rizzo audition packet - royal caribbean...
TRANSCRIPT
RIZZO AUDITION PACKET
(HARMONY & INDEPENDENCE)
1 | P a g e
GREASE RIZZO / KENICKIE – PRE “GREASED LIGHTNIN”
RIZZO: (Entering) Hey, you guys!
DOODY: Hey, it’s Rizzo
SONNY: Whattaya say, Riz?
RIZZO: Words mostly.
DOODY: Ooooooooooo.
ROGER: Whatta you up to, Riz? Got a new job or somethin’?
SONNY: Yeah. She’s at work right now.
RIZZO: Yeah, right, Sonny. Don’t you wish. Hey, where’d you guys cop the spinners?
DANNY: Oh, some old jalopy down the street.
SONNY: Hey, and there it is! It’s coming this way right now. Tear ass!
(Car arrives to the stage)
DANNY: Hey, wait a minute… it’s Kenickie.
KENICKIE: All right, put those things back on the car, dip-stick.
ROGER: Jeez, what a grouch! We was only holdin’ em for ya so nobody’d swipe ’em.
RIZZO: Hey, what took you so long? It that your new custom convert?
KENICKIE: Yeah. This is it! Ain’t it cool?
RIZZO: Yeah, about as cool as a second-hand ice cream truck.
KENICKIE: Okay, Rizzo, if that’s how you feel, why don’tcha go back to your little pajama party? Plenty of chicks would get down on their knees to ride around in this little number.
RIZZO: Yeah, sure they would! Hey what’s with them? This isn’t a gang bang.
KENICKIE: Alright, look, gimme five minutes… I’ll give ’em the brush. Whattya say I pick ya up over at the Burger Palace?
RIZZO KENICKIE
2 | P a g e
RIZZO: In five minutes?
KENICKIE: Yeah, I’ll be right over… ’soon as I get rid of the deadwood.
SONNY: Hey, Rizzo. Where ya goin’?
DANNY: See ya around Riz.
RIZZO: Hey, Danny. I just left your girl friend over at Marty’s house, barfin’ all over the place.
DANNY: Girlfriend…. whattaya talkin’ about?
RIZZO: Sandy Dumbrowksi!… Y’know… Sandra Dee. Stay cool, you guys.
DANNY: Weird chick. Kenickie, where’d you get this hunk-a-junk, anyway?
KENICKIE: Whattaya talkin’ about? This is “Greased Lightnin’!”
SONNY: What? You mean you really expect to score in this garbage heap?
KENICKIE: Come on, you guys. Wait till I give it a fresh coat of paint, soup up the engine a little, she’ll work like a champ! This car could be one cool piece of machinery. Why this car could be:
Automatic Systematic Hydromatic
Why it’s Greased Lightnin’!
SONG (6): “GREASED LIGHTNIN’ ”
1 | P a g e
GREASE
RIZZO / SANDY – PRE “THERE ARE WORSE THINGS I COULD DO”
RIZZO: Oh, you do, huh? Boy, good news really travels fast!
KENICKIE: Hey, listen, why didn’t you tell me?
RIZZO: Don’t worry about it Kenickie. You don’t even know who the guy is.
KENICKIE: What? Thanks a lot, kid. (Kenickie exits)
SONNY: Hey, Rizz, how’s tricks? Look, if you ever need somebody to talk to…
RIZZO: All of a sudden you think you can get a little. Get lost, Sonny.
DOODY: Tough luck, Rizzo.
ROGER: Listen, Rizz, I could help you out with some money if you need it.
RIZZO: Forget it, I don’t want handouts.
FRENCHY: Hey, it ain’t so bad, Rizz – at least you get to stay home from school.
JAN: Hey, you want to stay over tonight, Rizz?
RIZZO: Why don’t you guys just flake off and leave me alone?
JAN: It’s getting kinda late, anyway – I guess it might be a good idea if everybody just went home. C’mon, you guys – let’s go.
ROGER: See ya, Rizz (Roger and Doody exit)
MARTY: Hey, French… wait up! (Marty and Frenchy exit)
SONNY: Tell her I didn’t mean anything, will ya. (Sonny exits)
JAN: Yeah, sure. (Jan exits)
SANDY: I’m sorry to hear you’re in trouble, Rizzo.
