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SACRED SYMBOLS

Copy and paste one of the following keywords in the search box of the acrobat search engine and find the PDF line it belongs to: MOTHER ISTEN – HEART – SPIRALS – WEAPONRY – CONES – TWINED – TWISTED - BRACELETS - CROWNS OF SPIRALS – ANTLERS - DEER STONES - V SHAPE - COMA SHAPE - TREE OF LIFE - BREAST CROSS – OTHER – SACRED NUMBERS PANNONIA > > > > CENTRAL ASIA > > > > HUNGARY

… -1500 -1500… - 500 Gold Idol, Magna Pannonia, Agglutinia, Cimmeria Pannonia

-900... - 200 -900… Pazyrykia: Arsia: Pazyryk, Tagar, Tarim B., Kashmir, Berel, Aržan, Esik West Tien Shan

-200… +895…

Honfoglalás

The trail of designs and symbols of sacredness from Pannonia to Pazyrykia and Arsia, and back to

Hungary are the best evidence of the migrations of the Hungarians. THE MOTHER ISTEN See the abstract “The Mother Isten”

HEART ISTEN

Hear t

Pannonia Crete

Pannonia Unetice

Cimmeria

Pazyryk

Mosuo, CN

Tagar

Tagar

Tagar Tarim

Avar Etruscan

Siberia (transitional)

001

Hear t Spiral

South Pannonia, RO

Aegean

Pannonia

Mycenae

002

Hear t

003

Mycenae

Sassania Tarim Basin

Tillia Tepe

He

ar t

Kӧrӧs

Luino, Diana Merlino

Tarim Basin, +3 circles? Kwaresm

00

4

Hear tCross

Cross of Istens, Etruria Many others at Valle Giulia!

Roman Pannonia

Pakistan +3, Heart Isten, dotted

circle, rhombus

005

Neolithic Caroathia

HeartCross

South Pannonia, RO:

← “Cercetări Arheologice”

“Der Mitteleralticher Schmuck des Unteren Donaugebietes im 11.-15. Jahrhundert” →

006

The heart is still a sacred symbol of Christianity and it is considered to be the seat of emotions.

After Socrates, Plato and Aristotle, the brain is considered the most noble organ of the human body. Heart and brain are the targets of the guns of Europeans that commit suicide. Instead, Japanese Samurais point their swords to their stomach, when they commit suicide.

SPIRALS OF AGGLUTINIA Spiral designs are Hungarian sacred symbols. For the Hungarian Academy of Sciences, they are “palmettes”. For the

Chinese, they are “clouds”! You may chose. Whatever they were, what is important is that these designs migrated from Cucuteni to the Tarim Basin and, from there, back to Hungary.

Spi ral

Trypillia, Vinča, Cimmeria, Pannonia, Germany, Pannonia, Trypillia, Erdely, Pannonia Astana cemetery

↑ Holy crown

007

Spi ral

“Hittite”

+ crown of triangles

+ crown of spirals

008

Spi ral

Golan, Israel Sicily and Burgundia

Hellades

Tagisken

009

Caepathia bronze Age

Figurines with double

spirals on their neck

Sicily baby isten

Carpathia

Doub l Sp iral

Pannonia, Britannia, Germany, Italy, Italy, Mycenae, Switzerland, Cimmeria, Celtic

Pazyryk

010

Lepenski

← Lepenski Vir, Serbia

(Danube right bank) Late Mesolithic

A double spiral at the place of the eyes (see the

Hungarian masks), a wave,

and V shapes.

The double spiral was the symbolic representation of the female genitals. The Celts copied that design, which became spiraliform and decorative, without any meaning, (maybe a phallus, see above line).

011

DAVID W. ANTHONY’S FAIRY TALE The Bulgarians have shown their "Thracian” gold all over the world, as far as in Japan. The Moldovans, the Ukrainians and the

Romanians have promoted joint exhibitions of the Tripillya-Cucuteni culture at any corner of Europe and now in New York. The catalogue of the New York exhibition has been written by David W. Anthony, and edited by the Princeton University Press. Anthony has also written the book “The horse, the wheel, and language”, in which he “identifies the prehistoric peoples of central Eurasia's steppe grasslands as the original speakers of Proto-Indo-European”.

DAVID W. ANTHONY, COULD YOU REPLY TO THE FOLLOWING QUESTIONS: 1. How do you explain that your prehistoric Proto-Indo-European peoples inhumed their dead in the “steppe” and started burning their dead in Poland and in the Balkans, where dead had never been cremated before? 2. How do you explain that in the graves of your Proto-Indo-Europeans, you have found sacred symbols (left, Abashevo; right, Sintashta; from your book, pages 384 and 392) that the Hungarians were using since millennia in Pannonia and that they shall still use for another 4 millennia after that? 3. How do you explain that when your Proto-Indo-Europeans arrived in Trypillia, the Trypillia civilization faded and was not replaced by a more advanced, Arya, “superior” civilization? Why, when your proto-Indo-Europeans arrived in Carpathia, the Hungarians fled away? Scared? Or maybe was Gimbutas right saying that they caused the disappearance of the Old European civilization? 4. How do you explain that the Romans, descendents of “the Aryan race” that had invented riding, according to you, after 2 millennia, were not yet able to manage a cavalry battle and were defeated by the Parthians in Carrhæ in the largest military disaster of their military history? ……

