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A Modern Etude-CycleFor the Pianoforte

By

Ludvig SchytteComprehensive Technics^ Melodically Developed

Op. 68. TWENTY-FIVE MODERN ETUDESOp. 75. SPECIAL MELODIC STUDIES. In 10 Parts

\. Broken Chords2. Shake and Tremolo3. Octaves4. Alternation of the Hands5. Rhythmic and Polyrhythmic Studies6. Legato and Staccato7. Studies for the Left Hand8. Thirds and Sixths9. Chord-grasps

10. Pedal Studies

Op. 92. MODERN STUDIESOp. 95. EASY CHARACTERISTIC STUDIES. 2 Books

Op. 106. STUDIES IN INTERPRETATION OF MODERN PIANO MUSICFor the development of artistic interpretation of Modern Composers

1. Melody. 2 Parts2. Elegance. 2 Parts3. Energy. 2 Parts4. Lyric Quality. 2 Parts5. Bravoura. 2 Parts

08. TWENTY-FIVE EASY ETUDES59. MELODIC STUDIES IN ALL KEYS. 2 Books60. TWENTY-FIVE EASY STUDIES61. STUDIES IN ORNAMENTATION AND DYNAMICS. 2 Books62. THE ART OF DEVELOPING THE SINGING TONE. 2 Books74. SCHOOL OF MODERN PIANOFORTE PLAYING

Bk. I First Preliminary GradeII Second Preliminary Grade

III Lo er Middle GradeIV Middle GradeV Higher Middle Grade

"MAJOR AND MINOR." Little Fantasies and Impromptus in all Keys.FORTY PEDAL STUDIES. For Self-instruction

4 Books

THE PIANIST'S VADEMECUM. {HABERBIER-SCHYTTS)CHILDREN'S PRACTICAL PIANO SCHOOL. (H0RNEMAN-SCHYTT£)

The Boston Music CompanyBoston, Mass.: 26 & 28 West Strefet

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Piano Music for Children by-Helen Cramm

iheU.SA.inrhyme and lat

TO PLAY AND SINGINSCHCBLANDHONiE

"~~---. -Q/^/3Ef ajidyiusic fy-—'—

HELEN CRAMM )PRJCE ).ag NCT

«.«»-«tr?^iew«i«**t»:»»-!M»**»»»»***»*«»' r-- •••;»»•

HUM StawlUhvu their cvUbbttU;Hti anB7 kept >I b«7

To tleal, *Bd burn afid ala^ .

Tba Suodlah army Bnmbend t««tf*-Dui fflllUna Hclit ladaj.

ELEN CRAMM, one of the mostsuccessful composers of music for

beginners, is a well known New-England musician. Her musicalability, inherited from her father,was manifested at an early age.

WTien a very small girl. Miss Cramm began thestudy of singing. It was not long, however, before she specialized in piano playing. In this branch, as wellas in organ playing, she had the advantage of studying with several excellent teachers. Miss Cramm taughtmusic privately and also at the Montpelier, Vermont, Seminary, and established a school of music in Haverhill,Mass., her home city.

The first compositions of Miss Cramm's to attract public notice were published in 1905. Since thattime she has written several volumes of piano music. That these may be classed among the best sellers isevidenced by the fact that the demand for her music is not merely confined to this country-, but reaches to suchfar off lands as China and Japan. But let Miss Cramm speak for herself :

"I have numerous interests beside that of music; belong to se\'eral clubs, musical and social, of w-hich I haveat different times been president, director, speaker, etc.; am not now actively engaged in teaching, but do moreor less coaching and am director of music at St. John's Episcopal Church. My house is a social and musical center.

"My lo\e of children makes my work a pleasure. I am a great lo\er of Nature, and during the grow-ingseason spend two or three hours a day culti\ating flowers, vegetables and fruits about my place; and then,having in my pedigree many generations of old New England housewives, I can, and can, andean—enoughfor three families like my own, which includes only an old housekeeper which I inherited."

