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By Alan G. Artner and Mark Caro

P

eople often turn to art objects in times of stress, though fewthem as essential purchases. That, in a capsule, is whats bealong the range of venues that bring us visual art in the Ch

Seven commercial galleries closed in 2008, two saying they

reopen in new spaces (they havent), two claiming other infour citing a lack of support (meaning finances).

The health of remaining galleries -- more than 170 of them

cult to determine, not only because of the spectrum of prices and art workalso because the art business depends on projecting confidence. One sign tancy is the rule today comes from the Merchandise Mart, which by this tireleased the number of participating galleries in Art Chicago, its annual Mtional art exposition, but cannot do so now. Another sign of the economysthe art world is the suspicion voiced by Catherine Edelman, gallery owner

the Art Dealers Association of Chicago, that several [galleries] will close wnext six months.

When the going getstough, the tough give upart.e story of Chicagosfailing art galleries.

Roundabout Publishing Ap


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is is a small device

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Foreign cities are ofte

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accustomed to. Its ea

to check a compass

discreetly and learn-

ing to get around usin


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sarah hutchins work samples

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