David is actually a horse teeth expert! He should have been born in Hungary, the only Country where linguists write books of history, philosophers books of genetics, engineers books of linguistics… and the archaeologists know how to use the showel, but have not yet learnt how to write a good book!. As long as the Hungarians shall not be aware of their great contribution to the European civilization, they shall only be able to promote Attila, the Hun. Hungarians, leave Attila with the old generations of Germans, who love him and love all war farers!

LASZLO SOLYM PRESIDENT! MOLNÁR KÁROLY MINISTER! WHY YOU ALLOW THAT THE RUSSIANS, THE MONGOLS, THE BRITTONS, THE ROMANIANS, THE BULGARS, THE UCRAINIANS, THE LONGOBARDS… MAKE USE OF THE HUNGARIAN HERITAGE WITHOUT EVEN PAYING ROYALTIES FOR IT? OH YEAH! BECAUSE

YOUR ANCESTORS WERE NOT IN HUNGARY AT THAT TIME! YOU ARE DESCENDENTS OF YUGRAN “HUNTER-GATHERERS”! OR OF ATTILA? A horse teeth expert writes the history of indo.europe!

2

Turdas, Cucuteni, tamga Szekely Cucuteni

Avar

← Cucuteni stamp, Varga G.

012

2

Indus Ur Media

Irpinia, IT 013

Spir F i n i a l

← Serbia

Pannonia

Poland Mycenae Cimmeria

Andronovo, -1200

The Pannonico art was symbolic, as the Magyar art shall be: spirals were symbols of fertility, often associated to the genitals, in ancient time.

3

014

4

spirals

Nordia

Tillia Tepe

0

15

4

←Mycenae

←Sicily

Troy

Segesvár

Media

TROY mycene 016

4

Pannonia Scottish

Georgia

Oxiana Mother Goddesses with 4 spirals, 6 ray Suns, V shapes on the headdresses, trees of life rooted in the right place, set of 3 lines, and of course a big belly (Hermitage, 1750 B.C.), self standing, as the Hungarian one was (rightl).

017

4

Ray

Sun

Trypillia Tagar

Vologda, Chudia

Tamga, + Cross of Istens

Insubria, IT

019

4 L i nked

Tamga

020

L i nked

Deva, Erdely, RO

Trypillia 3x3

021

2x6

Pannonia Britannia

Central and South

Pannonia (Hungary and Romania)

Mycenae 6 RO RUBATO

Hittite, 6? Mosuo yunnan

Oka,Chudia (6) Honfoglalás

018

Miao China

Mingei International Museum, San Diego, CA, USA

WEAPONRY CONSECRATED BY SPIRALS

Non Germanic Swords found in Bronze Age Germany

Swords

Pannonia

Nordia Etruria

Pannoniberia

Parthian avar The first 3 “Celtic” Hallstatt daggers are Pannonico, consecrated by Isten. The fourth one is Celtic, consecrated by an anthropomorphic Celtic God, who is still associated to the sacredness of the number 3.

022

Pannonia 3 Poland 3

“Celtic”

Erdely, South Pannonia

Tagar

Pannoniberia Etruscan

Magyar, not Celtic!

Conical Helmets

Mycenae, + spiral

Mycenae, + spiral

Troy, 3 spirals

Phaistos, + dotted circles

Could the Pannonico helmets be not conical? sasanian

023

Pannonia, Bronze Age

Golasecca Knossos, Crete

Sarmatia

Celtic? Helmet?

024

The little sphere on top of the helmet could have been a sacred symbol itself or a support for a sacred symbols: in Erdely, helmets with a turul on top have been found. Note that, in battle, (e.g.: fencing) a great care is given to the reduction of the size of the target. The Pannonico helmets, higher than needed, enlarged the target: that shape must have had a religious relevance.

The scabbards of Tillia Tepe are decorated with animals fighting each other (transitional art). Other decoration motives are: Chinese dragoons; Indian swastikas, ivory; Tuvan coma shapes; Hungarian hearts, stag horns, rosettes, crosses, and twined wires; Siberian bears; Tagar hornids; enamel inlays (typical of the Tillia Tepe and Sarmatian art); Greek style, achantus.... i.e.: transitional art. Tillia Tepe was the melting pot of the Silk Road. (Camels decorate the Azov scabbard). The innovative design of these dagger scabbards, which allowed to steadily hold the dagger along the thigh in the same way as the cow boys shall later carry their pistols, originated from Pazyrykia (Altai, Saian, Tuva, Northern Mongolia – 3rd c. B.C.), from where it spread to Parthia (1st c. B.C.), Tillia Tepe (first quarter of the 1st c. A.D.), and to Sarmatia (last quarter of the 1st c. A.D.): another 100% Hungarian innovation. (“Afganistan, i tesori ritrovati”)

Tillia Tepe Azov

025

Innovazione tecnologica

CONES AND CONICAL SPIRALS

Cones

Trypillia Pannonia, 3 cones:

a pregnant belly and a breast?