Here are other fascinating collections by Helen Cramm

Keyboard Kinks

{Four Hands)

JS net

This is the best material imaginable withtvhich to Hart young pupils on duet playing.The music is very easy, the melody alternatesfrom primo to secondo, and the jolly littlerhymes tvhich accompany every piece give itadded interest.

Finfier Sonfis for

Little Hands

.60 net

These melodious piano numbers may be

sung also, since tvords are joined to each

piece. They are most tuneful, and, like

everything Miss Cramm writes, "lie well"under the finger i.

Easy Studies

in Embellishments

.60 net

Dotted notes, short slurs, staccato, ac-

ciaccatura, appoggiatura, mordent, inverted

mordent, triplet, turn and trill are illustratedin this collection of ten easy pieces, which

afford pupils in the early stages excellent

practice ir. playing ornamented passages.

i.US

The Boston Music Company Boston, Mass.

Easy Teaching Material for PianoPUBLISHED IN THE BOSTON MUSIC CO. EDITION

§lBpBNaEiigi5nz](5p [5ira[5Tfa[5i?a[aai5if^

The Best Method for Beginners

NORRIS'FUNDAMENTALPIANO METHOD

A New and Thorough Course forBeginners on the Pianoforte by

ALBERT LOCKE NORRISnet 1.00

THISmethod has been written primarily to make easier the task of the young pupil, so

that he may be assisted at home in, at least, the mental preparation of his first lessons.At the same time, it actually simplifies the work of the teacher, especially with beginners,as each of four lessons is clearly outlined with special reference to "mental" preparation.

The first part of this method consists entirely of elementary work; muscular relaxation,technical and mental application. The first, and most important steps are so provided forthat their mastery is made easily possible. Care has been taken in the selection of suitablestudy material and pieces, so as to incite the pupil's interest and to form his musical taste.

OPINIONS OF PROMINENT EDUCATORSFANNIE BLOOMFIELD ZEISLER. 1 am glad to jay thatI think tht Norris Fundamtntal Piano Method contains manygood tkingj, and, if used by a thoroughly competent uaehtr, unil

surely be lulpjul to a serious student.

GEORGE COLEMAN COW, Fassar Colleie: The NorrisFundamental Piano Method covers the ground admirably. Every-thing is presented extremely well and there is not a toord too much.This opinion is also voiced by the piano teachers in my department.What we alt found especially satisfactory is the author's insistenceupon establishing at the outset the right finger and arm controL Weregard it as a serious mistake to delay relaxation and concentra-tion exercises until bad habits have been formed. Mr. Norrishas very satisfactorily solved the problem of combining such workwith musical interest.

CLARENCE G. HAMILTON, Wellesley College: I find theNorris Fundamental Piano Method a very useful and sensible

course of instruction. I am especially impressed with the attentionpaid to accurate phrasing and work with the pedal, both of whichfactors are, as they should be, emphasized from the beginning.

CONSTANTIN PON STERNBERG, Philadelphia: The Fun-damental Piano Method by Albert Locke Norrts deserves greatpraise. It is thoroughly modern in spirit and method; the littleexercises and studies as well as the pieces are carefully prepared,and, outside of the technical, it takes due cognizance of the menUUside of the child's study of music.

A. T. SMITH, EvansviUe (Ind.) Conservatory of Music: Mr.Norris has presented a Fundamental Method, or instruction book,to meet the present day requirements. I take great pleasure in

recommending the work unreservedly. It is concise, definite and

practical, and strictly in accordance with the principles used in

playing by so many of the world's best players.

