row home lit volume two
DESCRIPTION
An alt lit mag for Baltimoreans at heart, Vol. 2. Poetry, prose, visual arts.TRANSCRIPT
ROW HOME LIT VOLUME TWO
an alt lit magazine
for Baltimoreans at heart
ii
OUR CONTRIBUTORS:
Josh Sinn (Cover Art)
Shantall Gallareta
Katya Sandino
Christian Reese
Stephanie Spring
Antonia Perdu
Jacob Decoursey
Aurora Engle Pratt
Audrey Gatewood
Katie Griffin
Shannon Khoury
Caressa Valdueza
Shelsea Dodd
iii
A special thank you to all who submitted, our
selected contributors, and you the readers.
This project wouldn’t be possible without you.
Much love.
© 2014
Baltimore, MD
Curated, Edited, and Produced by Arianna Valle
Brooklyn, April 7th
You met me at 33rd and 11th
Back in Brooklyn
I paid for your dinner, our drinks Then to your apartment
Your small room, your bed
Your vaporizer
Brooklyn Lager
Baseball documentary
Your grey hair
Washed, clean
Your blue pillow chair
Our silence
Three beers later
Two bags later
It's 10:00
I should be getting back
Cab ride: eight minutes
I over tipped the driver
-Shantall Gallareta
v
- Katya Sandino
that was the last winter you were coldyou walked upon the frozen water
barefooted; toes turning
a deeper sapphire than the lake.
between inhales, within the white,
vodka flavored mist exuding from your lips,
held the warmth of two hearts:
beating, pushing, impalingyour chest and mine.
you opened your mouth wide
trying to invert temperature
and color.
i collided my lips with yours
and breathed in your exhaust:
coughing, heaving, choking
my throat and yours.
you’ve tried this before.
I took the heavy, metal gateway
from your hands,
trying to remind you heaven is here
too. you closed your mouth, eyes,
opened your clenched fists-
letting the blue veins run and defrost;
letting yourself take in and warm the air.
vi
Water Clock
Today the air was
flowstone.
The brownstones
are cave walls excavated
in air dayless, endless, faceless
as hollows
uneyed.
Bricks beneath
the flicker-play
of sun, of shadow, of human
shadow.
This city eats
flint, rotting fruit,
small bones in
the husks of hearth-fires.
Seconds cinder,
passers-by sprout
Lascaux hooves,
afternoon
white, chipped, ancient pig-
ments
flake, wait
for the tune
of the tale
& the old old ways
of telling why these walls
might still stand
to be unearthed.
Gradients of ripeness
in the shades
of brick: cabs galloping,
cops, students, scavengers, kin
crowding to etch
a time-scented scene.
This summer heave
is a cave wall painted
with ancient fruits,
horsemen passing
on the kill,
cave dwellers
warming their palms
at taillight in
the scar of night,
dreaming daylight,
cracking
our tomb.
- Christian Reese
Morning Coffee - Stephanie Spring
Let me take you back to where we were created from that Supernova Burst of radiation.
One whole split into two halves.
We are matter.
We are mass.
Radiation that outshines the entire galaxy but here's where they were wrong.
We don't fade away in a span of weeks or months.
Even though you died looking for me and I was born looking for you.
We surpass the high mass stars.
We danced with Martians on Mars.
Infinite energy.
- Excerpt from Antonia Perdu’s poem titled "42" inspired by "The Hitchhiker's Guide to the Galaxy”
viii
A Light Fantastic
If up exists, we’re looking at it,
you and I, like sparks
birthed from the same graceful ball of fire
still tripping a light fantastic through epochs
blurred by invisible algebra,
swimming past jellyfish stars
through that deep and inky ocean
over top our heads. So don’t cry;
don’t cry—
one day, I promise,
you and I and everyone you love
will return to these stars and dance again
among constellations: fiery pinpricks in the denim
sky. - Jacob Decoursey
- Arianna Valle
Confessional
sometimes removing the stickers from bananas just because it looks bettersometimes leavingbed too late in the morning oftentalking too softlyoften coming ontoo strong sometimeslike a holy terrorsometimes like an empty jar where there were oncethree notes on rough paper but now there are none not a liarjust poorly adjusted to realitynot sanebut no stranger than a long day in spring no odder or softer thana ball of twine no worse than a housewith the roof caved in not forgetful
just occasionally evasivefond
vainimpatiently awaitinga future morechangeless than the present dayoften spending too long at the mirrorsometimes ignoring the ants on the floor sometimes shiftlessoften singingoff keyand thoughtless
not a culpritbut culpable not a sinnerbut one who has sinned
- Aurora Engle Pratt
xi
- Audrey Gatewood
xii
Blue
You're worn and wistful.Until blue is a whisper, Let it bring you to wonder Of an unknown ocean you've met before, Of a venture's summation with clouds'
cessation.Let it bring you to wander As a ripple in your river, As your tree celestially ascending. Discover blue's disclosure.
- Katie Griffin
xiii
I have walked these streets for years
through shattered glass strewn and
glittering in the hot August sun;
where a tree tears through its concrete veins
and black bags drift in the wind like ghosts
along a stretch of flowering weeds.
There are times when I can hold the
warmth of the day in my hands
as the wind crashes in soft waves
through leaves like flashes of light
and a something else runs through
my body like hot-wrought iron
because I know that in this place.
- Shannon Khoury
- Caressa Valdueza
xiv
A Travesty
How mirror-like to the pitch of the new moon night is the ink of irises seeping softly into your pupils
like pools of coffee hold the cream and
How beneficent is the great Pannist who sends the staccato flourish of rain to rap the tinny panes
and rival the Requiem protesting from within and
Oh! How the wind does worry the boughs! into a reminiscence of the terrible end: in their throes they threaten the velvet vault of heaven and
How, I wonder, would the stars come spilling hither?
By ones and twos I fancy they’d fall, cascading,
raining, a great and brilliant wall of light and
How the morning has brought with it slick licorice tree limbs,
those dripping chandeliers which craze across the dawn
like a glaze too small to fit its pot, or a thawing pond, and
How akin the beads of dew perched on every twig-tip are to the jewels of perspiration which adorned your fragrant bark
while my pale fingers tasted your sand-christened flesh and
How curious it is now, in the cloud-clogged morn, to see my naked sallow stark against your saffron-perfumed swarthiness,
while slowly, outside, the waterlogged winter-bare branches,
How slowly do they pry open the sky.
- Shelsea Dodd
- Stephanie Spring
until next time...
keep creating