South Germany, North

Pannonia

Sarmatia? kelermess

Tillia Tepe

Tagar

Tarim Basin

026

Con i ca

l

Kӧrӧs

Trypillia

Mycenae

Pannonia

Sumeria

027

Con i ca l

Unetice, DE, Pannonia

Tarim Basin

Cimmeria, East Pannonia Lemnos

028

Cones could be the representation of the breast, as the Lemnos artefact could suggest: breast, belly/uterus, and vulva are all in the right place, as they are in the Magyar artefact, to which a head and an angular twined spiral have been added. The holes and the dark dots in the place of the nipples in several of these artefacts do confirm the hypothesis. Moreover, the pre-Indo-Europeans of the Aegean region did use to decorate the breast with sacred spirals: Delphi (GR) archaeological museum, red haired, 525 B.C ETRURIA

Samos, Staatliche Museen, Berlin (DE), 500 B.C.

TWINNED SPIRALS DESIGN, THE “TORQUE” Twi nned

Pannonia

Assur

Serbia Cimmer

These twinned designs were not the decoration but the subject itself - a sacred symbol.

Twinned design, cross of hearts, crown of spirals, Isten, 6>8 dotted circles (Silk, Tarim Basin, M. A. Stein) →

029

Twi nned

Etruria

Serbia

eire

030

Twi nned

Ur

“Celtic”

Pannoniberia Hittite, +crown of spirals Celtic “Torques”, twinned

031

“Torque” is a misused term that has become synonym of “bracelets and collars of any kind”, which finally have all been attributed to the “Indo-European” Celts. “Torque” is a French term that is used instead of “twisted”. “Torque” should be banned from the archaeological jargon because it is misleading. Actually you can twist a single wire around its axis and in this case you have a Hungarian bracelet or collar (left, Belfast, Eire). I call these artefacts “twisted”. This kind of artefacts has been found in Bronze Age Pannonia and in Magna Pannonia first, and came back from the Altai with the Kipčak (see line 39). You can also twist 2 or more wires together and in this case you have a Celtic artefact because this kind of artefacts was only used by Celts, even deriving from a Pannonico sacred

symbol. I call this artefact “twinned” (coupled, mated wires). (The Magyars, at the time of the Honfoglalás, came back with similar bracelets, which anyway were strictly made of 3 wires, and some of them had a spiral finial, see line 42). Bracelets or collars like the Vix one (right) have also been labelled “torque”, even being not twisted or twined at all!. The Vix type collar was the modification of very popular Pannonico Bronze Age collars, with the replacement of the spiral finial with sphere or circle finials. The Celts were Celts when they lived in their Urheimat, but they should be called Celto-Pannonici, after they were acculturated in the Carpathian Basin.

SPIRAL IDOLS, FINGER RINGS, AND BRACELETS OF PANNONIA AND MAGNA PANNONIA

Idol

6

Pann 6 BG, 3x12

Bronze Age, Pest County

Merv, 6 Tagar, 3

Saka Tarim Basin, 6

Turkestan

Nordia dove insegna

come

RO RUBATO DACICO

032

Idol

3

Kӧrӧs

Ur

Portugal, Pannoniberia

Oxiana

Britannia

033

Mu l t i l ooped

UA

Unetice

DE Nebra

HU

Sicily

Sarmatia

Many spiral bracelets are made of 3, 6, 9, or 12 loops, the Hungarian made ones particularly. It appears that the Pannonici manufactured and exported rolls of wire (found in hoards), from which the foreign clients would cut and finish their bracelets.

034

Nebra

DE

Two bronze multilooped spiral bracelets have been found together with the Nebra disk calendar, which contained 3x10 stars, 7 of which appear to be the Pleiades: was the 6 circles design a representation of the Pleiades, the urheimat of the Hungarians? The 6 circle design (found in England and attributed to the Celts) is made of dotted circles and trees of life: it must be Hungarian, maybe Sarmatian. Maybe Pannonico See “Honfoglalas...”, page 85, for more on Nebra.

035

Cookham, Surrey, UK,

600-550 B.C. British

Museum

Hsiung hun

Etrusc

Mu l t i l ooped

Český Krumlov, Pannonia 6

Pazyryk

Andronovo

Most Pannonico made bracelets had spiral finials. Later on, the Scythians replaced the spiral finial with animals, mainly stags (animal style). Protomes of lions as finials of bracelets belong to the Arya-Semite-Mongol art.

036

Mu l tloo

Scythia, UA

Etruria

Scythia and

Romania

HU RO

RUBATO ro DACICO

037

Mu l t i l oop

Indus Pannoniberia

Chudia, +800

The Russians, during their wars for the subjugation of the Xanti-Mansi, looted a silver spiral bracelet. They were looking for a huge Mother Isten statue, made of pure gold (Wikipedia).

