sacred choral music, hymnals, recordings and educations … · 2019. 1. 23. ·...

m u s i cf o r t h echurch

G I A P U B L I C A T I O N S , I N C .

2 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.

NEW MASS SETTINGSNEW MASS SETTINGS

NEW! New PlaiNsoNg Mass iiiDavid HurdDavid Hurd’s New Plainsong, a unison setting of the ordinary of the Mass first appeared in 1980 and quickly became a staple of Roman Catholic and Episcopal congregations. It was expanded in 1985 for inclusion as one of the three complete mass settings in GIA’s iconic Worship—Third Edition. Now, David has set the new texts according to the 2010 Roman Missal, keeping this venerable setting alive on the lips of congregations. As the title suggests, this is a chant-like setting accompanied by organ, with sections equally successful being sung unaccompanied. This is sturdy, beautiful music that is able to bear repetition from week to week throughout the year.

G-9683 Choral/Accompaniment Edition . . . . $5 .25G-9683A Assembly Edition . . . . . . . . . . . . . . . . . 1 .10

NEW! Mass iN HoNor of st. rose PHiliPPiNe DucHesNeMichael Joncas

In honor of the 200th anniversary of St. Rose Phillipine Duschene’s arrival in New Orleans, Michael Joncas was commissioned to write a new mass setting by the Religious of the Sacred Heart,

This edition is scored for SATB voices and features instrumental parts for complete symphony orchestra. Parts may be used according to the players available in your circumstance.

The mass includes optional phrases in French and Potawatomi honoring the American saint’s heritage and ministry. The mass may be sung in unison, reserving the

choral and instrumental parts for holy days.

G-9573 Choral/Accompaniment Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $6 .50G-9573A Assembly Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 .20G-9573FS Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 .50G-9573INST Instrumental Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 .00

3800.442.1358

GIA PUBLICATIONS, INC.G

IA P

UB

LIC

AT

ION

S, IN

C.

NEW MASS SETTINGSNEW MASS SETTINGS

NEW! Missa festiva Michel Guimont

For twenty years, Missa Festiva has enjoyed great success throughout Michel Guimont’s native Canada. He has created a new edition for English speakers throughout the world.

This sturdy setting is primarily unison, but contains moments of SATB choral writing to highlight key texts. A single trumpet, or brass quartet, may be added for festive liturgies.

Playable on piano or organ, the edition also includes guitar chords.

G-9272 Choral/Accompaniment Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $6 .25G-9272A Assembly Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 .20G-9272FS Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 .50G-9272G Guitar Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 .25G-9272INST Instrumental Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 .00

NEW! Mass iN HoNor of st. aDalbert

Jonathan A. Tuuk

Jonathan A. Tuuk’s organ-based setting of the mass provides the opportunity for wonderful music making between cantor, choir, and assembly through the use of dialogues, expansions, and embellishments.

This sophisticated setting honors the role of both choir and congregation.

G-9791 Choral/Accompaniment Edition . . . . $5 .75G-9791A Assembly Edition . . . . . . . . . . . . . . . . . . 1 .00

MICHEL GUIMONT

C H O R A L / AC COM PA N I M E N T E D I T I O N

MISSA FESTIVA

7 85147 97910 4

G-9791 M2

GIA PUBLICATIONS, INC.

r e v i s e d o r d e r o f m a s s 2 0 1 0

MASS IN HONOR OF

ST. ADALBERTJONATHAN A. TUUK

C H O R A L / A C C O M P A N I M E N T E D I T I O N

MASS IN HONOR OF

ST. ADALBERT

JONATHAN A. TUUK

Choral/Accompaniment Edition G-9791Assembly Edition G-9791ARecording (download only) X-9791CD

StAbalbert.indd 2-3 11/7/18 10:11 AM

4 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.

NEW MASS SETTINGSMASS SETTINGS

A GIA Best-Seller!Mass of Mercy

Lori TrueThis reflective mass setting will establish a quiet and reverent tone for your Lenten worship. The acclama-tions are based on the hymn tunes attende domine and picardy and on Mode III of plainchant. The easily singable and immediately recognizable melodies are combined with simple chordal accompaniments to maintain a feeling of chant while still supporting the choral singing.

Visit giamusic.com to listen to clips and view sam-ples, and you will soon see why Mass of Mercy will promptly become your Lenten mass of choice.

G-8746 Choral/Accompaniment Edition $5 .75G-8746A Assembly Edition . . . . . . . . . . . . .1 .20G-8746CD Compact Disc DL . . . . . . . . . . . . 5 .00G-8746G Guitar Edition DL . . . . . . . . . . . . .8 .75G-8746P Presider’s Edition DL . . . . . . . . . .7 .00

MASS ofM E R C Y

L O R I T RU E

R E V I S E D O R D E R O F M A S S 2 0 1 0

A GIA Best-Seller!No greater love MassMichael Joncas In 1988, GIA released Michael Joncas’s No Greater Love, a flexible mass setting offering cathedral-style music that was accessible to the singing assembly. Beautiful melodies enhanced by SATB choir and extensive orchestrations were the hallmark of this best-selling work.

This treasured setting now uses the Revised Order of Mass. The revision has a through-composed Gloria that can be sung in unison during the Sundays of Or-dinary Time, and for more festive occasions, one can add the optional instrumental and SATB choral parts. Also new to this setting are the Gospel Acclamation and a sung setting of the Prayer of the Faithful.

The memorable congregational parts for the Kyrie and the Agnus Dei haven’t changed, and the much-

loved Holy, Holy has been adapted to accommodate the Revised Order of Mass text. The optional orchestration is now reduced and includes string quartet, flute, and oboe parts.

G-8789 Choral/Accompaniment Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $7 .00G-8789A Assembly Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 .20G-8789CD Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 .00G-8789FS Full Score DL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 .50G-8789INST Instrumental Parts DL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 .00G-8789P Presider’s Edition DL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 .00DL = Download available from giamusic .com

5800.442.1358


IA P

UB

LIC

AT

ION

S, IN

C.

NEW MASS SETTINGSMASS SETTINGS

A bilingual mass setting!

Mass of recoNciliatioN Misa De recoNciliacióN

Marty HaugenOver the past few years, as I have experienced the rad-ical cultural transformation of Roman Catholic commu-nities in the United States, I decided that I wanted to create something in response and support.

Mass of Creation went through multiple revisions—into a Protestant version, a revised (2010) text version and a bilingual version. At each transition, the music struggled (I believe) to make the text “sing” as it had with the original version.

With the Mass of Reconciliation / Misa de Reconciliación, I began with the premise that the text would be created to be sung throughout either in English or Spanish. My hope was that faith com-munities that had Masses in both languages might learn the mass setting in their own language and, when they came together for major feast days (Christmas Eve/Day, Easter Vigil/Day, and oth-er celebrations), they could each sing with confidence and passion a setting in their own language.