19X

NORRIS' GRADED COURSEOF PIANO STUDIES

Based on, and to be used in conjunction with

Norris^ Fundamental Piano MethodIn three grades, -price, each, net .75

THE movement to standardize piano teaching is sweeping the country. Mr. Norris con-tends that standardization should divide the pupil's work into grades and establishdefinitely the ground each one is to cover. With this end in view, he has composed and

compiled the "Graded Course of Piano Studies," and it is the aim of this work to make thetheoretical and technical education go hand in hand. Its chief purpose, while forming atechnical foundation, is to combine with technical knowledge many really necessary things ofa theoretical character that often remain enigmas to even those far advanced in piano technic.

THE BOSTON MUSIC COMPANY • BOSTONglg@glggggggggglg@gB2Ial!aBJi3iilll@lll@lMGlia@Sg[S@S^^l^

/

^ '

THE B. M. CO. EDITIONWhen orderinsT kindly mention B. M. Co. Ed. and number only

«» PIANO SOLO29 / vnU, The Rainbow ,50

S29 DM, Pandora'ii Box .50816 nix. Album of EiRbt Piece* ."iS847 m for the Left Hand alon* .7542 ucan Composifrs Album .7540 ^or Bevinnem. The Ctavecln Book

\ Annii MaKdalena Bach .50820 n (Gertrude). Dutch Stories .(084 lOreat ComDoeers of the Past 1.00; 1 Carnival Sketches .60

84 xenfeld. Three Preludes .60^ vflemian Compoaers Album .75.loreh. Op. 187. Four Little Lttic Pieces .60Brisham, Pedals of the Piano .75— Scales .76Clauieal Album for BeKlnnen. 20 Pieces .60

1 Clouffh-Lelchter, Studies in £xpree3ion .60866 Couperin-Hopekirk, Album of Ten Pieces. 752 Cxamm. Ten Easy Studies in Embellish-

ments .60869 — Finger Songs for Little Hands .60814 DebuMy, Album of Five Pieces .7580 Delbrijck, Childhood Dreams .50

828a-b Digest of Easy Teaching PiecesBk. I., .60; Bk. 11., .75

809 Digest of Salon Pieces .75841 Franck, Prelude, Aria, and Finale (Rev.

by Harold Bauer) .7589 French Composers Album .757 Geibel. Album of Selected Pieces .50

844 German Composers Album .75849 Graham, Si.x Sieht-readine Studies .6018 Graziani-Walter, Album Pittoresque ,6012 — Six Morceaux Caract^ristiques .5081 Gregh, Little Recreations .60

813 Grenzebach, Ten Etudes in Pro^essiveOrder .76

842 Grovlei, Three Impressions of London .76817 Barker, Op. 21, Six Woodland Sketches .60840 — Op. 29. Fairy Tales .6011 Harris, Six Romantic Pieces .6048 Heller (M. P.), Op. 31. Four Easy Pieces

(both hands treble) .B«-49 — Op. 31a, Four Easy Pieces (treble and

bass) .6060 — Op. 82, Four Easy Episodes -5026 Helm, Summer Scenes .60891a-b Henrique*. Op. SO. Twenty Short Lyric

Pieces 2 Books, each 1.00«1 Hopekirk, Five Scottish Folk-Songs .76SM — Suite .76SeO Hucrter. At the Show .60t\i — Album of Six Pieces .768STa-b Italian Composers Album. 2 Vols, each .75826 Juon, Op. 48, Four Miniatures .75806 Karganoif, Op. 10. Seven Miniatures .6087»-d KShler, Practical Method. 4 Books each .603 Krogmann. Op. 42, Miniature Sketches .60

44 — Op. 106, Ten Bagatelles .6046 — Op. 106, Moods and Melodies .60UO KQUstrom, Mew Large Note Pianoforte

Sehool for Small Children .6028 Lang, A Morning in Manich .60

8T4 — Allied Nat. Anthems (simplified) .60817 — Crystal Stream of Folklore .6017 Uanchal-Loepke, Autumn Fancies .6016 — Childhood Joys .6016 — In the Woodland .60IB — To Nod-Land .60

846 — Winter Sketches .6010 Uaxim. Album of Selected Pieces .6047 Heyer-Helraond, Op. 186, Four Nocturnes .76

