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ART BEAUTY CULTURE DESIGN FASHION GASTRONOMY MUSIC SPORTS TRAVEL CONTRIBUTORS ARCHIVE VIDEOS Search Log In Or Register Language Silvia Prada: The New Modern Hair Home / Art / Friday, January 18, 2013 Vintage Coiffes Inspire the Artist’s Playful New Investigation Into Masculinity in LA From the side-swept “executive contour” to the manicured pin-curls of the “Alexander,” New York-based illustrator Silvia Prada’s renderings of men’s hairstyles remind us how a cut can communicate authority, sex appeal and identity—all with a proper dose of humor and glam. The Spanish-born artist has created a series of smooth graphite renderings of crops popular with gentlemen from the 1950s to the 70s, resulting in a taxonomy of silhouettes that emphasizes the thoughtfulness and care with which men have cultivated their image over the decades. “I really enjoy the idea of an alpha male who is secure, masculine and clean-cut—and who knows how to carry his hair,” says Prada, whose father was a well-known hairdresser in León and who grew up surrounded by barbershop imagery. “Hair within context of identity is something quite primal, especially with men,” she explains. “It provides cues to character traits—even when they’re naked.” The New Modern Hair debuts today at LA’s Pacific Design Center, adding to an exhibition list that already includes shows at Deitch Projects in Manhattan and MoCA Shanghai. Paired with backdrops of abstract patterns and shapes that recall the modernist-inflected style of the Bauhaus or the graphic punch of 1980s pop abstraction, as well as some inspirational photographs and objects donated by creative friends such as the artist Robert Knoke and filmmaker Bruce LaBruce, Prada’s images suggest a visual language of aspiration that goes beyond the salon. Silvia Prada’s The New Modern Hair will be on view at the Pacific Design Center in Los Angeles until February 26. Tags: Art , Slideshow , Illustration , USA , Los Angeles , Silvia Prada , The New Modern Hair , Pacific Design Center CONVERSATIONS (0) ADD A COMMENT MOST SHARED CONTRIBUTOR PICKS EDITORS LIST Seu Jorge: The Model The Brazilian Music Star Gives His New Album a... Sooyeon Lee: Grand Slam The Table Tennis Champ Stars in Matthew Donaldson's... Treehotel: Recline in Pine An Eco-Friendly Retreat in Sweden's Enchanted Forest Share: Credits LOVE FOLLOW US TWITTER FACEBOOK YOUTUBE Danny Bowien: Mission Chinese The Culinary Rogue Reveals the Secrets of Chinatown and the Music of Sichuan Cuisine PREVIOUSLY ON NOWNESS REPLAY SLIDESHOW Search Log In Or Register Language ART BEAUTY CULTURE DESIGN FASHION GASTRONOMY MUSIC SPORTS TRAVEL CONTRIBUTORS ARCHIVE VIDEOS

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Page 1: Silvia Prada: The New Modern Hair - NOWNESS...Jan 18, 2013  · the Norway native Reljin duo. “[Robert] was starting to work on Battle Box, and at the same time we were experimenting

ART BEAUTY CULTURE DESIGN FASHION GASTRONOMY MUSIC SPORTS TRAVEL CONTRIBUTORSARCHIVE

VIDEOS

Search Log In Or Register Language

Silvia Prada: The New Modern Hair

Home / Art / Friday, January 18, 2013

Vintage Coiffes Inspire the Artist’s Playful New Investigation Into Masculinity in LA

From the side-swept “executive contour” to the manicured pin-curls of the “Alexander,” New York-based illustrator Silvia Prada’s renderings ofmen’s hairstyles remind us how a cut can communicate authority, sex appeal and identity—all with a proper dose of humor and glam. TheSpanish-born artist has created a series of smooth graphite renderings of crops popular with gentlemen from the 1950s to the 70s, resulting in ataxonomy of silhouettes that emphasizes the thoughtfulness and care with which men have cultivated their image over the decades. “I reallyenjoy the idea of an alpha male who is secure, masculine and clean-cut—and who knows how to carry his hair,” says Prada, whose father was awell-known hairdresser in León and who grew up surrounded by barbershop imagery. “Hair within context of identity is something quite primal,especially with men,” she explains. “It provides cues to character traits—even when they’re naked.” The New Modern Hair debuts today at LA’sPacific Design Center, adding to an exhibition list that already includes shows at Deitch Projects in Manhattan and MoCA Shanghai. Paired withbackdrops of abstract patterns and shapes that recall the modernist-inflected style of the Bauhaus or the graphic punch of 1980s popabstraction, as well as some inspirational photographs and objects donated by creative friends such as the artist Robert Knoke and filmmakerBruce LaBruce, Prada’s images suggest a visual language of aspiration that goes beyond the salon.

Silvia Prada’s The New Modern Hair will be on view at the Pacific Design Center in Los Angeles until February 26.

