shots, angles, moves, and continuity created by mr. hutchinson

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Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson The Shot

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The elements within a shot – the action, dialogue, camera movement, choice of lenses, costumes, scenery, etc. – are known collectively as mise- en-scene (literally, what is put in scene).

TRANSCRIPT

Page 1: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

Shots, Angles, Moves, and ContinuityCreated by Mr. Hutchinson

The Shot

Page 2: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

Shot*A continuous series of

individually exposed frames

*Ends when there is an edit

Scene*A continuous series of

individual shots that are edited together

Shot vs. Scene

Don't Mess the Jesus, Man - The Big Lebowski

Page 3: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

Mise-en-scene

• The elements within a shot – the action, dialogue, camera movement, choice of lenses, costumes, scenery, etc. – are known collectively as mise-en-scene (literally, what is put in scene).

Page 4: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

Close up (CU)

• A shot in which the image dominates the entirety (or near entirety) of the screen.

• Usually conveys strong emotion (regardless of emotion).

Page 5: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

Extreme Close-up

(ECU)

• This is when the shot focuses on a very specific part of the close up

• Essentially, it’s a zoomed-in close up

• This is done for emphasis and can denote emotion

Page 6: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

*Medium Shot (MS)

• A shot that might show a character from his knees up

• Variation on the medium shot is a Cowboy – which usually refers to the waist/belly button up

Page 7: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

*Long Shot (LS)

• The subject’s entire body is in frame, from head to toe.

• Can have a varied effect – Usually meant to show subject within their surroundings, but can also allow space in the frame for other pieces of information

Page 8: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

*Extreme Long Shot (ELS)• This would show the

entire person within the environment; the person would be a very small part of the frame

• What feeling/sense do you get from the pictures to the right?

Page 9: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

What can you surmise about this extreme long shot? What might play an important role in the story of this

film?

Page 10: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

Camera Angles

Page 11: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

High Angle Low Angle

High Angle vs. Low Angle

Camera is placed at an angle above the subject / Gives the effect of looking down on the subject and diminishes subject physically

Camera is placed at an angle below the subject / Gives the effect that the subject has added importance and appears dominant in the frame

Page 12: Shots, Angles, Moves, and Continuity Created by Mr. Hutchinson

• Camera is tilted slighted, creating the feeling that the subject is unbalanced, evil or in a dangerous circumstance

• Since the angle is “off,” the audience can assume something is “off” about the characters

Dutch Angle