038

Con i ca l

Pannonia

GR

Nebra, Unetice,DE

Koban

Pazyryk, 9

pakistan 039

Bent F i n i a l l

Pannoniberia,

PT

Thrace

Nimrud, -750

040

Pannonia

Pin, South Pannonia, RO

Cassiteridi +uk,

see linetesti di libro

Altro in celtic text

Armilla etrusca 041

3 C i r cl Ope

Koban

Pazyryk 3

042

CircleOpen

Eire,6 UA3 3

043

Twi s ted

← Pannonia, Erdely, Scythia, Anglia, Cimmeria,

Pannoniberia, Holland, Eire

Twisted bracelets belong to the Pannonico tradition. Twinned bracelets to the Celtic one. Torques (Twinned Celtic bracelets) became popular only after the middle of the 1st Millennium B.C., when the Celts differentiated from the Pannonici. Whatever has been found in Europe and has been dated before 500 B.C. cannot be labelled Celtic, or “torque” if its design already existed in Pannonia throughout the previous millennia.

Kipçak, HU

044

An ima l Sty l e

Sarmatia

Peter’s collection Hunnish

Tarim Basin, Bergman

Tillia Tepe

045

Sp i r

a lFinial

Nordia, animal style

Sarmatia Petroasa

046

Honfogl

alá

Honfoglalás time 3 wire twinned bracelets have not been found only in Hungary, but also in Chudia, the large area of Europe where the Ugro-Finns lived before being assimilated and/or

exterminated by the Slavs, in the Middle Ages. Petroasa

RO, Cercetări Arheologice

Chernigov, +1200

Chudia (Drevnaya Rus)

Honfoglalás

047

CROWNS OF SPIRALS OF MAGNA PANNONIA Crown

Lupa

sasanian

048

Ceco avar

ROmania

mausolos

Quelle di varese

Vix, Celto-Pannonico Princess

Crown

Messapia, IT

Mycenae

Lemnos

←

→

Azov, Sarmatia Illiria, 8th A.D., Avar?

049

Crown

← ↑ Etruria →

East Iran

Piazza Armerina, Sicily, 6

050

Crown

Andronovo, angular

Nordia, spiraliform

Malta

M

Malta

←Malta Sicily

Tarim Basin

051

CrownSpiral

Roman Pannónia, floor decorations. “Pannonia Regészéte” Gáspár Dorottya

Pazyryk,

Hermitage

056

Crown

Delos, GR, + 6 ray Sun

Crown +rhombuses +ionic

Pella, Macedonia Etruria (+1300, + 3 circles)

057

Celtiberian

niya Notre dame

kazak

Crown

Pannoniberia

Georgia

dacia Basse yutz francia british mus

058

Crow

n

Aegean

Spain, transitional

Syncretic Tarim

059

Etruscan Goddess temple

Lemnos

Crowns of spirals on top of temples and houses in: Etruria; Lemnos; Angers, Anjou; Tarim Basin; Erdely (picture taken from a panel at the 2008 MVSZ Congress). Lemnos, is an island located in front of Troy, and is in the area with the highest genetic kinship with Etruria (Semino, Pavia University, IT).

Greek Key

Crown of spirals, Hellades

Delos, transitional

Celtic key, Halstatt

Zhou “Greek” key

062

SEE

VARESE SZEKELY

Greek key and crown of spirals are markers that can be reliably be used to discriminate old european artefacts and cultures from Indo-Semite-Mongol artefacts.

THE PAZYRYK CROWN OF SPIRALS

M arc Polo

061

↑ The Pazyryk carpet celebrates the first meeting of a European (whose “jacket” is decorated with a crown of spirals) with a Chinese

king (whose “kimono” is decorated with Zhou Dynasty scattered spirals. The phenotypes and the garments, including the kacagany, confirm the hypothesis. ↑ The crowns of spirals evolved into “Arya-Semite-Mongol keys” when the spiral shape was modified into an

angular design, not only in Europe but also in China. See line

THE SARMATIAN CROWN OF SPIRALS

Sarmatian

Bronze Age Pannonia Sarmatian Honfoglalás

Silk road branch, from the Tarim Basin to China

(Gan Su)

Crown of spirals on the Sarmatian peculiarly

arranged cargo

Sarmatia, cargo with crown

of spirals (“Nomads of the Eurasian

steppes”)

Evidence that the Sarmatians were travelling the silk road, before migrating westward, is also in the fact that camels decorated several of their artefacts. Camel, belt bucle, Hermitage (right): from the Hermitage label of the image: “zoomorphic composition enclosed with a frame, well known in Siberia in Saka times (5th and 6th centuries BC)” “this motif is not to be found in the art of the North Pontic area up to the 2nd century BC” [the silk road is open] “the greatest number of camel bones has been found in the town of Tanais” [the western terminal of the northern Silk Road]. The Sarmatians were good

goldsmiths. The large availability of gold may be due to the fact that they were overpaid in gold by the Chinese, who considered not gold but bronze to be a precious metal. The Sarmatians (Jazigs, Aorsi, Alans, and Roxolani according to Strabonius) made up the first wave of Hungarians coming back home (Sarmatian tamgas, in the Mother Isten shape). The bow on the left is from Niya, Tarim Basin. Similar bows have been found in

