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31948017

GROUP 4 ACA-Last Supper by Tintoretto-School of Athens by Raphael-Ecstasy of Saint Teresa by Bernini

MANNERISM PERIODA Renaissance Masterpiece

MANNERISMbull An artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590 bull Some of the famous mannerists includes Tintoretto El Greco and Parmigianino

MANNERISM

Mannerist typically painted figures using contorted or twisting poses and foreshortening a technique for achieving the illusion of forms projecting into space

THE LAST SUPPER by Tintoretto

JACOPO TINTORETTO(1518-1594)

was an Italian painter and a notable exponent of the Renaissance school For his phenomenal energy in painting he was termed Il Furioso His work is characterized by its muscular figures dramatic gestures and bold use of perspective in the Mannerist style while maintaining color and light typical of the Venetian School

GROUP 4 ACA-Last Supper by Tintoretto-School of Athens by Raphael-Ecstasy of Saint Teresa by Bernini

MANNERISM PERIODA Renaissance Masterpiece

MANNERISMbull An artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590 bull Some of the famous mannerists includes Tintoretto El Greco and Parmigianino

MANNERISM

Mannerist typically painted figures using contorted or twisting poses and foreshortening a technique for achieving the illusion of forms projecting into space

THE LAST SUPPER by Tintoretto

JACOPO TINTORETTO(1518-1594)

was an Italian painter and a notable exponent of the Renaissance school For his phenomenal energy in painting he was termed Il Furioso His work is characterized by its muscular figures dramatic gestures and bold use of perspective in the Mannerist style while maintaining color and light typical of the Venetian School

MANNERISM PERIODA Renaissance Masterpiece

MANNERISMbull An artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590 bull Some of the famous mannerists includes Tintoretto El Greco and Parmigianino

MANNERISM

Mannerist typically painted figures using contorted or twisting poses and foreshortening a technique for achieving the illusion of forms projecting into space

THE LAST SUPPER by Tintoretto

JACOPO TINTORETTO(1518-1594)

was an Italian painter and a notable exponent of the Renaissance school For his phenomenal energy in painting he was termed Il Furioso His work is characterized by its muscular figures dramatic gestures and bold use of perspective in the Mannerist style while maintaining color and light typical of the Venetian School

MANNERISMbull An artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590 bull Some of the famous mannerists includes Tintoretto El Greco and Parmigianino

MANNERISM

Mannerist typically painted figures using contorted or twisting poses and foreshortening a technique for achieving the illusion of forms projecting into space

THE LAST SUPPER by Tintoretto

JACOPO TINTORETTO(1518-1594)

was an Italian painter and a notable exponent of the Renaissance school For his phenomenal energy in painting he was termed Il Furioso His work is characterized by its muscular figures dramatic gestures and bold use of perspective in the Mannerist style while maintaining color and light typical of the Venetian School

MANNERISM

Mannerist typically painted figures using contorted or twisting poses and foreshortening a technique for achieving the illusion of forms projecting into space

THE LAST SUPPER by Tintoretto

JACOPO TINTORETTO(1518-1594)

was an Italian painter and a notable exponent of the Renaissance school For his phenomenal energy in painting he was termed Il Furioso His work is characterized by its muscular figures dramatic gestures and bold use of perspective in the Mannerist style while maintaining color and light typical of the Venetian School

THE LAST SUPPER by Tintoretto

JACOPO TINTORETTO(1518-1594)

was an Italian painter and a notable exponent of the Renaissance school For his phenomenal energy in painting he was termed Il Furioso His work is characterized by its muscular figures dramatic gestures and bold use of perspective in the Mannerist style while maintaining color and light typical of the Venetian School

JACOPO TINTORETTO(1518-1594)

was an Italian painter and a notable exponent of the Renaissance school For his phenomenal energy in painting he was termed Il Furioso His work is characterized by its muscular figures dramatic gestures and bold use of perspective in the Mannerist style while maintaining color and light typical of the Venetian School

BASIC INFORMATION

YearPeriod it was made or completed 1592 ndash 1594Dimensions (in meter or feet)

365m x 568mMedium used Oil in canvasPresent location Basilica di San Giorgio Maggorie Venice

ANALYSIS+The Setting

+Light Source

+Disciples

+People

COMPARISON

Tintoretto da Vinci

INTERPRETATION

+Biblical

+Scholars

RENAISSANCE PERIOD

[High Renaissance Period]

RENAISSANCEbull It is the time of great excitement and new discoveries

in art architecture literature explanation and the sciences

bull Renaissance art was driven by the new notion of Humanismldquo a philosophy which had been the foundation for many of the achievements of pagan ancient Greece