—Marty Haugen

G-9730 Choral/Accompaniment Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $7 .00G-9730A Assembly Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 .30G-9730CD Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 .00G-9730G Guitar Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11 .25G-9730INST Instrumental Edtion (Parts for 2 C Instruments and Cello) . . . . . . . . . . . .11 .00G-9730P Presider’s Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 .00G-9730EP Eucharistic Prayer for Reconciliation II . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 .00

GIA PUBLICATIONS, INC.

MASS of the LAMB

Francis Patrick O’Brien

Mass of tHe laMbFrancis Patrick O’Brien

Francis Patrick O’Brien has written a new mass setting that speaks to the sensible and real needs of parish settings. Engaging congregational melodies are enhanced by sim-ple—but never simplistic—SAB choral parts, both of which are supported by a versatile keyboard part. The instrumen-tal parts for flute and trumpet may be used separately or together. Two settings of the Glory to God are included: a through-composed setting and a refrain setting.

G-9664 Choral/Accompaniment Edition . . . . $8 .00G-9664A Assembly Edition . . . . . . . . . . . . . . . . 1 .45G-9664G Guitar Edition . . . . . . . . . . . . . . . . . . . 12 .25G-9664INST Instrumental Edition . . . . . . . . . . . . . 16 .00G-9664CD Download only . . . . . . . . . . . . . . . . . . . 5 .00

6 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.

WILLIAMS / KIMBERLINGNEW MUSIC

NEW! Music for tHe rite of accePtaNce aND iNitiatioN acclaMatioNs Carol Browning

Included in this convenient resource you will find a gathering song along with musical settings of the acclamations for the Rite of Acceptance. “Receive the Cross of Christ,” while written as a Gathering Song for the RCIA Rite of Acceptance, this piece would be appropriate fora any occasion focused on discipleship. The alternate refrain text is for use outside of the Rite of Acceptance.

G-9770 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $2 .45

VARIATIONS ON A CLASSICIn 1988, GIA published Richard Proulx’s setting of Michael Per-ry’s text O God, Beyond All Praising, using Gustav Holst’s tune THAXTED. The edition became one of the all-time best-sellers in the GIA catalog, and its success continues to generate new related editions.

g-3190 cHoral eDitioNOriginal choral octavo for SATB voices and organ. May be per-formed with or without brass quintet and timpani. $2 .15

g-3190iNst full scoreFor years, conductors needed to rely on the brass cues in the

choral octavo. We have finally created a conductor’s full score, which comes with individual parts for brass quintet and timpani.$25 .00

g-8980 HaNDbell eDitioNThis setting for 3, 4 or 5 octaves of handbells is completely compatible with the choral edition and may be used to embellish any performance with choir and congregation.$5 .50

g-3190orcH orcHestral eDitioNThis arrangement for full orchestra may be used for those truly special occasions. $130 .00

g-9188 sab eDitioNAware that every choir may not have SATB forces, this edition features an SAB setting of the sec-ond stanza. The brass parts and handbell parts above may be used with this edition.$2 .35

g-5321 alterNate teXt - o sPirit all eMbraciNgSr. Delores Dufner OSB crafted her text O Spirit, All Embracing to be used with the tune THAXTED. This edition uses the classic Proulx setting above.$2 .15

g-5321iNst o sPirit all eMbraciNg full scoreThis full score edition contains the brass parts from Proulx’s original setting. $25 .00

The handbell setting listed above is compatible with this edition. The SAB choral edition G-9188 includes both the Perry and Dufner texts.

RRitu

al P

raye

r Ser

ies

GIA Publications, Inc. • 7404 S. Mason Ave. • Chicago, IL 606381.800.GIA.1358 or 708.496.3800 • giamusic.com

G-9770 • BROWNING • Music for the Rite of Acceptance and Initiation Acclamations: Receive the Cross of Christ

Receive the Cross of Christ

For Presider, Choir, Assembly,Keyboard and Guitar

MUSIC FOR THERITE OF ACCEPTANCE AND INITIATION ACCLAMATIONS

Carol Browning

ST. THOMAS

GIA Publications, Inc. 7404 S. Mason Ave., Chicago, IL 60638 www.giamusic.comGIA Publications, Inc. • 7404 S. Mason Ave., Chicago, IL 60638 • www.giamusic.com

O GOD BEYOND ALL PRAISING

Words byMICHAEL PERRY

O Spirit All-EmbracingWords by

DELORES DUFNER, OSB

Concertato on THAXTED

For SAB Voices, Assembly and Organwith Optional Brass Quintet,

Timpani and Handbells

Setting byRICHARD PROULX

G-9188 PERRY, DUFNER / PROULX O God beyond All Praising/ O Spirit All-Embracing

7800.442.1358


IA P

UB

LIC

AT

ION

S, IN

C.

WILLIAMS / KIMBERLINGNEW MUSIC

iNtroits aND aNtHeMs for voices aND bellsClark Kimberling

These introits and anthems were born from Clark Kimberling’s experience as composer-in-resi-dence at an Episcopal church. The introits are intended for use at the beginning of a service prior to the processional. Each piece starts with the sound of one or two handbells to establish pitch, tempo, and spirit, then the voices enter with bells ringing throughout.

In addition to their use as a prelude to the gathering hymn, they may be used before or after the Gospel reading or during Communion. The seasonal categories should not limit usage. Introits and Anthems for Voices and Bells can also be used in creative ways for many occasions other than those specified in this collection.

See page 21 for volumes 2 and 3.

G-9766 Volume 4: Advent through Baptism of the Lord . . . . . . . . . . . . . . . . . . . . . . . $5 .50G-9767 Volume 5: Ash Wednesday through Pentecost . . . . . . . . . . . . . . . . . . . . . . . . 5 .50G-9768 Volume 6: General Praise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 .50

NEW! of woMb aND toMbPrayer in Time of Infertility, Miscarriage, and StillbirthKate WilliamsA grief too often held in and unseen: the inability to conceive, the loss of a child before birth, death at birth. With sacred story, song, and scripture, this resource offers ways to walk the holy journey of grief alone, with family, or in community. Of Womb and Tomb offers stories of hope and light, prayers from multiple faith communities, and ritual templates that ease the ability to offer communal prayer. The book, music collection, and CD provide a carefully curated selection of poetry, texts, and songs both familiar and new that can deepen our prayer and help us to know that we are not alone in our grief: God never abandons us. Together, we bear witness to the Christian mystery—that new life emerges both of the womb and of the tomb.

