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Sara Oliver GV G E O M E T R Y A N D N A T U R E

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Portfolio 2013

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Page 1: Sara Oliver GV

Sara Ol ive r GVG E O M E T R Y A N D N A T U R E

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R E A L I T Y I S A N I N V E N T I O N

Paint ing & drawing

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“The miss ion of ar t i s not to copy nature but to express i t ” (Balzac)

Sara Ol ive r GV

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“My ar t i s t ic work has a lways been inf luenced by geometry and nature .My interes t about composi t ions and the s t ructure of l ight and color have been constant ly present a t my work and I repeatedly want to t ransmit those conceptsAlso drawing i s a poet ic way for ta lk ing about the environment of human and his sp i r i tua l i ty.”

EDUCATIONArt Res idence : Lopez Vi l la señor Museum of Ciudad Real , Spain under the teachings of the painter Victor Hugo Chacón ( Jul .2013)

Fine Ar ts on the Complutense Univers i ty of Madrid (Oct .2008 – Jun.2013)

High School , Major in Ar ts : Inst i tuto Ver i tas (Sep.2006 – Jun.2008)School : San Luis de los Franceses (Sep.1996 – Jun.2006)Paint ing les sons : Studio of María Ferrero Zapata ar t i s t (1994-2008)

PROFESSIONAL EXPERIENCEAdora Calvo Gal ler y _( Jul .2012) (http: / /www.adoraca lvo.com)Teaching ass i s tant on the s tudio of María Ferrero Zapata (2008-2013)

CONTEST AND SCHOLARSHIPSXVIII Young Painters Contest of “La Gaceta de Sa lamanca” (Oct .2013)Ruta Quetza l : Expedit ion through the jungles of the Feathered Serpent ( Jun.- Ju l .2006)

EXHIBITIONSLa Sa l ina , exhibi t ion of La Fundación GACETA about the XVIII Young Painters Contest (Nov.2013) (http: / /www.lagacetadesa lamanca.es/fundac iongace ta /2013/10/30/ inaugurada- sa l ina-expos ic ion- fundac ion-gaceta/105118.html)

PUBLICATIONSExhibi t ion cata log of the XVIII Young Painters Contest of “La Fundación GACETA” (Nov.2013)

S T A T E M E N T & B I O G R A P H Y

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M A G N I F I N G G L A S S

“The eye absorbs... the brain create forms”Paul Cézanne

Magnifing glass is a project focus on interpreting the structure of light and color using geometry and minimalism.

Sometimes the formal aspect of something, don’t let us appreciate other features. Using the tecnology of pixel, as they becomes smaller, they just add more color shades.

185 x 185 cmAcry l i c on wood

01-02

PAINTING

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03-04

Deta i l of SUNSET 201 1100 x 145 cmAcry l i c on canvas

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MAGNIFING GLASS I I 20131 14 x 147 cm

Oi l on canvas

PAINTING

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L A N D S C A P E S

Everything in nature is colorfull

“Art must make nature eternal in our imagination”Paul Cezánne

05-06

PAINTING

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COLAPSE 2013Oil on canvas100 x 100 cm

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07-08

COLD DAY 201340 x 50 cmOi l on canvas

MELTING 201340 x 50 cmOi l and encaust i c on wood

HIGH 201340 x 50 cmAcr i l i c on canvas

GRAY DAY 201340 x 50 cmGraphi te on paper , pasted on wood

MAGIC NIGHT 201350 x 61 cmEgg tempera on wood

AFTER RAIN 201340 x 50 cmPaste l on paper , pasted on wood

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09-10

PAINTING

CREEK 201330 x 40 cmOi l on wood

NOCTURNE 201330 x 40 cmOi l on wood

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WETLAND 2013810 x 650 cmOi l on canvas

MEADOW 2013810 x 650 cmOi l on canvas

NIGHT LIGHTS 2013950 x 775 cmOi l on canvas

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W I N D O W SWith this project I seek to contrast two types of landscape, urban and natural through the window element. The window shows us the world fits in a

frame and let us take our gaze to the horizon.

1 1 -12

PAINTING

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WINDOW I/ I I / I I I / IV 201055 x 55 cm

Acry l i c on wood

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SUNRISE 2010155 x 55 cmAcrylic on canvas

13-14

PAINTING

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SUNSET 2010155 x 55 cmAcrylic on canvas

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T H E E N D L E S S N E T W O R K

Everything goes and comes as concepts, languages, ideas, ways, people… As soon as we let something go away we just catch up with something else until we die. A point has been influenced and at the same time, it is influencing others. Connections can break, being interrupted and can create new ones, drawing an open map, connectable in all his dimension, removable, changeable, susceptible to constant modification.

15-16

DRAWING

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Pen on paper100 x 80 cm

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W A Y S A NT R A C E S

Our feet are the part of our body that connects us with the land. The organ that attach us to life.They point out our way and leave the trace.

17-18

DRAWING

TRACE I 201 136 x 29 cm

Stam on l inen fabr ic

TRACE I I I 201 131 x 19 cm

Stam on l inen fabr ic

TRACE I 201 136 x 29 cm

Stam on l inen fabr ic

TRACE I I I 201 131 x 19 cm

Stam on l inen fabr ic

TRACE I 201 136 x 29 cm

Stam on l inen fabr ic

TRACE I I I 201 131 x 19 cm

Stam on l inen fabr ic

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19-20

P L A YC I R C U L A T I O N

Through the concept of mandala, Play Circulation is a proyects that wants to bring the scientific drawing of human body to a poetic and spiritual context.The heart is one of the most important organs that keep us alive, as a metaphor for love.All drawings are collage and drawing on paper.

DRAWING

BLOOD 201 1 150 x 70 cm

MUSCLE 201 1 150 x 70 cm

SKYLINE 201 1 150 x 70 cm

CIRCULATION 201 1 150 x 70 cm

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B O D YP L A N E T S

21-22

DRAWING

PLANET I 201 1 150 x 70 cm

PLANET I I 201 1 150 x 70 cm

PLANET I I I 201 1 150 x 70 cm

PLANET IV 201 1 150 x 70 cm

PLANET V 201 1 150 x 70 cm

PLANET VI 201 1 150 x 70 cm

Through the concept of Chakras, Body Planets is a proyects that wants to bring the scientific drawing of human organs to a poetic and spiritual context.Each planet corresponds to a chakra and each chakra the organs that influence.All drawings are stamps on paper.

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P R O Y E C T S I N D E X

PAINTING

Magnif ing Glass (2011-2013) - pg. 1-4

Landscapes (2012-2013) - pg. 5-10

Windows (2010-2011) - pg. 11-14

DRAWING

The endless network (2011-2012) - pg. 15-16

Ways and traces (2011) - pg. 17-18

Play Circulat ion (2011) - pg. 19-20

Body Planets (2011) - pg. 21-22

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