session 5) 961-1130 ceramics

166 • DECORATIVE AND FINE ARTS

973

974

975

ENGLISH CERAMICS

961A STAFFORDSHIRE FIGURAL

GROUP OF SPANIELS,

19TH CENTURY

modelled with two russet and cream spaniels, one seated on a barrel, the other seated beside, raised on an oval gilt-line base, hairline crack, chip, 22cm high; and A Staffordshire Russet and Cream Spaniel, gilding rubbed22,5cm high (2)

R 1 200 - R 1 500

962A PAIR OF STAFFORDSHIRE

MODELS OF POODLES,

MID 19TH CENTURY

each modelled seated on their haunches facing left and right, their ears, manes and tails applied with extruded clay, with gilt collars, gilding rubbed24,5cm high (2)

R 2 000 - R 3 000

963A STAFFORDSHIRE WATCH

STAND, 19TH CENTURY

modelled with a clock aperture amongst fruiting vines fl anked by a seated maiden, holding a sheep, and her companion, holding a wind pipe, a seated hound by their feet, raised on a gilt-line oval base, areas of bocage lacking, hairline cracks, 32cm high; and A Staffordshire Figure of a Zebra, 19th Century, raised on an oval base with bocage12,5cm high (2)

R 800 - R 1 000

964A POWELL & BISHOP ‘MASK’

PATTERN EARTHENWARE JUG,

1876-1878

the tapering cylindrical body printed in puce with a band enclosing an espagnolette mask on either side and issuing swags reserved against a white ground, the loop handle moulded with an acanthus leaf, staining, printed factory mark and pattern name, 20cm high; A Staffordshire Earthenware Pink Lustre Bowl, 19th Century, painted with a fl oral spray enclosed within a border of fruiting vines, the exterior with a similar band, staining, restoration, 24,5cm diameter; and A Staffordshire Stoneware Black-glazed Jug, 19th Century, printed and painted in teal and gilt on either side with a Romanesque profi le portrait reserved against a black ground, gilding rubbed12cm high (3)

R 1 000 - R 1 500

965A COPELAND AND GARRETT

PARIAN WARE FIGURE

‘NARCISSUS’, 1846

modelled by E B Stephen after the original marble sculpture by R A Gibson, the scantily-clad fi gure gazing at his refl ection in a pool, printed ‘NARCISSUS BY GIBSON

RA, modelled by E R STEPHENS

and executed in STATUARY

PORCELAIN BY COPELAND &

GARRETT for the ART UNION of LONDON, 1846’31cm high

Fifty copies of ‘Narcissus’ were commissioned by Art Union of London to be offered as prizes in its annual lottery. This was the fi rst major commission of Parian statuary porcelain and proved crucial in popularizing Parian ware.

R 3 000 - R 4 000

966A COPELAND PARIAN WARE

QUARTER LENGTH BUST OF

‘CLYTHIE’, CIRCA 1855

modelled after the original Greco-Roman marble sculpture, raised on a socle base, chips, impressed ‘C Delpech Redt. Art Union of London 1855’32cm high

R 3 000 - R 4 000

967A SWANSEA-STYLE PART

DESSERT SERVICE, EARLY

19TH CENTURY

each piece painted with colourful fl oral sprays reserved against a white ground, the dishes with scroll moulded borders, comprising: 6 plates, an oval two-handled dish and a square two-handled dish, hairline cracks, staining, restorationthe oval dish 29cm wide over handles (8)

R 1 200 - R 1 500

968A COPELAND SPODE AND

SPODE BLUE AND WHITE

‘ITALIAN’ PATTERN PART DINNER

AND TEA SERVICE, 19TH AND

20TH CENTURY

comprising: 12 dinner plates, 5 fi sh plates, 10 side plates, 12 dessert plates, 8 dessert bowls, 2 rectangular platters, in sizes, 9 tea cups and 9 saucers, 5 larger saucers, 2 teapots and covers, in sizes, a sugar bowl, a milk jug, 2 sugar bowls and covers, 2 egg cups and a salt and pepper, chips, printed factory markthe larger platter 43cm wide (82)

R 3 000 - R 4 000

CAPE TOWN, 5 & 6 OCTOBER 2010 • 167

969A MINTON BOTTLE VASE,

LATE 19TH CENTURY

painted with fl oral sprigs reserved against a turquoise ground, the neck with a gilt band with beads, raised on a simulated carved wooden base, restoration, gilding rubbed, impressed factory mark21cm high

R 700 - R 900

970A COPELAND & GARRETT

CADOGAN TEAPOT,

19TH CENTURY

after the Chinese original, the body in the form of a peach with branch and leafy spray handle and spout, overall treacle glaze, impressed factory mark, numeral 12 17,5cm high

R 600 - R 800

971A PAIR OF WEMYSS ‘CABBAGE

ROSE’ PATTERN CANDLESTICKS,

EARLY 20TH CENTURY

each with spreading stem, circular foot, square-section base, repair, painted green script mark, impressed WEMYSS, printed retailer’s mark for T GOODE & CO 30,5cm high

R 1 500 - R 2 000

PROPERTY OF THE ESTATE

LATE MRS C A M CUNNOLD

972A PAIR OF ROYAL WORCESTER

TWO-HANDLED VASES PAINTED

BY JOHN FLEXMAN, 1921

shape 2710, each slender ovoid body painted on either side with a spray of roses and buds, signed J Flexman, printed factory mark and date cypher22,5cm high (2)

R 1 500 - R 2 000

VARIOUS PROPERTIES

973A WILLIAM MOORCROFT

‘POMEGRANATE’ PATTERN

VASE, 1920s

of squat baluster form, impressed MOORCROFT MADE

IN ENGLAND and numeral 146, painted signature in blue26,5cm high

ILLUSTRATED ON OPPOSITE PAGE

R 15 000 - R 20 000

974A WILLIAM MOORCROFT

‘BIG POPPY’ PATTERN VASE,

CIRCA 1925

of shouldered tapering cylindrical form, tube-lined with fl owers, hairline crack, impressed MOORCROFT

BURSLEM ENGLAND 28cm high


R 12 000 - R 15 000

975A WALTER MOORCROFT

‘ORCHID’ PATTERN VASE,

MID 20TH CENTURY

the baluster body tube-lined with a band of orchids and irises reserved against a shaded green and blue ground, painted initials, impressed facsimile signature, POTTER TO HM THE QUEEN,

MADE IN ENGLAND

23,5cm high


R 6 000 - R 8 000

976A CLARICE CLIFF ‘TREES AND

HOUSE’ PATTERN BOWL, 1930

the hexagonal body painted with cottages amongst bubble and wedge trees in shades of orange, green, black and brown, the interior with orange and black bands, areas of enamel loss, printed factory mark7,5cm diameter

ILLUSTRATED

R 5 000 - R 7 000

977A ROYAL DOULTON FLAMBÉ

VASE, 1932-1975

the tapering cylindrical body printed with a cottage before a landscape with a lake and sunfl owers, printed factory mark, 25cm high; and Another, 1932-1975, the ovoid body printed with a shepherd and his fl ock before a landscape, chips, printed factory mark 19cm high (2)

R 1 500 - R 2 000

978A PAIR OF SPODE COPELAND’S

CHINA ‘CHINOISERIE’ PATTERN

TWO-HANDLED VASES,

20TH CENTURY

each tapering ovoid body raised on a circular foot, printed in gilt on either side with phoenix in fl ight and perched amongst branches of prunus blossoms reserved against a speckled blue ground, the handles terminating in lion masks, printed factory mark28cm high (2)

PART ILLUSTRATED

R 4 000 - R 6 000

976 978 DETAIL


979A POOLE POTTERY ‘BLUE

COCKEREL ’ PATTERN BOWL,

MID 20TH CENTURY

circular, painted with a band of cockerels amongst stylised fl owers, printed factory mark, 27cm diameter; and A Poole Pottery ‘Blue Cockerel’ Pattern Vase, Mid 20th Century, of cylindrical form with fl ared rim, printed factory mark21cm high (2)

ILLUSTRATED

R 1 500 - R 2 000

980A POOLE POTTERY ‘ABSTRACT

FLOWER’ PATTERN VASE, 1930s

of tapering ovoid form, painted with a band of stylised fl owers, impressed factory mark, painted initials 23,5cm high

