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Twenty-third Sunday in Ordinary Time September 8, 2019 Saint Agnes Catholic Church Arlington, Virginia Whoever does not carry his own cross and come after me cannot be my disciple.

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Page 1: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

Tw

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Saint Agnes Catholic Church Arlington, Virginia

“Whoever does not carry his own cross and come after me

cannot be my disciple.”

Page 2: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

T w e n t y - t h i r d S u n d a y i n O r d i n a r y T i m e

P a r i s h I n f o r m a t i o n

Parish Clergy Pastor: Rev. Frederick H. Edlefsen

Parochial Vicar: Rev. Scott Sina

In residence: Rev. Cedric M. Wilson, O.S.A.

In residence: Rev. Thomas Nguyen

Parish Office 1910 N. Randolph Street • Arlington, VA 22207-3046

Office Hours: M-F 8:00 am – 4:00 pm

Phone: 703-525-1166 • Fax: 703-243-2840

Website: www.saintagnes.org

Parish Office Personnel

Inquiries: [email protected]

Business Manager: Meg McKnight ([email protected])

Director of Outreach and Communications: Suzanne Rogers

([email protected])

Facilities Manager: Katie Howell ([email protected])

Program Coordinator, Protection of Children: Joan Biehler

([email protected])

Coordinator of Adoration, Security & Logistics: Michael Sirotniak

([email protected])

Accounting: Lucy Estrada ([email protected])

Administrative Assistant: Ligia Santos ([email protected])

Ministry and Communications Assistant: Loree Lopez

([email protected])

Faith Formation Office Director (DFF): Marie Macnamara ([email protected])

Phone: 703-527-1129

Youth and Young Adult Ministry Youth and Young Adults Coordinator: Mackenzie Jardell

([email protected]) Phone: 703-527-1129

Liturgical Music Director, Saint Agnes Ensemble: Richard Lolich

School 2024 N. Randolph Street • Arlington, VA 22207-3031

Phone: 703-527-5423 • Fax 703-525-4689

Principal: Jennifer Kuzdzal ([email protected])

Assistant Principal: Ann Reid ([email protected])

Liturgy at Saint Agnes

Sunday Mass Saturday: 5:00 pm (Vigil)

Sunday: 7:30 am, 9:00 am, 10:30 am (High Mass), 12:00 pm

Holy Days As Announced

Weekday Mass Monday – Friday: 6:30 am, 9:00 am (Rosary after 9:00 am Mass)

Saturday: 7:30 am, 9:00 am (Rosary after 9:00 am Mass)

Monday: 7:00 pm (in Spanish)

Sacrament of Penance

Saturday: 8:00 am-9:00 am; 3:00 pm–4:00 pm or by appointment

This Week’s Mass Intentions

September Twenty-Third Week in Ordinary Time

M 9 Saint Peter Claver, Priest

6:30 am Rev. Charles Smith (Melanie Rigney)

9:00 am Walter Brown (Irene Brown)

T 10 Twenty-Third Tuesday in OT

6:30 am Paul Kovacs (Cooleen Family)

9:00 am Symantha Milton (John Milton)

W 11 Twenty-Third Wednesday in OT

6:30 am Al Walters (Katy Norton)

9:00 am Francis Colangelo (Charlotte Markoe)

Th 12 The Most Holy Name of Mary

6:30 am Taras Drohobycky (Sloniewsky Family)

9:00 am Ruth Gibbons (Jane and Hank Goetzman)

F 13 Saint John Chrysostom, Bishop, Doctor of

the Church

6:30 am George Gerhard & sister (Sandra Gerhard)

9:00 am John T. Miller, Jr. (Rev. Frederick Edlefsen)

Sa 14 THE EXALTATION OF THE HOLY CROSS

7:30 am St. John Paul, II (Laranjeira Family)

9:00 am John Albright (Margaret B. Kemp & Family)

Vigil Twenty-Fourth Sunday in OT

5:00 pm Viola George (Holly George)

Su 15 Twenty-Fourth Sunday in OT

7:30 am Manuel Santos (Santos Family)

9:00 am Lennye McCormick (Cacci Family)

10:30 am Pastor’s Intention: For All Parishioners

12:00 pm Nélida Félix & Gamal Gonzalez

(Lilia Irizarry) indicates person is deceased

Sunday Mass Readings:

Twenty-third Sunday of Ordinary Time

WIS 9:13-18 b; PS 90:3-6, 12-17

PHLM 9-10, 12-17; LK 14:25-33

Page 3: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

The Romantic Sensibility of Jerome Kern

Pastor’s Column — Rev. Frederick Edlefsen

Officially, my tenth birthday was in 1975. But I

turned ten in 1955, like some of my friends.