RIZZO: Bull! What are you gonna do – give me a whole sermon about it?
SANDY: No. But doesn’t it bother you that you’re pregnant?
RIZZO: Look, that’s my business. It’s nobody else’s problem.
RIZZO SANDY
2 | P a g e
SANDY: Do you really believe that? Didn’t you see Kenickie’s face when he left here? It is Kenickie’s, isn’t it … Well, I guess I’ve said too much already. Good luck, Rizzo.
RIZZO: Now wait just a minute, Miss Goody-Goody! Who do you think you are? Handing me all this sympathy crap! Since you know all the answers, how come I didn’t see Zuko here tonight? You just listen to me, Miss Sandra Dee.
1 | P a g e
GREASE MARTY & THE PINK LADIES
VINCE V-O: Hey, hey, this is the main-brain, Vince Fontaine, at Big Fifteen! Spinin’ the stacks of wax, here at the House of Wax (OOO-GA HORN SOUND) W-A-X-X. Cruisin’ time, 10:46. (RICOCHETING BULLET EFFECT) Sharp-shooter pick hit of the week. A brand new one shootin’ up the charts like a rocket by “The Vel-doo Rays” – goin’ out to Ronnie and Sheila, the kid’s down at Mom’s school store, and especially to Little Joe and the LaDons – listen in while I give it a spin! (“Baby, baby, how I want ya...” – RADIO FADES)
RIZZO Hey, Frenchy, throw me a ciggie, will ya?
FRENCHY: Ya want one, Sandy?
SANDY: Oh, no thanks. I don’t smoke.
RIZZO: Ah, go on try it. It ain’t gonna kill ya. (Sandy inhales and starts coughing)
RIZZO: Oh, I shoulda told ya, don’t inhale if you’re not used to it.
MARTY: That’s okay, Sandy. You’ll get better at it.
FRENCHY: Yeah, then I’ll show ya how to French inhale. That’s really cool.
JAN: Phtyyyaaaaagghh! That’s the ugliest thing I ever saw!
FRENCHY: Nah, the guys really go for it. That’s how I got my nickname, Frenchy.
RIZZO: Sure it is.
MARTY: Jeez, it’s getting’ kinda chilly. I think I’ll put my robe on.
JAN: Wow! Hey, Marty, where’dja get that thing?
MARTY: This guy I know sent it to me. He’s a Marine. And a real doll, too.
RIZZO: How long you know this guy?
MARTY: Oh… just a couple of months. I met him on a blind date at the roller rink… and the next thing I know, he joins up. Anyway, right off the bat he starts sendin’ me things – and then today I got this kimono – Oh, yeah, and look what else!
SANDY: Oh, neat!
FRENCHY: Jeez! Engaged to a Marine!
MARTY PINK LADIES
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~17~THERE ARE WORSE THINGS I COULD DO
Rehearsal Score GREASEROYAL CARIBBEAN
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17 THERE ARE WORSE THINGS I COULD DO / Rehearsal Score
Rizzo may take some liberties with backphrasing, etc. throughout
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17 THERE ARE WORSE THINGS I COULD DO / Rehearsal Score
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17 THERE ARE WORSE THINGS I COULD DO / Rehearsal Score
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17 THERE ARE WORSE THINGS I COULD DO / Rehearsal Score
no added 'turns' please`
THE NOVELLAS AUDITION PACKET
(SANDY, RIZZO, MARTY & FRENCHY)
(HARMONY ONLY)
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Love On Top Andrew Duncan Productions
3
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call, when I need you ev ry- thing-
G¨Œ„Š7
16
stops, fin al- ly- you put my love on top
AŒ„Š7 A¨11 D¨Œ„Š7
17 18
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Love On TopAndrew Duncan Productions
4
FEMALE SINGER AUDITION PACKET
(SANDY, RIZZO, JAN, MARTY & FRENCHY)
(INDEPENDENCE ONLY)
1
q = 112
4 Clicks to Bar 1
All By Myself
© 2016 RCCL Productions
PIANO/VOCAL
ALL BY MYSELF
2 3 4
VOCAL ARRANGEMENTS:TAYLOR ROBERTS
5 6
FemaleVocal
Piano
7 8 9 10 11
rall.
12
FemaleVocal
Piano
A tempo
13 14 15 16 17 18V.S.
