isn’t enough to express big, bold ideas. Join us to explore mixed media and discover how to combine, layer and experiment with both traditional and nontraditional materials to create one-of-a-kind compositions, three-dimensional formations and magnificent manipulations.


Experiments in AnimationSimon Allen

The magic of frame-by-frame storytelling is the subject of this first experience with animation, which includes an introduction to the computer-based technology that makes animated art possible. Students cooperate on a project with classmates, in a digital technol-ogy classroom where their experi-ments in animation can be viewed and discussed.


Young Fashion Designers: Ages 6-8Cathy Wilkerson

Kids love fashion too! Lessons in-clude illustrating a line, age-appro-priate marketing concepts, a tutorial on fabric and cloth, and the basic sewing and patternmaking tech-niques that serve as a foundation for future exploration of garment construction and fashion design.


Interpretive Artworks: Curious CharactersAlexandria Hornstein

Curious George is, but so are Sherlock Holmes, Sally Ride, Lara Croft and Pandora. Students become familiar with stories of curious characters (including detectives and explorers), leading to their own interpretive artworks in the form of drawings, sculptures and stories, as well as original characters who ask questions and search for answers.


Interpretive Artworks: Scary CharactersCasey Weibust

Everyone is scared at one time or another. In this course young artists will be encouraged to draw, paint and design around the theme of “being scary” as a way to understand the fears that everyone (big or small) has and the courage that is needed to overcome fears.


Interpretive Artworks: Brave CharactersCheryl Johnson

Our favorite stories are filled with characters exhibiting grit, backbone and perseverance. Peter Parker, Malala, Princess Merida and Ramona the Brave are some of the heroes in this course that uses bravery as a theme to inspire creative acts in drawing, painting and sculpting.


Ages 6–8




PHOTO CREDITS

David O’Connor, Jo Sittenfeld MFA 08 PH

and Adam Mastoon

See full course listings, registration information and kick-start your fall with us at ce.risd.edu/fall19

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