Others turned ten in 1970, despite all of us having

been born in 1965. Visiting my grandparents took

us to 1945, via a time machine known as a car. On

Mondays, I entered 1965 because my fifth grade

teacher was like that. However, third grade was in

1935 because of Mrs. Wright. She once asked for a

volunteer to stand up and sing a song before the

bell. Craig stood up. He sang “Loco-Motion” and

did a boogie. “Everybody's doing a brand-new dance,

now / Come on baby, do the loco-motion / I know you'll

get to like it if you give it a chance now / Come on baby,

do the loco-motion…” Craig was doing 1962-1972

all at once in 1973. Mrs. Wright told Craig to sit

down. That was 1935 putting the nix on 1962-1972.

For Western Civilization, the twentieth century

was not “a time.” It was a clash of sensibilities. A

time – a year or a decade – is not just a number on

the Gregorian calendar. It’s a sensibility.

Music forms and expresses sensibility. I grew up

in “1955,” musically. “1955” is a metaphor for a

popular musical sensibility from 1945-1965. It was

romantic, un-synthesized, whimsical and witty.

Dad started in radio in the late ‘50s, which may as

well have been the late ‘40s. He stayed in the

business until 1968 when, for radio, the ‘40s ended.

Music’s “feel” was changing not just with rock-n-

roll (which at first had a conservative sensibility)

but with the advent of the Moog synthesizer.

When dad left WNNJ, he inherited a library of

vinyls discarded by the station. Therefore, despite

the forthcoming 1970s, our home’s musical

atmosphere remained in “1955,” or pre-Moog. It

was a world of easy romantic sensibility, begotten

by the light opera of American musical theatre, an

offspring of 19th century romanticism. Among the

formateurs of this metaphorical “1955” was

composer Jerome Kern (1885-1945). Richard

Rodgers – of Rodgers and Hammerstein fame –

Page 4: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

encountered Kern’s early music when he was

thirteen years old. Reflecting on Kern’s 1915-1920

compositions, Rodgers wrote this in his

autobiography: “It was his own – the first truly

American theatre music – and it pointed the way I

wanted to be led….The lyrics floated out with

clarity, and there was good humor as well as

sentiment in the use of instruments. Actually, I was

watching and listening to the beginning of a new

form of musical theatre in this country.”

A founding father of the American musical, Jerome

Kern composed 1300+ songs, mostly for stage,

though no one knows for sure how many. About

forty-six of his songs are now readily found in

print. Most were first sung on stage or screen.

He’s most famous for his scores in the 1927 musical

Show Boat. Like Taylor Port wine from Upstate

New York, made from Concord grapes, his works

are Americana in all its sweet and sentimental

beauty and shame, signified and sung in a powerful

ballad like “Ol’ Man River.” Kern wrote the music

and Oscar Hammerstein the lyrics. It’s been said

that Kern and Hammerstein were America’s

greatest composer team. Kern’s mystique has much

to do with what we don’t know. There are no

extant recordings of the original casts performing

his Broadway musicals. No one knows what Kern’s

songs sounded like in a New York stage debut.

Like medieval church music, much of what we

know about Kern comes from secondary and

popularized renditions. For example, Fred Astaire

performed Kern’s music not to mimic what he

heard on stage, but for the purposes of popular

song and dance. It was the budding age of radio,

screen and – not long in coming – television.

Listen to songs like “A Fine Romance,” “All the

Things You Are,” “The Way You Look Tonight,”

“Long Ago and Far Away,” “Smoke Gets in Your

Eyes,” “The Song is You” and “Look for the Silver

Lining.” These are Kern’s best-known pop-

masterpieces, all written for stage or film musicals.