Sarmatian graves. (after “Legacy of the desert king”, China National Silk Museum, Hangzhou, 2000). “As early as 69 AD several princes of the Iaziges had been taken into Roman pay. In AD 175, Marcus Aurelius exiled 5,500 Sarmatian horsemen to Anglia. (“The Sarmatians, 600 BC - AD 450”, Richard Brzezinski, Mariusz Mielczarek, Gerry Embleton). In Britannia, a medaillon with a representation of a heart cross of Istens has been found

(right). Did it belong to a Sarmatian? It is similar to a Honfoglalás cross of Istens and it it is the missing ring of the evolution chain from the Etruscan cross of Istens and the Hunfoglalas crosses of hearts. See also “Mushrooms” in the “Art designs” abstract, “Sarmatian hornids” in “Mother Isten” and all the other images of Sarmatian artefacts that are scattered in all the images abstracts.

CROWN OF CURLS

CrownCurls

Crete Mycenae

Cyprus

Etruscan

Messapia, IT

052

Sumer

Vulci, Etruria, -535

Vix, F

Neapolis Macedonia , 510 B.C

Sassanid

The early Greek and Etruscan Gorgonas had crowns of curls which became crowns

of snakes when the gorgona was indo-Europeanized. Link con hoard macedone hit

and run armorica

messapi

John Hooker, “Celtic Improvisations”, Coriosolite and Jersey, Armorica, coins, 1st century B.C.: crown of curls, dotted circle…

CrownCurls

Mitridates, 9

Avar, 6 Greco–Schythia, 8 Tarim Basin, 6

Tarim Basin, 9 holes

Parliament, Budapest

053

The early metal Age Hungarians decorated their homes with heads of sacred animals, the Celts with the skulls of the enemies killed in battle, Imre Steindl (the designer of the Hungarian Parliament) decorated the Parlament with sacred heads of men.

Crown Curl

Pazyryk, 9 Tillia Tepe, 6

Avar Longobard, 6

Holy Crown, 6

055

Tiwanaka, Bolivia

HORNS AND ANTLERS Antlers

Celtic, w/ real “torque”

Pazyryk Aržan

Ostyak/Samoyed 063

Antl

ers

Pannonia Tagar

Honfoglalás, MNM

Berel and Pazyryk

Pazyryk Heroes’ Sq., Pest (Zs. H.)

064

Horns

The first 2 artefacts on the left are Celtic: the Pannonico antlers had become meaningless and undefined Celtic horns. The other image (Stelvio, IT) is transitional Celto-Pannonico: the shield is decorated with a spiral Pregnant Isten. The big belly is in high relief on both shields as it was on the shields of populations who lived east of Etruria. The Chieftain is holding in his right arm an Isten similar to Istens found in Terramare (IT) and in Afghanistan; he wears a conical headdress, decorated with horns (of a stag?). The frame is decorated with a crown of triangles (alternative to crowns of spirals, which also have been found in Etruria).

Astonishingly, many representations of panthers and/or tigers have been found in Pazyrykia. The fact that a Pazyryk panther/tiger with stag horns has been found there, proves indeed that this animal was a sacred animal, as the horse was, in Pazyrykia. This is another clue of the Hunnish influence in Pazyrykia.

065

DEER STONES Deer Stones

Xin Jiang Mongolia Mongolia Mongolia

066

Low carved deer stones have only been found in Cimmeria (1300-600 B.C), in the Northern Caucasus, and, in a larger number, in Pazyrykia (Altay, Southern Siberia, and Northern Western Mongolia). Many stones show a circle on top, some are decorated with spiraliform motifs (transitional), other ones with humans and weapons (non Hungarian).

“Cimmerian ruins [from the Elbe to the Koban rivers!] also show deer stones and they were known to have expanded into the Mongolian area and other areas” Wikipedia[citation needed]. The Xin Jiang deer stone (above) is from Qiaerger, Fuyun county, (not far from Berel); it is in the Ili Kazak Autonomous Prefecture Museum of Yining, Xin Jiang, CN. The Xin Jiang deer stones have even a specific name: “Lushi”. Left image: Tagar 8th c. B.C. bronze stags. On the right, a typical Fuyun county carpet: a cross of Heart Istens! This cross of Isten is Mongol-Hunnish: the Mongol-Huns never understood the meaning of this symbol: in fact they put the 4 heads, instead of the offspring, in the centre of the design: those Istens (“2 finger foot Istens”) are upside down! Vitaly V. Volkov: “The Scytho-Saka-Siberian culture was preceded by a Karasuk-Cimmerian

