simons center, july 30, 2012 carlo h. séquin university of california, berkeley artistic geometry...

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Simons Center, July 30, 2012 Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

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Page 1: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Simons Center, July 30, 2012Simons Center, July 30, 2012

Carlo H. Séquin

University of California, Berkeley

Artistic Geometry -- The Math Behind the Art

Page 2: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

ART ART MATH MATH

Page 3: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

What came first: Art or Mathematics ?What came first: Art or Mathematics ?

Question posed Nov. 16, 2006 by Dr. Ivan Sutherland“father” of computer graphics (SKETCHPAD, 1963).

Page 4: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

My Conjecture ...My Conjecture ...

Early art: Patterns on bones, pots, weavings...

Mathematics (geometry) to help make things fit:

Page 5: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Geometry ! Geometry !

Descriptive Geometry – love since high school

Page 6: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Descriptive GeometryDescriptive Geometry

Page 7: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

40 Years of Geometry and Design40 Years of Geometry and Design

CCD TV Camera Soda Hall

RISC 1 Computer Chip Octa-Gear (Cyberbuild)

Page 8: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

More Recent CreationsMore Recent Creations

Page 9: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Homage a Keizo UshioHomage a Keizo Ushio

Page 10: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

ISAMA, San Sebastian 1999ISAMA, San Sebastian 1999

Keizo Ushio and his “OUSHI ZOKEI”

Page 11: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei””

Page 12: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (1) (1)

Fukusima, March’04 Transport, April’04

Page 13: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (2) (2)

Keizo’s studio, 04-16-04 Work starts, 04-30-04

Page 14: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (3) (3)

Drilling starts, 05-06-04 A cylinder, 05-07-04

Page 15: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (4) (4)

Shaping the torus with a water jet, May 2004

Page 16: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (5) (5)

A smooth torus, June 2004

Page 17: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (6) (6)

Drilling holes on spiral path, August 2004

Page 18: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (7) (7)

Drilling completed, August 30, 2004

Page 19: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (8) (8)

Rearranging the two parts, September 17, 2004

Page 20: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (9) (9)

Installation on foundation rock, October 2004

Page 21: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (10) (10)

Transportation, November 8, 2004

Page 22: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (11) (11)

Installation in Ono City, November 8, 2004

Page 23: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Making of The Making of ““Oushi ZokeiOushi Zokei”” (12) (12)

Intriguing geometry – fine details !

Page 24: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Schematic Model of 2-Link TorusSchematic Model of 2-Link Torus

Knife blades rotate through 360 degreesas it sweep once around the torus ring.

360°

Page 25: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Slicing a Bagel . . .Slicing a Bagel . . .

Page 26: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

. . . and Adding Cream Cheese. . . and Adding Cream Cheese

From George Hart’s web page:http://www.georgehart.com/bagel/bagel.html

Page 27: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Schematic Model of 2-Link TorusSchematic Model of 2-Link Torus

2 knife blades rotate through 360 degreesas they sweep once around the torus ring.

360°

Page 28: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Generalize this to 3-Link TorusGeneralize this to 3-Link Torus

Use a 3-blade “knife”

360°

Page 29: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Generalization to 4-Link TorusGeneralization to 4-Link Torus

Use a 4-blade knife, square cross section

Page 30: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Generalize to 6-Link TorusGeneralize to 6-Link Torus

6 triangles forming a hexagonal cross section

Page 31: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Keizo UshioKeizo Ushio’’s Multi-Loopss Multi-Loops There is a second parameter:

If we change twist angle of the cutting knife, torus may not get split into separate rings!

180° 360° 540°

Page 32: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Cutting with a Multi-Blade KnifeCutting with a Multi-Blade Knife

Use a knife with b blades,

Twist knife through t * 360° / b.

b = 2, t = 1; b = 3, t = 1; b = 3, t = 2.

Page 33: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Cutting with a Multi-Blade Knife ...Cutting with a Multi-Blade Knife ...

results in a(t, b)-torus link;

each component is a (t/g, b/g)-torus knot,

where g = GCD (t, b).

b = 4, t = 2 two double loops.

Page 34: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

““Moebius SpaceMoebius Space”” (S (Sééquin, 2000)quin, 2000)

ART:Focus on the

cutting space !Use “thick knife”.

Page 35: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Anish KapoorAnish Kapoor’’s s ““BeanBean”” in Chicago in Chicago

Page 36: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Keizo Ushio, 2004Keizo Ushio, 2004

Page 37: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

It is a It is a Möbius Band Möbius Band !!