Tags: Art , Slideshow , Illustration , USA , Los Angeles , Silvia Prada , The New Modern Hair , Pacific Design Center

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MOST SHARED

CONTRIBUTOR PICKS

EDITORS LIST

Seu Jorge: TheModelThe Brazilian Music StarGives His New Albuma...

Sooyeon Lee: GrandSlamThe Table TennisChamp Stars in MatthewDonaldson's...

Treehotel: Recline inPineAn Eco-Friendly Retreatin Sweden's EnchantedForest

Share:Credits LOVE

FOLLOW US TWITTER FACEBOOK YOUTUBE

Danny Bowien: Mission ChineseThe Culinary Rogue Reveals the Secrets of Chinatown and theMusic of Sichuan Cuisine

PREVIOUSLY ON NOWNESS

REPLAY SLIDESHOW

Search Log In Or Register LanguageART BEAUTY CULTURE DESIGN FASHION GASTRONOMY MUSIC SPORTS

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Page 2: Silvia Prada: The New Modern Hair - NOWNESS...Jan 18, 2013  · the Norway native Reljin duo. “[Robert] was starting to work on Battle Box, and at the same time we were experimenting

ON REPLAY

Battle BoxMassive Attack’s Robert Del Naja Instigates a Dark Fusion of Music, Art and Discoursein His Newest Project

Frozen roses collide with a dancing rooster in today’s kaleidoscopic premiere of “BattleBox 001” by Robert Del Naja, known to Massive Attack fans as the band's co-founder,3D. Featuring haunting vocals from Elbow frontman Guy Garvey, the track ventures intothe militant dub territory of the Bristol band’s 90s reign. “We used about 50 differenttypes of roses,” says co-director Dusan Reljin, who created the video's shattering visualswith his wife Hilde. “After dipping each one into liquid nitrogen we blew them up withdynamite and makeup powder. Some of them exploded really nicely and some of themwere a complete disaster.” Using a phantom camera to slow the footage down, the resultis an otherworldly fantasia reminiscent of animated Rorschach ink blot tests. Theuntraditional collaboration grew organically out of shared interests between Del Naja andthe Norway native Reljin duo. “[Robert] was starting to work on Battle Box, and at thesame time we were experimenting with these images, trying to morph things," saysDusan. “We started talking to him about the project and he responded well. We wanted aslightly gritty, home-made feeling to it. That’s the way 3D works with his music, too.” The Vinyl Factory releases “Battle Box 001” today.

(Read More)

MOST SHARED IN ART

Thomas Demand: Paper WeightThe German Artist Talks TMZ and Evil's Kitchen from his LA Studio

Conceptual artist Thomas Demand discusses how an encounter with a picture on acelebrity gossip website instigated his latest work in today’s film from White Zinfandelmagazine, which will celebrate the release of its “Food Fights”-themed issue during thisweek's NADA Miami Beach fair. Based between Los Angeles and Berlin, Demand isknown for building life-sized, three-dimensional paper and cardboard models of spaces,inspired by found images, that he then photographs himself and almost always ultimatelydestroys. This singular technique is behind his recent “Junior Suite,” a work for which theMunich-born sculptor and photographer recreated Whitney Houston’s insalubrious half-eaten “last meal” in her Beverly Hilton Hotel room as it appeared in an image publishedon TMZ. The film by Friend & Colleague, a studio founded by Alexei Tylevich with hissister Katya, sees Demand reveal how he visited the hotel and ordered the same food inan attempt to achieve a kind of accuracy within the murky world of trivia andgeneralization. Since his rise to prominence in the mid-1990s, the artist's innovative workhas earned him a mid-career retrospective at MoMA in 2005, as well as major soloshows at London's Serpentine Gallery and the Neue Nationalgalerie in Berlin, and pastinspirations for his scale copies include a soldier’s snapshot of the kitchen SaddamHussein used before his capture and the studio of an artist targeted by the Baader-Meinhof gang. “An underlying assumption in my work is that one way we come tounderstand who we are is through the images that we collect and remember,” he says.Seen through Demand's oeuvre, images as we remember them, much likethose intended to sell the most newspapers or get the most clicks online, are in manyways fictional. Thomas Demand is among 30 contributors to the latest issue of White Zinfandel, whichwill host "De Nada", an amuse-bouche culinary collaboration taking place at Miami'sHotel Deauville this Thursday December 6, 2012.

(Read More)

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Page 3: Silvia Prada: The New Modern Hair - NOWNESS...Jan 18, 2013  · the Norway native Reljin duo. “[Robert] was starting to work on Battle Box, and at the same time we were experimenting

Illustrator Margot BowmanImagines the Ornaments ofTomorrow in a Three-PartCelebration of Christmas 2062

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The Godfather of Avant-GardeCinema Celebrates His 90thWith a Major Retrospective andWorld Premiere

Reflections On Sixty Years OfFilmmaking AccompanyUnseen Archival Footage of theFilmmaker at Work.

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