G-9816 Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $18 .95G-9817 Music Collection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 .00CD-1061 Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 .95

8 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.CHORAL SINGINGCHORAL SINGING

NEW! aligNiNg voicesExercises to Build

Choral MusicianshipDean Luethi

This book of versatile, pedagogically based choral warm-ups helps conductors take full advantage of this important time in every rehearsal, providing tools for assessment, musicianship, and ensemble unity at the same time singers are warming up their voices. The exercises in Aligning Voices are organized into nine chapters, each focusing on a different area of choral technique:

1. Rhythm2. Brilliance3. Intonation4. Balance5. Dynamics

E X E R C I S E S T O B U I L D CHORAL MUSICIANSHIP

Aligning

Dean Luethi

G-9692CoverforPRINT.indd 1 10/24/18 8:40 AM

GIA Publications, Inc.

All of the choral warm-ups presented in Aligning Voices have been conveniently extracted and compiled in this companion edition, making it ideal for students to use during rehearsal. This student edition coordinates directly with the teacher’s edition. It follows the same organizational structure and contains all of the same exercises arranged for three voicings—SATB, SSAA, and TTBB. These exercises go well beyond simply warming up the voice, and this companion student edition is perfect for singers who simply need the music notation without the accompanying pedagogical text.

Dean Luethi is Associate Professor and Director of the School of Music at Washington State University. In addition to his work at the university, Luethi is a frequently sought after conductor, adjudicator, and clinician and has been published in Choral Journal and Music Educators Journal.

EXERCISES TO BUILD CHORAL MUSICIANSHIP

Dean Luethi

AligningSTUDENT EDIT ION

G-9692S U.S. $6.25 10 or more $5.00 ea.

ISBN: 978-1-62277-356-5

E X E R C I S E S T O B U I L D CHORAL MUSICIANSHIP

Aligning

Dean Luethi

STUDENT EDIT ION

G-9692SCover.indd 2-3 10/23/18 3:13 PM

NEW! tHe MeloDic voiceConversations with Alice ParkerCameron LaBarr & John WykoffThe Melodic Voice presents a series of interviews with preeminent composer, conductor, and teacher Alice Parker that offers a full-er and more intimate view of her life and music than ever before. The conversations Cameron LaBarr and John Wykoff document in these pages perfectly capture the essence of Alice’s core philoso-phies on melody, arranging, singing, music teaching, conducting, and many other topics. During the course of the interviews, Alice discusses a wide range of topics: her childhood, her time as a stu-dent at Smith College and Juilliard, the death of her husband, her work with Robert Shaw, living in New York City, experiences with teaching, her compositional process, the importance of folk song,

advice for students and teachers, and much more. In the accompanying video component, Alice speaks candidly and directly about many of her most popular and well-loved arrangements, including Hark, I Hear the Harps Eternal, Saints Bound for Heaven, What Shall We Do with a Drunken Sailor?, and John Saw Duh Numbuh, among others.

Too few have had the privilege of attending one of Alice’s workshops or engaging with her in long conversations and round-the-table singing. But the conversational nature of this book gives everyone the chance to engage with her in a deeper way. Musicians and non-musicians alike are sure to be inspired by Alice’s words.

G-9660 Perfect Bound, Includes Access to 3+ Hours of Video Interviews with Alice Parker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $29 .95

6. Consonants7. Beginning Consonants8. Diphthongs and Ending Consonants9. Vowels

Each warm-up contains two or more parts, allowing the director to work toward improving choral sound in a texture similar to that of the repertoire. More-over, author Dean Luethi provides every warm-up in three voicings—SATB, SSAA, and TTBB—and sequentially organizes them by difficulty level.

In addition, each section begins by defining the objective for each exercise and offering practical solutions for many of the common challenges choirs face in each area. A companion student edition that contains only the music notation for each warm-up exercise is also available. These exercises go well beyond simply warming up the voice. This resource is a must-have for all choral directors looking to make the most of their warm-up time.

G-9692 42 pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $17 .95G-9692S Student Edition, 53 pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 .25

9800.442.1358


IA P

UB

LIC

AT

ION

S, IN

C.

CHORAL SINGINGCHORAL SINGING

NEW! sacreD cHoral Music rePertoire

Insights for ConductorsTim Sharp

This ambitious book brings into focus the broad diversity of sacred choral music repertoire, its history, its nuance, performance insights, and discussions on the best of the best repertoire throughout the ages. This “best of the best” comes from surveys of practicing church musicians and additional focused inquiry to discover the vital canon of sacred choral music used widely throughout North America.

Written by Tim Sharp, Executive Director of the American Choral Directors Association, together with contributions from practicing church choir directors, this incredible and comprehensive book conveys with passion and wonder the central role the choral art has served in worship for hundreds of years. Additionally, this book serves as a guide to any church music director and students of the sacred canon looking to bring the best performance practice and literature to their worship community.

Each section includes historical period background information, conducting insights specific to eachperiod, practical analysis of each composition addressing meter, tempo, rhythm, melodic and harmonic characteristics, interpretation, texture, form, timbre, and text. Sharp and his contributors supply over 175 resource guides for the best in worship choral repertoire.

G-9615 Hardcover . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $54 .95

JAMESON MARVINForeword by Simon Carrington

EMOTION inCHORAL SINGING

Reading Between the Notes

G-9607CoverTESTs4.indd 1 10/16/18 1:38 PM

SACRED CHORALMUSIC REPERTOIRE

I N S I G H T S F O R C O N D U C T O R S

TIM SHARP

NEW! eMotioN iN cHoral siNgiNg

Reading Between the NotesJameson Marvin

Emotion in Choral Singing explores what it truly takes to experience the transcendent power of choral music and achieve genuine emotional connection between composer, performer, and listener. With unmatched detail and authority, legendary conductor Jameson Marvin surveys the history of singing; effective rehearsal; score study; repertoire selection; and the relationship between a composer’s intentions, music notation, and expression.

Specifically, this book looks at six complementary areas:1. Musical Gesture and Emotion: A Guide to Teaching and

Performing2. The Historical Roots of Singing: Notation and Expression3. Performing Polyphony in the 21st Century4. Style and Expression in Renaissance Choral Performance5. The Conductor’s Process6. Mastery of Choral Ensemble

A particularly noteworthy feature of this book is its emphasis on polyphony, which, Marvin reminds us, encourages an individual expressivity and musicality in singers that can be applied to all styles of choral music, making it as relevant and vital today as ever. Links to recordings included within this book provide a range of examples from throughout Marvin’s career. Emotion in Choral Singing offers a newperspective on the choral art. It is chock-full of practical ideas, tips, and wisdom that will empower and inspire choral directors and musicians of all levels to achieve authentic emotional connection in their work.

G-9607 Perfect Bound, 290 pages, Includes Access to Recordings . . . . . . . . . . . . . . . . . .$24 .95

10 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.