They also hit the big bands. A favorite of mine is

Artie Shaw’s rendition of “All the Things You

Are.” Kern’s tunes formed pop-music’s sensibility

of the post World War II era (1945-1965), sung by

mostly female vocalists of big band genesis. To

name a few and a tune: Jo Stafford (“Long Ago an

Far Away”), Ella Fitzgerald (“A Fine Romance”),

and the jazzy Keely Smith (“All the Things You

Are”). Even in the mid-60s, the hip light-rock of

the smooth-and-goofy British Invasion duo, Chad

and Jeremy, could manage “The Way You Look

Tonight.” Margaret Whiting may be Kern’s most

privileged soloist. In her 1960 album, Margaret

Whiting Sings the Jerome Kern Songbook, she

elegantly recorded some of Kern’s extant

repertoire. Among its rare gems is the melancholic

romance, “Poor Pierrot,” lyricked by Otto Harbach.

It’s a takeoff on the animated tale in Charles-Emile

Renauld’s 1892 film (among the earliest), “Pauvre

Pierrot.” The song “Poor Pierrot” was first

performed in 1931 by Peter Chambers and Lucette

Valsey in the allegedly “under-appreciated and

undeservedly obscure” play The Cat and the Fiddle.

George Byron recorded it in 1957. But Whiting put

it out there, even for today’s age of Apple Music.

“Poor Pierrot loved his fair Pierrette. Golden the glow of

the happy hour when they met....What heaven they knew

only lovers may know….How should he know that a girl

may vow then forget… What hell rages in one’s heart

none may know….” And then, there’s “Bill” – a song

written in 1917 for the musical Oh, Lady! Lady!! –

which was composed by Kern and lyricked by

English humorist, P. G. Wodehouse: “Oh, I can't

explain / It's surely not his brain / That makes me

thrill / I love him / Because he's... I don't know / Because

he's just my Bill.” That’s a poetic joke. Put it to

Kern’s music, it magically becomes romance.

G. K. Chesterton said, “A madman is not someone

who has lost his reason but someone who has lost

everything but his reason.” A maddened world is a

Twenty-third Sunday in

Ordinary Time

Pastor’s Column

Continued

Page 5: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

world of “reasons” without cultivated sensibilities.

Sanity is a sentiment before it’s a thought. It can’t

be explained. It’s cultivated by human affection,

nature, music and – most importantly – by God’s

grace. Sensibility starts in childhood and grows

within like a vine – often unawares – through

perilous paths in adolescence and adulthood and

into maturity. Noble and romantic sentiments in

music powerfully form sensibility. They’re prelude

to sentiments needed to confront life’s hard knocks:

duty, weakness, death, tragedy, grief, loneliness,

sorrow, penance, purification, failure, hope and

suffering for love’s sake. The sentiments of

romantic music have effects that transcend boy-

meets-girl romance. Nonetheless, romantic music

is prelude to romantic feelings that are most natural

to youth and that, in a way, never leave us. Falling

in love is a milestone in sensibility’s growth.

Here’s a lost secret of Western Civilization:

romance thrives in chastity. Unchastity disorients

romantic experience, though not irredeemably.

Catholic teaching on chastity is romance’s greatest

guardian. That said, romance (like romanticism)

involves a naïve confidence or idealism – an

unguarded confidence – that “love” can make

everything right, forever. The fact that this feeling

is bound to be disappointed, in one way or another,

is part of the experience. Boy-girl romance, and its

subsequent pain, plays on throughout life, forming

sensibilities about life and death, right and wrong,

joy and grief, basic courtesy, society, and

transcendent truths. Romance is fertile soil for

Christian hope – if it can forgive wrongs and

withstand temptations to bitterness or resentment.

Music like Kern’s nourishes sensibility, tames the

heart, and forms a “sense of proportion” as no

schooling can ever do. It chastens, but gently.

Contrast this to the aggressive agitation of turning

on the Moog and upping the voltage, per the late

’60 and beyond. In Kern’s sensibility, there’s

neither the agitation nor the aggression of dis-tonic

electric “music,” which may not be music,

etymologically speaking. “Music” means “silence,”

or “out of the silence” – like romance – as in the

words “mute” or “mystery.” The late schoolmaster,

John Senior, said, “Music is the voice of silence.”

Plato said as much. A steady diet of aggressive

“music” eclipses romantic sensibility – and the

longing for it – that’s otherwise natural to youth.