ILLUSTRATED

R 1 500 - R 2 000

981A POOLE POTTERY ‘ABSTRACT

FLOWER’ PATTERN TWO-

HANDLED VASE, 1930s

the globular body with loop handles, painted with a band of stylised fl owers, impressed factory mark, painted initials, 17cm high; A Poole Pottery ‘Abstract Flower’ Pattern Vase, 1930s, the tapering ovoid body painted in shades of green, grey and black, painted initials, 17,5cm high; Another, 1930s, the squat body painted with a geometric design and fl owers, impressed factory mark, painted initials, 12,5cm high; and A Poole Pottery ‘Vine’ Pattern Vase, 20th Century, impressed factory mark, painted initials17cm high (4)

ILLUSTRATED

R 1 500 - R 2 000

982A POOLE POTTERY PART COFFEE

SERVICE, CIRCA 1950

each piece painted with fl oral sprigs reserved against a cream ground, turquoise covers and saucers, comprising: 12 coffee cups and 12 saucers, a coffee pot and cover, a hot water pot and cover and a sugar bowl, printed factory markthe coffee pot 15cm high (27)

R 1 000 - R 1 500

983A BURLEIGH WARE CHARACTER

JUG OF J C SMUTS, CIRCA 1941

modelled by E T Bailey, inscribed to base ‘PRIME

MINISTER OF THE UNION OF

SOUTH AFRICA GENERAL THE RT

HON J. C. SMUTS 1941’, printed factory mark 13cm high

PROVENANCE

Noordhoek Manor

R 500 - R 700

984A BESWICK FIGURE OF A

COCKATOO, 1926-1973

designed by Albert Hallam, modelled perched on a tree trunk, painted in shades of pink, grey and brown, printed factory mark29cm high


R 1 500 - R 2 000

985A PAIR OF CROWN DEVON

‘BUTTERFLY TREE’ PATTERN

TWO-HANDLED LUSTRE WALL

VASES, 1950s

each urn-shaped body painted and enamelled with butterfl ies in fl ight beneath a fl owering tree reserved against a blue lustre ground, gilt highlights, hairline crack, printed factory mark, painted pattern number 5034, 17,5cm high; A Carlton Ware ‘Stork’ Pattern Two-handled Dish, 1940s, ovoid with wavy rim, printed factory mark, 17,5cm wide over handles; and A Carlton Ware Dish, 1940s, oval with wavy rim, ribbed handle, overall mottled blue glaze, gilt highlights, printed factory mark25,5cm wide (4)

R 1 200 - R 1 500

979

980

981


986A QUEEN’S FINE BONE CHINA

‘VIRGINIA STRAWBERRY’

PATTERN PART TEA SERVICE,

20TH CENTURY

each moulded piece printed with butterfl ies amongst strawberries, blossoms and foliage reserved against a white ground, green rim, comprising: 10 breakfast cups and 12 saucers, 9 tea cups and 12 saucers, 10 cake plates, 2 cream jugs, 5 milk jugs, a sugar bowl and cover, 5 sugar bowls, 4 small teapots and covers, a large teapot and cover and a two-handled cake plate, printed factory mark and pattern namethe cake plate 25,5cm wide over handles (72)

PROVENANCENoordhoek Manor

R 2 000 - R 3 000



987A PARAGON ‘TREE OF KASHMIR’

PATTERN PART DINNER SERVICE,

20TH CENTURY

each piece printed with a fl ower-fi lled two-handled vase enclosed within a border of fl oral sprays, gilt rim, comprising: 6 dinner plates, 6 fi sh plates, 6 side plates, 6 two-handled consommé cups and 6 saucers, printed factory mark and pattern namethe dinner plate 27cm diameter (30)

R 2 500 - R 3 500

VARIOUS PROPERTIES

988A ROYAL DOULTON BLUE AND

GILT BORDERED PART DINNER

SERVICE, 20TH CENTURY

each piece with the gilt initial ‘L’, comprising: 12 dinner plates, 12 fi sh plates, 12 soup bowls, 12 side plates, 3 oval platters, in sizes, 3 two-handled tureens and covers and 2 stands and 2 smaller two-handled tureens, covers and 2 stands, lion, crown and circle mark, Rd 542586, numbered in black enamelthe largest platter 43cm wide (60)

PROVENANCERustenberg Estate

R 4 000 - R 6 000

989A WEDGWOOD KEITH MURRAY

VASE, 1940s

of ribbed globular form, overall matte-white glaze, chip, printed factory mark 15,5cm high

R 1 200 - R 1 500

990A WEDGWOOD ‘FLORENTINE

GOLD’ PATTERN PART DINNER

AND COFFEE SERVICE,

1961-1986

each piece printed with a border of gilt griffi ns and mythical creatures amongst scrolling foliage reserved against a cream ground, comprising: 11 dinner plates, 12 fi sh plates, 12 side plates, 11 dessert bowls, 3 oval platters, in sizes, 12 two-handled consommé cups and 11 saucers and 10 coffee cups and 12 saucers, printed factory markthe largest platter 43,5cm wide (94)

R 7 000 - R 9 000

991A SPODE ‘KNIGHTSBRIDGE

COBALT’ PART DINNER AND TEA

SERVICE, 1962-2005

each piece with a cobalt blue and gilt border, comprising: 12 dinner plates, 12 fi sh plates, 12 side plates, 12 dessert bowls, an oval platter, 2 oval two-handled tureens and covers, a gravy boat and stand, a teapot and cover, 12 tea cups and saucers, a milk jug, a cream jug, a two-handled sugar basin and cover and a two-handled cake plate, printed factory markthe platter 42cm wide (81)

R 6 000 - R 8 000

984

1010

1009


EUROPEAN CERAMICS

992A HET BIJLTJE (THE HATCHET)

DUTCH DELFT BLUE AND WHITE

PLATE, CIRCA 1770

painted with a fl ower-fi lled jardiniére enclosed within a border of alternating diaper and fl oral spray panels, ochre rim, chips, fritting, painted factory mark25cm diameter

R 800 - R 1 000

993A MEISSEN TEA CADDY AND

COVER, 18TH CENTURY

of rectangular section with rounded shoulders, each side painted in the manner of Johann Gregor Höroldt with chinoiserie scenes depicting Orientals engaged in various pursuits between a double-lined iron-red band and gilt foliate scrollwork, the cover with similar vignettes, chip, gilding rubbed, painted crossed swords, gilt numeral .27 to base and cover 13cm high

ILLUSTRATED

R 15 000 - R 20 000

994A MEISSEN FIGURE OF A

GARDENER, CIRCA 1870

modelled as a maiden carrying a basket fi lled with blossoms under her right arm, standing beside a fl ower-fi lled vase, raised on a circular base, gilt highlights, chips, underglaze-blue crossed swords, incised C.68, impressed 122, 19,5cm high; and A Rudolstadt Volkstedt Figure of a Gentleman, Early 20th Century, modelled standing before a fountain, holding a large shell in his right hand and a sword in his left, chip, printed factory mark, impressed 70 16,5cm high (2)

R 1 000 - R 1 500

995A FRENCH PORCELAIN GILT-

METAL MOUNTED BOX AND

COVER, LATE 19TH CENTURY

of shaped rectangular outline, painted with fl oral sprays beneath a blue fi shscale border, the hinged cover with a courting couple before a landscape enclosed within a similar border, painted factory mark, 12cm wide; and Another, Late 19th Century, the heart-shaped body painted with fl oral sprays, gilt highlights, painted factory mark5cm wide (2)

R 600 - R 800

996A PAIR OF DUTCH DELFT BLUE

AND WHITE CHINOISERIE

HEXAGONAL BEAKER VASES,

19TH CENTURY

each fl ared body painted with birds amongst a tree of blossoming peonies and chrysanthemums between stylised lappet borders with fl owerheads and scrolling foliage, chip, painted factory mark26,5cm high (2)