A closed ribbon with a 180° flip;

A single-sided surface with a single edge:

Page 38: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Twisted Möbius Bands in ArtTwisted Möbius Bands in Art

Web Max Bill M.C. Escher M.C. Escher

Page 39: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Triply Twisted Möbius SpaceTriply Twisted Möbius Space

540°

Page 40: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Triply Twisted Moebius Space (2005)Triply Twisted Moebius Space (2005)

Page 41: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Triply Twisted Moebius Space (2005)Triply Twisted Moebius Space (2005)

Page 42: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Splitting Other StuffSplitting Other Stuff

What if we started with something What if we started with something more intricate than a torus ?more intricate than a torus ?

. . . and then split that shape . . .. . . and then split that shape . . .

Page 43: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Splitting Möbius Bands (not just tori)Splitting Möbius Bands (not just tori)

Keizo

Ushio

1990

Page 44: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Splitting Möbius BandsSplitting Möbius Bands

M.C.Escher FDM-model, thin FDM-model, thick

Page 45: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Splits of 1.5-Twist BandsSplits of 1.5-Twist Bandsby Keizo Ushioby Keizo Ushio

(1994) Bondi, 2001

Page 46: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Splitting Knots …Splitting Knots …

Splitting a Möbius band comprising 3 half-twists results in a trefoil knot.

Page 47: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Splitting a Trefoil into 2 StrandsSplitting a Trefoil into 2 Strands Trefoil with a rectangular cross section

Maintaining 3-fold symmetry makes this a single-sided Möbius band.

Split results in double-length strand.

Page 48: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Split Moebius Trefoil (SSplit Moebius Trefoil (Sééquin, 2003)quin, 2003)

Page 49: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

““Infinite DualityInfinite Duality”” (S (Sééquin 2003)quin 2003)

Page 50: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Final ModelFinal Model

•Thicker beams•Wider gaps•Less slope

Page 51: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

““Knot DividedKnot Divided”” by Team Minnesota by Team Minnesota

Page 52: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Splitting a Knotted Möbius BandSplitting a Knotted Möbius Band

Page 53: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

More Ways to Split a TrefoilMore Ways to Split a Trefoil

This trefoil seems to have no “twist.”

However, the Frenet frame undergoes about 270° of torsional rotation.

When the tube is split 4 ways it stays connected, (forming a single strand that is 4 times longer).

Page 54: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Twisted PrismsTwisted Prisms

An n-sided prismatic ribbon can be end-to-end connected in at least n different ways

Page 55: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Helaman Ferguson: Umbilic TorusHelaman Ferguson: Umbilic Torus

Page 56: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Splitting a Trefoil into 3 StrandsSplitting a Trefoil into 3 Strands Trefoil with a triangular cross section

(twist adjusted to close smoothly, maintain 3-fold symmetry).

3-way split results in 3 separate intertwined trefoils.

Add a twist of ± 120° (break symmetry) to yield a single connected strand.

Page 57: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Another 3-Way SplitAnother 3-Way Split

Parts are different, but maintain 3-fold symmetry

Page 58: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Split into 3 Congruent PartsSplit into 3 Congruent Parts

Change the twist of the configuration!

Parts no longer have 3-fold symmetry

Page 59: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

A Split TrefoilA Split Trefoil

To open: Rotate one half around central axis

Page 60: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Split Trefoil (side view, closed)Split Trefoil (side view, closed)

Page 61: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Split Trefoil (side view, open)Split Trefoil (side view, open)

Page 62: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Triple-Strand Trefoil (closed)Triple-Strand Trefoil (closed)

Page 63: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Triple-Strand Trefoil (opening up)Triple-Strand Trefoil (opening up)

Page 64: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Triple-Strand Trefoil (fully open)Triple-Strand Trefoil (fully open)

Page 65: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

A Special Kind of Toroidal StructuresA Special Kind of Toroidal Structures

Collaboration with sculptor Brent Collins: “Hyperbolic Hexagon” 1994 “Hyperbolic Hexagon II”, 1996 “Heptoroid”, 1998

Page 66: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Brent Collins: Brent Collins: Hyperbolic HexagonHyperbolic Hexagon

Page 67: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

ScherkScherk’’s 2nd Minimal Surfaces 2nd Minimal Surface

2 planes the central core 4 planesbi-ped saddles 4-way saddles

= “Scherk tower”