FemaleVocal
Piano
44
44
44
When I wasyoung I nev er needed
FEMALE AUDITION
an y one,
C‹6/GC‹6/GC‹6/GC‹6/G GGGGGGGG
and mak inglovewas just for fun, those days are gone.
G9/FG9/FG9/FG9/F E7(“4)E7(“4)E7(“4)E7(“4) E7E7E7E7 A‹A‹A‹A‹ C‹6C‹6C‹6C‹6 G/BG/BG/BG/B A‹7(b5)A‹7(b5)A‹7(b5)A‹7(b5) D/F©D/F©D/F©D/F©
All by my self, don't wan nabe all by my self
E7(“4)E7(“4)E7(“4)E7(“4) E7E7E7E7GGGG B‹7B‹7B‹7B‹7 D‹/FD‹/FD‹/FD‹/F
All By Myself
19 20 21 22 23 24
FemaleVocal
Piano
25 26 27 28
q = 98Slower
29
FemaleVocal
Piano
an y
3
more.
A‹A‹A‹A‹ A‹7(b5)A‹7(b5)A‹7(b5)A‹7(b5) BBBB D©‹7D©‹7D©‹7D©‹7
Don't wan na be all by my self
G©7G©7G©7G©7 E/F©E/F©E/F©E/F© F©(“4)F©(“4)F©(“4)F©(“4)F©‹/AF©‹/AF©‹/AF©‹/A G©7(“4)G©7(“4)G©7(“4)G©7(“4) C©‹C©‹C©‹C©‹
PIANO/VOCAL
All By Myself
2
1
VOCAL ARRANGEMENTS:TAYLOR ROBERTS
q = 138
© 2015 RCCL Productions
PIANO/VOCAL
ONCE UPON A TIME
Once Upon A Time
2 3 4
FemaleVocal
BGV's
Piano
5 6 7 8 V.S.
FemaleVocal
BGV's
Piano
FEMALE AUDITION
Once up ona
Once u pona time, Once u pon a time, doo doo, doo, doo, doo, ooh. Once
A. G A. G A.
timeOnce u pona
u pon a time, once u pon a time, doo doo, doo, doo, doo, ooh.
A. G A. G A.
Once Upon A Time
9 10 11 12
FemaleVocal
Piano
13 14 15 16
FemaleVocal
Piano
17 18 19 20
FemaleVocal
Piano
21 22 23 24
FemaleVocal
Piano
dream a man will come and give her ev'ry
A.6 F/A A.
thing she wants and loves, but in the morning
A.6 F/A A.
she'll a wake to face the rooma roundher, it's just a nother
G A.
lone ly day, Bit ter nesssur roundsher.
C/G E.7 A.
FEMALE AUDITION
Once Upon A Time
Once Upon A Time
2
25 26 27 28
FemaleVocal
BGV's
Piano
29 30 31 32
FemaleVocal
BGV's
Piano
33 34 35 36
FemaleVocal
BGV's
Piano
Aah...
3 3
Oh...
(preferred belt or strong belt/mix)
Won't you come with
Aah... Oh... Ooh, ooh, ooh, ooh.
F/A Ami7 E(b5)
me.
(ms. 30-35 'fill' this up. HOWEVER, it is not to be busy riffy but ratherlong phrases. Notes indicated are a guide or an option.)
Join our fan ta sy
top note optional
Once u pona time, Once u pon a time, doo doo, doo, doo, doo, ooh. Once
A. G A. G A.
(RETURN TO THE NOTES HERE)
Onceu pon a
u pon a time, once u pon a time, doo doo, doo, doo, doo, ooh.
A. G A. G A.
FEMALE AUDITION
Once Upon A Time
Once Upon A Time
3
37 38 39 40
FemaleVocal
BGV's
Piano
41 42 43 44
FemaleVocal
BGV's
Piano
45 46 47
FemaleVocal
BGV's
Piano
time.
3 3
Aah...
F/A Ami7 Dmi/A Ami
Aah...
opt.3 3
Aah... Ooh, ooh,
F/A Ami7 E(b5) E(b5)
Oh,.......
(preferred belt or strong belt/mix)
Once U pon A Time.
ooh, ooh, ooh, ooh, ooh...
E(b5) Ami7
FEMALE AUDITION
Once Upon A Time
Once Upon A Time
4