R 2 000 - R 3 000

997A DUTCH DELFT-STLYE BLUE AND

WHITE EARTHENWARE DISH BY

F MOREAU, EARLY

20TH CENTURY

the centre painted with a fl oral spray enclosed within shaped panels of fl owerheads and scrolling foliage, wavy rim, pseudo ‘de Drie Klokken’ factory mark, DELFT 1702, inscribed F Moreau, 32,5cm diameter; and A Nimy-lez-Mons-style Blue and White Dish by F Moreau, 20th Century, painted with panels enclosing fl ower-fi lled jardiniéres and scrolling foliage, painted F Moreau NIMY 1931

36,5cm diameter (2)

R 1 000 - R 1 500

998A PAIR OF IMPERIALE ET

ROYALE NIMY ISNIK-STYLE

EARTHENWARE JARS AND

COVERS BY F MOREAU,

20TH CENTURY

each tapering ovoid body painted with spiral bands enclosing fl owerheads and scrolling foliage in shades of green, red and blue, the cover similarly decorated, repair, signed F Moreau, printed factory mark26,5cm high (2)

R 1 500 - R 2 000

999ELEVEN ALFRED HACHE & CO

PORCELAIN PLATES BY

F MOREAU,

EARLY 20TH CENTURY

each variously painted with naturalistic fl owers enclosed within a stylised Art Nouveau fl oral and scrolling foliate border, gilt rim, chip, repair, painted artist’s initials, printed factory mark21,5cm diameter (11)

R 2 500 - R 3 500

993


1000A CONTINENTAL EARTHENWARE ‘ORCHID’ PATTERN CHARGER

BY F MOREAU, EARLY 20TH CENTURY

naturalistically painted with orchids, including Rhynchostele rossii, Odontoglossum crispum and Lycaste skinneri and an Anthurium reserved against a mottled pale blue ground, inscribed ‘Orchidees’, signed F Moreau, chips, impressed BA50cm diameter

PART ILLUSTRATED

R 4 000 - R 6 000

1001FOUR CONTINENTAL ISNIK-STYLE EARTHENWARE DISHES

BY F MOREAU, EARLY 20TH CENTURY

each painted in shades of green, red and blue, three variously decorated with fl owerheads and scrolling foliage, the other with a bird amongst fl owerheads and scrolling foliage, repair, painted artist’s initials, ONNAING, 1904

30cm diameter (4)

R 1 500 - R 2 000

1002A LARGE RUDOLSTADT VOLKSTEDT MUSICAL GROUP,

EARLY 20TH CENTURY

modelled with three musicians in eighteenth century attire, a maiden playing a piano, a gentleman seated by her side playing a cello and another standing, playing a fl ute, raised on a scroll base moulded with a carpet and encrusted with fl oral sprays, gilt highlights, restoration, chips, painted factory mark 38,5cm high

R 6 000 - R 8 000

1003PABLO PICASSO (1881-1973): VISAGE NO 157

white earthenware plate painted and glazed in red, green, blue and black, inscribed Edition Picasso, Madoura, and numbered 100/150

25,5cm diameter, framed

ILLUSTRATED

R 30 000 - R 40 000

1004PABLO PICASSO (1881-1973): TWO TERRACOTTA STAMPED TILES

square, one ‘Square with Dancers B’, the other ‘Oval with Horse and Matador’, each stamped and numbered on the reverse Madoura Plein Feu, Poincon Originale de Picasso, J.159 172/500 and

J.163 170/500 respectively each 15cm square, perspex case (2)

ILLUSTRATED

R 10 000 - R 15 000

1000 DETAIL

1003

1004


1005A GOLDSCHEIDER TERRACOTTA

VASE, 1930s

the globular body with elongated neck randomly glazed overall in brown, orange and white, original paper label, printed factory mark, MADE IN AUSTRIA, incised 1183, MK

27,5cm high

R 2 000 - R 3 000

1006A RUDOLSTADT VOLKSTEDT

FIGURE OF A NODDING

PAGODA, 20TH CENTURY

after the original Meissen model by J.J. Kandler, modelled as a female Oriental seated cross-legged with nodding and movable head and hands, her smiling face with moving tongue and long-lobed ears, wearing a loosely tied robe patterned with indianishe Blumen, a white ruff with a green bow at her neck, green slippers, printed factory mark23cm high

ILLUSTRATED

R 7 000 - R 9 000

1007A GROUP OF SEVEN HUMMEL

FIGURES, 1950-1955

comprising: ‘Baker’, ‘Soloist’, ‘Street singer’, ‘Home from market’, ‘School boy’, ‘Heavenly angel’ and ‘Farewell’, printed factory mark, impressed model number and signaturethe tallest 13cm high (7)

R 2 000 - R 3 000

1008A HUTSCHENREUTHER

KUNSTABTEILUNG SELB ART

DECO-STYLE ASHTRAY, 1950s

modelled by K Tutter, the seated elf-like fi gure playing a wind pipe, shaped square base, printed factory mark, impressed K. TUTTER

11cm high

R 800 - R 1 000

1009A BING & GRÖNDAHL FIGURE OF

A MACAW, 20TH CENTURY

designed by Armand Petersen, painted in shades of blue and grey, perched on a shaped rectangular stand, printed factory mark, painted model number 2235, incised artist’s initials41,5cm high

ILLUSTRATED ON PAGE 169

R 2 500 - R 3 500

1010A SÄCHSISCHE PORZELLAN-

MANUFAKTUR DRESDEN FIGURE

OF A PARROT, 20TH CENTURY

with crest raised, painted in shades of green, blue, yellow and red, perched on a tree stump encrusted with leaves and berries, painted factory mark, impressed model number 270017cm high

ILLUSTRATED ON PAGE 169

R 1 500 - R 2 000

1011A KARL ENS, RUDOLSTADT

VOLKSTEDT FIGURE OF A TIGER,

CIRCA 1930

printed factory mark, 15cm high; and A Hutschenreuther Figure of a Brown Bear, 20th Century, printed factory mark 17,5cm high (2)

R 800 - R 1 000

1012A BING & GRÖNDAHL FIGURE

OF A RECUMBENT GREYHOUND,

1948-1951

model number 2079, printed factory mark, painted model number, 29cm long; A Bing & Gröndahl Figure of a Seated Pekinese, 1952-1957, model number 1631, designed by Dahl Jensen, printed factory mark, painted model number, impressed DJ, 6cm high; and A Royal Copenhagen Figure of a Seated Cat, 1937, model number 055, painted in shades of grey, printed factory mark, underglaze-blue wave mark, painted model number 19cm high (3)

R 1 200 - R 1 500

1013A HUTSCHENREUTHER

‘FREEDOM’ FIGURINE,

20TH CENTURY

designed by Max Hermann Fritz, the stallion and mare modelled in full gallop, raised on a moulded base, chip, moulded ENTWURF M H FRITZ, printed factory mark 28,5cm high

R 4 000 - R 6 000

1014A GROUP OF KÖNIGLICHE

PORZELLAN-MANUFAKTUR

WHITE-GLAZED WARES,

20TH CENTURY

comprising: 6 consommé cups, covers and saucers, a two-handled tureen and cover, a salt and pepper, each variously moulded with bands of swags and fl owerheads within beaded borders, and a vase with foliate borders, printed factory markthe tureen 26cm wide over handles (16)

R 2 500 - R 3 500

1006


SOUTH AFRICAN CERAMICS

1015A CERAMIC STUDIO BOWL, 1930s

the lobed body with overall mottled yellow glaze, mottled russet rim, impressed factory mark, 20,5cm diameter; and Another, 1930s, similarly glazed, impressed factory mark19cm diameter (2)

R 700 - R 900

1016A LINNWARE BOWL, 1940s

the circular body with overall mottled yellow and russet glaze, impressed LW and circle mark, 30,5cm diameter; and A Linnware Flowerholder, 1940s, circular, overall mottled turquoise glaze11,5cm diameter (2)

R 1 200 - R 1 500

1017A LINNWARE TWO-HANDLED

VASE, 1940s

of squat urn form, overall mottled blue, green and russet glaze, repair29cm wide over handles

R 1 000 - R 1 500

1018A LINNWARE VASE AND

FLOWERHOLDER, 1940s

rectangular, overall mottled yellow, cream and russet glaze, impressed studio stamp, painted LINNWARE,

26,5cm wide; and A Linnware Tea-Light Holder, 1940s, the pierced body with overall mottled brown glaze, impressed LW and circle mark 9cm high (3)