[Tagar-Pannonico!] community which was evidently not expressed [archaeologically unproved, therefore inexistent!?]. This Karasuk community served as the foundation for the development of early nomadic cultures in the Eurasian great steppe belt.” (Nomads of the Eurasian Steppes in the Early Iron Age, Jeannine Davis-Kimball, Zinat Press Berkeley, CA, USA). Why Vitaly does not say that everything started in Central Europe and moved to Siberia? Because no bloody Hungarian archaeologist ever told Vitaly that whatever has been found in the Minusinsk Basin existed already, “well expressed”, long before, in the Carpathian Basin! Because Bakai Kornel (“The Tagar-Tashtyk culture was already Hungarian”), who studied archaeology in Sankt Petersburg, as far as I know, has endorsed the “All-Russian” theory of Vitaly and has even taught it to Grandpierre Attila, who is also convinced that there was a East>West migration, which brought civilization to the Carpathia! Actually, the Altaian deer stones had 94% of their features in common with the European stones! Instead, the Mongolian and Transbaikalian stelae had 89% of the features different from the Euro-Altaian ones, and Volkov himself defines them “Mongolic”. (Note that genetics has reliably proved that Cis-Baikalia was inhabited by R1a Hungarians and Trans-Baikalia by Mongols). In other words: the Mongols copied the idea of the stone, but put on it their ideology. Europeans brought the deer stones to Asia, not the Mongols brought them to Europe. The Mongols (and the Huns) adopted Hungarian designs that they bent to their Culture (in this case adding anthropomorphic images and weaponry). Westerners (Indo-Europeans, according to Mair!) influenced not only the Mongols, but also Shang China (See “Western Cultural Innovations in China, 1200 B.C.”, Edward L. Shaughnessy and Victor H. Mair, University of Pennsilvania editions). Oh my dear Victor! Soon the Chinese shall replace the Indo-Europeans in the leadership of the world and your name shall be deleted from history. Instead, if the Chinese will write history in the same way as the Indo-Europeans did, Vitaly could become a Hero of China, when the new history shall be written: “Everything started around the Yang Tze Kiang and from there the Karasuk-Cimmerians brought civilization to the West.”

V SHAPE sono 4 V Shape

← Lecce,

Messapia,IT

067

V Shape

DE Tagar, 3

068

Andronovo

3 V Shape

Pannonia, 3, 6+triangle

Teesside, Britannia

Sicily

Tagar

069

COMA SHAPE Coma

Shape

Holy crown Filippovka, South Ural

070

TREE OF LIFE Tree Of L i f e

Sumeria, 3x2+1

Pannonia, Calcholitic

+V, + 3lines, 6 rays

?, 3x2Ugarit

6x2 branches. + 3 dots

071

Crete

Sicily, +3 lines

+3 V

Hearts, 3x2

“Swiss Huns”, 6x2

Troy Schhliemann 12

Troy Schhliemann 3x2 Sassania 3x2

Badshahi, Lahore, PK

Honfoglalas

Irish e sud america

Tarim

Basin

6x2

072

Hungarian Fertility Idols found in the Tarim Basin by M. A. Stein (“Ancient Khotan”, Vol. 2). These fertility symbols show on their belly the same tree of life that can be seen on the Honfoglalás “tulip” with a uterus and a tree of life on their belly. Maybe Enrico Fermi was right when he said that the Hungarians ... came from the Pleiades. However, they must have landed in the Tarim Basin, before migrating to the Carpathian Basin, otherwise where would they have learnt, in the 9th century A.D., to use trees of life as fertility symbols? The only trees of life, which are certainly trees of life, are the Hungarian ones: they are rooted in the nipples, umbilicus,

vulva, or uterus, where the miracle of life starts. Castagneto di Canossa

TreeOf L i f e

Tree + birds + heart leaves

Sarmatia, +Turul and

pendants

073

BREAST CROSS

Breast

Cross

SICILY

PANN

“Hittite”

Honfoglalás táltos Orthodox táltos

The author, a semitáltos

074

Roman Britannia, 9, right, British Museum The Pannonico táltos has a woman breast. The “Hittite priestess” (Contraddiction in terms!), with a woman breast, has a non Indo-European phenotype and has maybe spiral bracelets around her arms. “The táltos is not a shaman: The shamans learn to be shamans, while táltos get their power during prenatal period, they "know"

everything once born. The shamans use external materials to go into mediation, táltos can do "révülés" without anything. In

fact táltos look like ordinary people. The shamans usually do some kind of acting (dancing, mumbling, etc.) when they are in "operation", while táltos are always

without any movement or sound. The shaman tradition is without horse, while táltos tradition is tied to "táltos horse".

The táltos has a personalised mission in life from God.” (Wikipedia) Were the Etruscan Haruspices and Rasputin... táltosok, as Kampó was? (“Kampó ate lunch in Buda at the same table as King Matthias” as Rasputin did at the table of Czar Nicholas).

OTHER SYMBOLS OF SACREDNESS

Om

ega

Shape

DE Cimmeria↓

Cimmeria

Thessaly

Thrace

Aržan

Tagar

075

See capitals

etruria Russia

Ori romania Abashevo

mycenae

Neck

Celtic

In the Bronze Age, the Pannonici wore the double spiral sacred symbol exactly as the Celts will do later on, and in the same way as we wear Christian Crosses today.

