Semiotic analysis of Film Magazines

The Hobbit Cover

Issue #266 (August 2011)

Empire Magazine Analysis

Grey/Gold are the two primary colours used on this cover which relate to “Gandalf the Grey” and the “One Ring”.

Grey is Gandalf’s colour, associated with age and wisdom.

Gold gives a sense of warmth to the cover. It could also make the image of the Bilbo seem like a sepia photo which shows his traditional Hobbit nature.

The overall effect is muted as the range of colours is limited.

The Title - Empire - is the largest text on the cover, and in a bold red colour, to draw the reader’s eyes.

It is partly set behind Gandalf. This shows that Empire is such a well known brand and so iconic it can get away with covering its title.

Font/Text - Bold for normal text – Bold – BIG FILM - Anticipation

Pose – Calm/Cheerful – looking down on us (literal power) Bilbo calm before storm

 

Mise en Scene –black background – Bilbo alone before journey - Gandalf larger – impact on Bilbo – influence upon him

The layout draws the reader in as it creates a sense of depth.

This is achieved through the placement of Gandalf and Bilbo’s characters being set behind the title of the film but in front of the title of the magazine.

This depth draws the readers in across Gandalf to Bilbo, almost as if the reader is being pulled into Middle Earth

The Dark Knight Cover

Issue #223 (January 2008)

Empire Magazine Analysis

Green/Purple are the two primary colours that are related to the Joker’s appearance. Green is also a sickly colour, suggesting mental illness.

Purple is associated with royalty, which could represent his feelings of dominance and show his place as Batman’s greatest

villain. However, the tone of the purple is more psychedelic or ‘day-glo’.

The darkness encompassing the edges of the magazine could represent his foreboding presence.

The Title - Empire - is the largest text on the cover, and in a bold red colour, to draw the reader’s eyes.

It is partly set behind the Joker. This shows that Empire is such a well known brand and so iconic it can get away with covering its title.

Text pertaining to other stories are in a smaller size but are in Bold to capture the audience’s attention but still keep focus on the main story and image. They are placed so that they do not interfere with the main image.

The use of the Ransom font, which is meant to remind us of cut out letters from newspapers, used in ransom demands, is to highlight the Joker’s criminal activities.

The scratched like font used to describe Joker could be seen as reminiscent of insane ramblings carved in asylums.

The use of the Bat symbol in the top centre is a another iconic image in opposition with the Joker.

The Joker’s open stance should show friendship or vulnerability but his smirk combined with his mad make up undercuts this impression. This shows not only his confidence but also power. While seated and behind bars, it is the cops who look like the ones who are caged. He looks completely in control of the situation.

The mise en scene on the magazine is the police holding cells, but the bars are in the background, so there is nothing between us and the Joker, who we are invited to meet.

The bar code is placed out of the way in the bottom left corner as it is not important to the reader.

Breaking conventions Empire Magazine does not have the title of the film in a large font; they only have a small section at the top showing that they have the world exclusive on the film. They may see that the Joker is iconic enough to show what the magazine is focusing on.

The Joker’s face is shadowed slightly making the reader realise that this is the villain and is very dangerous. However the bright light on everything else may throw the reader off track with the character’s alignment, just as the combination of colours might as well.