R 1 200 - R 1 500

1019A LINNWARE BOWL, 1940s

circular, overall mottled green and turquoise glaze28cm diameter

R 2 000 - R 3 000

1020A LARGE

LINNWARE

BOWL AND

FLOWERHOLDER,

1940s

overall mottled blue and turquoise glaze, russet rim, hairline crack, impressed factory stamp37cm diameter

R 3 000 - R 5 000

1021A MISCELLANEOUS GROUP OF

LINNWARE, 1940s

each variously glazed, comprising: 4 mugs, a jug, 5 ashtrays, a toastrack, 6 small plates, in sizes, a saucer, an egg cup, 3 salts and a cover and a honey pot and cover, chips, hairline crack, variously markedthe jug 11cm high (23)

R 1 500 - R 2 000

1022SIX LINNWARE BLUE AND WHITE

TWO-HANDLED BOWLS,

1945 AND 1954

each painted with a fl oral spray, hairline cracks, painted factory mark and date, 17cm wide over handles; and A Linnware Blue and White Pedestal Dish, 1950s, similarly decorated, painted LINNWARE

26,5cm diameter (7)

R 1 500 - R 2 000

1023A LINNWARE TUREEN AND

COVER, 1940s

circular, overall mottled blue glaze, painted LINNWARE, 23cm diameter; A Linnware Bowl, 1940s, the tapering body with inverted rim, overall mottled lavender glaze, chips, impresed LW and circle mark, 18cm diameter; A Linnware Condiment Jug, 1940s, the globular body with slender neck applied with a loop handle, overall mottled lavender glaze, painted factory mark, 13,5cm high; and Two Linnware Mottled Brown-glazed Ashtrays, 1940s, circular, painted and impressed factory marksthe larger 14cm diameter (5)

R 1 200 - R 1 500

1024A KALAHARI TERRACOTTA

PLATE, 1950s

painted with a stylised portrait of a Ndebele woman wearing headdress in shades of ochre, pink, green and burnt sienna reserved against a blue ground, impressed factory stamp, painted KALAHARI MADE

IN S AFRICA

36,5cm diameter

PROVENANCESold: Stephan Welz & Co, Cape Town, 20 October 1998, Lot 149

PART ILLUSTRATED

R 8 000 - R 10 000

1024 DETAIL



PLATE, 1950s

painted with a stylised portrait of a Bhaca woman wearing headdress in shades of turquoise, yellow, pink and blue reserved against a white ground, painted KALAHARI,

20,5cm diameter; Another, 1950s, painted with a stylised portrait of a woman wearing headdress reserved against a white ground, impressed factory stamp, painted KALAHARI, 16cm diameter; and A Kalahari Terracotta Bowl, 1950s, painted with a stylised portrait of a woman wearing beaded necklace and bangles reserved against a blue and green ground, painted KALAHARI

18cm diameter (3)

R 2 000 - R 2 500


PLATE, 1950s

painted with a stylised portrait of a married Bhaca woman wearing headdress in white, blue and yellow glaze reserved against a black ground, incised KALAHARI

25,5cm diameter

R 3 000 - R 4 000


PLATE, 1950s

painted with a geometric pattern in red, blue, yellow, green, black, white and ochre reserved against an ochre ground with brown stripes, painted KALAHARI

35cm diameter

R 1 500 - R 2 000


PLATE, 1950s

painted with a geometric pattern, impressed factory stamp, painted KALAHARI,

29cm diameter; Two Kalahari Terracotta Dishes, 1960s, in sizes, each glazed in yellow with white stripes, impressed factory stamp, painted KALAHARI, the larger 18cm wide; and Two Kalahari Terracotta Ashtrays, 1960s, in sizes, impressed factory stamp, painted factory mark the larger 15,5cm diameter(5)

R 2 000 - R 3 000

1029FOUR KALAHARI TERRACOTTA

WARES, 1960s

of various shapes and sizes, comprising: 3 bowls and a dish, each painted with geometric designs, restoration, painted and incised factory markthe largest dish 40cm wide (4)

R 2 500 - R 3 500

1030TWO KALAHARI TERRACOTTA

LEAF-SHAPED DISHES, 1950s

each decorated with a Zulu maiden grinding maize, raised on four feet, painted KALAHARI, impressed factory stamp21,5cm wide (2)

R 2 000 - R 3 000

1031A KALAHARI TERRACOTTA FLASK

VASE, 1950s

the tapering cylindrical body with overall yellow craquelure glaze, the neck with an incised band, incised KALAHARI

47,5cm high

R 1 000 - R 1 200

1032THREE KALAHARI TERRACOTTA

VASES, 1960s

of various shapes and sizes, each painted with foliate decoration in shades of celadon, painted KALAHARI

the largest 25cm high (3)

R 2 500 - R 3 500

1033A KALAHARI UNGLAZED

EARTHENWARE BUST OF AN

AFRICAN HEAD, 1985

pale blue, signed A Klopcanovs, 198519cm high (3)

R 600 - R 800

1034HYM RABINOWITZ (1920-2009):

A STONEWARE VASE

the slightly ribbed squat tapering cylindrical body with three prunts on either side of the shoulder, overall tenmoku-glaze, impressed artist’s stamp, 16,5cm high; and Tim Morris (1941-1990): A Porcelain Jar and Cover, the ovoid body with a circular panel enclosing stylised foliage, the reverse with cross-hatching reserved against a tenmoku-glaze ground, the cover similarly glazed, impressed artist’s stamp 13,5cm high (2)

R 2 000 - R 3 000

1035MAARTEN ZAALBERG (1924-

1989): A STONEWARE VASE

the slightly ribbed tapering ovoid body with overall mottled cream and yellow glaze, incised Zaalberg, 20cm high; and Another, the slightly ribbed tapering globular body with overall pale green glaze, incised Zaalberg SA15,5cm high (2)

R 900 - R 1 200

1036TIM MORRIS (1941-1990):

A STONEWARE VASE

of rectangular section, the neck and shoulders with tenmoku- and cobalt-glazed stylised fl oral sprays reserved against a speckled grey ground falling short of the foot, impressed artist’s stamp, 40cm high; and A Stoneware Tenmoku-glazed Vase, 20th Century, of ribbed tapering cylindrical form27cm high (2)

R 1 500 - R 2 000

1037TIM MORRIS (1941-1990):

A PORCELAIN LAMP BASE

of tapering ovoid form, painted in colbalt with a band of foliage, impressed artist’s stamp, 28cm high; and A David Schlapobersky Stoneware Dish, 1970s, painted by Felicity Potter, circular, painted in cobalt with stylised foliage, impressed artist’s stamp34cm diameter (2)

R 2 000 - R 3 000

1038ANDREW WALFORD (1942-):

A STONEWARE VASE

the cylindrical body with high shoulders and everted rim painted on either side with a circular panel enclosing a stylised tree in shades of brown and blue reserved against a speckled grey ground, painted signature, 28,5cm high; and Two Further Examples, one of tapering ovoid form, the other octagonal, variously glazed in blue reserved against a speckled grey ground, painted signaturethe larger 19,5cm high (3)

R 1 500 - R 2 000



A STONEWARE JAR AND COVER

the slightly ribbed cylindrical body glazed in tenmoku with stylised foliage above bands reserved against a speckled grey ground, the cover similarly glazed, painted initials28cm high

R 1 500 - R 2 000


A STONEWARE JAR AND COVER

the ribbed cylindrical body with overall tenmoku-glaze, the cover similarly glazed, painted signature15cm high

R 600 - R 800

1041A BOLLAND POTTERY

STONEWARE BOWL, SECOND

HALF 20TH CENTURY

circular, the interior painted in brown and blue with stylised fl owerheads, overall olive glaze, impressed artist’s stamp32,5cm diameter

R 700 - R 900

1042CHRISTO COETZEE (1929-2000):

A LA ROCHELLE POTTERY

STONEWARE PLATE, 1986

incised and painted with shades of blue, white and green with a fl owerhead and foliage, wavy rim, painted Christo Coetzee 86, La Rochelle Pottery, Tulbagh 23,5cm diameter