076

Front

SE

HU

Indus Celtic

Kushans

Tillia Tepe

077

Y i n

Yang

Trypillia

Celtic, x2, +twinned, + spiral,

+ druid and 4 stones around him

(cardinal directions), = syncretic

Daoism symbol

078

T

otem

Poles

Minusinsk, Kiszely Xanti-Mansi, 1964 Ainu

Stanley Park, Vancouver, CA, Amerindian

0

79

At the Northern borders of the Hungarian Cultural area in Eurasia, where the Hungarians met the arctic peoples, some totem poles have been found. The above totem poles cannot be labeled “Hungarian”, because a cultural marker, in order to be labeled “Hungarian”, must have survived at least 2 millennia and have traveled all the way from Bronze Age Pannonia, through Pazyrykia and Arsia, back to the Carpathian Basin. In no way the Kiszely Minusinsk totems can be Hungarian: they include anthropomorphic subjects. Those Totem Poles, together with the teepee, were brought by Amerindians (Y chromosome Q), who had migrated back to Eurasia along the shores

of the Arctic Ocean and who had intermingled with the Eurasian Arctic populations (Y Chromosome N). If you leave out the large admixture of Y chromosome N in the genetic pool of the Finns, you find out that, before that admixture, the Finns could well have been Hungarians. The Saami migrated to Lapponia coming from the East (Smithsonian Institution) about 2-4 millennia ago. For the Y chromosomes data, see McDonald at www.scs.uiuc.edu. Furthermore, even if there are a few totems in Ainu museums, it is said that the Totem Poles did not belong to the cultural DNA of the Ainu, who now carve Totem Poles only because they are easily sold to American tourists. The fact that Amerindian Totem Poles often carry Hungarian symbols is a more complex story that shall be dealt with in a further book.

SACRED NUMBERS: 3, 6, 9, 12… 3.n 3

messapia SU CAPITELLO

PRIMITIVE

Sz korona 080

Triangl es

Ur

Pannoniberia Etruria

081

3 Circles

Indus

Egypt

Avar

Transitional

089

3 Mushroom

Hungarian Cauldrons: 3 “mushrooms” and circular handles. (See “Pre-Indo-European rites” for more) Could be the representation of the Mother Isten: a circular big belly, 2 arms and 1 head. UA

Tagar Altai Shaanxi, CN

090

3

Handl es GR DE UA

The sacredness of the number 3 was such that the Hungarians produced these ergonomic monsters: a heavy 3 handle vessel is uncomfortable to handle, it can only be comfortably hung. In fact, the Ukrainian one has handling and hanging handles.

091

3 CIRCLES

3 +

Dot ted

Terramare Cimmeria, 3+6 Pazyryk, 3+6 Tarim Basin Honfoglalás, 3+9 Etruscans sZEKELY

082

3

Circles

Terramare

Pannonia

Koban

Pazyryk

083

3

Circles

South Germany, Pannonia Dodo Kot, Arsia

Tarsoly, Honfoglalás

Fishermen Mkt, Buda

Not a Christian Cross!

084

3

Circles

← Kӧrӧs, Trypillia

celtic

SZ Korona Sarmation +

HU Embroidery archetype

Erdély

0

85

3

Circles

Sicily

Anello di

kelermess

Were the 3 circle designs the symbolic representation of the pregnant Mother Goddess (breast + belly)? (Why not? See the Piceno artefact in the next line)

Tibetan Triratna + “tulip”

+ crown of spirals

0

8

6

3

Circles

“Armour”, Piceno, IT

Scythia ↑ → Etruria

0

8

7

3

Ci

rcles

3 circoli sarmati

tiliia tepe

crown

va

vicino a sarmata

Etruria(+1300, +spiral c)

088

SK Honf

3 RAY SUN (Triskelion) 3

Ray

Sun

Greek Isten & triskelion

092

Linzi, CN

3

Ray

S

un

Scythian, 6

093

Tamgas

Ukr kreshatik

SZEKELY MUS

Russia romania

6

Steps

The Saqqara pyramids were made of 6 steps. The tombs of Cyrus in Pasargad, and of Micipsa in Tunisia, were on top of 6 steps (the one of Micipsa has 5 steps but 6 layers of stones.

094

6 DOTTED CIRCLES 2x6

Pannonia Anglia

Pannonia

erdely Mükéné,

6

Oka, Csúdfold (6)

Honfoglalás RomANIA

018

6

Dot ted 3+3+? Hittite Terramare

3+6 Kimmeria

3+6 Pazyryk

Tarim Basin

3+9 Honfoglalás

Hittite, 6?

