shape&value 2012 - web

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DRAWING WITH SHAPE and VALUE

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Page 1: Shape&value   2012 - web

DRAWING WITHSHAPE and VALUE

Page 2: Shape&value   2012 - web

VOCABULARY

Page 3: Shape&value   2012 - web

VOCABULARY

Line

Page 4: Shape&value   2012 - web

VOCABULARY

Line a point extended in both directions

Page 5: Shape&value   2012 - web

VOCABULARY

Line

Shape

a point extended in both directions

Page 6: Shape&value   2012 - web

VOCABULARY

Line

Shape

a point extended in both directions

lines combined to create an enclosed space

Page 7: Shape&value   2012 - web

VOCABULARY

Line

Shape

Value

a point extended in both directions

lines combined to create an enclosed space

Page 8: Shape&value   2012 - web

VOCABULARY

Line

Shape

Value

a point extended in both directions

lines combined to create an enclosed space

the lightness or darkness of something

Page 9: Shape&value   2012 - web

VOCABULARY

Line

Shape

Value

Form

a point extended in both directions

lines combined to create an enclosed space

the lightness or darkness of something

Page 10: Shape&value   2012 - web

VOCABULARY

Line

Shape

Value

Form

a point extended in both directions

lines combined to create an enclosed space

the lightness or darkness of something

combining shape and value to create the illusion of three dimensions on a flat surface

Page 11: Shape&value   2012 - web
Page 12: Shape&value   2012 - web

Line

Page 13: Shape&value   2012 - web

Line

Page 14: Shape&value   2012 - web

Line

Page 15: Shape&value   2012 - web

Line Shapeto

Page 16: Shape&value   2012 - web

Line Shapeto

Page 17: Shape&value   2012 - web

Shape starting to become 3-D

Page 18: Shape&value   2012 - web

Shape starting to become 3-D

Page 19: Shape&value   2012 - web

Shape starting to become 3-D

Page 20: Shape&value   2012 - web

Shape starting to become 3-D

Page 21: Shape&value   2012 - web

Shape starting to become 3-D(then erasing lines we don’t need)

Page 22: Shape&value   2012 - web

Shape starting to become 3-D(then erasing lines we don’t need)

Page 23: Shape&value   2012 - web

Shape

Page 24: Shape&value   2012 - web

Shape Value

Page 25: Shape&value   2012 - web

Shape Value

Page 26: Shape&value   2012 - web

Shape Value

Page 27: Shape&value   2012 - web

Shape Value

Page 28: Shape&value   2012 - web

Shape Value

Page 29: Shape&value   2012 - web

Shape Value

Page 30: Shape&value   2012 - web

Shape Value

Page 31: Shape&value   2012 - web

Shape Value

Page 32: Shape&value   2012 - web

Shape

Page 33: Shape&value   2012 - web

Shape +

Page 34: Shape&value   2012 - web

Shape Value+

Page 35: Shape&value   2012 - web

Shape Value+ =

Page 36: Shape&value   2012 - web

Shape Value+ =

Page 37: Shape&value   2012 - web

Shape Value+ =

Page 38: Shape&value   2012 - web

Shape Value+ =

Page 39: Shape&value   2012 - web

Shape Value+ =

Page 40: Shape&value   2012 - web

Shape Value+ =

Form

Page 41: Shape&value   2012 - web

Shape Value+ =

Formcombining shape & value to create the illusion of being 3-D on a flat surface

Page 42: Shape&value   2012 - web

LIGHT SOURCES

Page 43: Shape&value   2012 - web

LIGHT SOURCES

Page 44: Shape&value   2012 - web

LIGHT SOURCES

Page 45: Shape&value   2012 - web

LIGHT SOURCES

Page 46: Shape&value   2012 - web

LIGHT SOURCES

Page 47: Shape&value   2012 - web

step one:identifying a range of values within a photograph

Page 48: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 49: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 50: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 51: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 52: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 53: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 54: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 55: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 56: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 57: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 58: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 59: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 60: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 61: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 62: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 63: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 64: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 65: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 66: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 67: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 68: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 69: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 70: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 71: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 72: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 73: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 74: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 75: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 76: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 77: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 78: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 79: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 80: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 81: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

Page 82: Shape&value   2012 - web

step one:identifying a range of values within a photograph

Page 83: Shape&value   2012 - web

DRAWING WITH SHAPES AND VALUES

step 1 Fill in the VALUE SCALE below using a pencil. Leave the FIRST box blank, then fill in the LAST box completely, making it as dark as you can. (Try pushing down harder on your pencil to get darker values). Then, gradually fill in the boxes to make a smooth scale, from very light, to very dark, so there is a gradation from the first white box to the last very dark box.

step 2 Choose seven different colored markers, then outline each of your squares above in a different color.

step 3 Identify areas in the drawing below which match the value of the darkest box in your value scale, then outline those areas with the corresponding marker color. Once you have identified all the areas with that value, repeat the process for each value in your value scale!

Shane Henderson, Art 1, 2008

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step two:drawing WITHOUT LINES

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drawings that rely on outlines

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getting better, but still relying on outlines

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wow! see how much more like real life it looks?