R 800 - R 1 200

1043A ROURKE’S DRIFT STONEWARE

VASE BY EURIEL MBATHA, 1986

of square section, the tapering ovoid body with fl ared neck incised and painted in iron and black slip with panels of stylised fl owerheads, painted factory mark, EURIEL MBATHA,

X-151-86

19,5cm high

R 1 000 - R 1 500

ORIENTAL CERAMICS



1044A CHINESE BLUE AND WHITE

PLATTER, QIANLONG, 1736-1795

rectangular with canted corners, painted with fi gures in a mountainous landscape with a bridge and pavilions enclosed within a diaper band reserved with panels of peonies, the rim with a Greek-key border issuing foliage, fritting, 26cm wide; and A Pair of Chinese Blue and White Tureen Stands, Qianlong, each rectangular with canted corners, similarly painted, the rim with a dense border of scrolls, peonies and scrolling foliage reserved against a diaper ground, fritting24,5cm diameter (3)

R 2 000 - R 3 000

VARIOUS PROPERTIES

1045A NEAR PAIR OF CHINESE BLUE

AND WHITE BOWLS,

19TH CENTURY

the centre of each painted with a fi sh swimming amongst rocks and foliage enclosed within a band of blossoming trees, the rim with a border of fl owerheads and foliage, the exterior similarly painted with fi sh below a diaper border, chips, spurious Kangxi script mark15cm diameter (2)

R 1 200 - R 1 500




JAR AND COVER,

LATE 19TH CENTURY

painted overall with lotus blossoms and scrolling foliage, the domed cover similarly decorated, restoration, spurious Kangxi script mark29,5cm high

ILLUSTRATED

R 2 000 - R 3 000

1047A LARGE CHINESE BLUE AND

WHITE DOUBLE-GOURD VASE,

LATE 19TH CENTURY

painted with a pan chang knot fl anked by two dragons amongst clouds above stylised waves below a band with two dragons chasing a fl aming pearl amongst clouds, the rim with a Greek-key border, restoration, spurious Qianlong seal script mark 44cm high

ILLUSTRATED

R 3 000 - R 4 000

1046

1047



JAR AND WOODEN COVER,

EARLY 20TH CENTURY

the baluster body painted on either side with two fi gures carrying a large baluster-shaped vase and cover, painted with peonies issuing from rockwork, reserved against a ground of birds amongst prunus blossoms between bands of fruit and foliage, pierced domed cover, spurious Kangxi script mark37cm high, with carved wooden stand

R 3 000 - R 4 000


ROULEAU VASE,

LATE 19TH CENTURY

painted with Dogs-of-Fo, one with a brocade ball amongst clouds between bands of bats amongst clouds, hairline crack, spurious Qianlong script mark29,5cm high

R 1 500 - R 2 000

1050A CHINESE ‘FAMILLE VERTE’

BLUE-GROUND JAR AND COVER,

LATE 19TH CENTURY

the ovoid body painted on either side with a panel enclosing a maiden, her attendant and a child before a balustraded garden reserved against a blue ground with further panels of landscapes and foliage, the domed cover similarly decorated, repair, underglaze-blue double-ring mark29cm high

R 2 000 - R 3 000


JARDINIÈRE,

LATE 19TH CENTURY

of typical form, painted with two dragons chasing a fl aming pearl amongst clouds above a stylised Greek-key and lappet band, the rim with a diaper band reserved with butterfl ies and shaped panels of foliage, hairline crack30cm high

R 4 000 - R 6 000


LAMP BASE, LATE 19TH CENTURY

the baluster body painted with a continuous scene of maidens overseeing children playing before a balustraded garden between zig-zag borders, the neck with stylised clouds, underglaze-blue double-ring mark35cm high, fi tted for electricity

R 3 000 - R 4 000




ROULEAU VASE,

EARLY 20TH CENTURY

painted with a continuous scene of numerous fi gures at various pursuits within a pavillion before a balustraded garden with pine trees and rockwork, the neck with stylised lappet and Greek-key bands, fritting, underglaze-blue double-ring mark46cm high

ILLUSTRATED

R 3 000 - R 4 000


JAR AND COVER,

EARLY 20TH CENTURY

the tapering ovoid body painted overall with prunus blossoms reserved against a cracked-ice ground, the associated cover similarly decorated, repair, chip, spurious Kangxi script mark, 23cm high; and A Small Pair of Chinese Blue and White Jars and Wooden Covers, Late 19th Century, each baluster body similarly decorated, restoration, fritting, pierced covers damaged14cm high, with wooden stands (3)

R 1 200 - R 1 500

1055A NEAR PAIR OF CHINESE BLUE

AND WHITE VASES,

EARLY 20TH CENTURY

each ovoid body with elongated neck variously painted with fi gures and their attendants beneath a pine tree before a balustraded garden, hairline crack, underglaze-blue double-ring mark35cm high (2)

R 3 000 - R 4 000

VARIOUS PROPERTIES


UMBRELLA STAND,

20TH CENTURY

the cylindrical body painted with two dragons chasing a fl aming pearl amongst clouds above a band of stylised waves45,5cm high

R 900 - R 1 200

1053

1065 PART LOT DETAIL

1066

VARIOUS PROPERTIES




1057A PAIR OF CHINESE BLUE AND

WHITE JARS AND COVERS,

20TH CENTURY

each baluster body painted with lotus blossoms and scrolling foliage between lappet borders, the cover with Dog-of-Fo fi nial26cm diameter (2)

R 600 - R 800

VARIOUS PROPERTIES


JAR AND COVER,

EARLY 20TH CENTURYthe baluster body painted with four Shou amongst fl owerheads and scrolling foliage, the shoulders applied with four mask lug handles, the domed cover similarly decorated, Dog-of-Fo fi nial, 45cm high; and Another, Early 20th Century, the baluster body painted with peonies and scrolling foliage between lappet borders, the shoulders applied with four mask lug handles, the domed cover similarly decorated, Dog-of-Fo fi nial, chip, cover possibly associated45cm high (2)


R 4 000 - R 6 000

1059A LARGE CHINESE BLUE AND

WHITE BOWL, 20TH CENTURY

the interior painted with a rondel enclosing a fl owerhead and foliage, the rim with a border of waves, the exterior with a band of various fl owerheads and scrolling foliage above a band of lappets, hairline crack38,5cm diameter


R 2 000 - R 3 000

1060A MASSIVE CHINESE METAL-

MOUNTED BLUE AND WHITE

TEAPOT AND COVER,

20TH CENTURY

the cylindrical body painted with shaped panels of warriors at various pursuits before landscapes above further panels of fruit and foliage reserved against a ground of fl owerheads and foliage, the spout with a fl ower-fi lled vase, applied swing handle, the cover with a warrior brandishing a bow and arrow, spurious Kangxi script mark 45,5cm high


R 2 000 - R 3 000

1061A MASSIVE CHINESE METAL-

MOUNTED BLUE AND WHITE

TEAPOT AND COVER,

20TH CENTURY

the globular body painted with shaped panels of birds amongst blossoms issuing from rockwork above further panels of birds reserved against a ground of fl owerheads and foliage, the spout with a fl ower-fi lled vase, applied swing handle, the cover with a bird perched on a branch, spurious Qianlong script mark, 45,5cm high; and Another, 20th Century, similarly decorated with panels of fi gures at various pursuits above a band of lappets, the cover with a maiden playing a lute, spurious Qianlong script mark 45,5cm high (2)


R 4 000 - R 6 000


WHITE TULIP VASES,

20TH CENTURY

each fl attened shaped ovoid body with fi ve apertures, painted on either side with two mythical birds in fl ight amongst scrolling foliage, the sides applied with ring-handles, the fl ared rectangular foot with a band of stiff-leaves, each neck with a similar band above a band of ruyi-lappets, craquelure glaze, repairs, spurious Qianlong seal script mark 36cm high (2)


R 2 500 - R 3 500


WHITE TWO-HANDLED PILGRIM

FLASKS, 20TH CENTURY

each of rectangular form with rounded shoulders, painted on either side with a dragon amongst clouds between bands of stylised waves and ruyi-lappets enclosing a bird and foliage, the sides with peonies below moulded dragon handles, craquelure glaze, spurious Qianlong seal script mark 29cm high (2)


