shirobako words ep12_word

8/10/2019 Shirobako Words Ep12_Word

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A

(Afu-Reko)

ADR

Abbreviation for "After Recording." Record voices in sync with video. In anime,

instead of using the completed version, there is a version specifically created for

ADR. Recording voices first, then matching the animation to the voices is called "Pre-

Sco" for Pre-Scoring.

(Iro Tsuki)

Colored

Movies made for editing and audio with color in them. An almost-complete state.

Uncolored video is called Sen-dori(Line Film) or Shiroi(White). Compared to

Colored video, one cannot do as much work edit-wise nor audio-wise. Because of

worsening production conditions, it is not rare to perform audio work with Sen-dori.

(Iro ShiteiKensa)

Color Directions/Inspection

There is something called a Color Modelthat is a record of how to color in the

characters that is made per scene by the color setting staff. Color Direction

instructs which color model to use per cut. Sometimes, the colors of small objects

that only make an appearance for one episode are decided by this section. The cuts

that have their color models decided are then sent to a

Finishsection where they are actually colored in. The inspection section then

checks to see if the correct colors were used, and if any mistakes are made.

(Ire-Kiri)

Full Insert

Handing over all materials needed for work.

A Part

First part of the episode before the commercial break.

(E Konte)

StoryboardUsing the given scenario, one illustrates cuts, screen composition, and character

actions along with voice lines and duration. Serves as blueprint of animation.

(E-Konte wo Kitteiru)

Cut the Storyboard

Means to draw the storyboard.


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(Enshutsu)

Episode Director

Using the storyboard, position that directs acting and images for certain sections.Present at all meetings/checks throughout anime process.

*Literally means interpretation/mise-en-scenebut acts more like a stage director in anime

production.

M

Theatrical and/or accompaniment music.

All Rush

Put all cuts in numerical order and check. During this process, person in charge can

pick up mistakes in continuity and check coherence within a scene.

(All Konte Satsu)

All Board Filming

Movie that connects all filmed storyboards together.

(Omoi Cut)

"Heavy Cut"

A cut heavy in calories, meaning a cut requiring a lot of hard work.

(Onkyou Seisaku)

Audio Production

Section that operates and deals with audio staff, VA (voice actor), staff arrangement,

audio studio arrangement, order ADR script.

(Onkyou Kantoku)

Audio Director

The person responsible for all things audio for an anime. Does everything from voice

actor casting, ordering which pieces of music to use, deciding how to use BGM and

sound effects during Dubbing, and instructing voice actors with their acting.


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Ka

(Kaishuu)

Retrieval

In the anime industry, there are many times when the staff cannot get together in one

place. Production goes to their workplaces and gathers their work.

(Cut-Bukuro)

Cut Bag

A thick envelope to protect materials from damage and dirt during shipping. Despite

digitalization, art is still drawn on paper. Cut number, duration, advisor, sheet

number, camerawork, footnotes, various other pieces of information are directly

written on the bag.

"Cutting"Editing process. See "Editing" for full definition.

"Camerawork"

Term for technique of postulating a movie camera filming a character, and moving that

camera.

(Gaya)

Chatter

Chit chatvoices that have no specified dialogue, such as casual talking in the

background and cheering of crowds.

(Kantoku)

Director

The person that brings together everything regarding an anime. Participates from the

very first stages of production, including planning and scenario building, and when

the work enters production, he or she provides instructions such as acting and

renditions for certain scenes and his/her interpretation of the works world.

(Kan-Pake)

"Complete Package"Data with all work finished and is in a state ready to be broadcasted.

(Kyakuhon)

Script

Who is doing what, when and where. Character actions and dialogue written out as text.

Made up of paragraphs, dialogue, and stage directions.


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(Kiroku)

Records

During Rush Check for retake, sometimes work is broken up into check movie controls

and record-keeping. Records on retake and cut numbers are kept.

Cue Lamp

Lamp inside the (voice) recording booth. Also used at times when staff from the

adjustment room wants to give cues to the cast.

