rousseau, the dream , 1910
DESCRIPTION
Rousseau, The Dream , 1910. Odilon Redon, Cyclops , c. 1912. Chagall, Paris Through a Window , 1913. Chagall, I and The Village , 1911. Giorgio de Chirico, The Soothsayer's Recompense , 1913. Giorgio de Chirico, Mystery and Melancholy of a Street , 1914. Dada (1914-20 ’ S) - PowerPoint PPT PresentationTRANSCRIPT
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Rousseau, The Dream, 1910
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Odilon Redon, Cyclops, c. 1912
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Chagall, Paris Through a Window, 1913
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Chagall, I and The Village, 1911
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Giorgio de Chirico, The Soothsayer's Recompense, 1913
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Giorgio de Chirico, Mystery and Melancholy of a Street, 1914
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Dada (1914-20’S) (absorbed by Surrealism in the mid-20s)
irrationality, anarchy, cynicism and the rejection of laws of beauty and social organization
anti-art that would destroy culture and therefore war
Hugo Ball reciting sound poems in the Cabaret Voltaire, 1916
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Tristan Tzara
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DADA knows everything. DADA spits everything out. BUT . . . . . . . . .
HAS DADA EVER SPOKEN TO YOU:about Italy
about accordionsabout women's pantsabout the fatherland
about sardinesabout Fiume
about Art (you exaggerate my friend)about gentlenessabout D'Annunzio
what a horrorabout heroism
about mustachesabout lewdness
about sleeping with Verlaineabout the ideal (it's nice)
about Massachusettsabout the pastabout odorsabout salads
about genius, about genius, about geniusabout the eight-hour dayabout the Parma violets
NEVER NEVER NEVERDADA doesn't speak. DADA has no fixed idea. DADA doesn't catch flies.
THE MINISTRY IS OVERTURNED. BY WHOM?BY DADA
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The Futurist is dead. Of What? Of DADAA Young girl commits suicide. Because of What? DADA
The spirits are telephoned. Who invented it? DADASomeone walks on your feet. It's DADA
If you have serious ideas about life,If you make artistic discoveries
and if all of a sudden your head begins to crackle with laughter,
If you find all your ideas useless and ridiculous, know that
IT IS DADA BEGINNING TO SPEAK TO YOUcubism constructs a cathedral of artistic liver paste
WHAT DOES DADA DO? expressionism poisons artistic sardines
WHAT DOES DADA DO? simultaneism is still at its first artistic communion
WHAT DOES DADA DO? futurism wants to mount in an artistic lyricism-elevator
WHAT DOES DADA DO? unanism embraces allism and fishes with an artistic line
WHAT DOES DADA DO? neo-classicism discovers the good deeds of artistic art
WHAT DOES DADA DO? paroxysm makes a trust of all artistic cheeses
WHAT DOES DADA DO? ultraism recommends the mixture of these seven
artistic things WHAT DOES DADA DO?
creationism vorticism imagism also propose some artistic recipes
WHAT DOES DADA DO?
WHAT DOES DADA DO?50 francs reward to the person who finds the best
way to explain DADA to usDada passes everything through a new net.
Dada is the bitterness which opens its laugh on all that which has been made consecrated forgotten in our
language in our brain in our habits.It says to you: There is Humanity and the lovely
idiocies which have made it happy to this advanced age
DADA HAS ALWAYS EXISTEDTHE HOLY VIRGIN WAS ALREADY A DADAIST
DADA IS NEVER RIGHT
Citizens, comrades, ladies, gentlemen Beware of forgeries!
Imitators of DADA want to present DADA in an artistic form which it has never had
CITIZENS,You are presented today in a pornographic form, a vulgar and baroque spirit which is not the PURE
IDIOCY claimed by DADABUT DOGMATISM AND PRETENTIOUS IMBECILITY
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Dada (1914-20’S) and Surrealism
Andre Breton, 1924
“Surrealism … (is) pure psychic automatism …. Thought in the absence of all control exerted
by reason, and outside all aesthetic or moral preoccupations … based on the belief in the
superior reality of certain forms of associations heretofore neglected, in the omnipotence
of the dream and the disinterested play of thought.”
“Surreality (is) the reconciliation of the reality of dreams with the reality of everyday life
into a higher Synthesis.”