R 2 000 - R 3 000

1064A CHINESE TURQUOISE-GLAZED

FIGURE OF A DUCK,

20TH CENTURY

impressed mark, printed MADE

IN CHINA, 30cm high; and A Resin Figure of a Conure, Modern, paper label 19,5cm high (2)

R 600 - R 800


KRAAK-STYLE DISH,

20TH CENTURY

painted with deer amongst rockwork beneath a pine tree enclosed within a border of alternating panels of symbols and peaches, the exterior with a similar border, spurious Zhengde script mark, 39cm diameter, with wooden stand; and A Chinese Blue and White Wanli-style Dish, 20th Century, painted with a pheonix in fl ight and ducks swimming amongst lotus blossoms and foliage enclosed within a similar foliate border, the exterior with a similar border, spurious Zhengde script mark 39cm diameter, with wooden stand (2)


PART ILLUSTRATED ON OPPOSITE PAGE

R 2 500 - R 3 500


FIGURE OF GUANYIN,

20TH CENTURY

standing barefoot, wearing long fl owing robes sashed at the waist, beaded necklace, the face with serene expression and her hair piled high in a chignon, her hands emerging from voluminous sleeves, holding a bowl in her right hand and a pearl in her left44cm high



R 1 000 - R 1 500


1067A PAIR OF CHINESE WHITE-

GLAZED TWO-HANDLED VASES,

MODERN

each tapering body with elongated neck, the loop handles applied with pomegranates and foliage 40cm high (2)

R 3 000 - R 4 000

1068A JAPANESE BLUE AND WHITE

CHARGER, MEIJI PERIOD,

1868-1912

painted with two birds perched on blossoming peony branches enclosed within a fl owerhead border, scalloped rim, chip 47cm diameter

R 900 - R 1 200

1069A JAPANESE IMARI LAMP BASE,

MEIJI PERIOD, 1868-1912

the tapering ovoid body painted with alternating shaped panels enclosing birds amongst foliage reserved against a dense ground of fl owerheads and scrolling foliage above a stylised lappet band, the neck with further alternating panels enclosing mythical birds and foliage 40cm high, fi tted for electricity

R 3 000 - R 4 000

1070A JAPANESE KUTANI BOTTLE

VASE, MEIJI PERIOD, 1868-1912

painted with a band of butterfl ies amongst lotus blossoms and scrolling foliage below a band of rondels reserved against an alternating diaper and fi shscale ground, the neck with wrigglework, chip, gilding rubbed, signed 17,5cm high

R 600 - R 800

GLASS

1071THREE ‘MARY GREGORY’

CRANBERRY GLASS VASES,

LATE 19TH CENTURY

each of various form, typically decorated with a young girl, gilt rim, chipsthe tallest 21,5cm high (3)

R 900 - R 1 200

1072A CRANBERRY GLASS

ELECTROPLATE-MOUNTED

CASTER, LATE 19TH CENTURY

faceted cylindrical body, pierced domed cover; 15cm high; Another, the pear-shaped body with internal faceting, electroplate worn, 16cm high; A Pair of ‘Cranberry’ Glass Electroplate-mounted Casters, 20th Century, each cylindrical body cut with a spray of berries and foliage, 12,5cm high; A Cranberry and Clear-glass Vase, Late 19th Century, the tapering ovoid body with internal moulded rondels, frilled rim, circular foot, 20,5cm high; A Smaller Example, raised on a blue-glass pincered trail foot, 9cm high; and Two ‘Cranberry’ and Clear-glass Jugsthe taller 14cm high (8)

R 1 000 - R 1 200

1078


1073A CRANBERRY AND CLEAR-

GLASS DECANTER JUG AND

STOPPER, LATE 19TH CENTURY

the interior with honeycomb moulding, applied with a fl uted loop handle, associated ball stopper, chip, 24cm high; A Cranberry and Clear-glass Flask Decanter, Late 19th Century, faceted neck, applied with a loop handle, star-cut base, stopper lacking, 19cm high; and A Cranberry Glass Shaft-and-Globe Decanter and Stopper, Late 19th Century, with internal spiral fl uting, ball stopper 28cm high (3)

R 1 500 - R 2 000

R 1 500 - R 2 000

1074A CRANBERRY AND

CLEAR-GLASS BASKET,

LATE 19TH CENTURY

the globular body applied with trailed glass frill to rim and foot, reeded handle, 20,5cm high; and A Cranberry and Clear-glass Bowl and Cover, Late 19th Century, circular, applied with a pincered trail and fi nial, the domed cover painted with fl oral sprays 16cm diameter (2)

R 700 - R 900

R 700 - R 900

1075A CRANBERRY CUT-GLASS

TRUMPET-SHAPED VASE,

LATE 19TH CENTURY

cut with a spiral of fruiting vines, spreading circular foot 47cm high

R 700 - R 900

R 700 - R 900

1076TWO PAIRS OF SILVER-MOUNTED

CRANBERRY GLASS BEAKERS,

EARLY 20TH CENTURY

each associated pierced mount with cherubs, foliage and scrolls, two with a vacant cartouche and ram’s-head and scoll handle, the others with mythical bird and scroll handles, the mounts hallmarked Birmingham, 1903 and 1911; and A Miscellaneous Group of Eight Cranberry and Clear-glass Drinking Glasses and Cups (12)

R 600 - R 800

R 700 - R 900

1077A SET OF SIX LARGE CUT-GLASS

GOBLETS, EARLY 20TH CENTURY

each cup-shaped bowl cut with pineapples and swags, tapering hexagonal stem 28cm high (6)

R 3 000 - R 4 000

R 700 - R 900

1078A LE VERRE FRANCAIS CHARDER

SILVER-MOUNTED ‘MYRTILLES’

PATTERN CAMEO GLASS VASE,

1920s

the tapering cylindrical body of colourless glass with blue powder, overlaid in mottled blue, acid etched and wheel carved with bands of stylised blueberries and foliage, raised on a silver spreading foot with basket-weave bands, cameo mark Charder, the silver hallmarked Birmingham, 1936, mount possibly later 44,5cm high


R 15 000 - R 20 000

R 700 - R 900

1079‘DAHLIAS’: A LALIQUE FROSTED

AND OPALESCENT GLASS BOWL

designed 1921, Marcilhac page 749, number 3210, circular, the exterior moulded with fl owerheads and foliage, moulded R. LALIQUE FRANCE

24cm diameter

R 4 000 - R 6 000

R 700 - R 900

1080‘COQUILLE NO. 5’: EIGHT

LALIQUE OPALESCENT GLASS

BOWLS

designed 8 December 1924, Marcilhac page 748, number 3204, the exterior of each moulded with four shells, engraved R Lalique, No 3204, 13cm diameter; ‘Coquille No. 4’: Seven Lalique Opalescent Glass Plates, designed 1924, Marcilhac page 701, number 3012, engraved R Lalique, No 3012, 20cm diameter; and ‘Coquille No. 3’: A Lalique Opalescent Glass Plate, designed 1924, Marcilhac page 701, number 3011, engraved R Lalique23cm diameter (16)

PART ILLUSTRATED

R 20 000 - R 30 000

R 700 - R 900

1080 PART LOT


1081

1081‘BOUCHARDON’: A LALIQUE

CLEAR AND FROSTED TWO-

HANDLED GLASS VASE

designed 29 October 1926, Marcilhac page 435, number 981, of spherical form with everted rim, applied with handles each in the form of a seated naked female holding a garland of fl owers, moulded R. LALIQUE

12,5cm high

ILLUSTRATED

R 15 000 - R 20 000

R 700 - R 900

1082‘ORMEAUX’: A LALIQUE

OPALESCENT GLASS VASE

designed 30 December 1926, Marcilhac page 435, number 984, the globular body moulded overall with foliage, stencilled mark R. LALIQUE, engraved France16,5cm high


R 8 000 - R 10 000

R 700 - R 900

1083‘MALESHERBES’: A LALIQUE

FROSTED AMBER-GLASS VASE

designed 17 January 1927, Marcilhac page 442, number 1014, the tapering ovoid body moulded overall with foliage, chip, engraved R. Lalique France No. 101423cm high


R 5 000 - R 7 000

R 700 - R 900

1084‘DAHLIAS’: A LALIQUE FROSTED

AND ENAMELLED GLASS SCENT

BOTTLE AND STOPPERdesigned 9 April 1931, Marcilhac page 346, number 617, repair to stopper, stencilled mark R. LALIQUE FRANCE, 13cm high; ‘Dahlias’: A Lalique Frosted and Enamelled Glass Box and Cover, designed 9 April 1931, Marcilhac page 346, number 620, circular, chips, stencilled mark R. LALIQUE FRANCE, 12cm diameter; and ‘Dahlias’: Three Lalique Frosted and Enamelled Glass Ashtrays, designed 2 February 1929, Marcilhac page 275, number 301, two with remains of blue staining, moulded R. LALIQUE FRANCE, engraved No 301 7,5cm diameter (5)

R 3 000 - R 4 000

R 700 - R 900


1085‘DAUPHINS’: A LALIQUE

OPALESCENT AND BLUE-STAINED

GLASS VASE

designed 7 June 1932, Marcilhac page 464, number 10-900, the exterior moulded with fi sh swimming amongst spiralling waves, stencil mark R.