Character Design

Person who creates a character blueprint,a 3D design that makes it easier for

animators to move the characters. Designs for a characters physical image is done by

a Character Genan (Character Draft),but when an animator handles

the first drafts, he or she will also often be responsible for character designs.

Gloss

Means Assemble.Also called Gloss-Dashi (Gloss Out) and Gloss-Uke (Gloss In). When

dealing with a TV series, production Gloss is outsourced on a per-episode basis from a

base company to a different production company. There are also other forms of Gloss,

such as animation and finish.

(Genga)

Key Animation

Illustrations of key movement points (beginning, critical junctures, end). Those in

charge of this section are called Genga-man.

(Genga Youshi)

"Key Animation Paper"

The paper that a Genga-man uses to draw on.

New

(Gensatsu)

"Key Filming"

Movie data filmed in its Key Animation stage.

(Gen-ban)

"Original Version"

Here (at Musashino Animation), this term points to the master video data that will be

copied and eventually sent to the broadcasting companies.


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(Koubanhyou)

"Cast List"

List that shows which characters show up at which scenes. The list used by Audio andAnimation are different. What you see in episode 2 is the audio list.

(Kouka)

"Effects"

Section that prepares ambient and emotional sounds, and adds sound effects when

needed. Sound Effects = SE.

(Conte Satsu)

Board Filming

Film the storyboard for a predetermined amount of seconds, or the movie format.


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Sa

(Sakuga)

Animation

Collective term for Key, Inbetween, A.D. Correction.

(Sakuga Retake)

Animation Retake

During Rush Check, retakes on animation that needs to be fixed. Missing character

parts, corrections on actions and facial expressions, etc.

(Sakuga Houkai)

"Animation Deterioration"

When the quality of the product drops drastically. A tragedy due to a collapse in

scheduling.

(Sakuga Plan)

"Animation Plan"

Plan of action for a character, and the planning for the final make-up of what is on

the screen of a particular cut.

(Saku-Uchi)

"Animation Meeting"

Meeting for animation staff. E.D. and Genga-men come together to discuss acting plans

based on storyboard.

*Uchiis short for Uchi-Awase,which means meeting.

(Sashikae)

Replace

Taking an unfinished take from an edited movie, and replacing it with a more completed

take. There are different types of replacements, such as pre-ADR replacing, pre-

Dubbing replacing, and pre-Original movie replacing.

(Satsuei)Filming

Digital software now allows production to composite character on backgrounds, add

effects, and export in movie data. Before digitalization, process consisted of placing

Cels on top of illustrated backgrounds and actually taking pictures with a camera.


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(Satsuei-Uchi)

"Film Meeting"

Episodic Director and Filming Director's meeting before their work.

(Satsu-Ire)

"Film Insert"

The act of handing over work to the film section.

(Satsuei Ire-Kiri)

"Film Full Insert"

Fully handing over all materials to the film section.

(Sakkan)

A.D.

Abbreviation for Animation Director.

In charge of certain episodes and their animation quality. Checks coherency among

animations drawn by several key animators, and adds corrections. Has very high

technique. If schedule is tight, one episodes work is headed by several Animation

Directors.

(Sakkan Up)

A.D. Up

Either the deadline for an Animation Directors work, or the directors finished

work itself.

(Sakkan Ire)

A.D. Insert

The act of giving materials (Layout checks or Key Animation) to the Animation Director

so that he/she can work on it. Or the materials themselves.

(Sakkan Sagyou)

A.D. Work

Corrections made by the Animation Director.

(Sakkan-Ho)

"A.D. Assist"

Assist the A.D. and lessen the load of their work.

(Shiage)


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Finish

Process of coloring in characters and objects. Now, colors can be digitally added on

with a computer, but during the Cel days, colors were painted on transparent acetate

sheets.

(Shiage Kensa)

Finish Check

Finishis coloring picture data from video. Finish Checkis review of

Finishedproduct, so that there are no errors and everything is colored as

directed.