807 Messagcr. Donee-Suite .76

tlOa Modem Ds'nce Album, Vol. I. .76tBBa-b Neopert-Friedman. 3S Studies. 2 Bks. ea. 1.0019 Nerin (Ethelbert). Op. 7. Four Piece* 1.00184 Ntcodi. Six Aphorisms .7627 HBlok, Suite Arabesque .6048 Northern Composers Album .75

824 Omstein, Op. 9, Pygmy Suite .76861 Orth (John), Op. 16. Six Piano Pieces .60872 — Op. 18. Six Nature Pieces .6022 Osgood. Greetings from Munich .60

867 Palmgren. Sketches from Finland .1^24 Psriow, From the Realms of Youth .60

829 — Happy Hours (8 Pieces) .60826a-b Popular Graded Course. 2 Books, eo. .60830 Pnrccll.Ame Album. 16 Pieces for

Beginners .6020 Reinhold. Si^te Uignonne .6083S Richer, From Grandmother's Garden .60

4 Rogers, The Golaen Age .60886 Rolfe. Tanglcwood Tnlce .6088»-e Russian Composers Album, 3 Vols, each .75

848 Saint-Saens Op. 62. No. 6, Etude enForme de Valse .75

82 Saacrbrey, Tone Pictures .60889 SelMrwenka-Capen. Op. 62. Twelve Pieces .60811a-< SohmaUtich, Op, 11. Play and Work

8 Books, ea. .60

tS«a-e Schmitt. Child's Garden of Melodies.3 Books, ea. .60

870 — Fun and Frolic .608M».b — The Rocnd of the Keys 2 Bks. ea. .60t4« Scbiitt. Op. 48. Camsval mignon .75

No.

310308a-d316348S63a-J

34a-bS62a-b

35a-b86a-b

32146

303

352353

635826

304a-b

335941322a-b

837330614

875376877

65616857a-b68656963fi2

6260616664636764

PIANO SOLO (Con.)Schyttr, Forty Pedal Studi«— Major and Minor 4 Bks., ca.— Ten Easy Transcriptions— Op. 68. 25 Modern Etudes— Op, 75. £p. Melodic Studies

10 Pts.. ea. 1— Op. 94. Musical Pictures 2 Parts, ea. .— Op. 95, Eaay Char. Studies2 Bks., ea. .— Op. 96. Tales and Fables 2 Parts, ea.— Op. 97. Joys of Youth. 2 Parts, ea. ,— The Palette (8 Pieces)— Op. 160, Twenty-Five Easy Studies

Schytte-Friedman, Technical Piano Exer-cises

Scriabin, Six Etudes— Album of Miscellaneous Piu-cesSeeboeck, Atbuni of Selected PiecesSeverac, From Childhood's DauaShackley, PasticcioSindinc:, Op. 44, Fifteen Caprices,

2 Bks., ea. 1,

Sjbyreti, Erotikon (Five Pieces)Smith (Hannah), Miniatures-— Op. 19, Water MusicSwinstead, Op. 22, Pleasant PastimeWagner, Gems from the Operas. 2 Vols., ea.Whelpley, Op. 11, Characteristic Pieces— Op. 20. Easy Piano PiecesWyatt, Six PastelsZilcher, Sketch-Book for the YoungZucca, h First Grade Pieces— 5 Second Grade Pieces— 5 Third Grade Pieces

PIANO, FOUR HANDSd'Antalffy, Hungarian SuiteCloagh-Leighter, 4 NovellettesFuchs, For Little Folks (12 Pieces)Ganschals, For the Home, 2 Bks. ea.Gilbert, 3 American DancesGoldner, Suite

,60.60.60

.76

.75

.60

.60

.60

.75

.60

Helle;- (M. P.). Good Comrades (8 Pieces) .60Kronke, Op. 135. Little Suite .60Mailing, Ballet Suite .75Mar