robert p. spindler [email protected] june, 2014 an evaluation of crowdsourcing and participatory...

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Robert P. Spindler rob.spindler@asu. edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

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Page 1: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

Robert P. [email protected], 2014

AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR

ARCHIVAL DESCRIPTION AND TRANSCRIPTION

Page 2: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

ARCHIVAL DESCRIPTION, DIGITAL LIBRARIES MOVING IN DIFFERENT DIRECTIONS

Acquisitions by Repository (linear feet)Department of Archives and Special Collections 1990-2014

FiscalYear

ArizonaCollection

ChicanoCollection

ChildDrama

LabriolaCenter Special Collections University

ArchivesVisual

Literacy

TOTAL1990-91 50.50 163.00 327.00 15.00 555.501991-92 499.20 200.85 238.60 15.00 953.651992-93 308.70 19.95 125.73 1.30 455.681993-94 239.97 43.67 0.06 207.76 0.50 491.961994-95 3,772.41 99.18 0.04 140.42 17.65 4,029.701995-96 130.16 49.00 0.97 217.10 1.27 398.501996-97 185.82 25.30 3.37 229.20 0.87 444.561997-98 167.50 56.00 5.31 258.58 12.00 499.391998-99 450.91 38.15 1.62 381.92 28.77 901.37

1999-2000 80.08 72.85 40.04 161.77 3.00 357.742000-01 104.09 14.02 8.68 289.61 15.00 431.402001-02 211.35 26.56 18.04 123.82 3.04 382.812002-03 576.08 70.54 172.00 19.12 312.93 6.00 1,156.672003-04 265.03 27.27 34.38 22.50 22.71 573.95 1.00 946.842004-05 169.48 33.12 593.33 14.25 33.03 476.06 .50 1,319.772005-06 46.54 10.54 313.45 38.92 84.18 153.87 647.502006-07 41.65 28.41 20.00 20.00 15.33 354.86 1.50 481.752007-08 177.87 45.51 63.00 13.25 8.50 229.44 11.00 548.572008-09 168.16 46.00 60.50 2.00 17.98 169.76 6.00 470.402009-10 26.26 54.75 262.25 20.20 7.50 293.61 0.00 665.572010-11 67.91 23.00 31.30 5.25 9.00 45.21 1.70 261.572011-12 130.75 71.00 152.50 11.75 11.00 165.85 .25 543.102012-13 2,109.65 8.25 62.25 62.25 11.27 39.33 0 2293.002013-14 104.48 1.0 96.50 15.0 3.0 48.45 0 268.43TOTAL 10,084.55 1,227.92 1,861.46 322.62 223.50 5,564.83 141.35 19,505.43

Page 3: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

MUSEUMS, THEN LIBRARIES, THEN ARCHIVES…

• What Happens After “Here Comes Everybody”: An Examination of Participatory Archives

Society of American Archivists Annual Meeting, 2011

• Dr. Robert B. Townsend (Chair & Commentator)Deputy DirectorAmerican Historical Association

Kate Theimer ArchivesNextExploring the Participatory Archives

Dr. Elizabeth Yakel University of MichiganCredibility in the Participatory Archives

Alexandra Eveleigh University College LondonCrowding Out the Archivist? A British Perspective on Participatory Archives

Page 4: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

CROWDSOURCING, CROWDFUNDING AND SOCIAL BEHAVIOR

• Crowdsourcing has its origins in early 21st century crowd funding initiatives. There are important distinctions between crowdsourcing, social engagement and participatory archives.

• While large numbers of individuals visit crowdsourcing projects, few make sustained and useful contributions. Powerful feelings of ownership, belonging and connectedness are derived from feedback provided by the crowdsourcing system or the associated community, and these feelings along with a sense of shared authority motivate the most dedicated participants.

Page 5: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

ISTO HUVILA AND SHARED AUTHORITY (2008)

• Huvila’s progressive view of participatory archives is characterized by “decentralised curation, radical user orientation, and contextualization of both records and the entire archival process”.

• “Rethinking the relationship between official and unofficial knowledge is probably the main challenge that cultural institutions have to face when undertaking a crowdsourcing process.”

• Huvila, Isto, Participatory Archive: Towards Decentralised Curation, Radical User Orientation, and Broader Contextualisation of Records Management, Archival Science, Volume 8, Number 1 (2008),15-36 .

• Carletti, Laura, UK , Gabriella Giannachi, UK, Dominic Price, UK, Derek McAuley, UK, “Digital Humanities and Crowdsourcing: An Exploration”, MW2013: Museums and the Web 2013 Conference, April, 2013.

Page 6: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

THEIMER, EVELEIGH AND PARTICIPATORY ARCHIVES

• Participatory archives seek public contributions of work or information that expands our useful knowledge of culture and history. It is more than conversational social engagement as seen in Facebook or Flickr.

Page 7: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

METHODS – IMPROVING QUALITY

• Project developers have experimented with a number of methods to improve the quality of knowledge or metadata production by combining social participation with standards or systems based solutions.

• Projects seem to be moving toward separate professionally curated and socially curated spaces, although linkages between the spaces are clumsy and manual in most current applications.

Page 8: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

METHODS – IMPROVING QUALITY

• Mediation can improve quality, but it is work-intensive and can leave the host institution vulnerable to claims of censorship, especially when the rules of engagement are not clearly stated in advance.

• Participants may have an expectation that their posts will be permanently preserved. Peer mediation can be more effective than professional mediation.

Page 9: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

METHODS – IMPROVING QUALITY

• Several technologies can be used to improve quality such as heat maps, transcription version comparisons, personalization features and reward systems.

• Open source gaming solutions for improving metadata quality are now available.

• “Computational techniques” can be applied to extract, normalize, and disambiguate terms used in social tags.

Page 10: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION
Page 11: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION
Page 12: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION
Page 13: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION
Page 14: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION
Page 15: Robert P. Spindler rob.spindler@asu.edu June, 2014 AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR ARCHIVAL DESCRIPTION AND TRANSCRIPTION

Robert P. [email protected], 2014

AN EVALUATION OF CROWDSOURCING AND PARTICIPATORY ARCHIVES PROJECTS FOR

ARCHIVAL DESCRIPTION AND TRANSCRIPTION