As innocence is essential to childhood, romance

and romanticism are essential to adolescence and

young adulthood. In the ‘80s, I recall having this

thought about synthesized pop music: “I don’t feel

that way.” Feelings cultivated in youth play like

background music throughout life. Romantic

feelings play like a voice of conscience, guarding

against hardness and cynicism, keeping adults

from becoming controllers and manipulators.

Romance – when purified of possessiveness and

envy – blossoms into empathy. Human experience,

in all its joyous and tragic richness, is sanctified

when we delve into what the Song of Songs

romantically calls the “wine cellar of love” (Songs

2:4).

Kern’s music is not in league with great Western

classics, any more than Taylor Port from Upstate

New York is in league with Taylor Fladgate from

Portugal. But it’s an offspring. “Great” music

evokes transcendent sensibilities. “Good” music

evokes common sensibilities. The “great” and the

“good” are integral and feed on each other. Kern’s

easy-to-digest songs connect with simple and

ordinary experiences, like young man-woman

romance. They tame the heart. They soften, not

harden. Grace and virtue can grow in this soil.

“Other seeds fell into the good soil…” (Mark 4:8). The

wordless beauty of Kern’s music transforms absurd

lyrics, like Italian opera transforms absurd plots.

“Long ago and far away / I dreamed a dream one day /

And now that dream is here beside me / Long the skies

were overcast / But now the clouds have passed…”

George Gershwin wrote that. Read in a poetry

recital, it’ll be laughed off stage. Sung to Kern’s

music, it’s elegantly romantic. It evokes, for simple

folk, a sense of life’s vast expanse and hope, like a

reflection on the grace of Baptism. Romantic hopes

are never fulfilled in time. They are fulfilled by

grace – in the “wine cellar of love” – beyond death

and time, “with the choicest gifts of the ancient

mountains and the fruitfulness of the everlasting

hills” (Deuteronomy 33:15). That’s a vow that shall

not be forgotten.

Page 6: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

Schedule:

• Session 1: September 22, 2019 • Session 2: October 6, 2019 • Session 3: October 20, 2019 • Session 4: November 3, 2019 • Session 5: November 17, 2019 • Session 6: December 8, 2019

Candidates will receive the sacraments at the Easter Vigil at

St. Agnes on April 11, 2020

• Session 7: January 5, 2020 • Session 8: January 26, 2020 • Session 9: February 9, 2020 • Session 10: February 23, 2020 • Session 11: March 1, 2020 • Session 12: March 15, 2020 • Session 13: March 29, 2020

All sessions will be held in Conference Room B

in the Parish Center, 4:00-5:30pm

“The grace of the Sacraments nourishes in us a strong and joyful faith, a faith that knows how to stand in wonder before the ‘marvels’ of God and how to

resist the idols of the world. That is why it is important to take Communion, it is important that children be baptized early, that they be confirmed, because the Sacraments are the presence of Jesus Christ in us, a presence that helps us.” | Pope Francis |

For questions or to enroll, please email Kathryn Brown at: [email protected]

Spark is a Sacrament preparation program for 9th – 12th graders who have not yet received one or more of the Sacraments of Initiation (Baptism, Eucharist, Confirmation). The program will consist of thirteen sessions to prepare the candidates to receive their remaining Sacraments of Initiation.

SparkSacrament Prep

VIRTUS trained volunteer assistant needed to share class time attendance. Please contact Kathy Brown if interested.

Page 7: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

PICNIC

Please email Nick Beirne at operations@columbusclubevents .com or St. Agnes KofC representative Jim Holland at [email protected] to volunteer for set up, grilling, serving, assisting with relay and water games, and clean up.

OUR ANNUAL ST. AGNES PARISH

Burgers, hot dogs, Logan’s sausages and all the fixin’s will be served!

We’ll also have baked beans, homemade potato salad and

coleslaw and an ice cream truck and a beer truck. All are welcome!

Sides & Desserts Needed

If your last name begins with: A-L, please bring a side to share

M-Z, please bring a dessert to share

Volunteers

Needed

Bocce Ball

Relay Games

Face Painting

Bounce Houses

Sunday, September 15, 2019

This year’s picnic is in honor of the late Owen Beirne, Jr. who organized the Annual Parish Picnic for many years. Thank you to Nick Beirne, his son, and the Knights of Columbus Edward Douglas White

Council 2473 for hosting the picnic. Thank you to Boy Scout Troop 111 for volunteering support.