(Shinkouhyou)

Progress Sheet

One episode is made up of roughly 280~340 cuts. The table that compiles each cuts

progress is the Progress Sheet.Sheet management is most important in

understanding and managing a schedule. Although rudimentary, rookie producers often

forget to update the sheet, after which they get yelled at by the Desk.

(Shinjin Genga)

Rookie Key

A Genga-manwith little experience.

3D Check

Check 3DCG modeling data and motions.

(3D Kantoku)3D Director

Person responsible for all the 3DCG used in the anime. Performs operations such as

checking the CG made by the staff and managing schedules as well as the materials.

(Seisaku Shinkou)

(Animation) Production Progress

Person responsible for managing production from storyboard to delivery for specific

episodes. From scheduling and material management to staff arrangement, distribution,

and transportation, there is endless work. Since they have a hand in basically all

sections, they often go on to become directors or producers.

(Seisaku Iinkai)

Production Committee

An organization that handles various business operations, as well as collect funds to

produce the anime. It aims to disperse capital risk by investing in numerous companies.

Shareholding companies are given different kinds of rights and royalties, and in turn

use those rights to perform business. (Ex: Books, CDs, Packages, Toy Distribution)


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*You always see the name of each animes committee at the very end of the opening/ending

credits.

(Settei Seisaku)

"Setting Production"

Supervise settings of characters, art, objects, and collect references and materials

of these settings.

(Sou-Sakkan)

"General A.D."

Gather the work from several A.D. over several episodes, and unify the small changes

in character art.


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Ta

"Time Sheet"

Paper with timing for animation and directions written during filming.

"Tap"

Tool that holds animation paper, which has holes in it, in place so they don't go out

of alignment. During animation, it becomes the position of standard.

Dubbing

Matching sound data, BGM, and sound effects with video.

Desk

Person for schedule management and progress coordination for the entire anime. Mainwork: adjust workload of the main staff, follow up progress, solve problems that occur

over time. The stuff he/she hears over the phone are almost never good news.

(Doushi)

Inbetween Finish

Douga (animation)+Shiage (finish).

Also can be used for Doushi-Maki,which is the shipping of animation and finish.

(Douga Kensa)

"Video Inspection"Section that checks whether the exported video has any errors and if it was made as

instructed.

(Douga)

"Video"

Clean up Key Animation, add in-between movements, make into animation. Or the actual

materials themselves. People in this section are called "Douga-man."

(Togaki)

Stage DirectionEverything in the scenario that is not actor dialogue. Includes situation, emotions,

actions put into words.


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"Talkback"

Machine that communicates between control room and recording room. Audio Director

instructs cast inside the recording room while pressing the Talkback Switch.

*In episode 2, the button the director (chubby in blue) presses when they re talking about how

the voice actor should be saying her lines.

(Trace Dai)

Trace Table

Also known as Light Table.A table with a board of glass or acrylic over a light

source such as a fluorescent lamp. It is built into the animation desk. The light

makes overlapping animation paper transparent, enough for the bottom to be visible

through the top. It is used for key, inbetween, and video animation work.


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Na

(Nakawari ga Tokeru)

The Inbetween is melting

The process of adding video (meaning frames) between Key images is called nakawari

or inbetween animation.When this inbetween portions quality decreases and

the animation seems to deteriorate, it is sometimes referred to as melting.

(Ni-Gen)

2nd Key

Abbreviation for Secondary Key Animation.

Animation is broken up into two parts: Key Animation and Layout. Furthermore, Key is

at times split into 1st and 2nd Key. 2nd Key are like assistants.

(Nouhin)"Final Product"

Finalizing the completed movie. Beyond this stage are sponsors, distributors, and

broadcast companies.


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Ha

(Bara)

"Scatter"

Data by cut. Checking this data and fixing retakes for it is called "Bara-Check."

(Bara-Check)

Scatter Check

Check each cut to see if it was filmed properly or if data is correct. Points out cuts

that need corrections for quality upgrade. Since the cuts are scattered, this is

called Scatter Checkor Retake Order.