LALIQUE FRANCE

14cm high

ILLUSTRATED

R 10 000 - R 15 000

R 700 - R 900

1086‘VOLUTES’: A LALIQUE

OPALESCENT GLASS BOWL

designed 17 April 1934, Marcilhac page 309, number 10-395, the underside moulded with spiralling bands of bubbles, stencilled mark R.

LALIQUE FRANCE

25cm diameter

ILLUSTRATED

R 4 000 - R 6 000

R 700 - R 900

1087‘MALAGA’: A LALIQUE GLASS

WINE COOLER

designed 25 November 1937, Marcilhac page 782, number 10-3475, the tapering cylindrical body moulded overall in low relief with bunches of grapes, engraved Lalique France14,5cm high

ILLUSTRATED

R 3 000 - R 4 000

R 700 - R 900

1088‘ENFANTS’: A LALIQUE FROSTED

GLASS BOX AND COVER, POST

1945

circular, moulded with a band of putti, the domed cover with bands of roses, engraved Lalique France11cm diameter

R 1 500 - R 2 000

R 700 - R 900

1083

1087

10851082

1086


1089A COSTEBELLE OPALESCENT GLASS DRESSING TABLE SET, CIRCA 1930

each piece moulded with panels enclosing birds in fl ight, comprising: a scent bottle and stopper, a perfume atomiser and a box and cover, chip, moulded factory mark the atomiser 14cm high, cased (3)

R 3 000 - R 4 000

1090A FRENCH OPALESCENT GLASS BOWL, 20TH CENTURY

circular, the underside moulded with bands of geometric patterns, moulded MADE IN FRANCE

30cm diameter

R 800 - R 1 000

1091LIVIO SEGUSO (1930-): A GREEN-GLASS ART SCULPTURE

of ovoid form, the interior with iridescent ‘embryo’ form, irregular bubble inclusions, cased in green glass, engraved Livio Seguso29cm high

ILLUSTRATED

R 20 000 - R 30 000

1092A SAINT LOUIS CRYSTAL TABLE LAMP BASE, 20TH CENTURY

spiral fl uted, acid etched factory mark34cm high, fi tted for electricity

R 1 200 - R 1 500

1093A WMF IKORA GLASS BOWL, CIRCA 1930the lobed mottled ochre body with irregular bubble inclusions, 23,5cm diameter; and An Amber-glass Bowl, 20th Century, with irregular bubble inclusions, impressed factory mark29,5cm diameter (2)

R 1 500 - R 2 000

1094A WMF IKORA GLASS DISH, 1930s

circular, the colourless glass internally decorated with green powders and burst open crackle31,5cm diameter

R 1 200 - R 1 500

1095A LEERDAM SATINATED GLASS FIGURE OF MADONNA AND CHILD,

CIRCA 1930

designed by Stef Uiterwaal, moulded artist’s monogram 37cm high

R 1 000 - R 1 500

1096AN ARTE VETRARIA MURANESE LATTICINO MILLEFIORI ‘TUTTI-FRUTTI’

GLASS VASE, 1950s

of tapering cylindrical form with random millefi ori, zanfi rico and fi ligrana design set against a silver-leafed deep red interior19,5cm high

R 1 200 - R 1 500

1097A GROUP OF FOUR SEGUSO LATTIMO GLASS WARES,

CIRCA 1960

each cased in clear glass, comprising: a vase, a stylised fl ower and two apple sculptures, in sizes, the vase engraved Segusothe vase 22cm high (4)

R 3 000 - R 4 000

1098A ROYAL BRIERLEY STUDIO CASED PURPLE AND GOLD IRIDESCENT

GLASS VASE, 1980s

of tapering ovoid form with everted neck, acid etched factory mark, paper label 22cm high

R 1 500 - R 2 0001091


WORKS OF ART

1099AFTER EMILE PICAULT (1833-1915): A FRENCH BRONZE

OF A WARRIOR

modelled standing, a sword in his right hand resting on a shield bearing the inscription ‘HONOR PATRIA’, signed on the base E.

PICAULT, with label ‘Le Devoir Par E. Picault, and stamp ‘vrai bronze garanti, Paris’29,5cm high

R 1 500 - R 2 000

1100HEINRICH VON MICHAELIS (1912-1990): AN ART DECO STYLE BRONZE

FIGURE OF FALCON ATTACKING A DUCK

on an oval base, chip, signed and dated 193558cm high

ILLUSTRATED

R 15 000 - R 20 000



1101A PAIR OF CHINESE BRONZE TRIPOD CENSERS AND COVERS,

LATE 19TH CENTURY

each globular body moulded in low relief on either side with birds amongst foliage, elephant-head handles, raised on three bamboo-moulded feet, the pierced cover with a seated Buddhistic-lion fi nial 37cm high (2)

R 5 000 - R 7 000

VARIOUS PROPERTIES

1102A CHINESE CLOISONNÉ BANDED TWO-HANDLED VASE,

19TH CENTURY

of archaistic form, the tapering ovoid patinated bronze body enemelled with four bands of lotus blossoms amongst scrolling foliage, the shoulder applied with a pair of taotie-mask-and-ring handles, enamel loss, seal mark32cm high

R 3 000 - R 4 000

1103A PAIR OF CHINESE CLOISONNÉ ENAMEL CENSERS

IN THE FORM OF DUCKS

each with an elegant S-shaped neck, the wings in the form of a removable cover, decorated overall with archaistic scrollwork and hook patterns against a white ground, gilt-bronze beak and feet, chips, impressed numerals15,5cm high (2)

R 2 000 - R 3 000

1104A CHINESE CARVED IVORY VASE, LATE 19TH CENTURY

of tapering ovoid form with elongated neck, carved in low relief on either side with a panel enclosing peonies issuing from rockwork reserved against a ground of further peonies and foliage below a band of fl owerheads and scrolls, the neck with a band of lappets below further panels, the oval foot with a Greek-key border, crack25cm high

R 3 000 - R 4 000

1100


1105A CHINESE EXPORT IVORY CARD

CASE, 19TH CENTURYthe rectangular body carved with fi gures amidst pavillions and blossoming trees, 10cm high; and A Pair of Chinese Export Ivory Handles, 19th Century, each tapering cylindrical body carved with a dragon, birds and butterfl ies amongst clouds between bands of stiff leaves and fl owerheads17cm long (3)

R 1 500 - R 2 000

R 1 500 - R 2 000

1106A JAPANESE IVORY OKIMONO

OF A MAIDEN, MEIJI PERIOD,

1868-1912

standing, holding a scythe in her left hand and carrying a basket fi lled with foliage and a tied bundle of grasses, cracks, losses, 17,5cm high, with wooden stand; and A Japanese Ivory Okimono of a Farmer, Meiji Period, standing, feeding the rice chaff from a rice scoop to a chicken by his feet, signed, repair, cracks 11,5cm high (2)

R 2 000 - R 3 000

R 1 500 - R 2 000


OF A FARMER AND CHILD, MEIJI

PERIOD, 1868-1912

standing, holding a bamboo broom with which he sweeps fallen fruit and foliage, a child by his side reaching for the branch of fruit which he holds in his right hand, cracks14cm high, fi xed wooden stand