Page 68: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

ScherkScherk’’s 2nd Minimal Surfaces 2nd Minimal Surface

Normal“biped”saddles

Generalization to higher-order saddles(monkey saddle)“Scherk Tower”

Page 69: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

V-artV-art(1999)(1999)

VirtualGlassScherkTowerwithMonkeySaddles

(Radiance 40 hours)

Jane Yen

Page 70: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Closing the LoopClosing the Loop

straight

or

twisted

“Scherk Tower” “Scherk-Collins Toroids”

Page 71: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Sculpture Generator 1Sculpture Generator 1, GUI , GUI

Page 72: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Shapes from Shapes from Sculpture Generator 1Sculpture Generator 1

Page 73: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

The Finished The Finished HeptoroidHeptoroid

at Fermi Lab Art Gallery (1998).

Page 74: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

On More Very Special Twisted ToroidOn More Very Special Twisted Toroid

First make a “figure-8 tube” by merging the horizontal edges of the rectangular domain

Page 75: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Making a Making a Figure-8Figure-8 Klein Bottle Klein Bottle

Add a 180° flip to the tubebefore the ends are merged.

Page 76: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Figure-8 Klein BottleFigure-8 Klein Bottle

Page 77: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

What is a What is a Klein Bottle Klein Bottle ??

A single-sided surface

with no edges or punctures

with Euler characteristic: V – E + F = 0

corresponding to: genus = 2

Always self-intersecting in 3D

Page 78: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Classical Classical ““Inverted-SockInverted-Sock”” Klein Bottle Klein Bottle

Page 79: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

How to Make a How to Make a Klein Bottle (1)Klein Bottle (1)

First make a “tube” by merging the horizontal edges of the rectangular domain

Page 80: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

How to Make a How to Make a Klein Bottle (2)Klein Bottle (2) Join tube ends with reversed order:

Page 81: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

How to Make a How to Make a Klein Bottle (3)Klein Bottle (3)

Close ends smoothly by “inverting one sock”

Page 82: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

LimerickLimerick

A mathematician named Klein

thought Möbius bands are divine.

Said he: "If you glue

the edges of two,

you'll get a weird bottle like mine."

Page 83: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

2 Möbius Bands Make a Klein Bottle2 Möbius Bands Make a Klein Bottle

KOJ = MR + ML

Page 84: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Fancy Klein Bottles of Type KOJFancy Klein Bottles of Type KOJ

Cliff Stoll Klein bottles by Alan Bennet in the Science Museum in South Kensington, UK

Page 85: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Klein Klein KnottlesKnottles Based on KOJ Based on KOJ

Always an odd number of “turn-back mouths”!

Page 86: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

A Gridded Model of A Gridded Model of Trefoil KnottleTrefoil Knottle

Page 87: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Some More Klein Bottles . . .Some More Klein Bottles . . .

Page 88: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

TopologyTopology

Shape does not matter -- only connectivity.

Surfaces can be deformed continuously.

Page 89: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

SmoothlySmoothly Deforming Surfaces Deforming Surfaces

Surface may pass through itself.

It cannot be cut or torn; it cannot change connectivity.

It must never form any sharp creases or points of infinitely sharp curvature.

OK

Page 90: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Regular HomotopyRegular Homotopy

Two shapes are called regular homotopic, if they can be transformed into one anotherwith a continuous, smooth deformation(with no kinks or singularities).

Such shapes are then said to be:in the same regular homotopy class.

Page 91: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Regular Homotopic Torus EversionRegular Homotopic Torus Eversion

Page 92: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

ThreeThree Structurally Different Structurally Different Klein BottlesKlein Bottles

All three are in different regular homotopy classes!

Page 93: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

ConclusionsConclusions

Knotted and twisted structures play an important role in many areas of physics and the life sciences.

They also make fascinating art-objects . . .

Page 94: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

2003: 2003: ““Whirled White WebWhirled White Web””

Page 95: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Inauguration Sutardja Dai Hall 2/27/09Inauguration Sutardja Dai Hall 2/27/09

Page 96: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Brent Collins and David LynnBrent Collins and David Lynn

Page 97: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Sculpture Generator #2Sculpture Generator #2

Page 98: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

Is It Math ?Is It Math ?Is It Art ?Is It Art ?

it is:

“KNOT-ART”

Page 99: Simons Center, July 30, 2012 Carlo H. Séquin University of California, Berkeley Artistic Geometry -- The Math Behind the Art

QUESTIONS ?QUESTIONS ?

?