What is Scratchboard art? Scratchboard Art can trace its heritage to Paleolithic man's scrimshaw etchings on reindeer antlers and bones.

It shares some kinship with the woodblock patterns the ancient Egyptians used for printing on fabrics. And it is decidedly related to

the wood engravings of the 18th century which began to express halftones with varied permutations of etched lines, dots, dashes and

cross-hatchings.

The scratchboard, or scraperboard, was developed in 1880 by block makers in Vienna, Paris and Milan. The first version was a

cardboard coated with hard wax and chalk, which was embossed with a grained pattern and painted with India ink. Initially, this was

used as a template to be photographed onto a metal plate in preparation for printing the etching. Today scratchboards are either black or white and coated with white chalk or china clay in various

textures and smoothness.

Traditional scratchboards consist of a layer of posterboard or other stiff surface, a layer of white clay and a layer of India ink. Artists scratch through the ink layer to reveal the white clay beneath.

An image done in scratchboard is first sketched in pencil on tracing paper. A sharp point is then used to transfer the outline of the image to the

scratchboard. Then, the image is etched into the scratchboard using thousands, perhaps tens of

thousands of tiny cuts with a knife or other etching tool.

Many contemporary artists color their completed scratchboards using watercolors or other painting

media. This addition of color was first done by artist Norman Gaddini. Mr. Gaddini’s work graces

collections around the world.

“Sonoma County Fair Poster” Norman Gaddini

“Armstrong Grove”

Norman Gaddini

The following are some examples of scratchboard art from master artists of this

medium.

“Precocious Puddy”

Nanci Wright

Scratchboard gives me the opportunity to create the

detail I need to portray the animals I love. I now have two series of scratchboard

prints out (signed and numbered).

Part of the proceeds of these prints help pay for my other

love, the rehabilitation of wildlife. I belong to three wildlife organizations and

have had two adult Opossums living under my

bed.

“Hundreds of motorcycles zoom around the nation with my wildlife etched into their windshields

and windwings. I use a tool I designed for this purpose and am the only windshield artist to etch by hand. Many of my

motorcycles have been award winners at motorcycle shows, and I like to think that my art helped their owners

win.” Nanci Wright

“Blue Ice”“Himalayan Hunter”

Scratchboard is capable of

extremely fine, realistic detail.

Nanci has been jokingly accused of gluing fur to the surface of her work. "It

looks so REAL!" the viewers often

say.

John Karl is an artist who has devoted his life to protecting wildlife. His love of wildlife is reflected

in his beautiful scratchboard portraits of animals. He has traveled world wide to observe animals in their natural habitats. The following

are just a handful of his exceptional works.

“Frosted Bison” John Karl

“Look At Me” John Karl

“Moonlit Thirst” John Karl

“Single File” John Karl

“Lonesome Cry”

John Karl

“Little One in the Shadows” John Karl

“Show Off” Kathy Yaude

Kathy Yaude was first Published by Figi Giftware.  She then had a half dozen animal images published in limited edition prints that were auctioned in traveling auctions internationally.

She later became one of the top 5 scratchboard artists in the country and was probably  the most prolific of her time with 95 images being published and sold. 

“Cuddly Cub”

KathyYaude

“Tigress”

By: Kathy Yaude

“Clouded Leopard Eye” Martiena

Richter

“Tiger Eye” Martiena Richter

"Capturing animals and their unique personalities in the exacting medium of scratchboard engraving is my joy. With a

sharp knife I engrave the texture and intricate detail of my wildlife subject. Then with a brush and watercolor I add an

exciting dimension of color. The resulting colored engraving is the perfect medium for me to express the beauty and

wonder of nature."

 

Individual objectives: 1. __Practice scratchboard techniques by completing the eye of an animal or bird. This will be graded. DO NOT OUTLINE THE EYE.2. __Using a photograph as a model, draw the outline of an

animal or bird and an outline of it’s value areas using pencil.3. __Lightly trace your drawing onto the scratchboard so that you

dent the surface slightly. Place a stack of newspapers beneath your drawing.4. __Using the photograph as a model, scratch in the textures and values of the animal/bird so that you create the illusion of form and create visual textures (make it look 3-D and fuzzy/hair/textural). DO NOT OUTLINE THE ANIMAL.Both assignments should show gradation (gradual shading to create the illusion of form).Both assignments should show appropriate textures for the type of animal being drawn.All precautions should be used to avoid wrinkling paper and causing unwanted scratches as these will cause you to receive a lower grade.Do not touch the surface of the scratch board paper.