screenplay

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Alice Ward | Joshua Boland | Patrick Cleary PAJ Productions Screenplay EXT. MOOREND AVE. – DAY Isolated underpass on Moorend Avenue, run down and tagged area within B37; Chelmsley Wood. And then panning of surrounding area and shots of B47 area. Including Chelmsley Wood, Kingshurst; showing the run down areas and popular areas teens and young adults visit or ‘hang- out’. (CONT’D.) INT. HUGZ’S HOUSE. : OVERGREEN DR. – DAY HUGZ wakes up to his alarm which shows 9:00am. He is tired, looking reasonably rough and un kept. Yawns within the process of getting out of bed and stretching. His room is a little messy showing carelessness. Turning his alarm off, he stretches as he stands and after getting ready and dressed he then walks slowly and lazily into his bathroom, next door. He is dressed in his usual casual wear of branded clothing. Entering the bathroom he grabs his toothpaste and toothbrush to brush his teeth quickly and momentarily. Spitting his toothpaste into the sink and washing his face we then see his actual face in the mirror. This is when HUGZ’S identity is shown properly. HUGZ walks out of his bathroom fading to him walking out of his house. HUGZ walks out of his house with a monotonous and bored look on his face as he leaves. Locking his door behind him to. Should be able to see how bored he is with life at the moment and how he is not used to getting up at 9:00am. He puts his hood to show his shifty ways of a young man who is stereotypical to the audience today.

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Page 1: Screenplay

Alice Ward | Joshua Boland | Patrick Cleary

PAJ Productions

Screenplay

EXT. MOOREND AVE. – DAY

Isolated underpass on Moorend Avenue, run down and tagged area within B37; Chelmsley Wood. And then panning of surrounding area and shots of B47 area. Including Chelmsley Wood, Kingshurst; showing the run down areas and popular areas teens and young adults visit or ‘hang-out’.

(CONT’D.)

INT. HUGZ’S HOUSE. : OVERGREEN DR. – DAY

HUGZ wakes up to his alarm which shows 9:00am. He is tired, looking reasonably rough and un kept. Yawns within the process of getting out of bed and stretching. His room is a little messy showing carelessness.

Turning his alarm off, he stretches as he stands and after getting ready and dressed he then walks slowly and lazily into his bathroom, next door. He is dressed in his usual casual wear of branded clothing.

Entering the bathroom he grabs his toothpaste and toothbrush to brush his teeth quickly and momentarily. Spitting his toothpaste into the sink and washing his face we then see his actual face in the mirror. This is when HUGZ’S identity is shown properly.

HUGZ walks out of his bathroom fading to him walking out of his house.HUGZ walks out of his house with a monotonous and bored look on his face as he leaves. Locking his door behind him to. Should be able to see how bored he is with life at the moment and how he is not used to getting up at 9:00am. He puts his hood to show his shifty ways of a young man who is stereotypical to the audience today.

INT. TANDAS: MARSTON DR. – DAY

HUGZ walks the streets swiftly through his area to Tandas shop to buy some cigarettes. He walks out of TANDAS getting out a cigarette and start to smoke it.

EXT. ACACIA AVE. - DAY

He then again walks the streets with a mysterious ad hidden manor with his head down. SMILES approaches him quickly by suddenly

Page 2: Screenplay

Alice Ward | Joshua Boland | Patrick Cleary

SMILES (Frustrated)

Where’s my money?

HUGZ (Worried)

Haven’t got it, haven’t got it.

SMILES (Growing angrier)

It’s been a month now!

HUGZ (Trying to calm SMILES down and act cool)

Na, na, I can get it! I can get it!

SMILES (Fed up, goes to shoot HUGS with pistol)

Too late…