NEW KEYBOARD MUSICNEW PSALMS / KEYBOARD MUSIC

NEW! HeiNricH scHützThirty-Two Psalms from the Becker Psalter Selected and edited by Alice Parkerwith new English texts by Gracia Grindal & Jean Janzen

Intended for use in churches and classrooms, Alice Parker has gleaned 32 of Schütz’s psalm settings from the seventeenth-century Becker Psalter. The new texts of Gracia Grindal are lyrical English versions based on the Psalms themselves, rather than literal translations

of Becker’s German text. The indexes and Parker’s commentary for each setting make this a useful resource for singers, directors, and accompanists. The collection epitomizes hymn singing of the seventeenth century, just as Bach’s chorales would come to exemplify the tradition 100 years later. For today’s audience, steeped in the patterns of tonal music, these pieces-with their Renaissance freshness of mode and meter—come as a welcome tonic.

G-9799 Softcover . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $9 .95

NEW! bacH Duetsarr. Noel Jones We’re delighted to distribute this book of duets for piano and organ!

Included are eleven pieces drawn mainly from the organ chorale preludes of J. S. Bach. The book also contains concerto movements by J. S. Bach, C. P. E. Bach, and Antonio Vivaldi.

While envisioned for piano and organ, these arrangements by Noel Jones can also be played on organ and harpsichord or two pianos.

For those congregations that are used to encountering piano and organ duets, these pieces are a welcome expansion of the literature for that pairing of instruments.

These pieces are most suitable for preludes and postludes and will also have a home in your church’s recital series. A listing of suggested organ registration is included in an appendix.

G-9879 Softcover . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $19 .95

11800.442.1358


IA P

UB

LIC

AT

ION

S, IN

C.

NEW KEYBOARD MUSICNEW PSALMS / KEYBOARD MUSIC

NEW! five More liturgical MeDitatioNs

Bob Moore

Bob Moore has done it again! If you have any of his previous liturgical meditations, suites, preludes, or miniatures, you’ll want to fill out your collection with this new set. These five pieces for solo instrument with piano accompaniment have a witting charm and graceful elegance to them. While they would be highly useful during various liturgical moments or as background music, instrumentalists and pianists alike will find them to be perfect programmatic pieces to keep nearby throughout the year. Another important feature is the flexibility—the repeats and endings provided allow for adaptation depending on time constraints. A separate instrument part is included in the collection, and a flute, oboe, violin, or any C instrument may be used.G-9794 Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $23 .00

NEW! five orgaN PreluDes

oN PlaiNsoNg tuNesRobert J. Powell

Characteristic of Powell’s writing style, Five Organ Preludes on Plainsong Tunes is very musical and expressive throughout. The melodies flow smoothly in and out—sometimes in a polyphonic texture and sometimes clearly stated with a solo organ stop. The unmeasured notation and beaming of each tune matches the style of the original chants. Most of the sections are written for three manuals, but they can easily be adapted to a two-manual instrument. Registration suggestions are provided.

G-9657 Saddle-stitched . . . . . . . . . . . . . . . . . . . . $16 .00

NEW! four voluNtaries for KeyboarD

Robert J. Powell

These four voluntaries are extremely well crafted in intricate detail, yet remarkably accessible for a variety of skill levels. Printed on two staves, it is an excellent go-to resource for manuals-only organ music, and the composer has provided organ registrations. But pianists will find them engaging as well, and playing the pieces on a harpsichord would certainly be satisfying. These keyboard pieces are perfect for incidental or transitional music, or prelude and postlude material when you’re ready for something different than hymn-based or classical repertoire.

G-9812 Saddle-stitched . . . . . . . . . . . . . . . . . . . .$15 .00

12 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.

PEER REVIEWED & RECOMMENDEDPEER REVIEWED & RECOMMENDED

Suzanne Orland is the director of marketing at GIA and music director at Resurrection Catholic Church in Wayne, Illinois. She has served as director of music at various parishes for nearly 25 years.

FOR LENTbeHolD tHe savior Dana Mengel“I use this as a communion meditation throughout the Lenten Season and also for our Tenebrae Service. Any SATB choir can easily master it, and it really makes a powerful impact. You can also use this piece during Holy Week, especially on Palm Sunday and Good Friday. My parish never tires of this piece.” G-6372 $2 .15

FOR HOLY WEEKwere you tHereMarques L. A. Garrett“If you’re looking for something to have a dramatic effect on Good Friday, try ‘Were You There’ arranged by Marques L. A. Garrett. This gorgeous arrangement starts quietly and really builds to a very passionate ending. For me, this is the quintessential setting of ‘Were You There.’ There is also a TTBB version available (G-9588, $2.35).”G-8911 $2 .35

FOR EASTERalleluia, all tHe agesMonica Bonasso“If you have a smaller choir, this piece makes a wonderful addition to your Easter repertoire. It is for three-part, equal, or mixed voices and is based on two familiar hymn tunes (hyfrydol and alleluia no. 1) and one original tune on ‘Alleluia! Alleluia! Cantate Jesu Christe.’ The melodies are layered together creating a delightful waltz. My choir loves singing this piece—it requires minimal rehearsal time, but is very satisfying for both my choir and congregation.”G-5318 $2 .15

FOR PENTECOST PeNtecost sequeNce aND gosPel acclaMatioNRob Glover“My parish absolutely loves this arrangement of the Pentecost Sequence! After singing the chant for many years, I discovered this arrangement by Rob Glover and thought I would give it a try. The assembly simply ate it up. They insist I do it every year now. A cantor or a section can sing the verses, with the choir and assembly joining in on the ‘Celtic Alleluia’ refrain. The sequence leads seamlessly into the Gospel Acclamation. It is quite majestic and your assembly will pick it up immediately.”G-8701 $2 .00

Michael Silhavy is senior project editor at GIA and his choices are based on his 30+ years of working in parish, cathedral, diocesan, and university settings.

LENTHe sHall give His aNgelsRichard Hillert“Here’s one from several years ago I keep programming for the First Sunday of Lent as it recounts that day’s gospel passage. Scored for unison voices, organ, and oboe (with optional string quartet), it can be repurposed throughout the year. It’s also a valuable addition to funeral choir repertoire. Consider dividing up sections between men, women, and all.” G-3983 $1 .40

Michael’s picks continue on the next page.

For more Lent, Holy Week, Easter, or Pentecost titles, visit giamusic.com and select the catalog search option at the top of the home page. Use our helpful filters to find exactly what you need.

The next four pages contain peer reviewed and recommended titles from the GIA catalog for use during Lent, Holy Week, Eastertide, and Pentecost.

AfricanAmericanChurch MusicSeries

GIA Publications, Inc. 7404 S. Mason Ave., Chicago, IL 60638800.GIA.1358 or 708.496.3800 • fax 708.496.3828 • giamusic.com

Were

You

There

Arr. Marques L. A. Garrett

G-8911 • Arr. Garrett • Were You There

For SATB Choir and Piano

13


IA P

UB

LIC

AT

ION

S, IN

C.