1 - 4:30 p.m. Knights of Columbus, Columbus Club of Arlington

5115 Little Falls Rd., Arlington, VA 22207

Fun for All Ages!

New This Year!

Visit Welcome Row with

displays representing an

array of Parish Ministries

and Parish Registration.

Page 8: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

If you are interested in participating or volunteering

with the Nursery, please contact Lindsay O'Connell at

[email protected]. Volunteers must become

Child Protection compliant.

Youth Ministry Kickoff All 9th - 12th graders are invited to kick off the new

school year with food, fun, and friends this Sunday,

September 8th, from 6 – 8 p.m. in the gym! For more

information, please contact Mackenzie Jardell at

[email protected].

St. Agnes Parish Picnic

Our annual St. Agnes Picnic will take place next

Sunday, September 15, from 1—4:30 p.m., at the

Knights of Columbus, 5115 Little Falls Road,

Arlington, VA. 22207. Hope you can join us!

New Director of Music

We welcome our new Director of

Music, Katrina Keat, who will be

joining us next week! Katrina is from

Greenville, South Carolina. From a

young age, Katrina enjoyed singing

in church choirs and playing the

piano. She completed her Bachelor's

of Arts at Benedictine College in Atchison, KS, in

music and Political Science. She also studied organ

and participated in campus music ministry. Upon

graduating from Benedictine, Katrina moved to

Corpus Christi, TX, and became the Director of Music

at St. John the Baptist Catholic Church. She specialized

in bringing large works of music back to the liturgy,

which also inspired her to pursue a master's degree in

conducting. Katrina graduated from The University

of Notre Dame in 2019 with her Masters in Sacred

Music, and is very excited to be a part of the Saint

Agnes community!

Mass for Jubilarians

Celebrating a Silver or Golden Wedding

Anniversary this Year? Were you married in 1969 or

1994? Then join Bishop Burbidge for the 2019 Mass for

Jubilarians on Sunday, October 13th, at 2:30 p.m. at

the Cathedral of St. Thomas More. Contact the parish

office to register no later than September 30th. For

more information, visit www.arlingtondiocese.org/

MJM.

PA

RIS

H L

IFE

Free FORMED Subscription

Check out FORMED.org! Parishioners

register with our parish code: f1a3f2.

St. Agnes is on

Facebook! Share the love: Like us on Facebook

www.facebook.com/saintagneschurch/.

MyParishApp Text App to 88202 to download

our free parish app.

Monthly eNewsletter Get it all in one place! Sign up at

saintagnes.org before our next issue.

Be the first to find out all of our current

activities, news and articles from the

pastor, and service opportunities.

Landscaping Help Needed!

If you have a green thumb, or would like

to develop one, the St. Agnes Landscape

Committee is looking for volunteers and

would like to hear from you! You can

set your own schedule, weekdays or

weekends, and work on your own or

alongside another volunteer committee

member. Contact Jean Shirhall for more

information at [email protected].

Interested in Becoming

Catholic? If you or someone you know is

interested in joining the Catholic

Church, the Rite of Christian Initiation

for Adults begins on Monday,

September 16. Call Marie Macnamara

in our Faith Formation Office for more

information at 703-527-1129.

St. Agnes Nursery The St. Agnes Nursery will be available

next Sunday, September 15th, during

the 9:00 a.m. Mass for 1-5 year olds, and

available the first and third Sundays of

each month during the 9:00 a.m. Mass.

Page 9: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

Weekly Prayer Intentions:

For those who are sick in our midst:

Samantha Brown, Olivia Egge, Katylee

McInerney, Steve Ponticello, Rosemary Shimer,

George Baker, and the residents of Cherrydale

Health and Rehabilitation.

To add a name, or if a name may be removed because

the person is no longer ill (Deo gratias!), please contact the

Parish Office at 703-525-1166. Names of the sick are listed for

approximately four weeks unless we are notified otherwise.

Saint Agnes Essentials:

Infant/Child Baptism:

Baptisms are celebrated the first and third

Sundays of each month, after the Noon Mass.

Contact the Parish Office to register at 703-525-

1166 or [email protected].