SCHOOL OF ATHENS by Raphael

RAFFAELLO SANZIO DA URBINO(1483-1520)known as Raphael or Divine Raphael was an Italian painter and architect of the High Renaissance His work is admired for its clarity of form ease of composition and visual achievement of the Neoplatonic ideal of human grandeur Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period[4]

ANALYSIS+The Setting

+Light Source

+Disciples

+People

COMPARISON

Tintoretto da Vinci

INTERPRETATION

+Biblical

+Scholars

RENAISSANCE PERIOD

[High Renaissance Period]

RENAISSANCEbull It is the time of great excitement and new discoveries

in art architecture literature explanation and the sciences

bull Renaissance art was driven by the new notion of Humanismldquo a philosophy which had been the foundation for many of the achievements of pagan ancient Greece

SCHOOL OF ATHENS by Raphael

RAFFAELLO SANZIO DA URBINO(1483-1520)known as Raphael or Divine Raphael was an Italian painter and architect of the High Renaissance His work is admired for its clarity of form ease of composition and visual achievement of the Neoplatonic ideal of human grandeur Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period[4]

COMPARISON

Tintoretto da Vinci

INTERPRETATION

+Biblical

+Scholars

RENAISSANCE PERIOD

[High Renaissance Period]

RENAISSANCEbull It is the time of great excitement and new discoveries

in art architecture literature explanation and the sciences

bull Renaissance art was driven by the new notion of Humanismldquo a philosophy which had been the foundation for many of the achievements of pagan ancient Greece

SCHOOL OF ATHENS by Raphael

RAFFAELLO SANZIO DA URBINO(1483-1520)known as Raphael or Divine Raphael was an Italian painter and architect of the High Renaissance His work is admired for its clarity of form ease of composition and visual achievement of the Neoplatonic ideal of human grandeur Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period[4]

INTERPRETATION

+Biblical

+Scholars

RENAISSANCE PERIOD

[High Renaissance Period]

RENAISSANCEbull It is the time of great excitement and new discoveries

in art architecture literature explanation and the sciences

bull Renaissance art was driven by the new notion of Humanismldquo a philosophy which had been the foundation for many of the achievements of pagan ancient Greece

SCHOOL OF ATHENS by Raphael

RAFFAELLO SANZIO DA URBINO(1483-1520)known as Raphael or Divine Raphael was an Italian painter and architect of the High Renaissance His work is admired for its clarity of form ease of composition and visual achievement of the Neoplatonic ideal of human grandeur Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period[4]

RENAISSANCE PERIOD

[High Renaissance Period]

RENAISSANCEbull It is the time of great excitement and new discoveries

in art architecture literature explanation and the sciences

bull Renaissance art was driven by the new notion of Humanismldquo a philosophy which had been the foundation for many of the achievements of pagan ancient Greece

SCHOOL OF ATHENS by Raphael

RAFFAELLO SANZIO DA URBINO(1483-1520)known as Raphael or Divine Raphael was an Italian painter and architect of the High Renaissance His work is admired for its clarity of form ease of composition and visual achievement of the Neoplatonic ideal of human grandeur Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period[4]

RENAISSANCEbull It is the time of great excitement and new discoveries

in art architecture literature explanation and the sciences

bull Renaissance art was driven by the new notion of Humanismldquo a philosophy which had been the foundation for many of the achievements of pagan ancient Greece

SCHOOL OF ATHENS by Raphael

RAFFAELLO SANZIO DA URBINO(1483-1520)known as Raphael or Divine Raphael was an Italian painter and architect of the High Renaissance His work is admired for its clarity of form ease of composition and visual achievement of the Neoplatonic ideal of human grandeur Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period[4]

SCHOOL OF ATHENS by Raphael

RAFFAELLO SANZIO DA URBINO(1483-1520)known as Raphael or Divine Raphael was an Italian painter and architect of the High Renaissance His work is admired for its clarity of form ease of composition and visual achievement of the Neoplatonic ideal of human grandeur Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period[4]

RAFFAELLO SANZIO DA URBINO(1483-1520)known as Raphael or Divine Raphael was an Italian painter and architect of the High Renaissance His work is admired for its clarity of form ease of composition and visual achievement of the Neoplatonic ideal of human grandeur Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period[4]

BASIC INFORMATIONYear Period it was made or completed 1509-1511Dimensions (in meter or feet)

ca 6m x 9mMedium used FrescoPresent location Stanza della

Segnatura Vatican Palace Rome

ANALYSIS

INTERPRETATION

PERSONAGES IN SCHOOL OF ATHENS

BAROQUE PERIOD

BAROQUEbull Baroque Art emerged in Europe around 1600 as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance

bull Baroque Art is less complex more realistic and more emotionally affecting than Mannerism

bullUsed exaggerated motion and clear easily interpreted detail to produce drama tension exuberance and grandeur from sculpture painting literature and music