Finnic, oka hist

moscow

RUBATO IN RO shajing Mosuo

6 cerchi in fila di 3

6 PETALS

6 Petal s

Afghanistan→

095

6 Petal s

Mycenae

Kelermes, Caucasus

Tillia Tepe

Bihar, India

Arpad Dynasty crown

096

6 Petal s

3

Mycenae

Avar

+ “tulip”

Embroidery archetype

Tarsoly 7

097

6 CIRCLES, PLEIADES 6 Ci

rc les

Phaistos, x14+2

Sul tarsoly

russia

098

Kӧrӧs: maybe

not the Pleiades, but a good mirror map of them

Saka

Tarim basin

Avar Long, Benevento

Hungarian Kapu

Pannonia

Pannonia Linzi, CN

Parthia (Onderwijs Coll.) Erdely, S. Pannonia, RO

6 Ci rc l es

Odessa

Britannia, Sarmatian

Tamga, 7

099

6 Ci rc l es

Etruscan

Pleiades, Nebra disk

Sarmatia, 6/8 Tarim Basin, 9

100

6 RAY SUN 6Sp

i ral Sun

←Segesvar

Mycenae Celtic Sarmatian ro

Pannoniberia

Avar Longobard, diadem

Miskolc, 9

101

6 Spi ral Sun

Uyghur

Hungary, 9

102

The 6 Spiral Ray Sun migrated from Hungary to Pazyryk, unchanged; in the Tarim Basin the rays became 7, because 7 was a sacred number in Central Asia; it came back to Hungary with the 6 original rays and still decorates the Kapuk and the entrances of some ancient homes. The Uyghurs copied the design that they had found in the Tarim Basin and they thought it was a flower. Also some Hungarians (maybe of Hunnish descent!) misunderstood the meaning of the symbol and they decorated plates with flowers with spiraliform petals, which, as far as I know, do not exist! (The Hungarian Flower Sun is in a restaurant not far from the Magyar Nemzeti Muzeum). This symbol was condemned to the same fate as the Mother Isten was: both became flowers.

6

Rays

10

3

See lines 082-085 of “The Mother Isten” abstract for more 6 Ray Suns

THE 6 RAY SUN RESTAURANT OF THE HUNGARIAN ACADEMY

Zutu-Garla M.

Troy

Sarmatia, Trajan column Pakistan folk Art Honfoglalás (Kiszely I.)

Honfoglalás

6 Sugarú Nap

This design was popular in bronze Age Pannonia (Müller-Karpe, “Handbuch der Vorgeschichte”, et alia), but not in the rest of Eurasia. The original Pannonico design had 6 rays made out of 3 lines. This design is still alive in the tribal folk art of Pakistan (formerly Arsia, the Oshaza of the Hungarians, plate with 6 circles design (Pleiades), 6 ray Sun, rhombuses, dotted circles). The Magyars and the Sarmatians were the only people not to have forgotten it. The Sarmatians arrived in the Carpathian Basin, pushed by the incoming Huns. The Sarmatian tribes were: Yazigs, Rhoxolani, Siraki, and Aorsi (Strabo). The Aorsi and the Jazigs could have been the first wave of Hungarians to resettle in the Carpathian Basin (and they did not speak an Indo-Iranian language, as the EU would like they to have done!).

“Akadémia Klub”, in Roosevelt tér 9, is the MTA restaurant, in Budapest,. Their motto is “Art and Science

of Hospitality”. Their testimonial is Dr. Károly Molnár, Prime Minister’s Office Minister without Portfolio in

Charge of R&D.

I have been told that they have been able to reconstruct, through very sophisticated linguistic methods,

ancient recipes of the Yugrans, the ancestors of the Hungarians. They use these recipes to cook the

highlight dishes of their menu, but I do not believe it!

They are very proud of their logo (left) and they defend it with high technology informatics: I have not

been able to copy, or save, or drag that image to my computer; I had to take a photo of the computer

screen in order to be able to show you what we are talking about. I have also been told that

archaeologists of the Hungarian Academy of Sciences are the designers of the logo. I suppose that a

special Committee of “supreme” archaeologists, who for decades had excavated Yugra, has been

requested to choose, among the thousands (!?) of Hungarian finds excavated in the Siberian Öshaza, the design that would better

represent a Hungarian traditional plate. I was wrong!

Dear Prof. Károly Molnár! That committee has cheated you! That committee has not been inspired by any find coming from Yugra, but by a folk art Pakistani plate containing Pannonico-Arsian

sacred symbols: 6 ray Sun, 6 circles design, dotted circle: all these designs had originated from Pannonia and had come back to

Hungary from Arsia, not from Yugra! What that committee did was simply replacing the central 6 ray Sun with a dotted circle, moving

the 6 circles from the very centre of the Pakistani design to the external area of the 6 ray Sun (where in the Pakistani plate are 6

rhombuses), and adding again the 6 circles out of the external circle of the plate!

How can a scientific institution, that dogmatically asserts that the Hungarians were Yugrans, have used Pannonico sacred symbols to

prove the Yugran descent of the Hungarians? As simple as this: cultural DNA never lies! Those scholars of the committee could not lie

to their cultural DNA.

(The original plate and the address of the Pakistani shop are at your disposal for your perusal).

104