Marriage Preparation:

Call the Parish Office for Pre-Cana at least seven

months prior to your wedding.

Anointing of the Sick:

Call the Parish Office to request Anointing of the

Sick. Anyone with a serious illness should

request this sacrament before being admitted to

the hospital.

Homebound Visitation:

Contact [email protected] or call the

Parish Office at 703-525-1166.

How to become Catholic:

Interested in joining the Catholic Church or want

to learn more? Contact Marie Macnamara in the

Faith Formation office at 703-527-1129 or a priest

for more information. Rite of Christian Initiation

of Adults (RCIA) classes are held on Mondays at

7:30 p.m.

Holy Orders/Consecrated Life:

Is the Lord calling you? For information about

priesthood, the permanent diaconate, or the

consecrated life, contact a priest or the Diocesan

Vocations Office at 703-841-2514.

Registration/Change of Address:

Registration cards are in the racks at main

entrances of the church, the Parish Office, or on

our website. Return them to the Parish Office, or

email them to [email protected].

Adoration Chapel “Come to Me, all you who labor and are

burdened, and I will give you rest" (MT 11: 28).

Jesus Christ waits for you in the most Holy

Eucharist. Permanent and substitute adorers are

needed daily between 1 a.m. and 4 a.m. to restore

perpetual adoration in the Adoration Chapel at

St. Agnes. To make a commitment, please e-mail

Michael Sirotniak at [email protected].

Page 10: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

Events

Look for more events coming this fall!

Events include: Restaurant Night Out, game nights,

Theology on Tap, and service opportunities.

For more information contact Mackenzie Jardell

at [email protected].

Mark your calendars for Back to School Night. Back to School Night for

grades 6-8 will be held on September 11 and for grades 1-5 on September 12.

A few openings are available in the PreK3s.

For more information, contact the school office at 703-527-5423.

Saint Agnes School

Youth Ministry (9th - 12th Grades)

Young Adults (Ages 21-35)

St. Agnes School is a Catholic

community centered on the teachings

of Jesus Christ and strengthened by the

partnership between parents, who are the

primary educators of our students, and

our dedicated teaching staff.

We believe in the mission to educate

our students so that they become loving

Christians, inspired learners, outstanding

achievers, natural communicators, and

strong servants of God.

Looking to get involved? Young Adult Volunteers

needed for 2019-2020 Youth Group. If interested,

please send email to [email protected].

Picture (left):

7th graders and Kindergarten

prayer partners walk together

to Mass.

Page 11: Saint Agnes...Pierrot.” The song “Poor Pierrot” was first performed in by Peter Chambers and Lucette Valsey in the allegedly “under-appreciated and undeservedly obscure”

Stewardship Report Stewardship: Parish Support - - 01

Sunday Collection (in pew & via mail) $ 12,257

Faith Direct (electronic collection) estimated $ 12,338

Total Offertory for Week $ 24,595

Poor Box $ 166

Offertory Budget (FY 19-20) $ 1,680,000

Offertory Budget (through 9/1/19) $ 279,314

Offertory Actual (through 9/1/19) $ 236,819

Brother Dennis and Associates Mary Mother of God Mission Society:

Under Stalin, all Catholic churches were

confiscated and many were then put to

the most degrading uses imaginable. In 1991, the

Soviet Union ceased to exist, leaving Russia and 15

other countries as independent nations.

That year, a young Soviet naval officer from Kiev

converted to Roman Catholicism after he read

restricted religious literature as part of his political

indoctrination course to become a Communist

political officer. He was sent to Vladivostok, in the

far southeast of Russia, where he placed ads in

local newspapers searching for other Roman

Catholics to establish a Catholic community and to

seek a priest to reopen the parish.

Later that same year, two priests from the Midwest

entered Russia illegally and arrived in Vladivostok

to help re-establish the Church in eastern Russia,

celebrating Mass on the steps of the former

Vladivostok cathedral (then still a state building).

Since then—and with the help of the Mary Mother

of God Mission Society—they have founded or re-

founded 11 Catholic parishes, have developed

numerous charitable initiatives, and have created a

variety of catechetical programs. To learn more,

visit vladmission.org.

This week, Brother Dennis and Associates are

sending $1,800 to the Mary Mother of God Mission

Society to ensure the continued support of the

Church in Eastern Russia.