ECSTASY OF SAINT TERESA

by Bernini

GIAN LORENZO BERNINI(1598-1680)bull was an Italian sculptor and architect A

major figure in the world of architecture he was the leading sculptor of his age credited with creating the Baroque style of sculpture

bull In addition he was a painter (mostly small canvases in oil) and a man of the theater he wrote directed and acted in plays (mostly Carnival satires) also designing stage sets and theatrical machinery as well as a wide variety of decorative art objects including lamps tables mirrors and even coaches

BASIC INFORMATIONYearPeriod it was made or completed 1647ndash1652Dimension (in meter or feet)

11 ft 6 in (35 m)Medium used

SculpturePresent Location

Cornaro Chapel Santa Maria

della Vittoria Rome Italy

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

ANALYSIS

INTERPRETATION

PERSONAGES IN SCHOOL OF ATHENS

BAROQUE PERIOD

BAROQUEbull Baroque Art emerged in Europe around 1600 as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance

bull Baroque Art is less complex more realistic and more emotionally affecting than Mannerism

bullUsed exaggerated motion and clear easily interpreted detail to produce drama tension exuberance and grandeur from sculpture painting literature and music

ECSTASY OF SAINT TERESA

by Bernini

GIAN LORENZO BERNINI(1598-1680)bull was an Italian sculptor and architect A

major figure in the world of architecture he was the leading sculptor of his age credited with creating the Baroque style of sculpture

bull In addition he was a painter (mostly small canvases in oil) and a man of the theater he wrote directed and acted in plays (mostly Carnival satires) also designing stage sets and theatrical machinery as well as a wide variety of decorative art objects including lamps tables mirrors and even coaches

BASIC INFORMATIONYearPeriod it was made or completed 1647ndash1652Dimension (in meter or feet)

11 ft 6 in (35 m)Medium used

SculpturePresent Location

Cornaro Chapel Santa Maria

della Vittoria Rome Italy

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

INTERPRETATION

PERSONAGES IN SCHOOL OF ATHENS

BAROQUE PERIOD

BAROQUEbull Baroque Art emerged in Europe around 1600 as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance

bull Baroque Art is less complex more realistic and more emotionally affecting than Mannerism

bullUsed exaggerated motion and clear easily interpreted detail to produce drama tension exuberance and grandeur from sculpture painting literature and music

ECSTASY OF SAINT TERESA

by Bernini

GIAN LORENZO BERNINI(1598-1680)bull was an Italian sculptor and architect A

major figure in the world of architecture he was the leading sculptor of his age credited with creating the Baroque style of sculpture

bull In addition he was a painter (mostly small canvases in oil) and a man of the theater he wrote directed and acted in plays (mostly Carnival satires) also designing stage sets and theatrical machinery as well as a wide variety of decorative art objects including lamps tables mirrors and even coaches

BASIC INFORMATIONYearPeriod it was made or completed 1647ndash1652Dimension (in meter or feet)

11 ft 6 in (35 m)Medium used

SculpturePresent Location

Cornaro Chapel Santa Maria

della Vittoria Rome Italy

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

PERSONAGES IN SCHOOL OF ATHENS

BAROQUE PERIOD

BAROQUEbull Baroque Art emerged in Europe around 1600 as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance

bull Baroque Art is less complex more realistic and more emotionally affecting than Mannerism

bullUsed exaggerated motion and clear easily interpreted detail to produce drama tension exuberance and grandeur from sculpture painting literature and music

ECSTASY OF SAINT TERESA

by Bernini

GIAN LORENZO BERNINI(1598-1680)bull was an Italian sculptor and architect A

major figure in the world of architecture he was the leading sculptor of his age credited with creating the Baroque style of sculpture

bull In addition he was a painter (mostly small canvases in oil) and a man of the theater he wrote directed and acted in plays (mostly Carnival satires) also designing stage sets and theatrical machinery as well as a wide variety of decorative art objects including lamps tables mirrors and even coaches

BASIC INFORMATIONYearPeriod it was made or completed 1647ndash1652Dimension (in meter or feet)

11 ft 6 in (35 m)Medium used

SculpturePresent Location

Cornaro Chapel Santa Maria

della Vittoria Rome Italy

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

BAROQUE PERIOD

BAROQUEbull Baroque Art emerged in Europe around 1600 as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance

bull Baroque Art is less complex more realistic and more emotionally affecting than Mannerism

bullUsed exaggerated motion and clear easily interpreted detail to produce drama tension exuberance and grandeur from sculpture painting literature and music