Expressions of the Unconscious: Chance Play
Automatisms
(Freud, Jokes and their Relation to the Unconscious, 1911)
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Hans (Jean) Arp
Zurich Dada
Collage arranged according to the laws of chance1916-1917, torn and pasted paper, 19 x 13”
Automatic Drawing 1917-18 Ink and pencil on paper,
16 3/4 x 21 1/4"
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Arp, Collage made according to the rules of Chance, 1916
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Le Violon d'Ingres (Ingres's Violin)1924
Gelatin silver print 11 5/8 x 8 15/16 in.
Indestructible Object (or Object to be Destroyed)1923 (replica of 1964)
Metronome with cutout photograph of eye on pendulum wood, metal, paint and photograph
8 x 4 x 4”
Man Ray
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Picabia, Portrait of Cezanne, 1920
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FP St. Vierge 15
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Picabia, Girl Born without a Mother, 1918
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Francis Picabia - Here, This is Stieglitz/ Faith and Love , 1915
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Marcel Duchamp
The Fountain1917
“ready-made”, porcelain plumbing fixtureand enamel paint, 24” h.
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Marcel Duchamp
Fountain, 1917porcelain plumbing fixtureand enamel paint, 24” h.
Bicycle Wheel. New York 1951 (third version, after lost original of 1913)
Metal wheel mounted on painted wood stool,
51 x 25 x 16 1/2"
“ready-made”“ready-made-aided”
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Marcel Duchamp
L.H.O.O.Q.
Original Version:1919, Paris
reproduction of Leonardo da Vinci's Mona Lisawith added mustache, goatee, and title
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LHOOQ in 291 and LHO,19
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Duchamp, Nude Descending a Staircase, 1912
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Marcel Duchamp
Bottle Rack, 1913 - 1914
Bicycle Wheel. New York 1951 (third version, after lost original of 1913)
Metal wheel mounted on painted wood stool, 51 x 25 x 16 1/2"
“ready-made”
“ready-made-aided”
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Rrose Selavy 21Duchamp, Rrose Selavy, 1921
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Belle Haleine 21; Rrose Selavy
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Belle HaleineL 21 and detail
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To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour, Buenos Aires 1918.
Oil, silver leaf, lead wire, and magnifying lens on glass (cracked), mounted between panes of glass in a standing metal frame,
20 1/8 x 16 1/4 x 1 1/2", on painted wood base, 1 7/8 x 17 7/8 x 4 1/2“, Overall 22" high.
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Duchamp, Large Glass, 1915 - 23
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The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)
Oil paint, varnish, lead foil, lead wire, and dust on two glass plates (cracked), each mounted between two glass panels
in a steel and wood frame 1915-23 , 272.5 x 175.8 cm
Marcel Duchamp
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MD Large Glass diagram
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MD Boîte-en-Valise 35-41
Duchamp, Boîte-en-Valise, 1941
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MD Etant Donnés 46-66Duchamp, Etant Donnés, 1946-66
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MD Etant Donnés 46-66Durer, 1525, Projections Grid
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Meret Oppenheim, Objet: dejeuner en fourrure (Luncheon in Fur), 1936, fur covered cup, saucer, and spoon, height 3"
Man Ray Portrait of Meret Oppenheim
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Heartfield, Don’t Be Frightened he is a Vegetarian, 1932
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“…Rather than setting out to paint something, I begin painting and as I paint,
the picture begins to assert itself…The first stage is free, unconscious …The
second stage is carefully calculated.”
Joan Miró
Birth of the World, 1925, o/c, 8 x 6’
Automatism - allowing the hand to wander across the canvas surface without any interference from the conscious mind.
The resulting marks will not be random or meaningless, but guided at every point
by the functioning of the artist’s unconscious mind, and not by rational
thought or artistic training.
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Joan Miro, Dutch Interior I, 1928, oil on canvas, 36 x 28”
Dog Barking at the Moon 1926
oil on canvas 36 x 28”
Joan Miró
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The Persistence of Memory 1931
oil on canvas, 9 x 13”
Salvador DaliCritical Paranoia
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Salvador Dali, Apparition of Face and Fruit Dish on a Beach, 1938
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Salvador Dali, Apparition of Face and Fruit Dish on a Beach, 1938
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Untitled, c. 1938wire, sheet metal, string, wooden balls, and paint
51 x 84 in.
Alexander Calder
Little Spider, c. 1940sheet metal, wire, and
paint43 3/4 x 50 x 55 in.