sample copy. not for distribution · sound." according to musicologist jean-jacques nattiez,...
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Combined Effect of Music and
Exercise Among Over Healthy Children
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Combined Effect of Music and
Exercise Among Over
Healthy Children
Prabhu Pandian P
EDUCREATION PUBLISHING (Since 2011)
www.educreation.in
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Dedicated to
Beloved My Father Mr. V. Paramasivan &
My Mother Mrs. P. Veluthai
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Combined Effect of Music and Exercise Among Over Healthy Children
1
Introduction
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Prabhu Pandian P
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CHAPTER I
INTRODUCTION ______________________________________________________
1.1 MUSIC
Music is an art form whose medium is sound organized in time.
Common elements of music are pitch (which governs melody and
harmony), rhythm (and its associated concepts tempo, meter, and
articulation), dynamics, and the sonic qualities of timbre and
texture. The word derives from Greek word mousike, "art of the
Muses".
The creation, performance, significance, and even the definition
of music vary according to culture and social context. Music ranges
from strictly organized compositions (and their recreation in
performance), through improvisational music to aleatoric forms.
Music can be divided into genres and subgenres, although the
dividing lines and relationships between music genres are often
subtle, sometimes open to individual interpretation, and
occasionally controversial. Within "the arts", music may be
classified as a performing art, a fine art, and auditory art.
To people in many cultures, music is inextricably intertwined
into their way of life. Greek philosophers and ancient Indian
philosophers defined music as tones ordered horizontally as
melodies and vertically as harmonies. Common sayings such as
"the harmony of the spheres" and "it is music to my ears" point to
the notion that music is often ordered and pleasant to listen to.
However, 20th-century composer John Cage thought that any
sound can be music, saying, for example, "There is no noise, only
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Combined Effect of Music and Exercise Among Over Healthy Children
3
sound." According to musicologist Jean-Jacques Nattiez, "the
border between music and noise is always culturally defined—
which implies that, even within a single society, this border does
not always pass through the same place; in short, there is rarely a
consensus. By all accounts there is no single and intercultural
universal concept defining what music might be, except that it is
'sound through time'." Regarding musical innateness and emotional
responses to music are also major areas of research in the field.
Deaf people can experience music by feeling the vibrations in
their body, a process which can be enhanced if the individual holds a
resonant, hollow object. A well-known deaf musician is the
composer Ludwig van Beethoven, who composed many famous
works even after he had completely lost his hearing. Recent
examples of deaf musicians include Evelyn Glennie, a highly
acclaimed percussionist who has been deaf since age twelve, and
Chris Buck, a virtuoso violinist who has lost his hearing. This is
relevant because it indicates that music is a deeper cognitive
process than unexamined phrases such as, "pleasing to the ear"
would suggest. Much research in music cognition seeks to uncover
these complex mental processes involved in listening to music,
which may seem intuitively simple, yet are vastly intricate and
complex.
(Retrieved from https://en.wikipedia.org/wiki/Music)
1.2 MUSIC AS A THERAPEUTIC TOOL
Music therapy is an interpersonal process in which the therapist
uses music and all of its facets—physical, emotional, mental,
social, aesthetic, and spiritual to help clients to improve or
maintain their health. In some instances, the client's needs are
addressed directly through music; in others they are addressed
through the relationships that develop between the client and
therapist. Music therapy is used with individuals of all ages and
with a variety of conditions, including: psychiatric disorders,
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Prabhu Pandian P
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medical problems, physical handicaps, sensory impairments,
developmental disabilities, substance abuse, communication
disorders, interpersonal problems, and aging. It is also used to:
improve learning, build self-esteem, reduce stress, support physical
exercise, and facilitate a host of other health-related activities.
Music therapists are found in nearly every area of the helping
professions. Some commonly found practices include developmental
work (communication, motor skills, etc.) with individuals with special
needs, songwriting and listening in reminiscence/orientation work with
the elderly, processing and relaxation work, and rhythmic
entrainment for physical rehabilitation in stroke victims.
1.3 MUSIC THERAPY APPROACHES USED WITH
CHILDREN
Paul Nordoff, a Juilliard School graduate and Professor of Music,
was a gifted pianist and composer who, upon seeing disabled
children respond so positively to music, gave up his academic
career to further investigate the possibility of music as a means for
therapy. Dr. Clive Robbins, a special educator, partnered with
Nordoff for over 17 years in the exploration and research of
music’s effects on disabled children- first in the United Kingdom,
and then in the USA in the 1950s and 60s. Their pilot projects
included placements at care units for autistic children and child
psychiatry departments, where they put programs in place for
children with mental disorders, emotional disturbances, developmental
delays, and other handicaps. Their success at establishing a means of
communication and relationship with autistic children at the
University of Pennsylvania gave rise to the National Institutes of
Health’s first grant given of this nature, and the 5-year study
“Music Therapy Project for Psychotic Children Under Seven at
the Day Care Unit” involved research, publication, training and
treatment. (Aigen and Kenneth, 2005)
Several publications, including Therapy in Music for
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