ECSTASY OF SAINT TERESA

by Bernini

GIAN LORENZO BERNINI(1598-1680)bull was an Italian sculptor and architect A

major figure in the world of architecture he was the leading sculptor of his age credited with creating the Baroque style of sculpture

bull In addition he was a painter (mostly small canvases in oil) and a man of the theater he wrote directed and acted in plays (mostly Carnival satires) also designing stage sets and theatrical machinery as well as a wide variety of decorative art objects including lamps tables mirrors and even coaches

BASIC INFORMATIONYearPeriod it was made or completed 1647ndash1652Dimension (in meter or feet)

11 ft 6 in (35 m)Medium used

SculpturePresent Location

Cornaro Chapel Santa Maria

della Vittoria Rome Italy

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

BAROQUEbull Baroque Art emerged in Europe around 1600 as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance

bull Baroque Art is less complex more realistic and more emotionally affecting than Mannerism

bullUsed exaggerated motion and clear easily interpreted detail to produce drama tension exuberance and grandeur from sculpture painting literature and music

ECSTASY OF SAINT TERESA

by Bernini

GIAN LORENZO BERNINI(1598-1680)bull was an Italian sculptor and architect A

major figure in the world of architecture he was the leading sculptor of his age credited with creating the Baroque style of sculpture

bull In addition he was a painter (mostly small canvases in oil) and a man of the theater he wrote directed and acted in plays (mostly Carnival satires) also designing stage sets and theatrical machinery as well as a wide variety of decorative art objects including lamps tables mirrors and even coaches

BASIC INFORMATIONYearPeriod it was made or completed 1647ndash1652Dimension (in meter or feet)

11 ft 6 in (35 m)Medium used

SculpturePresent Location

Cornaro Chapel Santa Maria

della Vittoria Rome Italy

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

ECSTASY OF SAINT TERESA

by Bernini

GIAN LORENZO BERNINI(1598-1680)bull was an Italian sculptor and architect A

major figure in the world of architecture he was the leading sculptor of his age credited with creating the Baroque style of sculpture

bull In addition he was a painter (mostly small canvases in oil) and a man of the theater he wrote directed and acted in plays (mostly Carnival satires) also designing stage sets and theatrical machinery as well as a wide variety of decorative art objects including lamps tables mirrors and even coaches

BASIC INFORMATIONYearPeriod it was made or completed 1647ndash1652Dimension (in meter or feet)

11 ft 6 in (35 m)Medium used

SculpturePresent Location

Cornaro Chapel Santa Maria

della Vittoria Rome Italy

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

GIAN LORENZO BERNINI(1598-1680)bull was an Italian sculptor and architect A

major figure in the world of architecture he was the leading sculptor of his age credited with creating the Baroque style of sculpture

bull In addition he was a painter (mostly small canvases in oil) and a man of the theater he wrote directed and acted in plays (mostly Carnival satires) also designing stage sets and theatrical machinery as well as a wide variety of decorative art objects including lamps tables mirrors and even coaches

BASIC INFORMATIONYearPeriod it was made or completed 1647ndash1652Dimension (in meter or feet)

11 ft 6 in (35 m)Medium used

SculpturePresent Location

Cornaro Chapel Santa Maria

della Vittoria Rome Italy

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

BASIC INFORMATIONYearPeriod it was made or completed 1647ndash1652Dimension (in meter or feet)

11 ft 6 in (35 m)Medium used

SculpturePresent Location

Cornaro Chapel Santa Maria

della Vittoria Rome Italy

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

ANALYSIS

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

ANALYSIS

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

INTERPRETATION

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

WHY IS T BAROQUE

A good example of Berninis Baroque work is his St Theresa in Ecstasy (1645ndash52) created for the Cornaro Chapel of the church of Santa Maria della Vittoria Rome In Baroque architecture new emphasis was placed on bold massing colonnades domes light-and-shade (chiaroscuro) painterly color effects and the bold play of volume and void

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

THE END

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)

GROUP 4 ACAAusmolo Mia GraceDe Vera HenrichItaas Irish AnnGopez ArviMabao Michelle AnnPoblete Danna MayPrice Lairyll LueSoriano Charliez Jane

• Slide 1
• Group 4 aca
• Mannerism period
• MANNERISM
• mannerism
• The Last Supper by Tintoretto
• Jacopo Tintoretto (1518-1594)
• Basic information
• Analysis
• comparison
• interpretation
• Renaissance period
• Renaissance
• School of Athens by Raphael
• RaFFAELLO SANZIO DA URBINO (1483-1520)
• Slide 16
• Basic information (2)
• Slide 18
• I n t e r p r e t a t I o n
• Personages in School of Athens
• Slide 21
• Baroque period
• baroque
• Ecstasy of saint Teresa by Bernini
• GIAN LORENZO Bernini (1598-1680)
• Basic information (3)
• analysis
• analysis (2)
• I n t e r p r e t a t I o n (2)
• Why is t baroque
• THE END
• Group 4 aca (2)