HOLY WEEKtHe tree of lifeJames Biery“One of the many joys of my work here at GIA is that exceptional moment of encountering a new submission and sensing it is destined for greatness! That’s certainly the case with Jim Biery’s setting of The Tree of Life, featuring a text by Lutheran pastor Stephen Starke set to wexford carol. I’m pleased to say my parish commissioned this setting for use on Good Friday, but it would also be suitable for use after the first lesson at a Christmastime Lessons and Carols festival. The work is scored for SAB voices and piano with optional oboe.” G-9687 $2 .25

EASTERwe wHo oNce were DeaDDavid Haas“I first encountered this tune back in the late 1980s when it was included in David Haas’s collection As Water to the Thirsty. I must admit a fondness for the texts of Dutch theologian Huub Oosterhuis! After years of appearing only in a unison setting (G-3504), this new edition features the vocal harmonies on that initial recording.” G-9744 $2 .20

PENTECOSTo breatHe oN Me, o breatH of goDChaz BowersHere’s a new, brief choral miniature that I’m looking to sneak into the Pentecost liturgy any chance I get! This choral setting of the well-known hymn text could also be used during ritual moments like Confirma-tion or at the Easter Vigil. It’s wonderfully lush and gracious.G-9337 $1 .80

John Romeri is currently director of ministries and organist for Christ Cathedral in Los Angeles, California. He has served the Catholic Church as a pastoral musician for over 45 years.

FOR LENTubi caritasOla Gjeilo“A lovely setting of the Offertory Antiphon for Holy Thursday. The choir loves this piece. Usable for wed-dings, Sunday with “Love” readings and of course Holy Thursday. If the middle section is a bit difficult, use a small group for the first year. Everyone will want to sing it the second.” WW1386 $2 .60

FOR LENTtHis is tHe tiMe of fulfillMeNtJames Chepponis“This is a long-standing Lenten piece. I have used it for Entrance, as a choral pre-lude before a hymn, and as a processional. It is so flexible. The Kyrie is beautiful; perfect for Lent.”G-3906 $2 .00

FOR EASTERrite of sPriNKliNg: sPriNgs of waterDonald Fellows“From GIA’s Cantor Congregation Series. Everyone loves Don’s setting of the Sprinkling Rite. Wonderful solo verses, very singable refrain for the Congregation, and a super organ part every organist loves to play! One Easter, I decided to do something different. WRONG decision. I’ll never skip it again. Great piece.”G-3639 $5 .25

FOR EASTERgooD News acclaMatioNJames Chepponis“I commissioned this piece for the installation of Bishop Donald Wuerl as Bishop of Pittsburgh. It was written for an Installation during Lent, so it began as a Praise and Honor to You…, then an Alleluia was added. It is a huge, elaborate setting with brass and timpani. It was written for this very special occasion. I use it simply during Lent and really let it go for the Easter Season. I rarely do it any other time to show the close relationship between those two seasons. The folks blow the roof off.” G-3297 $2 .25


For SAB Voices and Pianowith Optional Oboe

THE TREE OF LIFE

G-9687 STARKE / arr. BIERY, J. The Tree of Life

JAMES BIERY

Arranged by

STEPHEN P. STARKE

Words by

WEXFORD CAROL

G-3906 • CHEPPONIS • The Time of Fulfillment: A Lenten Gathering Rite

The Time of FulfillmentFor SATB Voices, Cantorand Assembly

LENTEN GATHERING RITE

James Chepponis

Songs of Jubilation

Recorded on

Compact Disc CD-368

RRitu

al P

raye

r Ser

ies

GIA Publications, Inc. • 7404 S. Mason Ave. • Chicago, IL 606381.800.GIA.1358 or 708.496.3800 • fax 708.496.3828 • giamusic.com

800.442.1358

14 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.

Kate Williams is the senior managing editor at GIA and serves as a music minister in the Archdiocese of Chicago. She serves as a pastoral musican in the Archdiocese of Chicago.

LENTfroM DeeP Distress aND troubleD HeartsAlice Parker“This beautiful four-part arrangement of bourbon is a staple in my choir’s repertoire. Alice Parker’s intuitive and brilliant choral writing offers depth and fortitude on the Lenten journey. The mix of four-part and two-part writing with a descant on the final stanza provides a perfectly balanced anthem that allows the choir to shine.” G-5082 $1 .80

HOLY WEEKtHis is HowChris de Silva“What a wonderful, fresh sound for Holy Thursday’s footwashing. This beautiful melody allows the assembly to easily stay engaged during the ritual by living into the beautiful invitation: ‘This is how.’ Tuning into the needs of so many choirs to use music voiced for SAB, de Silva reimagines what it means to take part in the actions of our liturgy, and voices hope for our ability to be healing and love in the world. Bonus: he has provided verses for communion, so this piece has many options outside of the Holy Thursday liturgy.”G-9495 $2 .00

PENTECOSTseND fortH your sPiritMichel Guimont“Hands down, this is my favorite arrangement of Psalm 104. It’s an earlier edition at GIA, and I keep meeting people who’ve not done it yet! This is a beautiful ostinato refrain with verses for a cantor that soar. I usually mix it up a little bit, allow the choir to sing ‘ooh’ or hum softly under the verses ao the text is clearly heard and there’s a little textural change to the overall sonority.G-3684 $1 .00

Thomas Stehle has been active in full-time music ministry for nearly 40 years. He currently serves as Pastoral Associate for Liturgy and Director of Music Ministries for the Archdiocese of Washington, DC.

HOLY WEEKveluM teMPliPaul Nicholson“This setting of a Good Friday Matins text is a very potent example of text painting that could be used with great effect in a concert setting or within a Tenebrae service.The image of the temple veil being torn away, the earth trembling, the rocks splitting, and the tomb being opened are all made real in this setting. And the cry of the good thief, ‘Remember me, Lord, when you come into your kingdom’ is tender and haunting. In Latin.” G-7592 $2 .00

GOOD FRIDAYlorD, to your feast we coMeAlexis Feodorovich Lvov, arr.Hal Hopson“This is a beautiful unaccompanied communion anthem for Good Friday that has all the unique richness of Russian chant with a text that is a perfect reflection of the significance of the Eucharistic feast, with a special thematic and scriptural resonance for the Liturgy of the Passion of our Lord. It is relatively easy, but has great potential for nuance in its performance for an evocative post-communion reflection.”G-4434 $1 .20

EASTERTIDENow tHe greeN blaDe risetHJohn Karl HirtenThis now-familiar French carol, Noel Nouvelet, is given an inventive and clever SATB a cappella treatment that allows each section of the choir to contribute in a quasi-polyphonic way to great effect. Each verse is treated uniquely, with dynamic and stylistic variety that brings the text to life. The optional flute obbligato can be played on the organ and a simple single handbell adds a welcome gentle, mysterious tolling on the final verse when ‘your touch can call us back to life again.’”G-3234 $1 .50

Thomas’s picks continue on the next page.

satb

Velum templ i

P a u l N i c h o l s o n

G-7592 | Nicholson | Velum templi


15


IA P

UB

LIC

AT

ION

S, IN

C.

