The main image of the film consists of a long wide shot of the leading actor Leonardo Di Caprio posed as his character Teddy Daniels. He is standing on a rock empowered by the fog around him, looking downwards; behind him is an island with a lighthouse built onto it. The image instantly relates to the film title. We are shown straight away that this is where our narrative will take place. The sell-line above the film title reads “Leo takes over the asylum!” This gives us another indication of that film’s narrative. We can picture that the island in which Di Caprio’s character is on is some sort of mental asylum. We can further develop out idea of the narrative as Di Caprio has a police badge on his belt and a gun in his hand. This shows that Teddy Daniels is some sort of police officer who is investigating the asylum. The gun represents that there is some sort of threat existing on the island. The mist that surrounds the island represents an unknown element. This could mean that there is some sort of mystery involved in the island. This would imply that the Shutter Island narrative falls under the

crime/thriller genre. We therefore are able to establish a target audience for our film. The main image is able to sell itself to the target audience as they would be interested in this sort of narrative. Leonardo Di Caprio is however the main selling point of this film. As the film was a one off film, at the time of the release no one would have known as much on the film as perhaps a film which had a prequel, for example Harry Potter. Because Di Caprio is a massive Hollywood actor he is regarded a top rated actor. This brings in a number of audiences as people will want to go see this film because he features in it. The film title that appears on this front cover is the similar to the one which is on the film’s poster. The blocked and bold red colours which appear in both this front cover and the film poster create a resemblance in which the readers may be able to identify with. In the film poster the island appears again. You can establish that it is the same island as the distinctive lighthouse appears in both. This creates a symbiotic link between these two promotional media texts as people will be able to distinguish the film. If people are constantly reminded of the film they are more likely to take an interest and go watch it. Leonardo is featured in the film poster as well, emphasising that he is an important and unique selling point for the film.

The magazine’s masthead is in huge upper case letters and is placed at the top of the front cover, conventionally so. The white colouring stands out against the dark blue setting of the main image, allowing it become striking in view. The “Total” in the masthead uses the background of the main image to allow it to stand out against the white text, a smart method used. Despite Leonardo Di Caprio’s covering up some part of the masthead, it is still recognisable as the masthead’s font never changes throughout every edition released. The masthead is the key aspect of the brand identity, so no matter what main image there is or if it is covering the masthead, readers will know what

magazine it is. The lighthouse in the main image mirrors the same shape as the “M” on Film, so again despite the letter being partially covered; you can easily establish the name of the magazine. The masthead’s font is big and bold resembling big blockbuster films, which Total Film magazine promotes in their front covers, appealing to the target readership who is obviously interested in films, particularly blockbusters.

The first sell-line that I was attracted to what was the Shutter Island, this is mainly because it is the biggest sell-line and it partially runs across the front cover. This sell-line takes up the largest amount of space out of all them because it is the main sell-line promoting the film in the main image. The blocked red text grabs reader's attention as it stands out clearly against the main image. Above this piece of text reads Dicaprio Exclusive. This line of text is highlighted in red and has a similar printed style to the font used for the wording of Shutter Island. This creates a link between the two, to show that they are part of the same sell line. Below this reads “Leo takes over the asylum!” this is an obvious link to the shutter island film and gives the target audience some indication the narrative. Finally underneath the large “Shutter Island” text reads “Inside Marty’s madhouse”. This again coincides with the Shutter Island film. It most likely a regard to the director or producer of the film and attracts target audiences who may already be aware of this person. They will be more incline into read about it. The colour red runs throughout the front cover. Below the main sell-line are three different films that are reviewed in this edition of the magazine. These texts also highlighted in red, attracting reader’s attention to these sections. They may be new films that the target audience is interested in finding out about. At the very bottom of the front cover is a section of other films that are included in the magazine. The “Plus” at the beginning of this section is in red, pulling readers eyes into this section. This is needed to be done as the bottom of a media text is usually neglected. The final word of this section reads “Are you a robot?” Asking a rhetorical question directly to readers, it develops a relationship between magazine and reader. On the right hand section there is only one sell-line, this is because the right hand side of the page is usually the last thing looked at. In order to attract readers to this part of the page however, editors have used an image of the blockbusting film Avatar. This pulls in film lovers as this was an iconic film representing the modernisation of technology. Again this sell-line has red highlighting to it, further attracting audiences to this section. At the very top of the page is a sell-line which will engage real film enthusiasts. The sell-line is in regards to sketchbooks of films which have been made available by top filmmakers. There is also an image in relation to this feature of the magazine. This will attract film lovers and artists who would love the chance to look at the imaginations and creative ideas of these filmmakers.