schoenberg string quartet n.4 op37
DESCRIPTION
Powerpoint presentation of an analisys of Schoenberg String Quartet N.4 op37TRANSCRIPT
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A. Arnold Schoenberg
B. String Quartet No.4, Op.37
1. Context
2. Dodecaphonich rows in the main voice
3. Musical elements
4. Cotrapuntual techniques
C. Conclusion
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B. String Quartet No.4, Op.37
1. Context
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Original row (O1)
2. Dodecaphonic rows in the main voice.
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First theme based on O1
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Other rows
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3. Musical elements
Musical form: first theme, second lyrical theme
Tempos: Allegro Molto energico – 152 Pocco menno mosso - 108
Dynamics: ppp – fff; sf, fp.
Articulations: accented (srong beat), unaccented (weak beat).....
Instrumental techniques: pizzicato, ponticello, harmonics....
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4. Contrapuntual techniques
● Main row (O1) is divided into four three-notes cells.
● Schoenberg uses a particulary technique during a short phrase and then switches to another
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4.Contrapuntual techniques
Example a.1.Cells as subordinated accompanimental chords-Each three-notes cell of the melody is part of two simultneous rows
Row O1
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4. Contrapuntual techniquesExample a.2) Cells as subordinated accompanimental chords but with the
retrograde row
Row R01
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4 .Contrapuntual techniquesExample 2) Imitation of the melody in the “harmony” like a canon-like manner
Row I6
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4. Contrapuntual techniquesExample 3) Three-notes cells in canon
Row I6
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4. Contrapuntual techniquesExample 4. Partition of the row between two instruments
Row 01Row I6
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5. Conclusions
● Highly “intellectual” way of composing● Avoidance of tonal suggestions and references