Jennifer Kerr Budziak is a Chicago-area conductor, composer, and author, and she serves as editor for music formation resources for GIA. Over the past 25 years, she has served in the Archdiocese of Chicago in various roles, including as director for liturgical music at the Office for Divine Worship.

LENTtHree soNgs for leNtTaizé“For me, Lent is all about simplifying, cutting back a little, going to the calm, quiet center of our prayer. So it’s natural that I would go to the music of Taizé when planning music for the Lenten season. There are many, many Taizé songs that lend themselves to this time, but these are gems, and as I sing ‘Our darkness is never darkness in your sight; our deepest night is clear as the daylight’ I can just feel some of the busy-ness and anxiety slip away….”G-5574 $1 .50

HOLY WEEKi see His blooDMichael Bedford, text by Joseph Mary Plunkett“This beautiful SATB unaccompanied anthem for Good Friday has been one of my favorites since it was first published in 2006. It is gorgeous and lyrical and lush, and its text ties Christ’s broken body to the beauty and wonder and sorrow of the natural world around us. I program it regularly during the Veneration of the Cross (often pairing it with Bruckner’s ‘In Monte Oliveti,’ G-5549, which is also in F minor).”G-6420 $2 .00

EASTERbe My HaNDs aND feet Tony Alonso“My assembly fell in love with this as soon as we introduced it. Four-part choral writing only deepens a lovely melody that an assembly can easily pick up. In truth, we sing it all year through, with its message of service and justice and living, active love. But the beautiful choral bridge tying the third and fourth verses together, based on the ‘Alleluia!’ melody of lasst uns erfreuen, takes it firmly into Easter territory and has made it one of my parish’s favorites.”G-8901 $2 .35

PENTECOSTseND, o goD, your Holy sPiritBob Moore, text by Sylvia Dunstan“With its beautiful Sylvia Dunstan text and one of Bob Moore’s gorgeously singable melodies, this is one of my favorites—that it’s set for SAB voices with optional descant, with a simple and almost immediately accessible refrain melody, just makes it even better. It steps aside from some of the triumph and grandeur we often associate with Pentecost and gives us warm and tender lyricism…a lovely piece all around, adaptable as a choral anthem or an assembly song.”G-6078 $2 .00

EASTER VIGILyou sHall Draw water (isaiaH 12)Glenn Rudolph“This is a fresh setting of the second choice for the Responsorial Psalm for the Fourth Reading of the Easter Vigil. Verses one and two are sung by a capable soprano or tenor cantor in lyrical melodies. Verse three has the choir joining the cantor for a rich and thrilling rendition of ‘Sing praises, for the marvelous works of the Lord, cry aloud, sing out with joy,’ concluding with the cantor alone singing the end of the verse. Each of the subsequent antiphons after the intonation has the choir enhancing the memorable melody with an effective four-part refrain while the violin and clarinet depict waves of water flowing throughout the assembly’s response. The flute or clarinet can be effectively substituted by a violin or another woodwind.” G-3691 $2 .15

PENTECOSTveNi creator sPiritus

Michael John Trotta“Here is an effective modern synthesis of two traditional chants (Veni, Creator Spiritus, and Veni, Sancte Spiritus) associated with Pentecost and Confirmation that draws on the texts and melodies of the two chants to form a seamless and sophisticated musical prayer for the gifts and presence of the Holy Spirit. From moments of sublime simplicity, the piece progresses to dramatic climaxes and then recedes in a cascade of phrases to a gentle resolution to a final ‘Veni,’ or Come! In Latin.”G-7744 $2 .15


MICHAEL JOHN TROTTA

For SATB Voices

VENI, CREATOR SPIRITUS

G-7744 TROTTA Veni, Creator Spiritus


800.442.1358

16 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.

CD-622 Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $16 .95G-6614G Guitar/Bass/Percussion Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 .00G-6614INST Instrumental Parts for two woodwinds . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 .00G-6614STR Instrumental Parts for string quartet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 .00G-6614FS Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 .95G-6614K Keyboard Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 .00G-6614C Choir Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 .00G-6614S Solo Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 .00 G-6726 For God So Loved the World . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 .00DVD-622 DVD (Full performance with commentary) . . . . . . . . . . . . . . . . . . . . . . . . . 29 .95

A Liturgy for LentG-6537 Leader’s Edition (Year A) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $15 .00G-6537A Assembly Edition (Year A) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 .35G-7069 Leader’s Edition (Years B & C) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 .00G-7069A Assembly Edition (Years B & C) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 .60

Encountering Jesus in the Gospel of John: A Scripture StudyG-6536 Paperback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $5 .95 ea . Ten or more copies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 .50 ea .

tHat you May Have life Marty Haugen & Susan BriehlMarty Haugen’s musical That You May Have Life proclaims the Gospel of John through song. An eclectic array of musical styles sets the stage for each chapter, bringing the emotion of the characters to life. Musical selections range from beautiful melodic ballads to lush choral harmonies. Haugen incorporates narration, sung dialogue, and song in a way that conveys more than just the biblical texts. Based on the Year A readings for Lent, That You May Have Life is a perfect complement to your RCIA program.

G-3193 Music Collection . . . . . . . . . . . . . . . . . . . $18 .50CD-195 Compact Disc (double album) . . . . . . . . . 25 .95G-3193P Presider Book . . . . . . . . . . . . . . . . . . . . . . . 6 .00G-3193C Choir Book . . . . . . . . . . . . . . . . . . . . . . . . . . 7 .50

wHo calls you by NaMe voluMe iiG-3622 Music Collection . . . . . . . . . . . . . . . . . . . $15 .95CD-257 Compact Disc (double album) . . . . . . . . . 25 .95G-3622P Presider Book . . . . . . . . . . . . . . . . . . . . . . . 7 .50G-3622C Choir Book . . . . . . . . . . . . . . . . . . . . . . . . . . 5 .50G-3662 Gospel Proclamation from the Scrutinies (1970 texts) . . . . . . . . . . . . . . . . . . . . . . . . 10 .00

wHo calls you by NaMe

voluMe iDavid Haas with Jeanne CotterFrancis Patrick O’Brien Victoria M. Tufano Thomas H. Morris

HOLY WEEKMUSIC FOR RCIA

17800.442.1358


IA P

UB

LIC

AT

ION

S, IN

C.

were you tHere? a service for holy week

Carla GiomoThis edition includes the complete order of service and the octavos that make up the musical part of the liturgy. Choral settings are for SATB choir, soloists, and piano. Also includ-ed on this CD is Giomo’s Vespers: A Service for Evening Prayer.