R 3 000 - R 4 000

R 1 500 - R 2 000


OF A TRADESMAN, MEIJI PERIOD,

1868-1912

standing, resting a tray ladened with containers of food and beverage on his right shoulder and carrying a lantern in his left hand, a kinchaku attached to his obi, repair, cracks, signed17cm high, with wooden stand

ILLUSTRATED

R 4 000 - R 6 000

R 1 500 - R 2 000

1108

1112

1109

1113

1110

1114

1111



OF AN ELDERLY PEASANT, MEIJI

PERIOD, 1868-1912

standing, holding a staff in his right hand and carrying a basket fi lled with a bundle of water lilies over his shoulders, chip, cracks, signed17cm high, with wooden stand


R 5 000 - R 7 000

R 1 500 - R 2 000


OF A CHICKEN FARMER, MEIJI

PERIOD, 1868-1912

standing, lifting a woven bamboo cage releasing a hen and her chicks for feeding time, chip, cracks, repair, signed17cm high, with wooden base


R 7 000 - R 9 000

R 1 500 - R 2 000


OF A FISHERMAN, MEIJI PERIOD,

1868-1912

standing bare foot, wearing an apron of straw, holding a harpoon in his right hand, his left arm raised as if looking out to sea, losses, cracks, signed19cm high, with wooden stand


R 5 000 - R 7 000

R 1 500 - R 2 000

1112A JAPANESE IVORY OKIMONO OF

AN EGG SELLER, MEIJI PERIOD,

1868-1912

seated on a rush mat, holding a soroban, a woven basket fi lled with eggs and a hatching chick by his side, an open account book resting on top of the basket and another by his side, chips, cracks, repair, signed10cm high, with wooden stand

IILLUSTRATED ON OPPOSITE PAGE

R 5 000 - R 7 000

R 1 500 - R 2 000


A WOODSMAN, MEIJI PERIOD,

1868-1912

seated on a bundle of faggots rolled in a rush mat, holding a double-gourd vessel and a cup, cracks, seal lacking9,5cm high, with wooden base


R 5 000 - R 7 000

R 1 500 - R 2 000


A MAN TYING HIS LACES, MEIJI

PERIOD, 1868-1912

standing with one foot raised on a tree trunk, fastening with both hands the laces of his waraji, two woven and tied bundles by his foot, chips, cracks, signed9,5cm high, with wooden stand


R 4 000 - R 6 000

R 1 500 - R 2 000


A BARREL-MAKER, MEIJI PERIOD,

1868-1912seated on a rush mat, listening to the song of a bird perched above him as he works on the inner side of a large barrel with a tool which he holds with both hands, a box of tools beside him, cracks, seal lacking12cm high, with wooden stand

ILLUSTRATED

R 10 000 - R 15 000

R 1 500 - R 2 000


THREE FIGURES, MEIJI PERIOD,

1868-1912

a samurai standing, supporting a peasant with an anguished expression, a double-gourd vessel in his right hand and clutching a sword in his left, a kneeling tradesman by their side with a pleading expression, a wooden bucket, bundle and a basket by their feet, cracks, chips, signed13cm high, with wooden stand

R 6 000 - R 8 000

R 1 500 - R 2 000

1115


1117A JAPANESE BRONZE FIGURE OF

A FARMER, LATE MEIJI PERIOD,

1868-1912

modelled seated on a tree stump, holding a basket of food in his left hand and chopsticks in his right, his scythe by his side, signed 16cm high, with wooden stand

R 3 000 - R 4 000

1118ISODA KORYUSAI (1764-1788):

TWO JAPANESE WOODBLOCK

PRINTS

oban tate-e, one depicting four courtesans, the other with two courtesans playing with a child, signed Koryusai ga, published by Eijudo, staining, creasing, framed (2)

R 2 000 - R 3 000

1119KUNISADA/TOYOKUNI III

(1786-1865): A JAPANESE

WOODBLOCK TRIPTYCH

oban triptych, depicting a three-quarter portrait of a nobleman and two courtesans before a plum tree at night, signed Toyokuni ga, creasing, fading, framed

R 3 000 - R 4 000

1120OHARA KOSON (1877-1945): TWO

JAPANESE WOODBLOCK PRINTS

rectangular, one with starlings diving, the other with sparrows in fl ight amongst plantains, foxing, Ohara Koson seal, framed (2)

R 2 000 - R 3 000

1121OSAKA SCHOOL: TWO JAPANESE

WOODBLOCK PRINTS OF KABUKI

ACTORS,

LATE 19TH/EARLY 20TH CENTURY

koban tate-e, each depicting a bust portrait, signed, framed(2)

R 1 500 - R 2 000

1122TWO JAPANESE ‘KIMONO’

PATTERN WOODBLOCK PRINTS,

EARLY 20TH CENTURY

aiban yoko-e, one depicting a fl ower-fi lled jardiniére, the other a fi gure playing a fl ute, signed, staining, creasing, framed (2)

R 1 500 - R 2 000

1123TWO THAI GILT PAINTINGS ON

BLACK SILK

each rectangular, one depicting the Khmer mermaid Sovan Macha embracing the monkey general Hanuman, the other with two traditional Thai dancers, 28cm by 26cm, framed; and A Thai Painting on Black Silk, square, depicting three musicians 28cm square, framed (3)

R 2 000 - R 3 000

1124A TIBETAN SILK EMBROIDERED

THANGKA OF GREEN TARA,

18TH CENTURY AND LATER

the large central fi gure of Green Tara seated in lalitasana, the attitude of ease, on a multi-coloured lotus, resting her right foot on a separately cast bloom, her naked upper torso swaying gently to the left as she raises her left hand holding the stem of a lotus fl ower, the right hand held down at the knee in the gesture of charity, varada mudra, and holding the stem of another lotus, her placid face backed by a red halo, surrounded by twenty further Green Tara and two Buddhist religious leaders, Tsong-Khapa and Atisa, surrounded by clouds amongst precious objects and foliage enclosed within silk borders above a dragon amongst stylised clouds and waves, silk overlay169cm by 148cm

PART ILLUSTRATED ON OPPOSITE PAGE

R 8 000 - R 10 000

1125A THAI GILT-BRONZE FIGURE OF A

BUDDHA, 20TH CENTURY

seated in vajrasana on a three-tier base, his right hand in bhumisparshamudra, the left resting on his lap, wearing samghati, his face with meditative expression, elongated earlobes, curled hairdress and usnisha topped by a fl ame30,5cm high


R 1 500 - R 2 000

1126A GANDHARA STUCCO HEAD OF

BUDDHA, EARLY 20TH CENTURY

after the originals from 2nd-4th Century, the oval face carved with a meditive expression, arched eyebrows above heavy lidded eyes, pursed lips and his hair arranged in incised ridges terminating in a domed ushnisha, 18cm high, with wooden stand; and A Gandhara Stucco Head of an Aged Man, Early 20th Century, with gaunt, angular features and abundant beard13cm high, with wooden stand (2)

R 3 000 - R 4 000

1127A KHMER-STYLE BRONZE HEAD

OF A DEITY

his face with full lips and incised eyes, his curly hair rising to a conical chignon secured by a foliate tiara tied neatly at verso, 28cm high, raised on a wooden base; and Another, with braided hair rising to a domed ushnisha 24cm high, raised on a wooden base (2)


R 5 000 - R 7 000


1128A LARGE PAIR OF BRONZE TANG-STYLE FIGURES OF CAPARISONED

PRANCING HORSES, 20TH CENTURY

each modelled standing with foreleg raised and with open mouth, the trappings hung with tassels, the saddle covered with a blanket, on a rectangular base95,5cm high (2)


R 6 000 - R 8 000

1129A PAIR OF THAI-STYLE BRASS-MOUNTED FIGURES OF CAPARISONED

ELEPHANTS, 20TH CENTURY

each painted with overall verdigris-style patina36,5cm high (2)


R 3 000 - R 4 000

1130 NO LOT

1124 DETAIL

session 5) 961-1130 ceramics

Documents

e r stephens

staffordshire russet

staffordshire figure

gilding rubbed12cm high

dessert plates

oval giltline base

giltline oval base

dinner plates