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challenge: SHADE but DON’T SMUDGE

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challenge: SHADE but DON’T SMUDGE

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challenge: SHADE but DON’T SMUDGE

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challenge: SHADE but DON’T SMUDGE

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challenge: SHADE but DON’T SMUDGE

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challenge: SHADE but DON’T SMUDGE

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challenge: SHADE but DON’T SMUDGE

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challenge: SHADE but DON’T SMUDGE

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you need:(each end-of-table group)

• 3 blocks• a light• a tray• a tracing cardboard• a background paper

DO THIS TODAY:• agree on a block set up• trace the blocks on the

background paper• 1-2 members of the

group should photograph the set-up with a camera/phone

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step three:identifying - and drawing - a full range of values FROM OBSERVATION

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value scale

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value scale

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value scale1 2 3 4 5 6 7

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value scale

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value scale

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value scale1 2 3 4 5 6 7

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our final projectstarting to talk about

for this unit

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our final project

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our final projectmake sure...

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our final projectmake sure...• you have a STRONG COMPOSITION (using

SIZE, VIEW, PLACEMENT - not too much negative space)

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our final projectmake sure...• you have a STRONG COMPOSITION (using

SIZE, VIEW, PLACEMENT - not too much negative space)

• you have stayed away from OUTLINES

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our final projectmake sure...• you have a STRONG COMPOSITION (using

SIZE, VIEW, PLACEMENT - not too much negative space)

• you have stayed away from OUTLINES• you have stayed away from SMUDGING

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our final projectmake sure...• you have a STRONG COMPOSITION (using

SIZE, VIEW, PLACEMENT - not too much negative space)

• you have stayed away from OUTLINES• you have stayed away from SMUDGING• you have included a FULL range of values (think

about the value scales you’ve made)

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our final projectmake sure...• you have a STRONG COMPOSITION (using

SIZE, VIEW, PLACEMENT - not too much negative space)

• you have stayed away from OUTLINES• you have stayed away from SMUDGING• you have included a FULL range of values (think

about the value scales you’ve made)• you have shaded the BACKGROUND /

NEGATIVE SPACE accurately - don’t just leave it blank

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value scale

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value scale

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value scale1 2 3 4 5 6 7

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without a strong light source

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with a strong light source(woo!)

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Look for shapes of values

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Look for shapes of values

Instead of a line, put 2 shapes against each other to make an edge

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Look for shapes of values

Instead of a line, put 2 shapes against each other to make an edge

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Look for shapes of values

Instead of a line, put 2 shapes against each other to make an edge

Look for the darkest values

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Look for shapes of values

Instead of a line, put 2 shapes against each other to make an edge

Look for the darkest values Then the lightest

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Look for shapes of values

Instead of a line, put 2 shapes against each other to make an edge

Look for the darkest values Then the lightestThen the values in the middle

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Look for shapes of values

Instead of a line, put 2 shapes against each other to make an edge

Look for the darkest values Then the lightestThen the values in the middle

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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-Look for shapes of values

-Instead of a line, put shapes against each other to make edges

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So, there are 3 different things going on here:

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So, there are 3 different things going on here:

1. drawing from OBSERVATION

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So, there are 3 different things going on here:

1. drawing from OBSERVATION

2. thinking about COMPOSITION in our drawings

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So, there are 3 different things going on here:

1. drawing from OBSERVATION

2. thinking about COMPOSITION in our drawings

3. drawing with SHAPES & VALUES

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without a strong light source

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with a strong light source(woo!)

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1. drawing from OBSERVATION

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1. drawing from OBSERVATION

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1. drawing from OBSERVATION

?

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“Sighting”

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“Sighting”

using your writing implement to help you figure out accurate angles

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“Sighting”

using your writing implement to help you figure out accurate angles

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“Sighting”

using your writing implement to help you figure out accurate angles

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“Sighting”

using your writing implement to help you figure out accurate angles

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“Sighting”

using your writing implement to help you figure out accurate angles

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“Sighting”

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“Sighting”see this

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“Sighting”see this

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“Sighting”see this

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“Sighting”see this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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“Sighting”see this

draw this

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thinking about COMPOSITION in our drawings

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thinking about COMPOSITION in our drawings

these are sort of boring.

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thinking about COMPOSITION in our drawings

these are sort of boring.

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thinking about COMPOSITION in our drawings

these are sort of boring.

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thinking about COMPOSITION in our drawings

these are sort of boring.

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thinking about COMPOSITION in our drawings

these are sort of boring.

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thinking about COMPOSITION in our drawings

these are sort of boring.

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thinking about COMPOSITION in our drawings

these are sort of boring.

there is a lot of “dead space”

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thinking about COMPOSITION in our drawings

these are sort of boring.

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thinking about COMPOSITION in our drawings

these are sort of boring.

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thinking about COMPOSITION in our drawings

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if you want to show the whole thing, try something like this:

thinking about COMPOSITION in our drawings

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if you want to show the whole thing, try something like this:

thinking about COMPOSITION in our drawings

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thinking about COMPOSITION in our drawings

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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thinking about COMPOSITION in our drawings

but remember, when you consider size, view, and placement, there are LOTS of ways to make your composition interesting!

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please get out your agenda books

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please get out your agenda books

★ visual dictionary & rubric DUE Friday, 12/7

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please get out your agenda books

★ visual dictionary & rubric DUE Friday, 12/7

★ TEST drawings with value scale (both regular pencil and white on black paper) DUE tomorrow

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please get out your agenda books

★ visual dictionary & rubric DUE Friday, 12/7

★ TEST drawings with value scale (both regular pencil and white on black paper) DUE tomorrow

★ bring in a white object for WEDNESDAY