CONTENTS: Were You There • Trying to Get Home • Some-times I Feel Like a Motherless Chile • He Nevuh Said a Mumbalin’ Word • Forgive Them, Forgive Us • Soon I Will Be Done • Father, I Stretch My Hands to Thee • Vespers • A Blessing. Plus appropriate seasonal readings.

CD-544 Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $16 .95G-5754 Music Collection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 .95G-5252 Vespers: Piano/Flute/Leader’s Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 .00G-5252A Vespers: Pew Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 .25

caNteMos al señor let us siNg

to tHe lorDsalmos bilingües para

la semana santa bilingual psalms

for holy weekTony Alonso & Michael MahlerAll settings include verses and refrains in both English and Spanish. Several are even written so the English and the Spanish refrains may be sung together to create a glorious choral mix of languages! Whether utilized in Spanish, English, or bilingually, these 14 tuneful contemporary psalm settings are a wonderful addition to the feasts of Palm Sunday, Holy Thursday, Good Friday, Easter Vigil, and Easter Sunday!

CD-560 Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $16 .95G-6129 Music Collection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 .50G-6129C Choir Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 .00G-6129G Guitar Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11 .00G-6129INST Instrumental Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 .00

My leNteN PrayerMichael Cymbala, project editorIn this hectic world, we often forsake our prayer lives for the demanding pressures of day-to-day living. Conceived out of the desire to find alternate ways for people to spend time in prayer, My Lenten Prayer is ideal for commuters. Each set contains several settings of morning prayer and/or evening prayer. Each service lasts approximately 20 minutes and includes an opening hymn, two psalms with psalm prayers, a Scripture passage, a canticle, intercessions, the Lord’s Prayer, a concluding prayer, and a blessing.

CD-916 2-CD set, booklet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$25 .95

HOLY WEEKMUSIC FOR RCIA

18 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.

New! Majestic Praise Guillaume de Machauted. William Tortolano

Guillaume de Machaut’s Messe de Nostre Dame is one of the earliest polyphonic settings of the Mass. This transcription accentuates the bold writing, colorful dissonances, and complex rhythms of the original choral work. Written for brass quartet and optional organ, this piece would brighten any festive celebration.

G-9734 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $35 .00

gatHereD to worsHiP

voluMe 3for organContributors: Mary Beth Bennett, Edwin T. Childs, J. William Greene, Raymond H. Haan, Benjamin Kolodziej, David Lasky, Harold Owen, Nicholas Palmer, Robert J. Powell, Bernard Wayne Sanders

This third installment in the Gathered to Worship organ series has 25 new titles arranged by some of today’s finest composers of organ music. This volume contains classic hymn tunes—many composed in the nineteenth century—and also a good sampling of folk melodies. From the setting of laudate dominum in a Baroque style, to the contemplative meditation on southwell, to the ener-getic fanfare of lauda anima, and triumphant toccata on thaxted, this collection and its preceding volumes are essential for the library of every church organist!

CONTENTS: aberystwyth • ash grove • aurelia • erhalt uns herr • festal song • hanson place • hyfrydol • italian hymn • kas dziedaja • kingsfold • lauda anima • laudate dominum • leoni • lourdes hymn • nun danket • pleading savior • sine nomine • slane • southwell • st. clement • st. theodulph • suo gan • thaxted • tryggare kan ingen vara • westminster abbey.

G-9596 Spiral-bound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$35 .95

Gathered to WorshipOrgan Music based on Hymn Tunes

Volume 3

Arranged by

Mary Beth Bennett

Edwin T. Childs

J. William Greene

Raymond H. Haan

Benjamin Kolodziej

David Lasky

Harold Owen

Nicholas Palmer

Robert J. Powell

Bernard Wayne Sanders

iNstruMeNtal reflectioNs for worsHiPfor handbell solo and/or instrumental ensembleJoshua EvanovichEngaging arrangements of five well-known hymn tunes with a versatile twist: Each arrangement may be played as a duet by two C or B-flat instruments, or the second part may be performed by a solo handbell musician! This is a great way to showcase your young instrumentalists and/or an advanced handbell musician. Parts for both C and B-flat

instruments are included. A flexible resource you’ll turn to again and again.

G-9295 Music Collection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $25 .00

ORGAN / BRASSBRASS / HANDBELL / ORGAN

19800.442.1358


IA P

UB

LIC

AT

ION

S, IN

C.

tHis joyful eastertiDe G-6569 . . . . . . . . . . . . . . . . . . . . . . . . . . $23 .00

lift HigH tHe cross

G-6572 . . . . . . . . . . . . . . . . . . . . . .$26 .00

NeeD a PreluDe, iNterluDe, or PostluDe rigHt Now?DowNloaDable iNstruMeNtal Music

Download complete editions of our instrumental music for Lent and Easter. Only want one title from the table of contents of a certain collection? No problem!

Purchase only what you need when you need it. Watch for more general and seasonal editions coming soon.

Visit giamusic.com/instdownloads

festival HyMNseaster

John Ferguson This Festival Hymns set for Easter contains score for organ and parts for brass quartet (B< and C trumpets) and timpani. The settings are intended to accompany the singing of the assembly from hymnals, but often stand well on their own.Set II, Easter—easter hymn - hymn to joy - gelobt sei gott Set VIII, Easter—dix - duke street - truro

G-3748 Set II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $30 .00G-6944 Set VIII . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 .00

tHree festival HyMN settiNgsfor organ, brass,

and congregationJames Biery

This edition includes three pieces to accompany congregational singing: “The Church’s One Foundation” (aurelia), “Be Thou My Vision” (slane), and “Love Divine, All Loves Excelling” (hyfrydol). Each piece includes an introduction, multiple settings of the tune, and both aurelia and hyfrydol include a soprano descant for the final stanza. The setting of slane is designed to be adaptable to both commonly used meters of this tune.

G-8467 Saddle-stitched . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $38 .00

ORGAN / BRASSBRASS / HANDBELL / ORGAN

20 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C. from Ken Macek & Paul Tate

iN tHe sHaDow of goDintroits for lentIn the Shadow of God is the third edition in this series of contemporary settings of the proper introits, adapted from the Gregorian Missal. This edition includes introits for Ash Wednesday, the five Sundays of Lent, and Holy Thursday. Each of the singable, short melodies includes the antiphon and appointed psalm verse for each Sunday and will set a tone of reverence and awe for your Lenten celebrations.

G-8079 Music Collection . . . . . . . . . . . . . . . . . . . . $5 .00

i Have riseNcontemporary introits for the easter seasonNew settings of the proper introits, adapted from the Grego-rian Missal, for the Sundays of Easter, including Ascension and Pentecost. Each is structured around a singable melody and a steady building of musical forces as the piece unfolds. Set a celebratory tone by beginning your liturgies with these festive works!