New

Para

A type of video effect. Adding shadows on the screen or putting gradations. Before the

digital age, these were added using paraffin paper (wax paper), hence the name Parra.

(BG Uchi)

BG Meet

BG = Background. Meeting with art companies if/when they are employed to draw

backgrounds. Also called Bi-Uchior Fuukei-Uchi.

*Biis short of Art, and Fuukeimeans backgrounds.

B Part

The second half of the episode, following the commercial break.

(V-Hen)

"V-Edit"

Abbreviation for Video Edit. Insert telop (captions/subtitles), perform final checks,

and make product into satisfactory form.

(Henshuu)

Edit

The Edit process. Also called Cutting.Following the storyboard, the editorconnects the cuts of all filmed data, adjusts length of each cut so that it shows the

intended meaning, changes the order of cuts, etc. In a TV series, there is a specific

broadcast format, and so the editor must adjust length for TV.


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(Help no Shigoto)

Helpers Work

Here (at Musashino Animation), this points to when someone helping out with another

episodes key animation in their free time, despite it not being from an episode they

are assigned to.

Voice Over

Taking translated audio and placing them over video.

Board Check

The art materials that serve as guidelines for each cuts background work is called

the Art Board. This is the check for that board.


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Ma

(Maki)

Disperse

The process of shipping out animation and finishing work. For times when work is

outsourced to different studios, which is how the process got its name.

(Maki Modosu)

Re-Disperse

The process of re-outsourcing to another person/organization, if for some reason a

studio is no longer available for assistance.

(Mawari Komi)

"Wrap-Around"

Expression of putting character on an axis and wrap the camera around. Requiresprecise calculations and time-consuming animation technique.

Mixer

Person in charge of adjusting the balance of the volumes of character lines, sound

effects, and BGM, then processing the audio.

(Mixer Joshu)

Assistant Mixer

Handles recording operations using Protools as well as manage the settings of the

equipment at the audio studio. Helps to make operations run as smooth as possible.

"Maker P"

Often means Producer of package production company. FYI, it is common to separate

animation production () and merchandise production ().

*Both and are read as Seisaku,which means production.

New

(Me-Pachi)

Eye Flash

Luminance or shine.


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(Moto-Uke)

Base Company

An animation company that a sponsor company directly contracts for production. In a TV

series, it is rare for one company to produce all episodes. Often, another company

will be employed for production on a per-episode basis. This secondary company is

called Gloss-Uke.Even when production is outsourced (called Gloss-Dashi),however, pre- and post-production is often managed by the Moto-Ukecompany.

*Ukemeans receive or redeem. Literally, Moto-Ukemeans receive the original. Dashi

()means to export.


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Ra

"Line P"

Abbreviation for Line Producer. Responsible for production site. Mainly performs

staffing, scheduling, budget management duties.

RushRush Check

Rush (film) is a term from the days when film was used. It is film developed for post-

production work so that the original film will stay undamaged. This term is now means

the movie data made for checking.

Rush Check is the process of checking the movie data to see if there are any problems.

There are two types: Bara-Checkand All Rush.

- Bara-Check(Scatter Check)

Check each cut to see if it was filmed properly or if data is correct. Points out

cuts that need corrections for quality upgrade.Since the cuts are scattered, this is called Scatter Checkor Retake Order.

- All-Rush

Put all cuts in numerical order and check.

During this process, person in charge can pick up mistakes in continuity and check

coherence within a scene.

Rush Room

Room with all the necessary equipment to perform Rush Check.

(Rough-Gen)

Rough Key

As previously mentioned, the Key Animation work, up to Layout+First Key Animation

(Ichi-Gen), AKA the deliverables. The product before the Finish Work of the Key

Animation.

Line Director

Line refers to the manufacturing department that the project is assigned to. The

director heads that department.

Retake

Cut in need of correction.

(Retake Shuusei)

Retake Revision

Correction of Retake content that was ordered during check.


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"Layout"

Screen composition drawn from storyboard. Has character positions and backgrounds.

After going through layout presentation and A.D. checks, this layout is sent to the

background section for background art work.

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