G-7656 Music Collection . . . . . . . . . . . . . . . . . . . . $2 .80

eNter iNintroits for the church yearThese beautiful arrangements are taken from the seasonal introit collections, Radiant Light, I Have Risen, and In the Shadow of God. While conceived as gathering pieces for particular Sundays of the year, these mantras are appropriate for use as a prelude, an offertory procession, or a Communion meditation. Talents such as Lori True, Deanna Light, and more join forces on this beautifully arranged recording.

CONTENTS: To You I Have Lifted Up My Soul • I Will Greatly Exult in the Lord • Gaudete in Domino Semper • Drop Down, You Heavens • Radiant Light • Unto Us a Child is Born • God Is Here in His Dwelling Place • Behold the Mighty Lord Is Coming • Your Mercy Embraces All Creation • When He Calls to Me • My Heart Has Declared to You • Laetare Jerusalem! • Judge Me, O God • We Should Glory in the Cross • I Have Risen • Shout with Joy • The Earth Is Full • Men of Galilee • Hearken, O Lord • The Spirit of the Lord.

CD-868 Compact Disc . . . . . . . . . . . . . . . . . . . . . . $16 .95

GIA Publications, Inc.

In The Shadow of God

Ken Macek and Paul A. Tate

Introits for Lent

INTROITS / EXSULTETINTROITS

21800.442.1358


IA P

UB

LIC

AT

ION

S, IN

C.

eXsulteteaster proclamation

including longer form and shorter form

from the roman missal 2010

This new edition of the Exsultet is taken directly from the 2010 English translation of the Roman Missal. The melody is an elaborate version of the familiar preface chant tone. Both the longer form and the shorter form of the text are included in this edition in their entirety.

G-8256 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $7 .00

Visit giamusic.com to hear a complete recording

or to download an MP3

iNtroits aND aNtHeMs for voices aND bells

Clark KimberlingThese introits and anthems were born from Clark Kimberling’s experience as composer-in-residence at an Episcopal church. The introits are intended for use at the beginning of a service prior to the processional. Each piece starts with the sound of one or two handbells—to establish pitch, tempo, and spirit—then the voices enter with bells ringing throughout.

In addition to their use as a prelude to the gathering hymn, they may be used before or after the gospel reading or during Communion. The seasonal categories should not limit usage. Introits and Anthems for Voices and Bells can also be used in creative ways for many occasions other than those specified in these collections.

G-8427 Volume 2: Ash Wednesday through Pentecost (9 pieces) . . . . . . . . . . . . . . . . . . . . . . . . .$5 .50G-8428 Volume 3: General Praise (11 pieces) . . . .5 .50

INTROITS AND ANTHEMS FOR VOICES AND BELLS

VOLUME 2

ASH WEDNESDAY THROUGH PENTECOST

CLARK K IMBERL ING

INTROITS AND ANTHEMS FOR VOICES AND BELLS

VOLUME 3

GENERAL PRAISE

CLARK K IMBERL ING

INTROITS / EXSULTETINTROITS

22 www.giamusic.com

GIA

PU

BL

ICA

TIO

NS

, IN

C.

tHe way of tHe crossGraziano MarcheschiIn these two versions of the Stations of the Cross, you will find contemporary prayers and texts, elegant full-color artwork, and striking music that speak well to today’s world. Version I is a shorter text requiring one book for the leader and each partic-ipant. Musical accompaniments for Version I are found in edi-tion G-3743FS. Version II contains a marvelous dramatic text allowing for a more involved prayer experience and includes roles for the leader, people, and four spoken “voice” parts. When performing Version II, people use edition G-3743 while the leader, organist, and “voices” use the full score edition (G-3743FS). Version II is ideal for Good Friday.

Version I (Shorter version) (musicians use G-3743FS)G-3742 People’s and Leader’s Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $2 .95 100 or more . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 .50 ea .

Version II (Longer version)G-3743 People’s Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $2 .95 100 or more . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 .50 ea .G-3743FS Leader’s, Speaker’s, and Musician’s Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $9 .25

Not My will but yours be DoNe William RowanA wonderfully musical yet relatively brief setting of the Stations, based on a striking new 15-stanza hymn text by Thomas Troeger, set to a new tune by William Rowan. Each Station includes a simply chanted versicle and response at the beginning and end, one stanza of the hymn, a biblical text for reading by a leader, and a psalm excerpt as the response of the assembly. Good for repeated use throughout Lent. The organ accompaniment offers numerous settings and variations of the Rowan tune.

G-4169 People’s and Leader’s Edition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $3 .00G-4169A Organ Accompaniment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 .00

tHe biblical way of tHe cross David HaasHaas’s sensitive treatment of the Way of the Cross includes Scripture readings, communal participation, and music by the cele-brated composer himself as well as Marty Haugen.

G-6615 Paperback . . . . . . . . . . . . . . . . . . . . . . . . . . . $5 .00 ea . 50 or more . . . . . . . . . . . . . . . . . . . . . . . . . . 3 .50 ea .CD-692 Compact Disc . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 .95

PASSIONWAY OF THE CROSS

23800.442.1358


IA P

UB

LIC

AT

ION

S, IN

C.

tHe PassioN of our lorD jesus cHrist

all four passion gospels for passion (palm) sunday

and good friday ed. Robert J. Batastini

This setting of the Passions according to Matthew, Mark, Luke, and John from the Lectionary is beautifully bound in a cloth-covered “worthy” book. Modeled after the 1988 Vatican edition and adapted from the Vatican chants, this classic publication printed in black and red ink captures all the beauty of the original Latin. Large enough so three Passion chanters (Narrator, Christus, and Speaker) can read from one book, or take advantage of the special pricing by ordering three copies. Notated in modern, stemless chant notation.

G-4988 Cloth-bound, 10” x 14” two-color ceremonial edition for easy reading from a lectern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $45 .00 Three copies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 .00

A Good Friday tradition that is centuries old!

st. joHN PassioN cHorusesTomás Luis de Victoria

ed. William Rowan

The tradition of three soloists chanting the Passion with a choir singing the turba (crowd) parts is a tradition that’s hundreds of years old! This edition of the popular Victoria choruses has been adapted to contemporary English and is ideal for use with the chanted Passion. Can also be used in the context of a spoken Passion.

G-5268 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$2 .75

tHe PassioN accorDiNg to st. joHN

Heinrich Schütz, ed. Stephen Rosolack

A modern-English performance edition of this famed 1665 Passion intended for use in the Good Friday liturgy, and equally suitable for concert performance.

G-2377 Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $8 .00

Prices subject to change without notice .

PASSIONWAY OF THE CROSS

PRSR

T ST

DU

.S. P

osta

gePA

IDB

olin

gbro

ok, I

LPe

rmit

#236

1

GIA

Pub

licat

ions

, Inc

.74

04 S

outh

Mas

on A

venu

eC

hica

go, I

L 60

638-

9927

ww

w.g

iam

usic

.com

sacred choral music, hymnals, recordings and educations … · 2019. 1. 23. ·...

Documents